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#ask all the questions though
boojangs · 2 months
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How she looks at her when she isn't looking:
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How she looks at her:
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How she looks at her when she isn't looking:
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How she looks at her:
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Building Trust:
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Coming Home:
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gunsatthaphan · 5 months
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twitter needs to be stopped jkhdfs
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originalartblog · 1 year
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the origin story
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poorly-drawn-mdzs · 9 months
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Cannot Unsee. Cannot Unknow.
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divorcedfiddleford · 2 days
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You made a post saying “it has been zero days since our last alex hirsch hates ford so much bullshit” and i know it was mostly hyperbole, but you have some really good takes that I would love to be elaborated on in terms of how ford is written
it really wasn't hyperbolic. over the years he's just really shown a lot of hatred towards this one character.
content warning: discussion of abuse
i want to start with this clip from the commentary which i think of as a microcosm for how the writers and especially alex think about ford.
transcript:
rob renzetti: i mean he [mcgucket] should've basically knocked ford out, and... and destroyed the... you know, tied him up, and, destroyed... and... alex hirsch, speaking over him: yeah he should've beat ford with a wrench and taken this thing apart piece by piece! he's the one who understood how to built [sic] it, but...
... so that seems like a pretty violent course of action. shall we unpack that?
ford is a character who's pretty explicitly written as a victim of abuse, and who now has c-ptsd as a direct result of the abuse he experienced. alex hirsch believes that ford deserved everything bad that happened to him, that it's ford's own fault, and that he also deserved worse things to happen to him. this is why, given every narrative chance, alex hirsch has piled more suffering onto ford's plate. the biggest example of this i can think of is in the journal, when he wrote that fiddleford was actively erasing ford's memory (despite this being a massive timeline contradiction which i still refuse to accept). because god forbid ford even have one remotely healthy relationship with somebody. that would be too good for him. ford was manipulated and lied to by bill, but alex repeatedly compares him to icarus, a teenager whose demise was the result of his own ignorance. this comparison is still so fucking offensive to me. the sun did not lie to icarus, did not guarantee icarus all of the happiness and success and sense of belonging which he had been denied all his life, did not actively shut out the voices of those around him who would try to help him.
alex in general has a very strange relationship with abuse. he seems to get really upset when people read his characters as victims of abuse. the strongest instance of this is actually not with ford, it's with pacifica - especially in the nwmm episode commentary. the episode says "pacifica's parents have conditioned her to respond to a bell" and alex says people got "the wrong idea" about it. like. dude. what the fuck. you wrote abuse. even if you didn't mean to, that's what you wrote. you can't say people got "the wrong idea" just because you didn't think about the subtext of what you were writing. anyway, back to ford: i believe this extends to him as well. alex wanted to write a character who's a foil to stan and who was a selfish unlikable victim of his own arrogance. however that's not what he wrote. he somehow seemingly accidentally wrote a really compelling and relatable awesome autistic guy who had to fight for every good thing he he ever had in his life only for it to be taken from him every single time. but alex can't let go of seeing ford as just "the opposite of stan". when he talks about "how someone as smart as ford could fall for bill's tricks", he refuses to realize he wrote a situation in which a man was being psychologically manipulated and tortured.
it goes back further, too. people repeatedly theorized that filbrick was... not a very good father, to say the least. on top of the very explicit and canon fact that he threw one of his children out on the street (seriously, there is no defense for this), people pointed out that stan would flinch at filbrick, that ford seemed upset by things filbrick said but dared not talk back, that filbrick was mad at stan not for hurting his brother, but for "costing the family potential millions". but alex can't have people seeing ford as sympathetic. ford can't have it bad like stan did. ford had to have everything and he lost it all because he sucks so much. so he wrote the graphic novel story where ford is filbrick's favorite child and filbrick also is not even a bad parent you guys he's just stoic. ignore the whole thing in dreamscaperers where stan perpetuates the abuse that filbrick did to him. ignore the fact that ford was shouting at stan and then completely shut up as soon as filbrick entered the room and did not say another word for the rest of the night. ignore all that because i just made up this story where he cries at a present from stan. filbrick loved his boys for sure you guys!!!
i'm not even touching on how alex repeatedly villainizes traits commonly associated with mental illness and neurodivergence. ford's hypervigilance becomes arrogance. his passion for knowledge means he's a know-it-all. his difficulty socializing and making friends means he's a misanthrope. his lingering resentment for the way he was raised means he hates his brother and is the worst human being to ever have lived. i could go on, go even further into how the finale reaffirms this, but i feel weird talking about this too much.
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r-aindr0p · 3 months
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Probably how the song cover yuu au would start, it branches from this headcanon post nothing too interesting as he mostly does it while alone but I figured I'll draw a little introduction in case I do random doodles of this little au.
Basically, he tries and sings >regrets it >posts the song >regrets it again >it gets shared >oh no >oh please no no no >ah fuck it, might as well film a clip for a cover at some point >not showing his real self tho
He labeled the songs as lost media as an excuse but he's not wrong and not right either, somehow... Since the songs are not from twisted wonderland they were never lost, but rather never existed but he can't tell this so yeah.
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slingbats · 2 months
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I put a little more effort into this than I should've but I combined some obvious influences together and came up with this
I've actually never seen a single movie with Matthew Lillard in it but I like his vibe - the only pictures I saw of him with long hair in any role were from Scooby Doo?? lol But, I just thought slightly longer hair would work well here
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uhbasicallyjustmilex · 4 months
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✨ ARCTIC MONKEYS ASK GAME ✨
favourite record opener track?
have you been to a live show? if so, feel free to share a photo/something particular that struck you about your experience!
humbug or tbh+c?
which member of the band would you most like to spend the afternoon with and why? how would you spend your time?
which album means the most to you?
if you had to pick one song from their discography to never hear again, which one would it be?
how long have you been a fan? tell us about your journey!
do you have any cool arctic monkeys memorabilia or keepsakes that are meaningful to you? (eg wristbands from a show, merch you’ve bought, signed stuff, tour posters)
what’s the first song you heard that made you fall in love with the band? where were you when you heard it?
what’s your favourite alex era hair? feel free to share photo examples!
have you ever created any fanart or fanfiction inspired by the band/involving anyone in the band? feel free to share a link!
do you have any arctic monkeys tattoos? if not, do you want any?
what are some of your favourite lyrics alex has written? (doesn't have to be arctic monkeys, can also include tlsp/ other artist collaborations/the submarine soundtrack)
do you own any physical copies of any of the albums?
favourite arctic monkeys b-side?
if each of the albums was a person, which one do you think you'd most be like and why?
favourite album cover?
if you could ask each member of the band something and have them answer honestly, what questions would you ask them?
what's your favourite quote said by someone in the band? feel free to share a link/clip!
favourite record ender track?
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creaturefeaster · 23 days
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Wiiirrreeee, is there a swamp on theia?
Oh absolutely!
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A very large portion of the lower east convex vertex in the focus continent is just a bunch of swampland. Along the rivers are a bit less stagnant but much older swampland, whereas the vast majority of land is stagnant overflood. Most of the water and plant life in the area is heavily endowed with the same magical essence you can find north west of the region, where Michael & his friends live.
A lot of the terrain is not considered habitable by most, and it's in these regions that you find a lot of plant people, treeple, fish people, pixies, or any other race that's heavily in tune with the earth & water.
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sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream
#like. there’s something almost helpless about that question. because gojo doesn’t *know* the answer…. he’s asking for reassurance#he wants to know if they’ll ever meet again even though deep down he knows the answer#and it’s so… bare? so vulnerable.#if he had voiced it that would’ve been the first time in TEN YEARS that gojo truly bared his heart to someone and asked for help#but he knew it would turn into a curse and so he gulped the words back down. :((#gojo is such a sincerely kind and thoughtful character and it breaks my heart that sooo many people in the fandom can’t see that 😭#he isn’t a saint and he definitely isn’t selfless but above all else his goal as a human being is to make sure no one ever feels alone.#that no one has their youth taken away from them….. that everyone gets a Choice in how to live their life :(((( it’s so important to him.#i just genuinely don’t understand ppl who insist that he’s morally gray ….. gojo is a consistently Good person and that never changes#he wants to have fun and laugh and he wants his students to enjoy their youth. he wants them to think he’s cool.#he’s the big brother slash father Ever and i love him to death#i got sidetracked this was supposed to be abt geto 😔😔 anyway the final scene between them will always be my Favorite ever#and the key to understanding both their characters and love for one another#ty for coming to my ted talk i’m feeling normal abt them today 😇😇#ari noises ✩
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Soft little touch doodle, because I love them.
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takitori67 · 5 months
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Can you draw juna and junao eating the spiciest stuff on earth (they’re enjoying it)
Bhima indulged his baby brothers (as long as they're happy and enjoying themselves)
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Bonus from the Kauravas:
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poorly-drawn-mdzs · 1 year
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who's your favorite character to draw? (doesn't have to be only mdzs characters)
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I'd have to go with...Little Apple and Wei Wuxian!
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deoidesign · 8 months
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Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?
Thank you so much!
To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.
It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!
(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)
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What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!
However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)
So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)
1: Separate study from application
I believe this is beneficial for a few reasons:
If the goal of every piece is learning, it can become frustrating, overwhelming, and boring
It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time
Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time
Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!
I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.
When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!
2: Let yourself do the things that feel "easy" or like "cheating"
This one is simpler: nothing in art is easy.
If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!
The only cheating in art is theft. If you're not stealing, then it's allowed!
My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.
But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)
Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!
I hope this helps!
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muzzleroars · 9 months
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Since eh... Michael is decomposing/rotting so to speak, would he still retain that same his "face"? Or would it melt like how Gabriel's did
he's uh. he's well.
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michael retains little of his angelic features, save for a few barbs/feathers that cling to the right side of his face. i liked the idea of him having something that mimics his light as he is not truly fallen, but i wanted it to contrast with fire in how it moves and behaves. i settled on a stringy, smog-like haze based loosely on soot tags, which are webbed threads made of substances that didn't fully burn after a house fire (do NOT look them up if you have a fear of spiders/spider webs!!! they're gross lol) the haze will slowly induce rot into anything it touches, though it doesn't seem to be spreading (good!) i also wanted physical remains of the lion flame that once crowned his head, so he has a set of lion teeth that overlap his angelic set (normally never seen beneath their face shield - i love giving angels all these like. weirdly vestigial body parts. they were never used, but instead something god left behind as he figured out how to make them and changed his ideas on how they would work) michael has not looked at himself, rather having raphael check beneath his helm occasionally to note any changes or deterioration.
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bombrushblushin · 26 days
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my friend got me to play new vegas a few weeks ago now and ever since then ive been Very Normal about it
more doodles under the cut‼️
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