As of tonight, I have come to a very important decision regarding my works: I will be orphaning all of my shipping/romance stories.
Some of you may have seen this coming with the other decisions I've made in the last few months, but I imagine most of you are very shocked by this, so please let me explain.
For a long time now, I've had a growing distaste for the focus I've put on ship fics and romance in the past. Even with me now writing non-romance fics, they are still vastly outnumbered by the fics that do have romance as a major component. Looking at my account statistics, the vast majority of the numbers in every category are mostly from ship fics. This domination is not the way I want my account to go, and it's not the identity I want to have as a writer. Thus, in order to "rebrand" myself as a non-romance writer and fully change direction, I will be orphaning all my stories that have romance as a major component, including my Amphibia and TGAMM oneshot collections. Through this I will have a fresh start without having to move to a new account.
Keep in mind that I am merely orphaning these works, not deleting them! Though I'm not very satisfied with them anymore, I know many people have loved them, and I don't want to just completely erase them from existence just because I don't like them anymore. By orphaning these works, people will still be able to read them, and they won't be lost to the void, so there's no need to fear that. When orphaning works, there's also an option to attach my name/pseud to the works even though they're not on my account anymore, which I'll be using to help avoid confusion when people see that they've been orphaned.
This is an absolutely huge step, and it's not one I take lightly. I've thought about this for a long time, and I've decided that it's the best way for me to be happy with my writing going forward. All of my ongoing fics, like The Long Road Home, Two's a Crowd, my TWDG What-If collection, and To Continue On will all be unaffected by this change, so fans of those works have no reason to worry about them.
Thank you all for your patience with me over these last few months. I've been going through a lot of changes in my personal life, and this is a really big milestone that I'm glad I've finally become brave enough to reach, even if I'm still a little worried about how people will react. I hope you'll all be understanding, and that those of you who are fans of my current ongoing stories will continue to be fans despite this upheaval.
Thank you very much for reading this, and for all your support over the years I've been writing. I hope you'll be with me for many more to come.
This one's pretty fucked up gang. TW for UNNATURALLY BENT/BROKEN/DISLOCATED LIMBS.
This is based on a one-off phrase by Jon Matteson in his TGWDLM watch party during Let It Out where he said "Was that bones breaking?" I'm assuming he meant bones cracking, as in the sound, but this got me thinking of an interpretation of Let It Out in which Pokotho breaks Paul's bones to make him pose and dance.
fanart for one of my fav fics "Not Broken, Just Bent" by @feallangilyvor !! its super well written, has natural dialogue, complex characters, and has bad sans poly x reader
they recently posted a new chapter and i reread it all lol
a scene from chapter thirteen <3 i made a super cute reader and im in love with her hair
He’s the one who eventually breaks the kiss, pulling back but resting his hands on the counter behind you to keep you in his space. He watches the way your cheeks bloom with colour, listening to the way your quiet breaths quicken just a hair.
they just. they used to be so sweet together. and then the election arc managed to genuinely turn them against each other (and bad is still affected by being caged in the museum) and i would NOT have been surprised if a rebellion had started within the next few weeks after their last fight and. they used to be friends and then they almost destroyed each other
and then the eggs went missing
and there are so many parallels between them, but one of the biggest parallels is how they're both protectors. they both protected the eggs (and, when he became president, forever extended that protection to the other islanders) but the eggs went missing and they had to put all of that aside. Forever was quicker to put it down than Bad was (it felt like only a very temporary truce, from Bad's end), but they put their problems on hold, because their eggs. were gone.
and another parallel. the destruction. both of them with their plans to cause ruin because then, maybe, theyll get their kids back. bad caused most of the grieving arc damage directly, and got aypierre and antoine to help him. he dug holes in the ground. he placed mines everywhere and leapt into them. he started the lavacasting process of the fed building (and was interrupted by admins, so he stopped, but philza and fit were still right to laugh at him lmaoo). he drilled a hole through the side of the federation office from a huge distance away. he has chosen to hurt his friends and himself to get the eggs back. whatever the cost.
forever destroyed the island. or he planned to destroy the island. or he was interrupted just before he destroyed the island or or or. I don't know. but it was big, and it was bad. bad enough that the feds had to step in and forcefully drug him, and kickstart the happy pills arc.
and the happy pills arc..... oughghghgh as fucking awful as it was for their characters to experience i genuinely truly think that it saved them from each other. when he was first told about forever being fucked up bad was still in the "i need to kick his butt" mindset, and was all ready for an excuse to kill forever. and then he saw forever. and the first proposal happened. and bad was angry and he was sad and upset and he was careful. forever tried to kill him. bad decided to save him. forever kept trying to marry him. forever kept taking the pills. forever was so scared of his own anger and all of the damage he could and would have caused to his family that he kept taking drugs that kept him so out of his mind he hallucinated his son was just sleeping safely at his house.
and they both tried to kill each other. and they both failed.
and bad showed phil and cellbit (and tubbo) the item scanner that dapper discovered, which could destroy him, because nothing else was working. because they needed to save forever. because bad was reminded by then that forever was a victim of the federation instead of just a mouthpiece for it. and then when forever woke up he saw bad, suffering, and so excited to see him awake.
and now they're here on opposite sides again with forever projecting his protection urges onto the fed worker in bad's basement and bad frustrated that he isn't being believed and his evil plans of giving ron lemons apology brownies is being interrupted and. look at them. soft "i hate you" and the appreciation room and bad's quiet heartbreak when he learned about forever being missing and the "i miss you" book bad got mad at because it asked him not to torture fed workers. does anyone hear me im so ill about them. do you understand they care about each other so much and the happy pills arc reminded them of that. forever realized bad is colourblind and bad assumed forever was poisoning him and then forever helped bad cheat on another colourblindness test and forever was giving bad flowers and bad was accepting them and accepted that he was colourblind despite his previously constant denial and! i don't know if im being comprehensible and i dont really care i will be honest i just need you to know i am frothing at the mouth like a rabid little beast. they are a TRAGEDY of miscommunication and external pressure but they love so so much. platonic or romantic or qpp they CARE and it tears me to shreds
the question of ruby’s character development prior to v9 really is interesting though—because there has undoubtedly been a marked shift in how the narrative is handling her now, versus the last eight volumes, even if the people who read it as a shift from static -> dynamic are mostly numpties. ruby’s character development throughout v1-8 is predominantly negative, in the specific sense that beneath the deceptively steady surface of her relentless optimism she has been sinking continually deeper into this mindset and ideal of noble, dutifully self-sacrificial heroism laid out by ozpin and reinforced by the huntsman system generally; she has learned and grown and changed from the person she used to be, nearly all of it in ways that were and are profoundly harmful to her own well-being, and in the current arc of the story she discovers this reality and is being made to face it. and the immensely self-destructive nature of her prior character development was largely obscured by her outward resilience, because rwby is the rare story that understands what extreme emotional repression can really look like.
in essence the narrative has given its protagonist eight volumes worth of character development that she needs to now unlearn because it’s killing her. and within the context of the story itself this is not a surprise (or it shouldn’t be) because it became inevitable the minute ozpin told ruby that good leadership requires her to never ever be anything less than perfect again and ruby took that as inspiration and a source of strength, and we’ve been watching her actively (if gradually) spiral since volume six—but it’s a surprise to the characters and it’s also a wild thing to do with a protagonist in a genre where the convention for protagonists is fairly linear development from struggling underdog to capable hero with, at best, a few temporary crises of self-doubt along the way—certainly nothing on the level of emotional harm ruby has suffered in the course of trying to have the conventional fantasy hero character arc.
I got these shoes from someone recently but thought they were way too plain looking, so I set out on a quest to customize them with some sharpies and charms and miscellaneous ribbon I had in my craft drawers. Mostly sky themed (clouds, rainbows, rain, stars, etc.) because that's my favorite aesthetic, but I had to include some cat imagery as well, of course lol.
Merry Christmas! Here are the LotR-themed presents I received this year: a notebook, LEGO Gandalf and Balrog, and a steel model kit of Minas Tirith!
The model kit was a surprise gift and is the best worst thing anyone’s ever bought for me. I’ve worked on this thing for about four hours so far, and it’s not even halfway done. It’s gonna be the death of me. I love it so much 🤣
Day 27: Clothing swap / Clone
DAY 22: "you weren't meant to be there"
Part 1 Part 2 part 3
There's a baby in her arms. Jazz can feel her, but can't let herself look down.
There's (a clone, a daughter) in her arms, and explosion in the background and she's not sure what's happening or what's going on or -
Focus
There is a child in her arms, and Jazz need to focus right now, because that child needs her. No matter who she might be, the kid is helpless and hurt and Jazz can't freak out. Not yet. Not until they reach safety.
There's a kid in her arms and blood on her hands and her ears are still ringing and she can't really think-
But there's someone else who needs her first.
So she takes a deep breath. Lock the panic away in that box in the back of her mind, right with things like "being fifteen" or "The Incident" or-
She finally let herself look down, and look at the toddler in her arms.
She's so small, she thinks. How could they do that?
She reach the car she brought, hidden by nature and just a touch of ectoplasm.
There are clothes she can change into.
There are things she can do to-
(Erase every single memory, pretend it never happened.)
But there is a child in her arms, in a collar and white little straight jacket. There's a shivering toddler in her hands, covered with blood and ecto and things she doesn't want to think of. There's a baby she put on the back seat as she take of those cursed things and wipe the dirt off her little body, the best she could. Take the clean shirt she kept in the car and carefully dress the little one, covering scars and wounds and layers of pain.
There is a daughter that opens her eyes for the first time, and her lips shiver as she cry
"Mommy?"
(Like it? I have more mini-fics in this au. And full size fics on ao3. )
i NEED to learn more about games and rules because the life series is so unbelievably tied up in Systems that it's like. breaking those rules has historically lead to many fan-favourite dynamics/characters (3l desert duo, ll bdubs and etho, dl pearl, to name a few)
Send ‘NAME’ for a starter where soulmates have each others names written somewhere on their body. - ( Bea ) @legeandary
The thing is: STATISTICALLY speaking, it's highly unlikely for people to find their soulmate, Nora knows as much. Even if you find someone with the name that's written across your skin, there's no guarantee that it's the right person. There's a hell of a lot of people in the world, and it's easier to settle for someone you can see yourself having a future with, regardless of your connection, because again: still meeting that person, even after marriage, is very unlikely.
Of course she's heard the stories about people finding each other. About how you're supposed to FEEL it when you come across what society has deemed the right person for you, but Nora's always had a habit of dismissing things that couldn't be proven for herself, and if she's being honest then she's had better things to do than going looking for a soulmate.
Her own mark had appeared on her eighteenth birthday, as they do, and Alex had been the one to discover it, the name Bea etched in the skin on her ribs, and honestly? Alex had seemed MORE surprised than Nora. It hadn't been the reason they had ended things, and she's glad about that, she really has.
Now she's got her arm linked with his as they fall into the line to be greeted by the royal couple whose wedding they're attending, along with their siblings. Alex is...in a MOOD, but Nora is determined to enjoy herself, so she smiles and swats at his shoulder when he misbehaves, and they're both eventually greeted by Prince Henry and his sister with smiles. Nora returns the smile and extends her hand to the woman, feeling a flash of electricity rush through her veins the moment their hands touch and her entire body seems to lock up for the briefest moment and then the right side of her ribcage begins to burn ever so slightly.
She tries to blink and regain some sort of control, her eyes snapping up to meet the other woman's, if only to gather whether or not she's the only one feeling whatever the hell this is. "PLEASURE to meet you," She finally manages, somewhat out of breath.