Tumgik
#bob haney
cantsayidont · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
There are some things in DC's voluminous back catalog that they ought to properly reprint because they're good — gems of past eras. However, there are also some things they ought to properly reprint because they're delightfully stupid, like the Superman/Batman team-ups from WORLD'S FINEST COMICS. DC has actually reprinted all the stories from the '50s, through about 1961, but a lot of the '60s material has only been reprinted in the B&W SHOWCASE PRESENTS books, which is a shame.
The WORLD'S FINEST team-ups went through several distinct phases. Superman, Batman, and Robin had shared the covers of WORLD'S FINEST COMICS since 1941, but it wasn't until 1954 that shrinking page counts obliged them to actually share the lead feature. The '50s stories are pretty good of their time, with some lovely Dick Sprang art, and the presence of Superman meant the drift into science fiction was less jarring than in the contemporary Batman books. In 1964, editorial control of WORLD'S FINEST passed to Mort Weisinger and it became a Weisinger-era Superman book that happened to have Batman and Robin in it. Starting in 1967, though, things started to get stranger and stranger as Weisinger's stable of sci-fi veterans like Edmond Hamilton and Otto Binder gave way to Bob Kanigher, Cary Bates, and Bob Haney, who turned out some exceedingly weird material. Stories like the two-parter about Superman having died and willed his super-organs to various people (#189–190) aren't quite as ghoulish as the covers suggest, but their inexplicable weirdness is emblematic of the period.
For a little while in the early '70s, DC evicted Batman from the series, making WORLD'S FINEST a general-issue Superman team-up book. (DC reprinted those issues in trade paperback in 2020.) This apparently wasn't a big commercial success, but rather than immediately returning to the expected Superman/Batman format, WORLD'S FINEST began to feature the Super-Sons, the teenage sons of Superman and Batman in a hazily defined parallel reality — written by Bob Haney, whose stories consistently evoke the sensation of mild concussion. The "real" Superman and Batman also returned, although they had to alternate with their hypothetical future sons, appearing roughly every other issue through 1976. From 1976 to 1982, WORLD'S FINEST once again became an oversize anthology book, with a Superman/Batman main feature backed by a variety of other characters like Green Arrow and Hawkman. The stories in that period are not quite as ludicrous as the late '60s (although if you see Bob Haney's name in the credits, you know you're in for a wild ride), but even the soberer installments are consistently very silly, full of nonsense like Kryptonian lycanthropy and the return of some especially ridiculous older villains like the Gorilla Boss of Gotham City and Doctor Double-X.
It wasn't until issue #285 that Superman and Batman again had the book all to themselves. The late period dials back the zaniness and has mostly uninspired plots, but writers Doug Moench and David Anthony Kraft compensate with some eyebrow-raising and apparently deliberate "Superbat" ship-bait; my personal favorite is Kraft's "No Rest for Heroes!" (a short story in the back of WORLD'S FINEST #302), where Superman and Batman go to a dive bar in the middle of nowhere to talk about their relationship and Batman ends up throwing a knife at someone.
Very little of this stuff is actually good by any normal standard — although the 1964–1967 period is no more or less weird than any other Weisinger Silver Age Superman stories — and the artwork is only occasionally better than passable. However, it's so stupid and so ridiculous that it's consistently fun, in a way DC doesn't really do anymore, at least not on purpose. Assembling all the Superman/Batman stories (leaving the Super-Sons to their own TPB), omitting the various backup strips, and giving it decent color reproduction would make for a nice package, and the presence of Superman and Batman would make it more commercially viable than some of DC's more artistically worthy back catalog material. Low-hanging fruit, if you ask me.
137 notes · View notes
batmanonthecover · 4 months
Text
Tumblr media
Brave & The Bold #80 - October 1968 (DC Comics - USA)
Cover Art: Neal Adams
AND HELLGRAMMITE IS HIS NAME
Script: Bob Haney
Art: Neal Adams  (Pencils), Dick Giordano (Inks), Ray Holloway (Letters)
Characters: Batman; Creeper; Hellgrammite; James Gordon; Bronk Boyle; Turk Trask; Al Dalko; Ace Branigan
Synopsis: Batman and Creeper team up to stop Hellgrammite from turning three mob bosses into super-insects like himself.
Batman story #1,250
42 notes · View notes
evilhorse · 11 days
Text
Tumblr media
The merely marvelous element man will return again…if you want me to!
(1st Issue Special #3)
38 notes · View notes
splooosh · 5 months
Text
Tumblr media Tumblr media Tumblr media
“Naturally“
Jim Aparo
39 notes · View notes
Text
BHOC: BRAVE AND THE BOLD #147
I had a weird love/hate relationship with BRAVE AND THE BOLD throughout almost teh entirety of its existence. I bought the book more often than not, the matching up of the Caped Crusader with other stalwarts from across the DC Universe proving too enticing too often. Plus, there was the superlative artwork of B&B artistic regular Jim Aparo, which was always appealing. But more often than not, I…
Tumblr media
View On WordPress
21 notes · View notes
intrapanelreturns · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
THE BRAVE AND THE BOLD 100 PAGE SPECIAL 1974, DC Comics Bob Haney writer, Jim Aparo art
21 notes · View notes
ufonaut · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
What do you expect of these people -- "thanks"? "Thanks" for conquering them, Marcus?
Our Army at War (1952) #241
(Bob Haney, Alex Toth)
11 notes · View notes
misterdtour · 2 months
Text
Ramona Fradon 1926-2024
One of the most famous women to ever work as a comic-book artist, Ramona Fradon, died today at age ninety-seven. Continue reading Ramona Fradon 1926-2024
Tumblr media
View On WordPress
8 notes · View notes
bringbackwendellvaughn · 11 months
Photo
Tumblr media
38 notes · View notes
sandyjarrell · 8 months
Text
Tumblr media Tumblr media
My Jim Aparo Spectre page, from The Brave and the Bold 116, 1974. Before and after I removed the unnecessary stats.
17 notes · View notes
nickmarino · 1 year
Text
Tumblr media
37 notes · View notes
cantsayidont · 3 months
Text
Tumblr media
January 1976. Even for Batman, this is a pretty nervy reaction to someone pointing a gun at you. (MAGNUM FORCE was the second Clint Eastwood Dirty Harry movie, released about two years before this story from THE BRAVE AND THE BOLD #124 was written.)
19 notes · View notes
batmanonthecover · 2 months
Text
Tumblr media
Brave & The Bold #81 - December 1968 (DC Comics - USA)
Cover Art: Neal Adams
BUT BORK CAN HURT YOU
Script: Bob Haney
Art: Neal Adams  (Pencils), Dick Giordano (Inks),
Characters: Batman; Flash [Barry Allen]; Bork; James Gordon; Milo Manning
Batman story #1,257
25 notes · View notes
evilhorse · 1 year
Text
Tumblr media
What happened?
31 notes · View notes
comicarthistory · 1 year
Text
Tumblr media
Page from The Brave and the Bold #129. 1978. Art by Jim Aparo.
51 notes · View notes
Text
BHOC: BRAVE AND THE BOLD #146
Every so often, BRAVE AND THE BOLD would pair the Caped Crusader up with one of DC’s war comics heroes such as Sgt. Rock. In some instances, the stories would be set in contemporary times, with the guest star seemingly well-preserved despite the passage of years. In other instances, Batman would be alive and active during wartime with no attempt made to explain it–not that this story took place…
Tumblr media
View On WordPress
28 notes · View notes