@ lianhua novel anon: just fyi that i saw your ask and yes would love to talk on it when the braincells permit!! (+ probably also when i finish watching, we're on ep36 rn)
…though i did just have unfortunate and highly cursed but not inaccurate thought that at least some of the plot/coherency issue may be familiar from acd holmes to bbclock adaptation issues, i.e. the addition of Big Backstory Plot followed by the shoehorning of said plot into what were mostly standalone cases in the original writing with varying degrees of success
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i used to not relate at all to the existential dread that's sorta ubiquitous for a lot people my age, which is mostly bc i've been dying for three-ish years, so i had fully made my peace with my life being over soon. like i was in a mindset a lot of people enter in hospice care where my body was winding down and i was just getting as comfortable as possible and being content with the life i'd already lived.
however.
now. that it looks like i could not only have, but also Enjoy... another 50 or 60 years on this earth.....
......HOOOOOOOOOOO BOY.
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Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.
Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.
This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.
The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.
Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.
If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.
Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.
All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.
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realising how insanely lucky i was to find the exact two volumes of ad atticum i needed in the second hand bookshop in 2022 for like £20 total. why are cambridge classical texts and commentaries such a nightmare to get hold of :(
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Hi 💛 I wanted to ask you something, it's been bothering me lately: I've always known that I'm attracted to people regardless of gender. At 15 I called it bisexual. At 17 I started using the label pansexual. Came out as a trans man at 23. I'm now 26 and I'm not sure if bi or pan work for me anymore. I know that I'm still attracted to people regardless of gender, but my experiences as a man in society have made the label gay resonate a lot more with me. Is that okay? What does this mean? Confused
It means whatever you want it to mean. People all across the queer community have used "gay" as shorthand for decades now (maybe including queer people you love). If you just don't vibe with bi/pan on their own, then you don't have to have them on their own. There's nothing wrong with being bi or pan, but there's also nothing wrong with feeling like that doesn't quite encapsulate your relationship with your queerness.
Basically:
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This might be the most sister-wife outfit anyone has ever worn to promote a film. As much as i want to make fun of this, wearing olden day clothing that has religious associations might actually be a stroke of genius for DUNE promo 🤔
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