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#but i want them to have better anyway
the-commonplace-book · 8 months
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For the ship chart maybe you could do Victoria/Prudence or maybe Arthur/ Sally? Honestly love the level of analysis you put into these asks
Send me a ship for the ship bingo chart: Arthur Hastings / Sally Boyle ( We Happy Few )
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Arthur and Sally you say? >:) Oh do I have Thoughts™ about Arthur and Sally (anon I’d like to give you a kiss on the mouth for sending them in) 
I’ve talked about Arthur and Sally before and this will come as no surprise to folks who were around last year when I was still in the throws of my first We Happy Few kick: I don’t ship Arthur and Sally and I think it’s good that they parted ways. I’ll talk about the one exception context in which I do ship them later, but for now let me elaborate on why in most scenarios Sally and Arthur absolutely do NOT work together. 
There’s a lot of appeal in the childhood friends, reunited and falling in love, trope at a first glance with Arthur and Sally, but in many ways their past and their respective unwillingness to let go of it is their downfall. Their arc plays perfectly into the narrative themes of We Happy Few. Their perceptions of each other are based on how they thought of each other as teenagers, not who they are as adults - or even who they really were as teenagers. 
Let’s look first at Sally. 
when we're together we're unstoppable. arthur and sally. sir galahad and the lady of the lake. the two musketeers  (Sally Note: Arthur!) i wanted to much to say, help, i've got a bloody baby. but he was so awful all i could get out was sorry sorry i'm sorry, and i want to help you and who even knows if he heard any of it. (Sally Note: Arthur!)
She is desperate for his approval because she respects his opinion, which makes it hurt so much more when he fails to give it. She imagines he’s right, whatever he says about her, because of course he is. She continues to bat her eyes and ask him for things because she knows he can’t say no, but she also continues to take shit from him because she really believes he has the best intentions. She thinks of him as kind and reliable, someone she can trust no matter what, and she does genuinely take advantage of that at times. Moreover, she struggles to accept that he has nuance beyond that and that he honestly had a nasty side that doesn’t line up with her image of him
When Verloc, or Byng, or any other man belittles her she blames patriarchy. When Arthur belittles her, she blames herself. She sees Arthur as smart, kind, and willing to help her with all her needs at the drop of a hat. But is he? Is he really? 
Is Arthur kind? No. Maybe he had more kindness in him as a teen, but Arthur is self-serving and avoids taking blame by painting himself as a victim of circumstance. He always has. Will Arthur help her no matter what? In the end, no. Because helping her came in conflict with point A about his own self-preservation. 
Speaking of Arthur, let’s take a look at how he thinks of Sally. 
She was being all lovely and slipped-the-surly-bonds-of-Earth Sally, only even more so, and then she said she was mates with Sir Robert B, or more than mates I suppose, and from then on all I could think about was that horrible night. (Arthur Note: And Then There Was Sally) The thing is, I don't trust her. She was always so wonderful when she was there, but a girl like Sally always has so many better places to be, and better people to be with, or worse people that she prefers anyway for some reason. And sometimes she'd just hide in Percy's old room in the attic and not come down. Who knows what's going on with her now? (Arthur Note: And Then There Was Sally) I should have said, "How have you been all these years, Sally? You ran off into the night with nothing, and now you're some sort of brilliant chemist. How did you survive? I wish I could have helped you. It would be nice to be friends again." Instead of all those dreadful things. (Arthur Line during The Faraday Cage) What if she is utterly sincere? What if she honestly does want me, and love me,  and need me? Do I have utterly no faith left in anyone? And she'd survive and I'd get killed. A girl like her shipwrecks, and the next day she's drinking margaritas under palm leaves. Yours truly is shark bait. (Arthur Note: I Am An Awful Person, But)
Arthur views Sally as being confident, flirtatious, always in control. While there is some truth to the notion that she uses men for her own gain, Arthur doesn’t ever take the time to examine why or understand the nuance of her choices. Instead he slut shames her for it. He gets upset at her for her “relationship” with Gen. Byng despite them having not spoken in fourteen years and despite the two of them having never had a relationship. As if he expected her to stay celibate for years just because he had a crush (he’d never say that, but it’s how he acts towards her) Arthur has always liked Sally, but Sally only finally decides she likes him when he can do something for her. Of course, Arthur being Arthur with his inability to accept blame without a caveat that shifts it elsewhere, doesn’t truly acknowledge that he is doing the exact same thing. He only seeks Sally out for help with the Letter of Transit. Everything comes back around to that. 
Then there’s the elephant in the room: What happened with Sally and Mr. Hastings
Arthur, in some capacity, blames Sally for what happened, even if he intellectually understands it wasn’t her fault. Sally, similarly, understands to a degree that it wasn’t her fault, but she still blames herself for it. 
what was i supposed to tell his dad, "no, you're practically my stepfather"? that would have gone over brillo. (Sally Note: Arthur!)
It doesn’t matter that her being sixteen made it legal. The fact is that Sally was young, barely of legal age, and staying with the Hastings after her entire family died. She had nowhere else to go. Mr. Hastings might not have been physically forceful, but it was coercion and he was absolutely 100% at fault. Sally has internal conflict about the whole incident and it makes sense. If she blames herself then it means she was in control, and Sally feels most secure when she’s in control.
Arthur has his own internal conflict about it. On some level he understands it wasn’t her fault (“I don't hate you, in the strangest way you're completely innocent.”) but he still yells at her about it when they reunite. He still lets it color his perception of her. His mum had died and he found his best friend (who he had a crush on) in his mum’s old bed with his dad. That had to have done a number on his psyche. 
I always used to wonder, if I'd run out the door after her, that day, what would have happened to us. Would we still be friends? Or was the magic all in my head? Who am I kidding? 16-year-old-me would never have had the courage to leave home!   (Arthur Note: I Am An Awful Person, But)
We don’t know whether this is something Arthur actually used to wonder, or if he’s just saying that now, but regardless there is an acknowledgement that at sixteen, he chose to stay with his dad. He didn’t run after Sally. And thanks to Joy, he never took the time to actually process what happened. Not until the events of the game. So he yells at her, he asks her why, despite knowing (to a degree) that she isn’t the person he should be asking that. But his dad is dead, and Sally’s here in front of him apologizing. So isn’t it easier to blame her? 
But what if…?
There’s this longing between them for their friendship to be renewed, but without accepting that they’ve both grown and changed as people (perhaps for the worse) and without acknowledging the past, there’s no hope for a future between them. Those barriers have to be broken down first. Sally was willing to try. Arthur wasn’t. Arthur believes that she chose her own convenience over leaving with him. Sally believes that Arthur left despite knowing she had a baby. 
Did Arthur hear her and just choose not to remember? Or did he really not hear her? We don’t know.
 Each character is an unreliable narrator in their act. Though I personally think he really didn’t hear her, I can’t imagine it changing anything. We know from Arthur’s act that he thought of Sally as surely having been less of a ‘loose woman’ in the past decade  (the “I haven't had sex with anyone in ten years! And if I did, it wouldn't be with that man.” line about Byng that we only get in Act I). He was faced with the reality of Sally and Verloc’s relationship in Haworth Labs via old notes, but it’s much harder to ignore a baby. A tangible result of her having had sex with someone. Arthur has an image he wants so desperate for Sally to fit, and she keeps contradicting it, but he just keeps hoping and trying. I could very easily see him responding to this news with a snarky comment about how she should ask her baby’s father for help or her good friend the General, if they’re not one in the same. (Gwen is very much Verloc’s baby is but Arthur doesn’t know that).
Despite how much they care about each other, and despite how much they may mutually wonder how things could have gone differently, even if they had an opportunity to sit down and have a proper conversation later, it would take a lot of time to be in a place where they could rebuild their friendship, and a romantic relationship would be toxic as hell if they weren’t intentional about making it healthy. Arthur doesn’t trust Sally as far as he can throw her and Sally isn’t exactly trustworthy. They’re both incredibly self-serving and both of them are incapable of acknowledging fault in any meaningful way. Arthur is awful to Sally and Sally takes it to heart, resulting in a horrid amount of negative self-talk about things she shouldn’t be blaming herself for, while she continues to ignore the problems she does have.
Arthur’s distrust, Sally’s fear of being trapped by a man, the mutual fear of the other person walking away, etc. etc. As much as I like the idea of them being in a healthy relationship down the line, it’s highly unlikely under most circumstances because they’re a wreck. It’s good that Arthur and Sally parted ways in We Happy Few. They both needed to let go of the past, and letting go of each other was a crucial step in that process.
The one exception in which I do ship them:
If it’s not clear yet, I’m in no way an Arthur apologist or a Sally apologist. I think they’re both messed up people who have a lot of growing to do, but I do have one context in which I ship them.
First of all, they would need a lot of time, a lot of personal growth, and a lot of intentional rebuilding of trust. They would have to learn to let go of their assumptions about each other and accept each other as they truly are. 
However, if they were able to take those steps, I could see them getting together a few years down the road once they’ve sorted themselves out as individuals and set new, healthier foundations for their relationship platonically. There may be room for a touch of romance after a decade or so.
Under the conditions that they’ve reached this healthier place in their lives, I think they would actually work well together. Arthur is the epitome of a male-wife and Sally is a working woman. He’s always admired her brilliance and finds it admirable how well she’s done for herself. He would support her in her career and she would support him in his, whatever that might be.
I think they balance each other out really well, too. Arthur is so caught up in what’s right and wrong. He sees people as either “good” or “bad” in most cases, where Sally sees everyone as being in that grey space between. This can cause conflict, but it can also cause growth if they take the time to listen to each other. Arthur needs someone to help him question that worldview. 
Sally sees people as tools for the most part. Most people (not all, but most) are means to an end in her eyes, and I think Arthur could help her challenge that in herself and try to be a better person simply for the sake of human decency. 
They have a shared love of literature and fashion, and admire each other in so many ways. Arthur admires her determination, intellect, and cleverness. Sally admires his wit, kindness, and ingenuity. While in the game they hold these things up as impossible ideals that don’t leave room for flaw, these opinions aren’t entire unfounded, and I think given time, trust, and honesty they could really help each other to be better versions of themselves. 
Also Arthur helping take care of Gwen is just soft. 
They wouldn't have an explosive romance. It would instead be the slowest of slow burns with a lot of hiccups along the way. It would begin with reconciliation and would take years of rebuilding trust and friendship. I could see them growing closer again over the years until one day they realize that Arthur comes over for dinner every night. He sleeps over on the couch more often than not. He’s practically living here already, so why not just move in? So the spare bedroom becomes Arthur’s room. Gwen’s a tween by now and is at that age where she’s meddling in other people’s love lives and thinks she knows what’s best for everyone. She’s thrilled at the idea of Uncle Arthur moving in. By her reckoning he and her mum are already a couple. It’s a while before Arthur and Sally acknowledge that that’s what they’ve become.
They’ve been walking side-by-side through life for years now and one day realize they’ve been holding hands along the way. 
For the art, I decided to draw them about 30 years down the line in the 90s ♥
Thanks for coming to my Ted Talk :)  I’ll make a separate (shorter certainly) post for Prudence and Victoria. (edit: here it is!)
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araneapeixes · 23 days
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lesbian bed death - goth girls are easy
Support me on Patreon <3
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jackshiccup · 6 months
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some modern hijacks for the soul (and bumping shoulders as a love language)
shoutout @midoristeashop for these swag brushes <3
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someawkwardnerd · 2 months
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lautski on the bus
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moeblob · 29 days
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So does he, Gallagher.
#honkai star rail#hsr blade#gallagher#i based this off of how many times i used funny soda man to help be a healer with his poppin soda pop in SU#and then blade constantly just being blade as usual#its normally him saying unnecessary to my actual healer but#i kept forgetting gallagher heals and i kept healing when i didnt even need to so TECHNICALLY yeah it was unnecessary#but the amount of times blade was the recipient......#i cant use like most of my newer units in story bc i cant ascend or i run out of leveling mats so i just#get them and toss them into simulated universe for funsies cause i can match their levels better#so thats where i tossed gallagher and he is genuinely fun to play as ? like i love his punches and kicks to start the battle#funny soda man is funny (to me) and im really behind in plot still#but last time i tried to play it on my laptop and got a kickass cutscene my laptop lagged and i couldnt even see it RIP to me#so now that its like ... me trying to play it on desktop ?#i mostly get on desktop for comms and if i do much else i feel like im slacking off even if i would take a break anyway#one day i can play more story plot stuff and actually meet the funny guys#also in case you know me for Not Having Boys in HSR i need to point out#i did pull Gallagher however same 10 pull got a 4 star girl copy for someone i never use and she is at e4 now cool#and i didnt even think of the irony as i started this i just like drawing blade and i wanted to draw gallagher#so when i already had the dialogue planned and am drawing i was like OH WAIT haha im funnier than i thought#(no i am not but we can pretend)
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duckzz · 5 months
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little sunshines ☀️
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wired-heartbeats · 3 months
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For the record I think Vox is being effected and possibly swayed by Val’s poison just like Angel is, the pink signifying it on Angel shows up on Voxs screen during and after interacting and being influenced by Val directly, when Vox is operating independently it isn’t an actual normal feature of his
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This paired with an earlier moment from episode 2 when Val first mentioned something had happened with Angel Dust, Vox seemed happy about the idea of Angel quitting
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“He quit? :D”
It’s interesting for sure, makes me wonder what Vox actually thinks about Angel, and more importantly, actually thinks about Valentino. He’s a business man, and clearly the Vees all teamed up (at least initially) because it helps elevate their status and power spread, they may be friendly with each other but we as an audience don’t actually know if there’s more to it as of now. But still, interesting
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i saw them in the cookbook pages and Immediately thought of this meme:
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Had this “Steve only hates impersonal nicknames” idea in my notes for a while and then after seeing @cholvoq​ ‘s wonderful art I had to turn it into a real thing for Valentine’s Day. This is 2.4k, i’m SO sorry edit: you can now read this on ao3 :)
Eddie’s a nickname guy. It’s always Dusty this and Gare-Bear that and JeffJeff here and Bobbie there and it’s Mikey and Maxxii and Nance-pants and Johnny and… big boy?
Him being a nickname guy makes it near impossible to hide his crushes. Thankfully, Steve had been really cool about it. Sure, he seemed a little stunned, but Eddie still had all his teeth in place by the end of that interaction, so he had called that a win.
He hadn’t known then that Steve was… different. Or he was starting to see it but what he thought was shocking then had really been just the tip of the iceberg. He hadn’t expected Steve to be nice. Or funny, or caring, or protective, or understanding.
He had learned all of that after everything. During chats on Hellfire nights while the kids cleaned up after themselves, during hangouts at the diner with Robin and Nancy, during Saturday afternoons when he went to pick out a movie only to end up talking with Steve, their conversation flowing until it was cut short by Steve’s shift ending.
After some time, Eddie had gotten to know Steve even more during long weekday nights when one came over to bring the other something they left behind, or to share a record, or to demand the beers the other owes or to show the other a stupid article in a stupid magazine only to end up making dinner together and watching a movie afterwards.
They stopped making excuses about two weeks ago.
Eddie had asked “do youuu… wanna come over?” on Saturday night, while nervously twirling his keys as Steve locked the front doors of the Family Video.
The evening chill had cut right through Eddie’s leather jacket as his keys clanged against his rings. But Steve had nodded with a smile and asked “pizza?” on their way to their cars, and Eddie had forgotten all about the cold.
Point being, Steve had been just fine with ‘big boy’ when it happened. Eddie’s a nickname guy. Him and Steve are hanging out more now, and so, Eddie’s been calling him more nicknames. Some of them are very intentional, others come completely without thinking, and it turns out, Steve takes issue with a few of them.
The first time it happens, Eddie’s underneath his van trying to get the damn thing to cooperate, the recent winter was tough on it, and it keeps dying out on him.
Steve sits nearby perched on a little stool, wearing his Family Video vest since he came by right after finishing his morning shift to see if they could make plans for lunch. Eddie suggested they grab something at the diner if and when he finally gets the van to start back up and Steve had agreed to wait.
He’s been telling Eddie about tonight’s basketball- game? match? super bowl? Is there such a thing as the major leagues of basketball? Eddie’s not sure, but he adores the sound of Steve’s voice and he’s kind of invested in the drama of players switching teams and retiring and whatever else Steve wants to tell him about. So, he’s been listening, not really bothering with asking for clarification for what he doesn’t understand yet. He’ll figure it out as they go.
He's blindly patting the floor around his legs for his rag, when he feels Steve put it right in his hand.
Eddie’s relieved. "Thanks, bud!" he says, the nickname just rolling off his tongue effortlessly, no meaning attached.
It gets kind of quiet all of a sudden. After about five seconds of Steve not talking, Eddie comes out to check on him, and finds him frowning at his legs.
"Don't call me ‘bud’" Steve requests, looking up at his face, his tone just a tad harsh. Eddie would think he ran into King Steve if he didn't know any better.
As it is, Eddie gets Steve probably thinks the nickname is childish or patronizing, so he doesn’t think twice of it, just gets a little sheepish and says "sorry, Stevie".
Steve smiles at that, a little cocky. He does his little mean girl shaking his head thing like he just got exactly what he wanted. Eddie feels his face twist a bit in confusion, but he likes it when Steve gets a little mean so he doesn't say anything about it and just dives back under his van as Steve resumes their conversation.
 The second time it happens, they’re outside the supermarket. The kids shot out of the van as soon as it rolled to a stop, Steve calling out a warning after them while still listening to Eddie explain why Star Wars and Star Trek are actually very different but really good in their own way. Their conversation carries on as they hop out of the van, lock up and walk to meet at the front.
“I’m telling you, Star Trek is great. You would love it,” Eddie says, “you just have to give it a chance”.
Steve rolls his eyes at him, but Eddie can see his smile.
“Ok, alright,” Steve answers, “you can show me tonight then”, it’s almost too nonchalant. Eddie has to hide his grin.
Steve’s been suggesting they hang out more and more lately, and he can’t help but feel a bit hopeful. They clearly enjoy each other’s company, their time together is never dull, Steve seems to be really comfortable around him and maybe, just maybe…
“Should we get beers then?” Eddie asks, excited at the prospect of some more time alone with him.  They haven’t had a weeknight hangout since Eddie fixed his van last week. He kinda misses the very specific color of Steve’s eyes in the Harringtons’ yellow living room lamplight.
“Yeah,” Steve says, his eyes get soft in a way Eddie only started noticing a couple of weeks back, “we can watch it at my place” he adds. Eddie thinks he definitely hasn’t seen him look at anyone else like that.
To shake himself out of the spell of the prettiest boy he’s ever met making the prettiest eyes he’s ever seen at him and ONLY him, Eddie grabs Steve by the wrist and starts marching them towards the supermarket’s front doors.
Without thinking, Eddie says "c'mon man," as they go.
Steve, who started easily following him (like he always does these days), suddenly stops in his tracks. Eddie gets pulled back and almost stumbles on top of Steve. He'd get flustered if Steve wasn't frowning at him like he’d just said the most insulting thing he’d heard this month.
"Don't call me ‘man’" Steve says. Eddie feels his eyebrows raise a bit.
He debates asking why but doesn't question Steve in the end. He’d rather offer understanding than judgement to him any day.
So, Eddie takes advantage of Steve's wrist in his hand, and squeezes there a bit, says "I'm sorry sweetheart" sincerely, looks into Steve's eyes so he can see Eddie means it.
Steve blushes a bit then, not really used to the nickname yet, Eddie just got the balls to start using it last week. Eddie himself is not really used to seeing Steve blush, and at something he says? It’s too much power for one metalhead.
But he gets distracted from Steve’s blush because it happens again, Steve basically preens like a peacock once Eddie switches nicknames. Looks smug, like he has Eddie wrapped around his finger and well, Eddie guesses he does, so, no arguments there either.
He just smiles back at Steve, really, has no other choice, it’s not like he can control how he reacts to the most gorgeous fucking face the universe could ever come up with. But he tugs him along again, Steve happily following this time.
The next time it happens, Steve’s leaning against his kitchen island, with Eddie leaning across from him against the counter.
The party is watching a movie in the Harringtons’ living room and at some point, Eddie got up to get himself another soda, Steve not so subtly followed after him, taking the empty popcorn bowls to the sink. He struck up a conversation and there they stayed.
Eddie’s been turning the small gesture around and around in his head. Clearly Steve’s not shy about seeking him out, and he’s obviously good with the party knowing, which means a hell of a lot because those are Steve’s people, that’s his family.
Eddie’s honestly running out of excuses to not ask him out. Seeing him reaching out to bump his sneaker against Eddie’s boot when he says something funny, laughing just a little too hard at Eddie’s dumb joke; seeing his eyes widen a bit when Eddie compliments him; seeing him notice when Eddie is holding back from talking too much, and not letting it go until he thinks Eddie’s shared all of his opinions on the subject; Eddie thinks maybe he can be brave, when it comes to Steve.
And this week might be the perfect time.
Here they are still, the movie long ended and several easy conversations floating from the living room to the kitchen, where they’re still engrossed on their own.
“I mean I taught the kid how to do his hair for god’s sake!” Steve is saying, Eddie’s laughing easily, and he has a slight suspicion Steve’s acting way more annoyed than he really is because he knows Eddie dies laughing every time Steve roasts the kids.
“Just, if he’s gonna give me hair advice, he should work on that goddamn tone. At the Very Least.” Steve finishes, Eddie giggling all the while at his Annoyed Mom tone.
"Yeah, dude!" Eddie agrees, wanting to egg him on, but Steve's face suddenly falls and whatever remark Eddie had locked and loaded just fades away.
Eddie blinks perplexed; he’s getting déjà vu.
Steve frowns at him, says "Don't call me ‘dude’".
It’s eerie, only he sounds a bit annoyed this time.
Eddie thinks, maybe someone called Steve ‘dude’ before in an unpleasant way, so he doesn't pry.  Instead, he takes the chance to call him a nickname he likes more, and says "Sorry, pretty boy", his heart fluttering in the milliseconds he has to wait for Steve’s reaction.
And it happens one last time: Steve absolutely beams at that one, his smile so bright it makes Eddie want to jump in place.
He leans further back on the counter returning the smile, not noticing the common thread in Steve’s reactions to him switching nicknames.
But then the glint in Steve’s eyes suddenly brightens a dim corner of Eddie’s brain. He gets this feeling that reminds him of a perfectly set up riddle or finding that one perfect note for his latest song. It’s like everything suddenly just makes sense.
Eddie feels realization dawn on his face as he pushes himself off the counter to walk right into Steve’s personal bubble, grabs both of Steve's hands.
"Steve" Eddie says, not even caring that he sounds like the name is dripping in honey when it comes out of his mouth. With how sweet Steve is, it might as well be.
Steve just looks at him a little stunned, but doesn't say anything. Eddie draws circles in the back of his palms to reassure him.
"Why don't you want me to call you ‘dude’?" Eddie asks, trying to find out if this whole thing is what he thinks it is.
Steve looks down at their joined hands,.
"You call Nancy that sometimes..." Steve mumbles.
His answer would sound inconsequential to the unsuspecting, certainly would have to Eddie as late as last week, but Eddie thinks he’s finally getting it, and he hums his understanding.
"How ‘bout ‘man’?" he asks
Steve replies "You call Robin that sometimes..." his eyes still on their hands.
Eddie nods his agreement.
"I call everyone those things" he points out.
Steve agrees. "Exactly" he says, finally looking at him again, sounding annoyed and confirming Eddie’s suspicions.
Eddie feels his face split into a smile. He wants to grab Steve’s beautiful freaking face and just plant one on him.
"Can I still call you sweetheart?" he ventures instead. The nickname brings the hint of a smile to Steve's face but then he seems to realize something not so pleasant.
"Do you call someone else ‘sweetheart’?" Steve asks in return.
"No one" Eddie says, shaking his head, his tone vehement.
"Then yes" Steve finally answers. Eddie's heart wants to beat right out of his chest.
He interlocks their fingers to ground himself, Steve looks down at their hands and smiles at the sight.
"So, you don't want me to call you something I call someone else?" Eddie states, more than asks, calling Steve’s eyes back to his again.
"Anyone else" Steve confirms, holding his gaze.
Eddie lets out a small shuddering exhale and feels his heart fluttering in his throat, he really cannot believe this boy.
"Steve" Eddie drawls, dripping in honey again, his hands coming up to cradle Steve's face because he really can't resist anymore "Sweetheart" he says.
Steve's eyes grow a little wide and he starts blushing so much that Eddie can feel it in his palms.
"Steevieeee" Eddie sinsongs, squeezing Steve's face a bit "Pretty boy" Eddie calls him. Steve just keeps looking at him and a small smile blooms in his pretty, pretty face.
"Would you let me take you out to dinner this Friday?" Eddie finally asks him, his fingers curling to the back of Steve's head to play with his hair there. Steve's eyes get even wider.
" 's Valentine's this Friday" he points out. Eddie knows.
"Mmhm. Want you to be my Valentine." Eddie tells him, tugs his hair gently, "How's that sound?" he asks, bold in a way he never has been before. Steve blushing does things to him.
"Sounds nice" Steve answers. He smiles and nods while his hands hook on Eddie's belt loops.
"Then it's a date?" Eddie asks, trying not to sound too eager. He thinks he fails spectacularly but Steve beams and pulls him in to kiss his cheek.
"It's a date" Steve tells him, his breath ghosting on Eddie's cheek and making him shiver.
Steve pulls back, lets go of Eddie’s belt loops and tugs on a strand of his hair gently, smiling like the cat that got the cream as he walks back out into the living room.
Eddie’s gonna make this the best Valentine’s Day date Steve has ever been on.
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danny-chase · 1 year
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Things every Dick vs Tim Red Robin fallout gets wrong no matter who's side they take
1. They still loved each other
2. Dick went after Tim after Tim stormed out of the cave. He didn't just leave it at that
3. They didn't have 0 contact, Dick called Tim back to Gotham for Blackest Night. They weren't talking because Tim didn't want to talk
4. Alfred gave Damian the Robin costume initially without Dick's knowledge, and his first mission as Robin was saving Tim's life after he got beat up by Jason (again). He apparently left this mess for Dick to clean up, and I don't think anyone ever told Tim that's how Damian ended up with the mantle
5. Dick helped in the process of bringing Bruce back to the current time, Tim presented his evidence when he got home, and Dick checked it out and solved the time puzzle in Bruce's ancestral home. Tim didn't magically pop back with Bruce after doing everything by himself, it was a coordinated effort that involved the Justice League
6. Tim and Damian started to get along. Not during Red Robin, but during Batman: Gates of Gotham
7. They were both grieving, Dick just masked it better
8. Tim didn't feel like he could ask for help because he knew sounded insane (and was feeling/acting insane). He was doing one of those 'i push away everyone i love because i hate myself' things, which he also did to Steph (who he fired as Spoiler under god knows who's authority) and Cassie. Dick wasn't special in this treatment, and he can't force Tim to stay, so he trusted Tim's judgement and let him leave. It is a "Tim's a sad boy" comic, but he's also very much a part of causing his own problems
9. They still loved each other. They never stopped loving each other. They never hated one another. Both in this era asked the other "Do you trust me?" And the other replied "Yes" and did the thing they asked. *shakes everyone who's ever written about this* that's the whole point, it's about miscommunication, and being in a bad place, but having what you need where you started waiting for you the whole time
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peachyutdr · 5 months
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i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D
#undertale yellow#uty#my art#<- ifg#spoilers under these tags beware. although it is mostly just me being very very sad#that entire thing was heart wrenching. anyways#CEROBAS FIGHT??? HELLO???#i had to exit out of it the first time (i got to the last phase) to get better items but i came back and won pretty quickly#but THE CUTSCENES?!?!?#JFC NO WONDER THIS WOMANS SO MESSED UP. HER HUSBAND PRACTICALLY DIED IN HER ARMS AND THE LAST THING HE LEFT HER WITH- HIS DYING WISH- COULD#ONLY BE FULFILLED BY PUTTING THEIR ONLY CHILD IN DEATHS WAY. AND THEN WHEN SHE TOOK THAT RISK THE WORST THING HAPPENED AND SHE NOW HAS TO#LIVE WITH THE GUILT OF BEING THE ONE TO. MOST LIKELY. KILL HER ONE AND ONLY DAUGHTER#ALL THE WHILE SHE WAS PUSHING AWAY HER CHILDHOOD BEST FRIEND AND CONVINCING HERSELF THAT SHE WAS IN THE RIGHT TO SACRIFICE CLOVER WHO HAD#BEEN ONLY KIND MERCIFUL AND JUST THIS WHOLE TIME. EVEN TO THOSE WHO WERE TRYING TO KILL THEM. FUCK.#AAND WHEN CLOVER HUGGED HER I DOUBLED OVER IRL BC *THATS EXACTLY WHAT I WANTED TO DO IN THAT MOMENT* I HATE IT (read: love it) HERE#n dont even get me STARTED on after that. when clover started moving on their own and the gd white screen came up and we got flashbacks of#everyone's words. thats when the tears rlly started coming bc it clicked for me. 'oh. this is it. isn't it?' and IT WAS#WHEN THEY GAVE THEIR FUCKIGN HAT AND GUN AWAY TO MARTLET AND STARLO WELL THATS WHEN I REALLY STARTED CRYING#AAND THE GROUP HUGG#I WAS SOBBING WHENEVER I HAD TO WATCH THEM CRAWL UP AGAINST THE WALL AND DIE AND HAVE FLOWEYS WORDS PLAY OVERHEAD#AND THE FUCKOGN#THE F U C K I N G#AFTEWRCREDITS SCENE WHERE WE GOT THE 'You heard someone calling for help. You answered.' I GOT CHILLS SO BAD#to think that all the other souls have stories just as expansive and emotional as clover n frisks. how fucked up is that. in a good way tho#and finally the last scene where we got all 4 of our main friends sending us off in waterfall and we see clovers items end up in the dump#just waiting to be found by bratty and catty. fucken hell man this was a masterpiece#anyways time to reset and obliterate everyone and never emotionally recover from that ever!! really is feeling like 2016-17 again w the way#this game has me sobbing my eyes out and feeling the guilt of knowing that i dont HAVE to kill them all but im too curious not to#oh well. at least i have the balls to do it this time around instead of letting a youtuber do it for me ig
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plulp · 7 months
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IM NOT A DOCTOR BUT I THINK I MIGHT BE ABLE TO HELP
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roobiedo · 1 month
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Assorted blorbos on my mind (part 1/?)
The theme is uhhhhh... time-loop tortured, erratic/unpredictable personality, no stranger to death, plus a (mostly) monochrome palette... i guess!
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andiv3r · 2 months
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Not to be that guy, but... hey he/they trans guys, I just wanna ask. Do you use "they" because it feels right... because it clicks as part of your identity... or because it doesn't hurt as much as she/her, so it must be okay.
And don't just evaluate this for they/them. Evaluate it for he/him as well. "I'm a guy so I have to use he/him" no the fuck you do not. Plenty of guys use they/them. Plenty of guys use she/her. Plenty use it/its/ve/vir/ce/cir and are still men. If he/him doesn't fit, you don't fucking have to use he/him and it doesn't make you any less of a man. You know that... right?
Also before this post starts an argument I am not pissing on he/they pronoun users I am simply reminding all you transmascs that there is no obligation binding you to those specific pronouns... a post I needed to see myself.
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buglaur · 6 months
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this is kit, please commission some art from them on social bunny 🙏
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hellenhighwater · 3 months
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Have you taken any pottery classes or were you entirely self taught? I REALLY want to get into it but classes are quite expensive
I took some sculpting in undergrad, but it was in the context of casting and mold-making, not ceramics. So I'm fairly comfortable with clay as a medium but not so much with clay as an end product--not being able to do armatures and having to think about firing is weird. (If I had the opportunity to do bronze casting again, though, I would, no hesitation.) That puts me in the minority of my current pottery peers, who are largely self-taught or only learned in our studio.
I do pottery now at a co-op studio space, and technically that means that I'm taking classes there--but the classes are more like guided lab time? There's not really assignments or anything, and there's only a couple other people who sculpt, none of whom are in my class. Mostly the class just means that the person in charge demonstrates a technique or two once a week and then lets us do our thing.
Personally I think that shared studio space is the absolute best way to go. You spend less in startup costs (kilns are EXPENSIVE, running kilns is expensive, glaze is expensive) and it plugs you directly in to a group of fellow artists who can help and support you at whatever skill level you're at. Yes, classes are expensive--my class is $250 per season. But for me that includes lab space, 50 lbs of clay per season, almost all of the glaze I use, kiln time, and other people doing all the maintenance and kiln loading/unloading etc. Very much money well spent.
Artist-run shared spaces are often not turning a profit on anything with studio fees, just covering operations costs, so while it's pricey, it generally is just...what it costs to do that hobby. And it is sooooo much easier to be motivated when you're going to what is, basically, Grown-Up Art Club.
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But if costs are prohibitive for you to do pottery via classes, and you want to learn to sculpt, then get some polymer clay and see what you can do. It's a different game than actual clay, but form is form, and the medium is secondary to figuring out how to translate an idea into reality.
Polymer clay is relatively affordable and doesn't require nearly the infrastructure of ceramics. If you can't spend the money on classes or a shared studio, then polymer clay is a great way to develop technique and an eye so that when you're in a position to spend the money, you already have the skills to make it worth what you're spending.
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