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#but it’s unrelated
phantomrose96 · 10 months
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I think we should have a turn of phrase for "I'm not in the right, but I AM annoyed with this situation, so I just need to go bitch to a friend about this before I suck it up and go do the right thing" because more and more I'm finding this is a critical element of functional adulthood.
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hamletthedane · 3 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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kvetchinglyneurotic · 4 months
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unstoppable force (desire to write) vs immovable object (tired)
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dinderbins · 1 month
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This is my favorite character, Drugs. She's on some hideous cocktail of hallucinogens and is very gender.
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souldagger · 8 months
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fun discovery from today's internet rabbit hole:
the first lesbian magazine published in the US, Vice Versa (1947-48), was entirely hand-typed by one Edythe Eyde (better known by her pen name Lisa Ben - yes, that IS an anagram for lesbian). she worked as a secretary with a ton of spare time on her hands, and her boss would tell her he didn't care what she was doing so long as she "looked busy"... so she decided to use her free time to type out copies of a home-made periodical for lesbians, writing most of the content - editorials, book/film reviews, poetry, short stories, and more - herself!
overall, the magazine ran for 9 issues, 16 hand-typed copies of which lisa would mail to friends (well, until one of them advised her she could be arrested for sending "obscene" materials) and distribute at lesbian bars :)
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ruerock · 3 days
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i thought this was the front side of the tshirt at first and it became x100 funnier
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1alchemistart · 3 months
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dont got much to offer for The Holiday but have these sillies!
happy valentines day :D
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chamerionwrites · 11 months
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Also, there is so much hand-wringing over the ethics of BDSM and while obviously it is worth taking care about ...sensation seeking is a thing. Many, many people enjoy eating habanero peppers and/or watching movies that make them cry. The conceptual leap from there to the idea that it's possible for sex to hurt good is a very short one, and sometimes it REALLY is as simple as that.
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hoshizoralone · 9 months
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comm for a samus comic based on that one tony hawk tweet. this would happen to her.
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fallahifag · 5 months
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you say you’re christian but you use words like mashallah and allah yerhamo and stuff. confused..
bro……. wait til u find out christians believe in god too
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kb-jank · 7 days
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i just think hes funny, just my opinion
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fonulyn · 8 months
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since I've seen it talked about in several places recently:
if you are going to do a whump- or kink- or ANY-tober or other similar challenges please please please don't post them as one fic with 31 chapters unless it actually is one coherent fic. if they're 31 completely separate fics or ficlets then please just make a collection for them or just post them as separate fics. it doesn't matter if they're only 100 words or if you think they're too small or insignificant to post alone, they're not.
and why this?
because if you post all 31 of them in one fic the tagging is absolutely useless. if I look for things to read on ao3 I'm gonna look at the tags, and if the tags include something that's a dealbreaker for me, i won't even click on the fic. I might not even SEE the fic because I've filtered out the nope-tag! so I'm gonna lose out on reading 30 perfectly nice fics because of one fic that my nope-tag applied to.
ao3 is about archiving. it's about clear tagging and being informative. there is nothing informative about it if the tags in the fic apply to random chapters while others have nothing to do with it. it makes so much more sense to have each work as an individual fic with its own individual tags and warnings, so readers can make informed choices.
of course, you do you. I can't police what other people decide to do. but personally, I find it incredibly frustrating to weed through 31 chapters to find the ones I actually want to read. so I don't. I automatically scroll past all works posted like that. and I know some others do, too.
there is absolutely no shame in posting short things on ao3. there is no minimum word count. no one is going to look at you funny if you post a small ficlet on its own, I promise. it's just going to make some readers very happy when they can actually find the things they want to read.
so, please. at least consider the upsides of posting each work as their own fic.
signed, one very frustrated fandom grandma.
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spiralling-spires · 1 month
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Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops
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aitadjcrazytimes · 5 months
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cursingtoji · 2 months
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“hm hello? do you need help?” yuuji approached the lady walking the hallways so slowly she seemed lost.
“huh?” you turned and he smiled, thinking how gorgeous you looked. your uniform was a lot like nobara’s, although it was lighter, like it was slightly bleached or just worn a lot, “no, i… i go here.”
“oh are you gojo-sensei’s student too?” he was excited to meet another student, it was such a big school for just a few people.
“gojo… sensei” you repeated confused.
“oh you must be utahime-sensei’s student then? from kyoto?” he tilted his head, like a puppy.
“utahime…” you whispered, “is geto here?” you asked with a certain urgency in your voice, “geto suguru.”
“who? geto?” he scratched his head, trying to remember if he heard about a sensei called geto suguru, “i don’t think i—“
“itadori!” megumi called from outside, yuuji saw him die below through the open windows of the second floor he was at, his classmate probably saw him as well.
“ah fushiguro!” he greeted his friend and turned back to you, “i’ll ask megumi, he’s been here for longer than me.”
“who you talking to?!” megumi shouted.
“her!” he pointed, you were in front of him, right by the opened window too, he couldn’t see you?
megumi even moved a bit, “itadori, there’s no one there. stop playing, we got to leave!” megumi scolded him before entering the building.
“eh?” yuuji was frowning.
“sorry, i think i’m in the wrong place” you bowed and turned away running.
“wait!” he ran after you, turning corners he thought you could’ve gone but after a few ones he reached a dead end.
“hm? yuuji?” gojo emerged from a classroom.
“gojo-sensei! there was… someone…” he looked around.
“oi, we’re waiting for you, let’s go” megumi came from where he was, grabbing yuuji by the hood of his uniform and dragging him away.
gojo watched through a window as they walked down the staircase until both boys walked out of the building.
“that was weird” you murmured from inside the classroom he was in, “that boy called you sensei” you put more rice into your hungry mouth, “does yaga know you’re pretending to be a teacher here?”
satoru closed the door, lighting another incense on the table that you used to sit. where every year on the anniversary of your death he built a shrine with food you liked.
“i thought haibara was in a mission but i saw him by the tree” you pointed behind you with your chopsticks, where, outside the classroom and behind the building remained the tree you always had lunch underneath during hot summer days.
he undid the blindfold, letting his hair fall as he sat in front of you, admiring how you never aged a day. after all, you couldn’t.
in fact, it seemed like you didn’t realize how much time has passed. every year you appeared and every year you thought it was still 2006, when you had two kouhais that did everything you asked, a girl best friend that insisted you smoked with her and two boys that were helplessly in love with you. the last year you were alive.
“is suguru not coming?” you asked with your mouth full.
gojo swallowed hard, “no, angel. it’s just us.”
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