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#but like my brain just says NO.
harper-collins · 5 months
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Don't you love getting ideas and obsessions... But not for the things you've currently got projects for?
Like I want to WRITE these things but my brain knows it already has too much to juggle... What to do...
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maxthesillyy · 1 year
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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pickled-flowers · 4 months
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Sex positivity is also about not calling Ace people prude and using virgin as an insult 👍 hope that helps
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inkskinned · 2 years
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fucking hate it when the stuff everybody says "actually works" does actually work.
hate exercising and realizing i've let go of a lot of anxiety and anger because i've overturned my fight-or-flight response.
hate eating right and eating enough and eating 3 times a day and realizing i'm less anxious and i have more energy
hate journaling in my stupid notebook with my stupid bic ballpoint and realizing that i've actually started healing about something once i'm able to externalize it
hate forgiving myself hate complimenting myself more often hate treating myself with kindness hate taking a gratitude inventory hate having patience hate talking to myself gently
hate turning my little face up to the sun and taking deep breaths and looking at nature and grounding myself and realizing that i feel less burdened and more hopeful, more actually-here, that i am able to see the good sides of myself more clearly, that i am able to see not only how far i have to grow - but also how much growth i have already done & how much of my life i truly fill with light and laughter and love
horrible horrible horrible. hate it but i'm gonna do it tho
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shadowtraveled · 1 month
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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aitadjcrazytimes · 4 months
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ciil · 16 days
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what makes us any different?
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ryssbelle · 1 month
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Brozone reunion concepts for this little thing based on this ask
As stated in the ask idk fully how this moment would go, this concept was mostly building off the premise presented within the ask :D
Bonus:
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siriusly-the-best-bi · 9 months
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guys the kiss was so important especially from a narrative and storytelling perspective because it was literally Crowley taking everything that's happened between them, every unsaid intention and every unspoken promise, and making it physical.
He's taking their arrangement and every other bullshit excuse they've ever used to hide how they feel about each other and throwing them out the window to put their feelings into an undeniable physical action that holds a lot of meaning to humans in order to be absolutely sure that Aziraphale knows exactly what he means when he says "we could have been Us." He wants to be absolutely sure that there are no misunderstandings between them and know that Azirphale will be committing to this decision with absolute reassurance that he's been understood and rejected anyway.
he's taking a human action with so much meaning and so much importance, and he's using it as a way to desperately make Aziraphale completely and undeniably aware of what he's stating. No more charades and no more lies or cover-ups. There's no denying this thing between them now, and Crowley did it the human way. Because he and Aziraphale love humanity and it's everything to them in their own ways.
There's a reason we saw a kiss between Crowley and Aziraphale, and not Gabriel and Beelzebub, despite them both being undeniable foils.
and really if you just think about that isn't it so god damned beautiful?
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pangur-and-grim · 2 months
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it’s hard for me to feed myself right now (just in terms of physical ability), so my mom drove me and the animals to her place. she carried the cats in first, because I had to butt-scoot up the front stairs, and once inside, Pangur got scared and ran. she’s tucked herself away somewhere, and nobody can find her. I probably could, and I could lure her out and make her feel safe again, except that I’m largely immobile. I keep falling on the crutches and fucking my leg up further, and the likeliest hiding spots are up or down a fleet of stairs. it’s been 4 hours, and it’s killing me not to look for her. I’m so tempted to crawl down the basement stairs, broken leg be damned.
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aflockofravens · 2 months
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Also, Jinshi in "How to Buy Out a Contract" was hilarious.
Do you think he's prettier than me
I was contemplating your murder but my future wife cat thinks you'll make a good brother in law so I'll let you live
My future wife cat trusts you, so I trust you. Don't fuck it up.
Have some money to leave my future wife alone forever go marry her sister
Did you see that Gaoshun? I did a socializing. Do you think Maomao will be proud of me?
Also Lihaku is precious. What an adorable golden retriever of a man. He went from absolute disdain at Maomao when she approached him for an escort to being like "help me little sister, I'm in love".
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lottieurl · 1 year
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the fact that the first act of cannibalism in the wilderness isn't an act of survival but an act of intense grief. and the way shauna does it in secret. the way all her means of getting close to jackie have been unacceptable and shameful
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egophiliac · 4 months
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
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...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#this is my blog and i'm going to write a million words about lilia and you can't stop me#but anyway i do genuinely get the impression that he's using Pretending to Be a Teenager as a chance to be even sillier than usual#he's a very silly man he's just being EXTRA silly#supported by his recent birthday card where he says he was specifically trying to cast himself as an adorable little brother-type#because he wanted the other students to give him free shit and save him seats and things like that#it worked for about a week before he turned out to be way too good at stuff and everyone just kind of ended up in awe of him instead#and he was like DANGIT. I'VE RUINED IT FOR MYSELF.#(then he and epel went on to talk about their hypothetical vtubersonas because the birthday cards are INSANE but anyway)#i'm bad at headcanons :( sorry!#unless it's dumb things like...what pokemon they would have or whatever#(malleus would have some kind of special fancy-colored dragapult) (but i digress)#i have a hard time putting things into words. just know that i love the grampa bat and his weird kids very much.#my brain is also still kind of fried from the last couple of weeks#i am however starting 2024 off the way i intend to continue it: in deep contemplation of anime hair#(sorry if these look weirdly aliased) (i realized about 3/4 of the way through i was using the wrong brush and i didn't want to restart :U)
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bizarrelittlemew · 6 months
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calling it right now that season 3 starts like this
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stevebabey · 7 months
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Eddie is beginning to wonder if he’ll ever reach a point where Steve couldn’t reduce him to this state.
This state being… transfixed. Eddie is sure he must look like a lovesick cartoon. In fact, if he could manage to drag his gaze away, he’d probably find red hearts circling around his head in a halo, popping like little bubbles.
But Eddie can’t move his eyes. Can’t even close his mouth either.
Steve’s talking to him too, which is most definitely worse — he’s totally missing every word. He can see Steve’s lips moving, pink plush lips wrapping around words but fuck, that was a total trap because now Eddie is just looking at his lips. He tries to refocus, to listen. His eyes just wander back to what he was staring back at the first place.
Was Steve like this all the time? Just a walking around looking so damn delectable?
Or is it Eddie, just a starved man who’s been living off stolen glances, for as long as he can remember? For once, he’s learning, he’s allowed to look.
And by God, is he looking.
Steve’s not even doing it on purpose either, which probably makes the whole thing funnier. Eddie knows what his boyfriend (boyfriend! he thinks giddily in his mind) looks like when he’s cleaned up to impress. He can spot the way Steve preens beneath Eddie’s lingering gaze.
This is not that. Today, Steve is just cleaning, a usual Sunday morning ritual.
He’s got some old sport shorts on and he’s clearly grown a bit since he first got them— unless Hawkins has always been giving out slutty little shorts to the basketball team (They haven’t. Eddie would know if they did.)
He’s wearing one of his wife-beater singlets too. It’s a little on the scrappy side though, considering it’s nearly see-through with how worn it is.
Honestly, in Eddie’s humble and gay opinion, it’s stupidly hot. The dark hair dusted across of Steve’s chest is visible beneath it, the shirt showing off the shape of his broad chest. Even better, his happy trail is visible and goddamn, if that doesn’t make Eddie happy, he doesn’t know what will.
But it’s not even that.
Quite frankly, Eddie’s rather embarrassed that he’s basically blue-screening because Steve is pulling out the cord out from the vacuum cleaner.
But… but he’s yanking it up towards his chest, slow and strong repetitive motions— that take enough effort to make his biceps bulge with every tug.
Eddie can’t stop watching. The cord must be several metres long and he’s not sure if he should be cursing it or thanking it for the view he gets; Steve’s tan arms flexing and rippling. Try as he might, Eddie can’t help imagining how they must look when Steve’s got his hand aroun—
“—hello? Are you even listening to me?”
Steve’s voice cuts into Eddie’s dangerously side-tracked thoughts and he pauses his tugging at the same time. It’s the thing that finally allows him to break his lustful stare at Steve’s arms. Oh God, he just got all hot and bothered over his boyfriend doing the vacuuming.
“Hello.” Eddie says back, because that was the first word to register in his brain. “I mean- yes. I’m—”
Eddie decides mid-sentence that he’s not getting away with the lie. He pivots. “Okay, no, I didn’t hear that. Would you please tell me what you just said, oh lovely sweet man of mine?”
Ever the butterer-upper, he was. Thank God it works on Steve. He rolls his eyes a little but there’s an adoring grin on his lips.
“Man of mine,” Steve mutters amusedly under his breath. He drops the vacuum cord on the carpeted floor and leans down the grab the handle of the vacuum. “You just kinda froze when you came in. I was asking if everything was okay? I’m just doing this room then I’ll be done, if you don’t like the noise.”
Eddie adores that Steve’s taken his silence as though he might be afraid of the vacuum cleaner or something. He nearly snorts aloud at how far from the truth it is.
“Uh huh.” Eddie nods, not bothering to correct him. He jerks a thumb behind him, pointing at nothing. “I’m just gonna…”
He spins on his heel and exits left stage, fast as he can while still looking normal (he’s unsuccessful, as he leaves a baffled Steve behind him.) As he enters into the kitchen and decides to fix them both a pot of coffee, Eddie lets himself giggle over the pure absurdity of what just happens.
It’s mortifying. It’s hilarious. He can never tell Steve.
Except, when Steve comes to find him in the kitchen and trades a kiss for some coffee, Eddie can’t help it. All he ever wants to do is make Steve laugh.
He decides it’s worth the embarrassment when Steve laughs so hard coffee comes out his nose.
Steve teasingly promises that he’ll to try be less distracting, then rescinds his words at Eddie’s abject reaction (“Don’t you dare.”) looking far too smug— in a delighted sort of way. Preening, in that way Eddie loves.
Their first kiss, as Eddie slides onto Steve’s lap and loops his arms over his shoulders, fingers dancing on those tasty arms, tastes a little bit like coffee. Their mugs grow cold, untouched.
Eddie doesn’t mind — he’s too busy finding out that the rest of their kisses taste like something between sunlight and Steve.
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