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destinyc1020 · 5 months

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I THOUGHT this place looked familiar! 😅

#ccxp 2018 #brazil #tom holland #jake gyllenhaal #spider-man FFH #omelet stage #december 19 2028 #Youtube

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favorite-colors · 2 years

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12/08/2018 - CCXP 2018: Marvel Panel - São Paulo, Brazil

#Sebastian Stan #Beautiful #Marvel Panel #CCXP 2018

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pretty-unglad-you-were-born · 5 months

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him mentionning his 2018 ccxp appearance i wonder why that was on his mind

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dragon-ball-meta · 4 months

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Akio Iyoku And The Future Of Dragon Ball

Got a huge news drop last night, courtesy of @SupaChronicles on Twitter. I've linked the full tweet if you want to read his translation of the original article sans editorializing, but I wanted to attempt to explain a few things here. This is unprecedented for the franchise, and we're in untested, but very exciting times right now. The short version is this: Akio Iyoku and Capsule Corporation Tokyo have succeeded in gaining control of the rights to the Dragon Ball Franchise, in all but the manga side of things, for the next ten years. DAIMA is actually their first project. Now, some excerpts from the translated article: "Indomitable Dragon Ball, Inheriting the Mission: A Global Strategy to Reach the Next Generation" featuring Akio Iyoku, the President of Capsule Corporation Tokyo 'Dragon Ball' will celebrate its 40th anniversary in 2024. Dragon Ball is a unique and amazing work. Rather than thinking of the work in relative or uniform terms, the keynote is to think about how it should be done as a work of art. As the Executive Producer of a work with unprecedented longevity, my mission is to expand and convey what the original creator, Akira Toriyama, has created. I will continue to produce works, such as anime series, movies, and games, over the next 10 years. (...) Adopting what is popular at the moment does not increase the probability of success. I will not be swayed by the current trends, but will create works that I feel will be 'good enough'."

Iyoku is saying that, in his new capacity as the executive producer of Dragon Ball, he's doing this as a means of protecting the Dragon Ball IP as a work of art, and wants to release content that he feels upholds that integrity, rather than trying to use the IP simply to chase current trends and try to cling to relevancy. He says he also wants to keep the spirit of the series Toriyama intended. Now what's especially interesting to ME is this bit. He stops short of making any sort of direct confirmation, but this really, REALLY seems to lend credence to the reports that Shueisha was deliberately leaving Dragon Ball out to dry in favor of One Piece. "There was a time when the Dragon Ball craze, which had spread around the world over the past 40 years, had died down. When I became the head of Shueisha's Dragon Ball Room in 2016, I could not visualize what was really happening. 7-8 years ago, I went to a huge event in Brazil called "CCXP." I was told that Japanese anime were popular in South America, but there was a discrepancy from what I was told. The feedback from fans was weak. It may have been at the peak of its popularity when it was on-air in South America. (...) I also thought it was the result of relying on old-fashioned zeal. Therefore, starting with the 'Dragon Ball Super Broly' movie in 2018, we took steps such as actively participating in events. I felt concerned that Dragon Ball has not been expanded worldwide. Originally, we didn't see the strength and diffusion power of the work. We need to take a closer look at this and see if we can do more. We are not looking for a "one-size-fits-all" approach, but rather, we are looking for events such as the Dragon Ball World Championships, the expansion of games, creating facilities, and anything else that we can do. We will work on them in parallel."

And this bit: "Never before was there such a simultaneous worldwide reception of anime. (...) It can be said that we are now able to do things that we had not even considered before. From the beginning, I began to think about the overseas expansion of Dragon Ball. With 'Dragon Ball DAIMA,' which will be released in Fall 2024, we are taking on the challenge of creating an anime series with a completely original story. I am glad that all our works have been well-received overseas. 'DAIMA' was announced at New York Comic Con. The 'Dragon Ball' series is recognized around the world. It makes no sense to announce it somewhere domestic. Comic-Con is a great place to announce your work. People who understand the value of the culture are gathered there, to begin with, and we chose Comic-Con because of its ability to spread our work throughout the world. Overseas expansion is currently being considered as a necessary means of spreading the word about our work. If we compare the flow of manga titles selling in book format and then finally becoming anime to a river, the overseas developments were the ones that followed the river, meaning that in the past it was a "fan" (in the sense that the overseas expansion followed later.) I am convinced that Dragon Ball has pioneered many things as a Japanese anime. I have a sense of mission that if there is something that no one else has done, I must continue to challenge it." That sounds to me as if this was done at least in part because he felt the series was being mishandled, both on a promotional and quality control front. He also feels that there needs to be content created at least semi-regularly to keep the franchise relevant, as opposed to announcing something and then leaving long gaps of nothing, as almost happened after the Super anime went on hiatus. There's also some more implication about the series not being promoted to its fullest. "- The industry is over-competitive. It is tough to see the competition among anime (due to the emergence of streaming sites, etc.). Competition has become excessive. We must not create a situation where a manga becomes anime, and when the anime is over, the content ends as is. The ideal situation is to create a situation where the average viewer sees the content. We are in a cycle of consumption, and in some aspects, the cycle is becoming short-lived. I don't think it's good at all to have a boom that builds up and then burns down, which can be a factor in the content not lasting long. It will be tough if we do not create a place to compete differently from anime as content. It is advisable for works that are popular now to be distributed simultaneously around the world to repeat generations and reach the next stage of popularity. (...) In order to bring in overseas strength, a leading role is needed. In order for a producer to take on this role, they must transcend the boundaries of the corporate organization. There must be someone who has a "birds-eye view" of the work and is in a position to say to each company, "I think you should do this." I push myself to be a catalyst for this through various discussions. For Japanese content to continue, it is necessary to have someone who can say, "The status quo is not good enough."" So essentially, we're going to see more content. We're going to see more quality control ON said content. Both are being done to respect Toriyama's work, and to actually try to be competitive as opposed to simply relying on the legacy and the baked-in fandom to carry it in the sea of anime and manga franchises out there. He also feels that they shouldn't try to solely rely on adapting things, and create original content as well, while keeping it in line with the spirit of the series as opposed to just chasing whatever's popular. That's the intent, at least. Now we just need to wait and see how this all shakes out.

#Akio Iyoku #Capsule Corporation Tokyo #Dragon Ball #Akira Toriyama #Dragon Ball Daima #DBS #Dragon Ball Super #DBZ #Dragonball #Dragonball Z #Dragon Ball Z

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disneytva · 4 months

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Disney Announces "D23 Expo Brazil" Slated For November 2024.

The Walt Disney Company is heading to Brazil this November. This will be the first major D23 Expo event to take place in Latin America

This will be the first major D23 event to take place in Latin America, though Disney has ran fan events including a D23 Expo in Japan on 2018. Other events include the Star Wars Celebration to take place across the US & Europe with a Japan edition set for 2025.

The D23 Brazil event will feature unique content from brands across the Walt Disney Company, like Disney, Pixar, Marvel and Star Wars. So we should expect to see plenty of news regarding Disney films and Disney+ shows come out of this event. The event coincides in one month ahead of Disney Television Animation's 40th anniversary so we could expect panels dedicated to Disney TVA series featuring latino characters like "The Proud Family Louder And Prouder", "Hamster & Gretel", "Moon Girl And Devil Dinosaur" & "Primos" and hoping for a showcase of series greenlights of latino lead shows like "SuperStar", a "NDA Preschool Series by Jose Zelaya" & the potential The Proud Family latino-lead spin-off "La Familia Avenúñez".

Brazil has become a hosts for fan events, CCXP, in São Paulo becoming a major event on the calendar, as over 280,000 fans attended the last event. Netflix also ran it’s own TUDUM fan experience there last summer.

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inyourwildestdreams22 · 5 months

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What was the ccxp 2018 experience???

You can see here

youtube

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erualthewild · 1 year

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Masterpost of my gifs

The Amazing Devil

King (2016): [1] ~ [2]

Pruning Shears live (2017): [1] ~ [2] ~ [3]

Not Yet/Love Run live (2017): [1] ~ [2] ~ [3]

Pray live (2017): [1] ~ [2] ~ [3]

The Horror and The Wild live (2018): [1] ~ [2]

Marbles live (2018): [1] ~ [2] ~ [3]

Battle Cries live (2018): [1]

ruin (promo) (2021): [1] ~ [2]

Extra:

Wolf Hall/Bring Up the Bodies Extras (2015): [1]

Joey Batey:

Blue Furious Boy: [1] ~ [2] ~ [3]

Series & films:

The White Queen (2013): [1]

Whitechapel (2013): [1] ~ [2]

Mount Pleasant (2016): [1]

In the Dark (2017): [1]

C. B. Strike (2017): [1]

Lucky Man (2018): [1]

Knightfall (2017-2018): [1] ~ [2] ~ [3]

The War of the Worlds (2019): [1] ~ [2]

The Witcher (2019-...):

Season 1 (2019):

Episode 2: [1] Episode 4: [1] ~ [2] ~ [3] ~ [4] Episode 5: [1] ~ [2] A bit of all: [1]

Season 2 (2021):

Trailer: [1] Episode 4: [1] Episode 7: [1] The Witcher Unlocked: [1] Monster Mash (2022): [1] Breaks Down Jaskier's Big Scenes in Season 2 (2022): [1] On Set Secrets (2022): [1] ~ [2] ~ [3]

Billy the Kid (2022): [1] ~ [2]

Trailer (2021): [1]

The Witcher: Blood Origin (2022):

Trailer: [1]

Himself:

Witcher Bake Off (2020): [1] ~ [2] ~ [3]

Interviews:

Learning to play the lute (2014): [1]

The Witcher Season 1:

Hey U Guys (2019): [1] NME (2019): [1] Oceniają fanarty (2019): [1] ~ [2] ~ [3] Wiedźmin po polsku (2019): [1] Making Greg, the horse (2019): [1] Variety (2020): [1] ~ [2] Lekko Stronniczy (2019): [1] Red Carpet News TV (2019): [1]

The Witcher Season 2:

WitcherCon (2021): [1] ~ [2] ~ [3] LuccaCon (2021): [1] ~ [2] Daninseries (2021): [1] ScuolaZoo (2021): [1] naEKRANIEpl (2021): [1] Hey U Guys (2021): [1] Red Carpet News TV (2021): [1] IGN (2021): [1] Cosmopolitan UK (2021): [1] Polygon D&D One shot (2021): [1] Nerdbunker (2021): [1] ~ [2]

The Witcher: Blood Origin:

Culture Crave (2022): [1] Omelete CCXP (2022): [1] ~ [2] On Demand Entertainment (2022): [1] Exame (2022): [1] IGV Presents (2022): [1] Red Carpet News TV: [1]

Madeleine Hyland:

Scarlett Scarlett: [1] ~ [2]

Films and Series:

Vanity Fair (2018): [1]

Dexys:

She’s Got a Wiggle (2013): [1]

Incapable of Love (2013): [1]

Mads Mikkelsen:

Films:

The Hunt: [1]

The Necessary Death of Charlie Countryman: [1] ~ [2] ~ [3] ~ [4] ~ [5] ~ [6] ~ [7] ~ [8] ~ [9] ~ [10] ~ [11]

Himself:

GQ: Dr. Strange London Premiere (2016): [1]

Commercials:

Return of the Goat II: [1]

Jack & Jones: [1]

Carlsberg: [1] ~ [2] ~ [3] ~ [4] ~ [5] ~ [6]

BoConcept:

The Call: [1]

Occhio:

The Charm: [1] ~ [2] Date Night: [1] ~ [2] The Great Lafayette: [1] ~ [2] Black Tie: [1] ~ [2]

L’Officiel Hommes NL: [1]

Flaunt: [1] ~ [2] ~ [3]

Fritidsresor Commercial: [1] ~ [2]

The Rake Magazine: [1] ~ [2]

Joseph Quinn

Wonderland Magazine video (2022): [1]

The Witcher: Blood Origin.

Trailer: [1]

#Masterpost Of My Gifs #The Amazing Devil #Joey Batey #Madeleine Hyland #Mads Mikkelsen #My Gifs #I hadn't realized how many I'd made

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mikedeodatojr · 2 years

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#Repost @ffpraconi with @repostsaveapp · · · DA COLEÇÃO [26] "Dark Avengers" com roteiro de Brian Michael Bendis e arte de Mike Deodato Jr. Capas de Mike Deodato Jr. Assinado por Mike Deodato Jr. em na CCXP 2018. Assinado por Brian Michael Bendis em 10/09/22 na Rose City Comic Con/Portland. FROM THE COLLECTION [26] "Dark Avengers" writen by Brian Michael Bendis with Mike Deodato Jr. (art). Covers by Mike Deodato Jr. Signed by Mike Deodato Jr. at CCXP 2018. Signed by Brian Michael Bendis on September 10, 2022 at Rose City Comic Con/Portland. #DarkAvengers #VingadoresSombrios #NormanOsborn #BrianMichaelBendis #MikeDeodatoJr #MarvelComics #Quadrinhos #Comics #ComicsCollection #FromtheCollection #CCXP2018 #CCXPMemories #RoseCityComicCon #RCCC #ComicCon #Portland #SignedBooks #SignedComics @marvel @brianmbendis @mikedeodato https://www.instagram.com/p/CiuqqzROBeY/?igshid=NGJjMDIxMWI=

#repost #darkavengers #vingadoressombrios #normanosborn #brianmichaelbendis #mikedeodatojr #marvelcomics #quadrinhos #comics #comicscollection #fromthecollection #ccxp2018 #ccxpmemories #rosecitycomiccon #rccc #comiccon #portland #signedbooks #signedcomics

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bilaldemirkr · 3 months

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Starfield oyuncu sayısı açıklandı! Beklentileri karşıladı mı?

New Post has been published on https://bilaldemirkr.com.tr/starfield-oyuncu-sayisi-aciklandi-beklentileri-karsiladi-mi/

Starfield oyuncu sayısı açıklandı! Beklentileri karşıladı mı?

Dünyaca ünlü oyun şirketi Bethesda Game Studios’un geliştirdiği, yıllardır merakla beklenen Starfield, geçtiğimiz aylarda piyasaya sürüldü. Oyun, çıkış yapar yapmaz çeşitli tartışmalara husus oldu. Pekala buna karşın kelam konusu imali kaç kişi satın aldı? İşte Starfield oyuncu sayısı…

Starfield oyuncu sayısı kaç?

Uzay temalı bir aksiyon rol yapma oyunu olan Starfield, birinci olarak 2018 yılında gerçekleşen E3 oyun fuarında duyurulmuştu. Nihayet 6 Eylül’de çıkış yapan imal, kıssa olarak günümüzden yaklaşık 300 yıl sonrasında geçiyor.

Oyuncuları keşif dolu bir galaksi macerasına çıkaran Starfield, 1000’den fazla gezilebilir gezegene konut sahipliği yapıyor. Uzun periyodik bir oynanış sunan oyun, kimi kesitlerden olumlu yorumlar almışken, kimi oyuncular ise pek de beğenmedi. Bu bağlamda Starfield oyuncu sayısı epeyce merak ediliyordu. Bu soru kısa müddet evvel cevaplandı.

Microsoft’un oyun geliştirme kısmı olan Microsoft Gaming’in Lideri Phil Spencer, geçtiğimiz gün Brezilya’da gerçekleşen CCXP oyun etkinliğinde bir röportaj verdi. Kendisi, burada Starfield ile ilgili kanılarını paylaştı.

Starfield‘ın süper ve epeyce özel bir oyun olduğunu söyleyen Spencer, oyun muvaffakiyet elde ettiği için için memnun olduklarını söz etti. Üstelik Bethesda Game Studios’un geliştirdiği oyunlardan en çok oynananlar ortasında yer aldığını söyledi.

Yakın vakitte paylaşılan bir rapora nazaran oyun, erken erişim sürecinden çıktıktan sonra birinci haftasında 6 milyon oyuncuya ulaştı. Bu sayı, oyunun çıkışından itibaren süratle yükseldi ve 20 Eylül itibariyle 10 milyona, ekim ayının sonuna kadar da 11 milyona kadar çıktı. Phil Spencer ise röportajda Starfield‘ın yeni olarak 12 milyondan fazla oyuncuya sahip olduğu bilgisini paylaştı.

Peki siz bu husus hakkında neler düşünüyorsunuz? Starfield’ı nasıl buluyorsunuz? Oyunu beğendiniz mi? Görüşlerinizi aşağıdaki Yorumlar kısmından bizimle paylaşabilirsiniz.

#Oyun #Starfield

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spideycity · 5 years

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