#clip he included at the end | Explore Tumblr Posts and Blogs

osaemu · 5 months

Text

GOJO SATORU: ❛❛ IS IT OVER NOW? (IT ISN'T) ❜❜

.ೃ࿐ streamer!au: all good things come to an end, including your relationship—but don't worry, broken hearts can be mended, but only if you're both willing to try.

contents: fem!reader. you two break up and make up! you guys fight/break up over something that coulda been resolved with better communication. kinda suggestive ending, maybe i'll drop a part two if this does alright. satoru announces your break-up on his stream. longest fic i've posted so far, 4k words (kms).

author's note: the long awaited angst has finally arrived.. big thank you to @screampied for beta-reading!! tagging @yunymphs who read it early and @sutorus + @kentopedia who i both miss very much!!

ever since you first joined satoru on his stream, it’s gotten way more popular than either of you could’ve ever expected. before he brought you onto his live, he was averaging about eight thousand views per stream. now, his average was well over fifteen thousand—and that wasn't even including the publicity he got from other websites. when satoru accidentally left the camera on while you two made out, you two went viral on twitter. and when another user tried to swipe him away, the clip got over a hundred thousand views on youtube.

at first, satoru didn't mind the change his stream was going through—in fact, he welcomed it. but lately, things have been… different.

last week, while satoru was playing in some competition, he won first out of hundreds of equally proficient players. had it been anyone else, their comments would've been filled with congratulations and good job's, but in his case, all satoru got were messages asking where you were. that wasn’t the first time—ever since that very first day, when you showed up on his stream, satoru’s audience has entirely shifted. and honestly, if you were in his position, you'd be a bit annoyed. anyone would be.

but you had never expected that it would be so big of a deal that you and satoru—the "cutest couple on the internet"—would break up over it.

you walk along the chilly, suburban sidewalk up to your boyfriend’s house. satoru had just sent you a message asking if you could come over, and like always, you answered with an immediate yes. a flock of crows fly by, raven feathers providing a stark contrast between them and the pale gray sky around you. it’s gray and gloomy, but not unpleasant.

a sweet, romantic song plays in your ears as you knock three times on satoru’s front door. his familiar voice calls out “coming!”, and you can hear his footsteps grow louder and louder until he swings open the door. satoru smiles down at you, cheeks already rosy from the cold winter air. “hey.”

you tilt your head and smile back at him. “that’s all i get? hey?” you huff, walking into his living room behind him as the door closes behind you. “d’you have any hot chocolate? i’m freezing,” you say, licking your lips. satoru turns and pauses, an unreadable expression on his face. “satoru?”

after a moment, your boyfriend snaps out of it. “oh, yeah, sorry,” he says ruefully. satoru rubs his eyes with one hand and uses the other to open the door to his bedroom, and as you follow him in, you’re hit with a blast of warm air. “i’m just kinda tired, but yeah, i have some hot cocoa in here. c’mon.”

“anything i can do for you?” you offer, sitting down on the corner of his bed. you’ve been to his house so many times that it feels like home—maybe even more so than your own place. everything about satoru’s room is comfortable, from his plush chairs to the faux-fur blankets draped over every single piece of his furniture. you could probably fall over at any given point and it wouldn’t actually hurt—you’d just land on something soft and/or fluffy.

but that wasn’t all that made you so in love with his home. it was just the way it felt—words couldn’t describe the way everything was just so right and just so perfect, and you really did hope that you’d never have to see a time where you wouldn’t be able to spend time with your boyfriend here.

it really is a shame that all good things had to come to an end. at least, that’s what you kept telling yourself as satoru finally told you why he called you over. unlike nearly every other time, it wasn’t because he missed you or wanted to cuddle—it was quite the opposite, really.

“i don’t think this is working.”

six words that shattered the life you had come to know and love.

“is this a joke?” you try, an unnerved smile spreading across your lips against your will. he doesn’t reply instantly, which is so out-of-character for him that it makes you stiffen up. “satoru, this isn’t funny—”

“i’m not kidding,” satoru murmurs, looking away. he refuses to meet your eyes, and some part of you is still desperately trying to find reason in the chaos that’s slowly taking over your mind. how could it be that everything was just fine two minutes ago and now it’s anything but that? did something happen? did you say the wrong thing? did you—

“it’s not funny,” you insist, still somehow clinging onto your slowly-dwindling hope. maybe you’re in denial, but still, you were sure that everything was fine—no, that everything is fine. there was no past-tense, right? how could the glass home you’d built with your bare hands just crash down at the throw of a pebble?

satoru finally meets your eyes, and your breath catches in your throat. there’s no amused glimmer in his eyes, no “just kidding” in sight, and even worse, you can’t even see an ounce of the love or adoration you’d come to grow so attached to in just a couple months.

“what happened?” you whisper, miraculously managing to keep yourself together. you’d never forgive yourself if you just started crying over a breakup you weren’t even sure was happening—what little’s left of your pride is holding on. you allow yourself to wrap your arms around your chest, curling into your own embrace.

satoru doesn’t reply for a long second. right when you’re sure he just won’t reply, he does, and it all comes spilling out in a messy stream of words. “it’s just… i can’t do this anymore. i can’t keep going online and seeing everyone on my stream talking about you. i love you, i really do, but it’s just—” satoru shakes his head frustratedly. “i don’t know how to say it, but you know what i mean, right?”

your eyebrows furrow and you shake your head. “you’re breaking up with me because you’re tired of seeing me?”

“no, fuck,” satoru groans, running a hand through his hair. his previously cool and collected demeanor starts to fall apart as he takes a step back. “i don’t know how to explain it, but— shit, you wouldn’t understand.”

you swallow and start to stand up, still willing to try. “then help me understand, satoru, i—”

“you’ve seen the comments, and you’ve seen all the posts on twitter,” satoru says, tilting his head back and glaring at the ceiling. “it’s not your fault, but i really just can’t stand everyone disregarding me and turning my own stream into a youtube channel starring you.”

his words sting like alcohol in an open wound, and you fight the battle of your life to prevent the thousands of tears hiding behind your eyes from being visible. even so, your voice wobbles ever so slightly as you say “that’s a bullshit reason to break up, satoru—”

your boyfriend—is he even still your boyfriend?—scoffs and shakes his head, stumbling back and falling into his chair. "for you, it isn't. you wouldn’t understand. for me, it's like everyone's just... invalidating the three years i've spent on this shit. and i can't do it anymore, i just can't."

you blink slowly, backing away towards his bedroom door. "what does that mean?"

satoru exhales a bitter laugh and turns away, the back of his chair facing you. you think you can hear him take a soft, shaky breath as the room falls silent. neither of you make a sound before satoru turns back toward you, a blank look on his face.

he looks up at you, azure eyes devoid of the sparkle you've become so familiar with. satoru smiles sadly, but to your dismay, there's no real emotion behind it. it's almost like he's already accepted it when he says, "it means we—" he pauses and looks away. "this is over."

you reach out toward him, desperate to hold on to him—to the invisible string that ties you and satoru together, but he's just out of your grasp. "satoru, it isn't even that big of a deal, why are you—"

satoru turns and fixes you with a stern glare, and just like that, the string that kept you and satoru together for months, maybe years snaps, and you're left with a limp strand of what it once was. taking the hint, you walk out of his room in a daze, hardly noticing the way he says "i'm sorry".

and the worst part? he said he still loved you. but apparently that wasn’t enough.

satoru has every right to be annoyed that his stream is only growing because of you—his stream was the way he made money, and after all, it was never meant to be about you.

and maybe he was never meant to be for you either.

the walk home is cold and lonely. you slip a hand into your pocket—the pocket of satoru's hoodie, which you should probably return to him—and extract your earphones. it probably isn't a good idea to wear both outside as you walk home, but you do it anyway—this day can't possibly get any worse.

a soft voice murmurs words of sorrow and encouragement in your ear as the music takes you to another world. maybe this—the breakup—was meant to happen. maybe it was a mistake to date a boy with thousands of fans.

as soon as you get home, your phone dings softly. you pick it up and frown when you see it's from toru. you'd have to change that name later.

toru: idk if u blocked me already but i still have a lot of ur things, do u wanna come pick them up later?

toru: or i can drop them off tmrw ig

you miss the way he used to text you—with an obnoxious amount of exclamation points and an even worse amount of emojis. now, it's like all of the flavor's gone from his words, and it hurts. that's when it actually settles in, that this is really over. it hurts like an icicle being driven straight through your heart, and it stings like one, too.

satoru's texts are left on delivered for five whole minutes before you reply, and it's only with an "i'll come by tmrw". he likes the message less than a minute later, and you're left to wallow in your misery alone until you finally drift off to sleep.

the next morning, you open your phone to a notification alerting you that satoru’ll be live on stream in ten minutes. curiosity kills the cat, but in this case, maybe it’d be worth it to see what he tells his viewers about your breakup. after all, there’s no way he wouldn’t tell them—he always had something to say about you, and he’d probably rather tell them for sure rather than let them come up with ridiculous theories on their own.

so you hastily make a new account using some email account you haven’t touched since middle school, trying a couple different passwords until you remember the one that works. the website hits you with a hundred questions, asking you about your favorite games and who’d you like to subscribe to first. you choose satoru, albeit after a second of hesitation. two minutes later, sparklingzebra672 joins your ex-boyfriend’s stream. you wait a second, holding your breath as the live loads. a brief moment later, satoru’s painfully familiar face appears on your screen.

“hey guys,” satoru says, forcing a smile on his face. even from behind a screen, you swear you can feel his eyes on you. “how’s everyone today?”

the already unstable smile on satoru’s face falls when he opens the comments and gets greeted with a flurry of where’s your girlfriend’s. had you been anyone else, you probably wouldn’t have noticed the way satoru’s eyes dulled ever so slightly or the way he curled into himself, but being the girl who once knew him best, you could tell.

“oh, she won’t be back on here for… a while,” satoru starts, dancing around the topic. he leans back against his chair and tilts his chin up, azure eyes focused on the ceiling. “we broke up.”

nothing could’ve prepared you for the way satoru’s comments explode. it’s almost like you can hear the shocked gasps coming from all fourteen—no, twenty thousand viewers as the words nobody thought would ever they’d hear from satoru are spoken.

suguru-geto: holy shit im so sorry

toji-fushiguro: wait wtf r u kidding?? that's fuckin crazy

yuuji-itadori: omg i thought u guys were together forever :(

inumaki: chat is this real??

satoru shrugs, averting his eyes from the hundreds of comments pouring in, but you scroll through and read them all. everyone, even satoru’s haters, seems genuinely shocked. in fact, had this not been your own breakup, you would’ve been one of them, begging and pleading satoru for more details.

“yeah, we did,” satoru murmurs, eyebrows furrowing just enough for you to read his expression. now that you’re looking closer, you can see the subtle redness underneath his eyes—had he been crying too? and maybe you’re imagining it, but his hair seems a bit dishelved too. your ex-boyfriend shrugs, forcing his face back into his usual lighthearted expression, but it’s not fooling anyone.

satoru scowls at the new flood of comments asking him why you two broke up. some people are already hypothesizing—maybe it’s because you got jealous of his fame, or maybe he got sick of you. maybe you left him to go date some other streamer, or maybe—

“i’m actually gonna end the stream here, ‘cause i don’t really want to deal with all of this right now,” satoru says with a frown. his eyes are narrowed irritably as a couple users protest, still begging for more details. “you guys know that i’m a real person with my own life, right? fuck off.”

and just like that, the stream ends. you’re left with a blank screen and a message saying that satoru’s ended the live, so you shut your laptop. your stomach turns as you groan, just remembering that you have to go over to his place later to retrieve your things, and somehow, you’d have to pretend that you didn’t just stalk his stream to see if he’d say anything substantial about the breakup.

a couple minutes after the stream ends, your phone blows up—every mutual friend you and satoru have is messaging you about what he said, but you can’t bring yourself to open any of them. except for one.

suguru: r u ok?

you: yeah ig

suguru: do u want anything?

satoru’s best friend’s question catches you off-guard—there are a lot of things you want. you want this whole situation to go away. you want the world to disappear. and most of all, you want satoru back, without the online world attached.

but suguru can’t do any of those things, can he? so you leave him on read.

somehow, you fall back asleep, tossing and turning in your bed without satoru’s steady arms to accompany you. a couple hours later, you wake up again, wincing from the dim sunlight that pours through your windows and directly into your eyes. it’s just past five, so you figure that you might as well go down to satoru’s house and get your things. better to do it now than drag it out for an uncertain amount of time.

the walk is shorter than you remember, but maybe it’s just the absence of music pouring into your ears that makes it seem that way. you watch the wilted autumn leaves flutter in the wind, falling down onto the sidewalk like pieces into place. once upon a time, you had walked these very streets with satoru—it’s a fond memory you remember only all too well.

when you finally step onto your ex’s doorstep, the door opens before you even have a chance to knock. and there he is—the boy who’d once been the love of your life. satoru looks down at you with an unreadable expression. “hey.”

you think you’ve seem this film before, and you didn’t like the ending.

satoru spares you from having to reply by opening the door wider and beckoning you inside. “i already put most of your stuff into a couple boxes, but i thought you’d wanna check on your own. just in case i forgot something.”

you nod and walk past him, not trusting your voice to be steady. this was harder than you expected—much harder. in fact, you’re practically on the verge of breaking down when you step into satoru’s room and look around and see just how different it looks without the touches of you everywhere.

the fortnite poster you’d given him as a joke for the second anniversary of his stream was gone from his wall, and so were the two mini succulents that used to sit on the corner of his desk. the white cat plushie that used to rest on his pillow was gone, too—probably stuffed somewhere in one of the boxes outside his bedroom door.

after nearly a minute of looking around, you decide that whatever satoru possibly could’ve missed wasn’t important enough for you to have to stick around any longer.

you turn and start to exit satoru’s room so fast that you nearly crash into him when he suddenly appears in the doorway. “shit, sorry about that,” you mumble, trying to walk around him. but of course, because the universe is actually praying on your downfall, you and satoru both walk the same way at the same time. you awkwardly try to go around each other, and eventually, the humiliation is over.

“so, you got everything?” satoru asks, walking beside you with his hands in his pockets. you nod, bending over to pick up one of the two boxes. it’s pretty heavy, but not unmanangable. you just don’t really seem to know if you’ll be able to carry both back home at once.

“oh, uh, i’ll be right back,” you say tentatively. a flash of confusion appears in satoru’s eyes, so you clarify, “i’m gonna go grab my car. that’ll make it easier.”

satoru’s eyebrows furrow and he shakes his head. “no, it’s alright. your place isn’t far from here at all, i’ll just take the other and walk back with you.”

“no, really, it’s alright.”

“it’s the easiest option, ba—” satoru cuts himself off, stopping himself from calling you baby for the first time since you two had started dating. “sorry.”

“let’s just go.”

the walk back to your house is brutal. you walk side by side with satoru since the path is wide enough for you to do so, and you two just keep bumping into each other. had you still been dating, satoru probably would’ve dropped the box and scooped you up instead, kissing your cold face to warm it up. of course, that would’ve added five minutes to your walk, but it would’ve been better than the tense silence dividing you and satoru right now.

the wind whistles around you, brushing at your skin and making you shiver with every gust—there’s nothing more you’d like than to go home, plop on your couch and cry while watching the titanic for the hundredth time.

after what seems like three hundred awkward hours later, you and satoru finally make it to your house. “thanks,” you say quietly, setting down your box in front of the door.

satoru places his next to yours and slips his hands back into his pockets. he nods and replies, “no problem,” but still doesn’t leave.

you cross your arms, and tilt your head, meeting his eyes hesitantly. “umm, do you need anything else?”

satoru coughs tensely and shrugs. “oh, uh, not really, just—” his eyes drift down to your top, and your face grows warm when you realize you’re still wearing his hoodie.

“shit, my bad,” you mumble, internally cringing and resisting the urge to say every curse word you know. could this day really get any worse?

well, at least satoru looks equally as embarrassed. he shakes his head and gestures for you to keep it on. “it’s fine, it’s kinda cold anyways. keep it.” satoru hesitates, shuffling his feet before continuing, “if you want something… to remember me by.”

what you say next was done entirely against your will. “do you still love me?” you ask suddenly, not sure what otherworldly force prompted you to do so. you instantly regret it when satoru’s face goes even redder, and you can tell it’s not from the cold the way his blush spreads to his ears.

“i— uh, i mean—”

“answer me, satoru, i think i have a right to know.”

he looks away and mumbles something about needing to go back home, to feed his fish or something (he doesn’t have a fish), and you grab his hand just as he starts to turn away. “please, satoru, i need to know,” you breathe, squeezing his hand harder when he flinches.

ten silent seconds tick by, but you still don’t let go. so satoru sighs, a soft white puff of air coming from his lips. “yeah.”

your heart breaks again.

“then why did you—”

“because i don’t know how to do this,” satoru says, blue eyes darting all over the place. “i love you, i really do, but i just can’t— i don’t like having thousands of people thinking that i’m only worth looking at if i’m with you, it’s annoying and it pisses me off and i don’t want to accidentally take it out on yo—”

you cut him off with a kiss, ignoring the way he yelps a little in surprise. but thankfully, he doesn’t push you away—instead, his arms instantly wrap around you and pull you closer into his warm, warm chest. satoru’s lips are a little dry, but still minty as ever from the peppermints he’s constantly munching on. he kisses you back like a man starved of affection, and when you two finally break apart, his eyes are just as hungry.

“you idiot,” you whisper, trailing your fingers through his hair as tears prick at the corner of your eyes. “you shoulda just talked to me about it first.”

“i know,” satoru mumbles, looking down bashfully. “‘m sorry.”

“you should be.” you pause, watching satoru’s lips curve into a pouty frown. “i’m sorry too,” you murmur, and he looks up, confused. “i should’ve seen this coming.”

satoru shakes his head and presses his lips to your forehead, lingering for a couple seconds before pulling back. “i missed you.”

“i was gone for less than a day, satoru.”

“oh, so you didn’t miss me?”

“i did,” you admit, exhaling a puff of air when satoru smiles smugly. “shut up, it’s not a competition!”

“yeah it is, but fine, you win,” satoru gives in with a dramatic sigh, reaching down and twining his fingers with yours. his hands, which are significantly bigger than yours, instantly warm you up. “but only ‘cause i don’t want you to break up with me next.”

“i hate you, y’know that?” you grumble, leaning into his side and letting satoru kiss the top of your head. he hums in agreement, reaching out and opening your front door.

“i’m sure you do, baby. now c’mon, let’s get inside n’ warm up. i wanna make it up to you,” satoru says with a grin, bending over and scooping up both boxes.

“oh, yeah? how do you plan to do that?” you challenge, going inside first and holding the door open for satoru. once he’s inside, you close the door and instantly get pinned against it by satoru, whose hands are already creeping underneath your clothes. “satoru, your hands are col—”

he cuts you off by pressing his equally cold lips to yours, smiling against your mouth as he tugs at your clothes. “i know, baby. but i’ll keep you nice n’ warm for the rest of the night, i promise!”

6K notes · View notes

dana-chan-the-control-brain · 10 days

Text

TADC: Thoughts on Jax in Episode 2

Thoughts on Jax after Amazing Digital Circus Episode 2 Dropped.

Massive spoilers below the cut. Just watch the ep before you read.

Amazing Digital Circus had an amazing second episode as we're introduced more to what the adventures are like, and what NPCs are like and ofc the existential horror of being a living AI only created for a source of entertainment.

Also, I love the dream sequence at the beginning, because we actually get some deeper insight into Pomni's thoughts on Ragatha. Feeling like her helpfulness is the guise of like "man, you're not cut out for this like the rest of us" which is typically something a lot of people who have been bullied in highschool perceive genuine acts of kindness and engagement. (which I kind of suspect Pomni might have been, or at least, been a shut-in and didn't have a lot of friends in her human life. )

Jax wasn't really the main focus of the episode, but it wasn't really until the end of the episode I understood his behavior and what this episode is foreshadowing overall.

Since while Jax isn't the focus emotionally, he is definitely the plot device to push things forward. And I mean, a plot device in a very active and quite literal way. He's the one that causes Pomni to clip out of the map, takes advantage of everyone and is just... genuinely an unpleasant person.

I actually really like this.

As, I know the first episode in the digital circus, many people (me included) could perceive or analyze Jax's actions as someone who is "helping" in a roundabout asshole way. Episode Two has none of that here. He just wants Bloodshed, And I love that we're getting additional context on his character.

It's hard to tell how much fan reception Gooseworx saw of episode one before episode two hit production, so I don't know how much of the fandom perception of Jax had an influence on the writing process, but I can't deny that might have been a factor in assuring us "no he's not secretly helpful, he's just an asshole" But I'm just going to assume that this has been part of his characterization from the start and it becomes way more clear as the episode goes on.

But there was something in his behavior throughout this whole episode that seemed off to me. Like Jax was taking up a majority of the B-plot, while Pomni had the A-plot. So I was wondering why Jax seemed to be the protagonist with the B-plot when Pomni was the A-plot when they seemed to be so disconnected with eachother in motivations and telling us things about the characters.

But then it hit me when the episode ended and the two plots merged together.

"who... knows... what could happen..."

And then it hit me.

Pomni finds comfort in an NPC who is going through a similar experience to her and can emphasize, despite their being other humans who have gone through the same thing, due to her self-admitting to being a loner in her human life. Well, she didn't admit it outright, but from how she perceives Ragatha's kindness as an act, or patronizing, it seems like she doesn't have a lot of friends...

Meanwhile... Jax... He treats the adventure like a videogame. Why shouldn't he? He's trapped in a videogame, right? But it really goes beyond that.

The fellow humans that Jax is trapped with, he treats THEM like they're NPCs, while Pomni treats the NPC like they're human.

Jax says to Gangle "Aren't you supposed to be the suggestible one?" Which you wouldn't typically wouldn't say to a person, right? That's something you would say more about a character that you maxed out the dialogue trees in.

He calls Pomni "His Bridge" even.

They're his objects. His tools, his own npcs he's exhausted the dialogue options on.

Jax dehumanizes the players in a way that Pomni humanizes the NPCS.

These are two opposite ends of the spectrum but what really sold it for me was Jax's reaction to the funeral.

And Jax is the one member out of the cast who doesn't even show up to the funeral. (aside from Caine and Bubble but they are AI.)

He does NOT want to think about the Players as real people. And showing that opposite perspective compared to Pomni I think is much as important going forward.

Jax was the plot catalyst of this entire episode, and served the thematic theme of the episode quite well, even if it didn't look like it on first glance.

I absolutely loved this episode and I can't wait for more.

Also... Poor Pomni can't have shit in Detroit

#the amazing digital circus #tadc #tadc jax #Jax #danachan's rants #digital circus #the amazing digital circus spoilers #tadc spoilers

2K notes · View notes

confessedlyfannish · 1 month

Text

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

1K notes · View notes

fazcinatingblog · 1 year

Text

a clip of blake freeman discussing his animal theory came up on my facebook feed so i watched it again and i reiterate this is the funniest thing i've ever heard besides cameron james' electric dreams show

#when i die can someone just put together a clip of the funniest things i've ever heard #to be like 'she laughed till she died' and then play the clip/s #i want blake freeman's animal theory and cameron james' electric dream (maybe just the song at the end)#plus maybe a clip of a commentator saying GINNI'S THERE ELLIOTT'S THERE AS WELL HE CAN PASS IT TO GINNI OR GO HIMSELF #what else what else what else #aaron chen describing his 5 year old experience with apple crumble #oh oh what about daisy telling his pirate joke to faz #and then another clip of a commentator saying HERE'S FAZ HE'S THE HOT MAN #(giants game in 2016)#the clip of fiona o'loughlin talking about her son being bald ASK THE BALD GUY WHAT'S HIS DEAL #that whole clip though include her saying they spoiled a child SHE'S PROBABLY AN AMAZON GIVE IT ANYTHING IT WANTS #i can't pick a fav becky lucas joke - maybe the dog one #i don't know #oh i guess kitty flanagan would need to be in it - either her saying 'maxi maxi pads' or the cooking in your dishwasher

1 note · View note

weebsinstash · 4 months

Text

Sitting here watching that clip of Valentino with that demon girl going "you're gorgeous! Do you need a job? 🥰" and started thinking of Val either intentionally or unintentionally making Reader feel massively insecure and ugly and Val using that to manipulate them

I've mentioned "oh what if your job is serving him drinks at his club" but what if he also starts dragging you along when he goes out like some kind of weird PA. Like he's just throwing random bills at you that he clearly isn't counting like it's pocket change in a very "yeah sure whatever just do it bitch" kind of way so you put up with it, it's good income, but it's still... WEIRD. He's going to get his antenna done at the salon, and you're like. Having to STAND THERE beside his chair, you're not even in the lobby waiting room, you've gotta be WITH HIM, and you just get all these windows into his cunty personality where he's spoiled and mean to service workers and is a total fucking diva and it's extremely off-putting I'm sure

He's in a night club hitting on people whose bodies are absolutely insane like I'm talking GYATT city, ass and titties, you've got twunks and you've got hunks, and you're like, in sneakers, off to the side, head down playing games on your phone since you can't even put earbuds in because you unfortunately have to keep an ear open since he'll order YOU to bring drinks, not just for him, but for these complete strangers who don't even work for him too, AND he'll let them be fucking mean to you. You bring some bubble butt twink who's on Val's arm the daiquiri he asked for and he gives you a very clear look up and down before laughing, cuddling up to Val, "yeah I can SEE you need new employees 😋" and they all laugh Including Fucking Valentino

I dunno, I'm on the fence. It really changes with the story. You get the yandere who are obsessive but more abusive-adjacent and then you have the more true-blooded kind that won't accept any slander of you at all. Like can you imagine Valentino's smile just dropping off his face because some chick like, tells you you have cellulite or even something MILD like your mascara is bad or idk what are, male insults.... you have a flat ass??? And Valentino just instantly shoves them away "okay you're done bye, let the door hit you on the way out 🤭"

But today we're talking about angst and feeling fucking miserable so. Over time it just, makes you feel so horrible about yourself to go to these nightclubs. It isn't even about fucking Valentino, it's about how you're sitting here watching everyone EXCEPT YOU receive all this fawning and compliments and attention, even if Val is faking some of it just to lure in more workers. You see a girl who has the perfect skin and you run fingers over an ice pick scar on your cheek, male reader sees a guy who's tall but muscular with nice facial hair and you feel your own baby face and smaller build, there are people thinner than you, curvier than you, stronger than you, smarter than you, and you watch all of them get called gorgeous and beautiful and handsome and sexy and you're just the fucking dweeb who gets teased, mocked, BULLIED

One night Valentino is sitting there talking to another girl, "oh my gosh, honey, I would TOTALLY do body shots off of you. Hey, can we get some shots over here? .... helllooooo, I SAID can we get some shots? ...bitch if you make me repeat myself again--" and he looks over and you're not even there. It's like ice. Suddenly without warning you're not there and he doesn't know what to do because you're ALWAYS there and whenever you're not it's because he LETS YOU leave??? Like??? He's immediately standing up even if it knocks away the people hanging off of him and he's looking around, "you BETTER be in the fucking bathroom--"

And over the crowd of people he sees you on the opposite end of the club, as if you were actively trying to put as much distance between you two as possible, and you're with a guy, some big furry monster boy, and you laugh with a big smile and Valentino GRINDS his teeth as he realizes it's been ages since you laughed around him, let alone at anything HE'S said, and you're actually drinking with this guy where you would always be way too stiff and cautious around Val (although he also really wouldn't let you drink anyways, being more of a waiter when you're 'on the clock')

Obsessed with the idea of Val making Reader carry around combs and brushes to comb his antenna/fur and Val sees you using them on another guy. like I think he'd go absolutely violently fucking crazy honestly because 1. Those are HIS and he is a bougie Gucci material man like those are high quality things being used on some RANDO 2. Those are for HIM, you're using them on someone ELSE 3. The person using them on someone else is YOU, YOU'RE brushing another man, YOU'RE cuddling another man like some kind of UNGRATEFUL WHORE--

When I say you suddenly look up and you're being GRABBED, HAULED UP to your feet by your arm, grip on you so tight it's ready to fucking bruise, and Val just shoots this guy in the head, like cartoonishly powerful gun just splatters the dudes head from what should have been just a single bullet hole I'm sure. You're like vaguely traumatized and trying to tell yourself the man will regenerate and be fine but now Valentino's got a gun in his hand and he's furious and you just start CRYING. He doesn't even CARE about the people he was flirting with anymore, if he has any employees in the club with him he doesn't even call out that it's time to go, he just starts DRAGGING YOU to the limo and will just LEAVE EVERYONE there because he's in such a rage, also, have you guys seen the posts where people point out there are moth squeaking effects when he speaks sometimes. So he's just fucking mad, voice cracking, shouting, squeaking, and i think it'd be funny if he spends like 15 minutes screaming about THE GUY while he has you like all but glued to his lap on the ride home and doesn't say a single thing about what you did. Just manic ranting on his phone as he HAS to call Vox, "oh my god you wouldn't FUCKING BELIEVE what this piece of shit did in front of me, the ugliest fucking guy I've ever seen was--" and you're like trembling wondering when he's going to pivot and realize like, you were also. Intentionally willingly sitting with that guy.

But he doesn't even like. Acknowledge it that way. He just keeps ranting about the guy touching something that doesn't belong to him, he's gotta replace all his fucking combs now, oh my GOD Vox like SERIOUSLY-- and then it's probably Vox that's like, with a disinterested voice, "sooooo.... WHICH whore did this happen to again???" And Valentino without hesitating just straight up says your name, "the nerdy one, you KNOW which one I'm talking about"

And that's when you just start to blubber cause you're tired and you're tipsy and you're mentally worn down, "oh OF COURSE I'm 'the nerdy one'!! You drag me all over the fucking place and I never get any time to myself and I have to WATCH everyone ELSE have fun, and when I finally find someone who calls ME cute, calls ME pretty, you fucking SHOOT HIM!" and you're just, face in your hands crying and you can't see it as Valentino GRINS like some fucking MONSTER because, "Aw, pobrecita, is that what this is about? You're lonely? ❤️w❤️"

And you're just mad and crying and pouting and you're telling him to go fuck himself and actually starting to get a little mouthy and have an attitude with him and he doesn't even care because how upset you're getting is going right to his head. even if you don't want to, you're jealous of him giving other people attention instead of you, and now he's watching you get all upset and sniffly over it and he's so full of himself, this makes him feel so powerful that he's reduced you to this insecure bawling state, and he's rubbing your shoulders, "awwww, don't cry mami, you should've told me you were wanting some 'attention'"

At this point you could be literally slapping his hands away but he's gonna keep pulling you close to him on purpose and NOW, now he's laying on all the fucking compliments, stroking the tops of your thighs. He knows exactly what scent you're using in your hair. Oh, you're wearing the nail polish you bought during one of your first months here; he's always liked this color on you. He's commenting and bringing up things you didn't expect him to notice let alone remember about you and... you're just so weak to it.... you're lonely... and he's here... and maybe it's the smoke or his cologne or what but he smells so good, he's so close, your head feels a little funny--

The rest of your night blurs together after that, but when you wake up, you're not at your place, or the studio, or anywhere you mildly recognize. You're in a bed way too big for someone your size, and you're especially not used to SOMEONE ELSE BEING IN IT WITH YOU. Val just has you caged in all of his arms and is passed out drooling in a post alcohol, post drug, post fuckathon coma, and you can FEEL in your muscles and in your body that you two were up to some wiiiiiild shit together.

IF you may manage to sneak out of V Tower without being stopped or caught, it won't make hin suddenly forget all the things you told him, or him now knowing how it feels to have your hands on his body, or how it looks to have your big sad wet eyes looking up at him and then sparkling with one of his compliments. Usually he WANTS bitches to be gone when he wakes up but, this time? When those eyes open and you're not there? Instantly feeling rejected, mad, irritated, he can't exactly identify why, he's just MAD you ran off without telling him and he's instantly blowing up your line to figure out where you are, and now you have become a recipient of The Voice-mails

"Heeeeeeey, baby, so, it's so funny but I just woke up and I can't find you in the tower? Did you run off to get breakfast somewhere? You KNOW you shouldn't run off without telling me first; I need you to come on back here ❤️"

"-- so answer your phone you fucking SLUT!! You better not be with another fucking guy, or I swear to fucking GOD--"

"--It just stresses me out that there are so many different kinds of people down here, I worry someone might hurt you, amorcito. I can't help protect you if I'm not there, soooooo, why don't you just, tell me where you are--"

"Is this fucking funny for you, you cunt?! You get all worked up about how PATHETIC AND SAD you are and then leave me? Leave ME? ME?! You're LUCKY i even TOUCHED YOU AT ALL--"

"Heeeeeeey, oh my gosh so this is so funny ummmm, Vox just let me know that Velvette borrowed you for something, soooooooooo, please don't listen to any of those other voicemails, ok? You know how CRAZY you make me, right? Don't forget you have a shift tonight, and if you even think about not showing up, I have some hellhounds that know your scent already and they'll drag you back here by your hair, sooooo, see you later love you byeeeeee ❤️"

#yandere hellaverse #yandere hazbin hotel #valentino x reader #yandere stuff #sinprompts

2K notes · View notes