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#comics where at least better

welcometogrouchland · 2 years

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for the drawing suggestions; maybe hunter with a trans flag or the collector?

[ID: a four panel comic strip featuring Hunter and The Collector from the owl house, set during king's tide. The first panel shows Hunter (with an exaggerated, tearful expression of fear) on the left while the collector floats on the right and smiles. They're both looking straight ahead. Text next to hunter reads "just saw uncle get gooped", while text next to The Collector reads "the one who gooped him". In the next panel, the collector looks at Hunter and says "so, a fellow he/they I see?. The next panel shows The Collector in the Foreground as Hunter looks back at them over his shoulder, before turning around in the next panel and exclaiming "I GUESS?!". The background of each panel is red. End ID]

Magnus, what if I told you that I combined both aspects of your request in the most obtuse way possible, all because this concept would not leave me alone? What then? (Click for quality I made poor choices with this canvas size)

#the owl house #toh #hunter toh #the collector toh #SORRY. SORRY I JUST THOUGHT THIS WAS FUNNY #(in all fairness it is funny i just. didn't do the prompt you actually requested.)#i tried drawing hunter in his lil golden guard cloak but instead of white it was the trans flag #but every sketch turned up like hot garbage and i was viscerally unhappy with posting any of them #im all fairness this took a lot of tries as well but i think it's at least better #i don't think I communicated the collectors personality very well? but in all fairness i was watching the season finale post-hoot #where dana said part of the collectors inspiration was fucked up lil haunted dolls #and that image possesed me when i was drawing his face #it's okay it's fine it's just a little comic it's not biggie #ALRIGHTY reqs have been attended too. they've been attended too a week late but hey. cut me some slack I'm stupid

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sesamenom · 10 months

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Day 7 Freeform for @tolkiengenweek: Luthien finding Daeron after the events of 'Of Beren and Luthien' !

(and yes that is in fact Elured and Elurin, yes i realized they should absolutely not be in the same time period as baby Dior, yes i accidentally smashed 2 ideas together in my brain and i didn't realize this until i was half done)

Inspired by a conversation I had with @sakasakiii about Luthien going back for daeron (since apparently the doriathrim didn't want him, or at least not enough to mount a thingol-scale rescue party).

Also partially inspired by another part of the same conversation in which Rin brought up the idea of Daeron going to rescue elured and eluril. Anyways after the accidental timeline-mashing, I decided that well, the forest around menegroth is full of enough weird maia magic to explain elured & elurin time traveling directly into luthien, beren, and daeron's house decades before they were supposed to be born- after all, occasional time travel to weird magic places is Lost Road canon right?

#silm #silmarillion #luthien #daeron #dior #elured #elurin #<- whoops #tolkiengenweek #whew thats the first time i managed to do every day of an event!#Artistic Liberties have been generously applied #I will probably do a revised version of this sometime later where i correct the twins time travel #maybe add another page for daeron and the el twins #color everything #or at least color it better #anyways this was fun

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radaverse · 7 months

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I finally got a couple of new pages! Yipee! Let's-a go! TO THE NEXT CHAPTER!

Chapter 2: On My Own - Page 1

Tower of Mistakes

...Is it?

Reblogs are appreciated

<<< Previous Chapter - Falling Apart | Next Chapter - Alone Together >>>

|| Go to Chapter Menu ||

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ferronickel · 1 month

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So what's up with kris being non-existent?

I tried searching your blog a little but couldn't find anything related to it, so I thought it would be easier to ask.

I wouldn't say they're exactly non-existent in Looking Glasses, I'd say they're more... haunting the narrative.

I wanted the setup of the comic to mirror the setup for Deltarune. Kris and Noelle are in their first semester of college, and the Looking Glasses gang are waiting for them to come back home for winter break. The comic is also set up to take place over a week, much the same as the game.

One of the things I'm most interested in examining in this comic is how relationships evolve and grow when some of your friends move away for college. So when Kris left, they broke up with Ralsei, whereas Noelle and Susie stayed together. Everyone is still friends, but those friendships have become more complicated as the characters move into adulthood.

I have plans for Kris, don't worry! It's just going to be a bit before they have a significant appearance in the comic proper.

But as a preview, I've drawn them a few times, a few times in the comic even!

#also there are tons of deltarune comics where kris is the main character or at least a significant protagonist #and they're really good!#I don't know if I'd really have anything to say about Kris that those comics aren't already doing better #Plus I just wanted to write a comic where Ralsei Susie and Lancer got to be the protagonists #But I am sorry that I haven't done more with Kris #I like them a lot!#It was mean of me to promise a Kralsei date in Everyone Deserves a Leather Jacket and then have them interact in two panels #I've got some plans for Kris and Ralsei that I hope might make up for that...#(also. a secret for those of you who've made it this far: I'm bad at drawing humans. People are hard!)#ferrousasks

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magnolia-sunrise · 2 months

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happy Wolfgang WIP wednesday, inbetween comms i started working on a little tiny 8 panel comic with Wolfgang and Élise, its like three lines of dialogue scene i had scripted idk. since sometime early last year but now it's started rearing its head again

heres just a smidge of the process: not pictured is thumbnailing in my sketchbook > digital thumbnailed page > placing 3D models > sketching over the models > ???? > hopefully lines and the rest after that!

#there is one panel of this where wolf just looks so lovely and romantic :")) its a very feelsy little scene #dont know exactly what im gonna do with colors or style here to be honest #we shall seeee #i hope this year i can manage more comics or at least character interactions. but i have to say #brother. jan and almost all of feb absolutely kneecapped me mentally. hope better days are ahead of us

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inamindfarfaraway · 2 years

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If we can’t have Batfamily movies and all Batman movies must be set in the early years before Robin, at least let us have one about the Gotham Justice Triumvirate. With Harvey Dent in the central role. Here’s my pitch:

Badass DA and wonderful person Harvey.

Harvey and Jim Gordon and Batman’s friendship. Jim and Harvey are friends! They’re two normal humans hanging out with a vigilante/living shadow cryptid who has no concept of normal human interaction! Think of the in-jokes they must have! Near the beginning, after Batman pulls his trademark disappearing act on them Harvey asks if Jim thinks he’ll ever say goodbye to them. Jim’s reply is some form of “when hell freezes over”, maybe even “Yeah - when he’s seeing you off to Arkham and me to Blackgate.” They laugh.

Harvey and Bruce Wayne’s friendship.

The fun and dramatic irony of writing Bruce and Batman as completely separate characters.

Depending on the timeline, possibly a cameo of newly fostered little Dick Grayson! To whom Harvey is like an uncle.

Gilda’s character being fleshed out. Exploring her side of the marriage and views on her husband’s career and mental decline and alliance with the Bat.

Harvey and Gilda’s relationship. And her and Two-Face’s relationship! He doesn’t care for Bruce, but he does love her equally while she apparently doesn’t even know he exists prior to him killing people. That’s an interesting dynamic.

Mafia intrigue and drama as the heroic trio finally bring down the previously untouchable Maroni empire.

Judicial, political and police force intrigue and drama as Harvey and to a less examined extent Jim fight to preserve their moral integrity in and reform their deeply corrupt institutions.

“For Gotham” is a key phrase, and may be the title. It’s said by each member of the triumvirate at different points when demonstrating or discussing how far they’re willing to go and how much hope they have for their city and its people.

Accurate, in-depth DID representation with Harvey and his protector alter not yet named Two-Face, who, reasserting himself after years if not decades of repression, resentment and ingratitude by the person he’s only ever wanted to protect slowly grows into a persecutor. Now Harvey’s wary, dismissive treatment of him is very understandable because of how terrifying DID can make life when you don’t understand it/your alter(s), and the need for control and excessive responsibility his childhood of abuse and neglect has cemented in him. But it’s still damaging. Other than lash out sometimes at people making Harvey feel threatened (Pre-)Two-Face hasn’t really done anything wrong before the events of the movie. They’re two sides of the same badly scarred coin each just trying to survive and make sense of their pain, equally sympathetic and valid… at least at the start. An element of the tragedy is that Two-Face could have healed and been a true friend to Harvey, if different choices were made and different chances were given. But the pressure of the Maroni case, a lifetime of unresolved trauma and post-traumatic stress from their father and each other, some plain bad luck and some mistakes lead to him becoming another abuser and a supervillain besides.

Music! Harvey has a theme, Two-Face has a theme. They hit opposite beats and parallel each other a lot yet never quite harmonize well. The coin (and the destruction and despair it represents) has a leitmotif that slowly rises to prominence in both. This motif is also associated with Christopher Dent. Harvey and Gilda have a love theme. Bruce and Batman have distinct themes that complement each other perfectly when played together, and when Bruce’s emotions shine through in Batman or Batman’s grimness peeks out of Bruce elements from the other piece are mixed in. The concept that Gotham’s ‘soul’ can be saved and humanity is worth fighting for has an uplifting theme, the main theme of movie and an antithesis to the coin’s, that has sections and elements woven into each member of the triumvirate’s themes and is repeatedly reprised in different tones.

Harvey’s external plot is making Gotham a better place, specifically via dismantling the Maroni crime family. The structure of most of the movie builds up to the climax of the trial of Salvatore Maroni himself. Maybe there are even recurring shots of Harvey’s calendar with an increasing number of days crossed out, to really drive the countdown home. To the main characters, it’s a beacon of confidence; a chance to prove law, and law for the good of the people, does hold power in Gotham, to send a message to everyone that things can and will get better. Nothing (and no one) is beyond redemption. To the audience, it’s a doomsday for Harvey we’re helpless to stop that taints every victory and happy moment on the path toward it.

His internal plot is grappling with his severe psychological issues rooted in his nightmarish childhood. He goes to therapy, he’s in a good place right before the start. But the first scene is… rough.

He visits his alcoholic father Christopher in the cheap hotel Chris, reduced to a pathetic old man, is staying in. Though he still calls him Dad and wants to try to reconcile, it’s clear he understands his regular, brutal beatings and otherwise generally neglectful parenting style (at least half the time) were wrong and he’s uncomfortable and tense. Chris solemnly presents him with a coin. The coin he would flip every night to ‘decide’ to beat him or not, which always, always came up heads for punishment. He said it was fair and that paradigm - that that his desires and actions don’t matter, he was just always bad inside and always deserves to suffer, in short that Harvey’s fate isn’t in his control - shaped the system’s entire personalities and worldviews, Harvey striving to prove it wrong and over years of bearing trauma and triggering experiences, his much more cynical protector internalizing it. With trembling fingers Harvey picks up the coin and looks at both sides. Two heads. The music cuts out. Dolly zoom on him that makes the room appear to close in around him, as a boy’s pleas, cries and screams of agony echo and he dissociates. Two-Face, who always acknowledged the flip was rigged, switches in. He smiles ruefully and says in a calm, quiet voice, “I understand.” Then he lunges to his feet, punches Christopher to the ground, grabs him by the throat and slams him against the wall, right fist raised to strike. He is now anything but calm. “Why? Why did you do it? Not the beating, that was just because you’re a sick bastard and took your anger out on the person least able to do anything about it. But why use the coin, why make it a game? Why lie? To shift responsibility even more? Just for fun? Tell me! Why would you bother to put a little spark of hope into your son’s eyes only to crush it? Answer me!” Instead of answering, Chris notes he’s bleeding; his right fist is closed so tight his fingernails have punctured his skin and the coin inside it is cutting into his palm. The shock of seeing that damn coin literally, physically hurting him brings tears to Two-Face’s eyes. He looks back up at his father, full of only raw grief and sadness for himself and his alter. His voice breaks. “Why, Dad? Did you really… not feel anything good when you looked at me?” “Did you really believe every time?” is all his father can say. Two-Face’s expression hardens, his fists clench again and he squares his shoulders. “Only half of me did. Goodbye, Christopher,” he says bitterly. The second he slams the door his facade of strength crumbles. He falls to his knees, sobbing and heavily dissociating. Cradling his head in his hands and raking them through his hair smears blood on and in the right half of his face and hair. Cue title card!

So yeah, there are only a couple of months between that day and the Maroni trial. He can’t bring himself to throw away the coin despite knowing he probably should. Gilda can’t understand why and urges him to leave it behind. He says it’s “too important” and “a reminder”, although of what, he can’t verbalize. The coin eventually ends up being habitually fidgeted with and kept on his person like a lucky charm. He’s trying to ‘redeem’ his trauma, turn it into something good, by drawing on it to motivate him to fight for justice, but the coin in practice is just a trigger. His PTSD, guilt complex and self-worth and control issues are dragged to the forefront and he dissociates more frequently. He falls further and further into obsessive workaholism. Loses sleep. Misses therapy sessions. All that matters is giving the absolute most he can to his city. Rest can wait, quality time with his wife and friends can wait, Harvey Dent the person can wait until the case is closed. Until after the trial. Everything will be better after The Trial.

The Trial happens. Everything is not better.

Maroni unscrewing his flask occurs in the background of the shot out of focus. When the acid is thrown, it sprays through the air in slow motion. We see Harvey and the witnesses’ (including Gilda and Bruce) shock transitioning to panic and horror as he flinches away too slowly, the coin in his hand flung into midair revolution and a wayward drop of acid approaching it. With a last close-up on his wide left eye reflecting Maroni’s smirk, cut to black. The most tortured screams you can imagine ring in our ears. No music in any of this.

Harvey and Two-Face’s mental health sinks to rock bottom during their hospital stay. Gilda, Bruce and Jim’s visits comfort Harvey little, especially since Batman duty calls Bruce away at a critical point (remember, nowhere in the script does it say Bruce is Batman). They’re given the coin back and discuss that life isn’t fair, but it should be… if they played their dad’s game now, it would be fair. All that work, all the blood and sweat and tears Harvey put into Gotham and this is how Gotham thanks him. He was never going to change things. Not playing by the rules of a rigged game, at least. It was never up to him. He never had it in him to be good, to be someone not worthy of punishment, let alone to improve other people’s lives. Flipping the coin, Harvey whispers with shattered eyes, “I understand.” Of course, seeing their scars is the last straw. Two-Face switches in, literally locking an anxious Harvey in a dark repressed chamber in their inner world to stop him getting in his way, and escapes hospital. Gilda, on her way to his room, begs him to stop and he hesitates but, genuinely sorrowful, decides his quest for justice takes precedence and runs into the stormy night, the shadows and rain obscuring his trail. She calls him, phone in a death grip. Fade out to its continual ringing.

This might be too weird and artsy but what if from the Fuck My Life I’m Listening To A Coin Now toxic epiphany onward, the shot composition is roughly pretty much symmetrical? Within shots or with shots mirroring each other. Not perfectly, obviously, but like. Rewind looking for it and it’s there.

The penultimate scene is another rooftop rendezvous and this time Harvey isn’t present; we and his friends feel his absence. Batman regretfully tells Jim and shows him footage of a new criminal taking the underworld by storm: the fledgling Two-Face. Jim is first disbelieving, then devastated and turns his back so Batman won’t see him cry. He angrily tells Batman not to comfort him, and to leave now that he’s given him the shitty news, because that’s all he ever does for him. We pull back to show Batman is staying, pained, guilty and truly having no idea how to proceed. Jim assumes he’s already silently vanished. Once he collects himself and goes inside to inform his subordinates, Batman lingers in front of the Batsignal where they took their shared vow. “Goodbye, Harvey,” he says softly.

The epilogue is Two-Face’s confrontation with Maroni. Several months later, the Mafia don’s out of prison already thanks to the, again, incredibly corrupt legal system. Two-Face acts venomously calm and civil while holding him at gunpoint. He remarks how long and hard Harvey worked just to bring Maroni to court, and how now with some broken laws and spilt blood here Maroni is in front of him in a fraction of the time. Helpless, like he was in that courtroom. He explains his “fair” game to kill him or not in a speech clearly quoted from Christopher, shows him both sides of the coin, tosses it and stares at the unseen outcome in his hand. “Lucky,” he announces, making Maroni slightly relax - a little spark of hope put into his eyes, you could say. Suddenly Two-Face shoots him twice in the heart. “For Gotham, not you.” Harvey switches in (implicitly his alter’s guilt is a positive trigger for him as his anger is for Two-Face) to find his alter has committed murder, with a smoking gun in his right hand and flecks of blood on that hand and his suit. He staggers back in horror and drops the gun and coin. A pang of practically physical pain interrupts his calling Jim to turn himself in, because he can’t choose that, can he? He falls to his knees. With trembling fingers he picks up the coin and, pleading under his breath to just have this one chance, flips it. It comes up scarred. Two-Face resumes control. He smashes the phone under his heel and stands. The final shot is him walking purposefully toward the camera so it zooms in on the vertical divide of his suit jacket.

#i have. a VISION #you want pain dc? you want to make your characters suffer? you want dark depressing endings?#fine!#i’ll play your game #AND characterize harvey and two-face better than at least 75% of comics they’re in #let’s go full greek tragedy #also i love parallels and where are they more suitable than the story of the Duality Duo?#gotham justice triumvirate #bruce wayne #batman #harvey dent #two-face #jim gordon #comissioner gordon #dc comics #dc #gotham city #sal maroni

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misspickman · 11 months

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The thing about the "but do i have a soul" bit in tt03 is it absolutely is plausible as a reaction due to kons intense depression that kind of peaks during this era but 1) it is Not intended that way and i think its stupid to pretend geoff had anything in mind re kon but the ridiculous evil genes storyline, and 2) it is dealt with in the most boring way possible. Anyway point being u can read that as kon being deeply in it but that doesnt take away from how stupid that entire plot was and how geoff clearly didnt do much research when writing it. Also characters are written by people who direct all their thoughts and actions remember that? Wild

#I mean kon is ooc in the entirety of tt03 its not just this part. But #Since this is what were talking about currently #But yeah fuck tt03 to hell with tt03 why are we still taking any characterization from that comic i thought we all agreed it was bad #Also girl if u want depression kon u also have the entirety of sb94 #Where its shown much better and sure again. Is not entirely intended in a way we read it now #(everything about knockout and tana having been traumatic experiences for kon is ignored)#But at Least his entire character is not ooc and a cardboard cutout of what it was #Ohhh but hes ooc just bc of depression—no its still bad #Geoff thinks kon is someone who only cared for himself and had to be shown how to be compassionate care about people etc #Which is a fucking lie #Kon has many flaws but being selfish and not caring about people has never been one of them #Anyway read reign of the supermen and sb94 #kon el #txt

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welcometogrouchland · 2 years

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[ID: four page comic of the owl house. Page 1: Eda walks past Luz, Gus and Willow, who're sat on the floor of the owl house around a box labeled "Eda's Music". Eda notices them and peeks around the corner asking "uh, hey kid- whatcha doin?". Luz says "oh hey Eda!".

Page 2: Luz says "we were just going through all your old human music!" While holding a CD case. She continues "I've been getting nostalgic listening to some old latin pop CDs, like what my mom used to play around the house! (You have a surprising amount of merengue music btw)". Gus sheds a single tear and says "I've sampled human music before but, wow, just, wow! The technique...the inspiration...Carly Rae Jepsen is a genius". Willow looks to the side and says "and I've been listening to your old breakup mixtapes!".

Page 3: Eda looks at her blankly before saying "my what?". Willow says- "your breakup music! There's a whole box of it. I'm pretty over it now but back in the day...when Amity stopped hanging out with me...it hit me hard. I kinda had a phase of only listening to angsty breakup songs for like...a month. Maybe more. It's kinda sad in retrospect".

In the background we can see a flashback of young willow sobbing in bed while summoning vines to cover photos of her and Amity on her wall. Willow continues "things are a lot better now don't get me wrong...but I still listen to that playlist every once in a while when I need a release". Eda contemplates, then grimaces, remembering breakup with Raine (who's pictured saying "it's over, eda").

Page 4: Eda looks at Willow. She eventually says "wanna trade?" And Willow looks up. Final panel shows Luz standing in the doorway concerned as she looks at Willow and Eda. willow is kneeling in front of a casette player and headphones with a shadowy expression and Eda is in the family guy death post with a phone and headphone wire next to her. Both have annotations- Willow's says "got One of Us by ABBA" and Eda's is "got Nightshift by Lucy Dacus". Luz says "you guys good?". End ID]

*slides my Eda and Willow trade angsty breakup songs on s2A hc across the table*