Tumgik
#completely put away social media and screens and taken the time to enjoy creation and read my Bible and spend time with people
thebirdandhersong · 11 months
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I'd love to know how you honour the Sabbath and keep it holy if you do observe it, if you have certain family/community practices or traditions, what denomination you're a part of and how that affects/forms your Sabbath-keeping, how and when you started observing the Sabbath, and what hopes/goals/thoughts you might have, if you don't observe and want to/don't observe regularly/don't observe in a way that is restful!
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thefanficmonster · 3 years
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Phone Call Anxiety
Corpse Husband x Reader (Female)
Warnings: None
Genre: FLUFF, RPF (Real Person Fic)
Summary: When wanting to make quality merch, one needs a quality team there to produce and work on quality ideas. Great minds think alike. Great eyes see alike and great hands make alike - the three keys to the formula of creating a clothing line that will be fashionable and up to his brand. Luckily, Corpse knows just who to call.
Requested by Anon. Hi hun! Thank you so much for your wonderful request, I absolutely loved the idea! Sorry you’ve had to wait for it to be turned into a fic for so long, but I still hope you come across it and give it a read in which case I hope you enjoy it! Love, Vy ❤
He’s not a fan of phone calls. Anyone who knows him even remotely is very well informed on Corpse’s distaste for phone calls and upholding a conversation over the phone. He’d even go as far as to say talking to a person face to face is less stressful for him than that previous option.
But still, seeing as how the person he’s trying to reach lives in a different state and is rather busy all the time, arranging an IRL meeting is basically impossible at the moment, and sending her a text results in running the risk of having the text overlooked or completely lost in the sea of notifications she probably gets on the daily.
Therefore, a phone call was his only proper way of reaching her. And it’s what’s got him pacing the room with his nervousness peaking.  He doesn’t know anything about this girl, nothing concrete at least. He was referred to her by Jack who brought her up in their passing conversation when Corpse mentioned how paranoid he was regarding his upcoming merch project. He specifically stated he doesn’t want anything basic and he wants the clothes to be fashionable, suitable for anyone no matter the age or gender and to be endurable. With all the love he has for his fans, he doesn’t want to give them anything less than what they deserve - the best.
“My friend’s the person you’re looking for.“ Jack said enthusiastically and confidently, “She helped me design the latest merch line I put out and I’ve never been more satisfied with my own merch. I’m planning on offering her a position in Cloak for her birthday. Make sure not to let that one slip out if you give her a call though.“ He warned half-jokingly. 
Bottom line, with that kind of intro, Corpse couldn’t help but let his interest be piqued. And so, he asked for this girl - Y/N’s contact info from Jack before he went to surf through her social media where she thankfully posted plenty of pictures of her creations, never failing to mention specifications in the caption of each picture so the viewers would get the perfect and most detailed idea of how high the standard for her work is.
And so he’s finally managed to talk himself into dialing her number that’s been sitting in his phone for weeks now. As he paces his living room, his nerves chewing him out like a dog would with a toy, listening to the ear piercing ring of the dial waiting to get picked up by the girl he’s trying to reach. 
Just then, Corpse’s head turns so that his eyes meet the glowing red numbers on his digital clock on his desk and he damn near hangs up the call right away - it’s half an hour past midnight. Fast as lightning, he removes the phone from his ear, his thumb flying over to press the red ‘end call’ button. Just then, a faint ‘hello’ reaches his ears, coming from the phone’s speaker. She’s answered the call.
He hurries to put the phone back up to his ear.
“Hey, sorry for taking so long to pick up, I ought to clean my desk eventually cause my phone was literally BURIED under a pile of papers.“ A cheerful sing-song voice rattles his stale and sleep deprived consciousness, as if awakening him from a half-dream state. “You’re either a wrong number caller or a last minute client, aren’t you? Need something done urgently?“
Corpse is taken the hell aback by her strong and downright awing first impression. Not to mention her energy at an hour unsuitable for calls. Lord knows he wouldn’t have picked up if her were in her spot. With the intention of not wasting any more of her time than necessary, he hurries to explain his situation. “Y/N, right? Um no, I’m neither actually. I was told about you by a friend, he said you were a real miracle-doer with fashion design.” He trails off for a second, not completely sure of how to hold this conversation, “Uh, sorry for the odd timed call, I lost track of time. I’ve been meaning to call you for hours now but I...I was nervous.” He cringes the second the word leaves his lips, leaving a bitter taste in his mouth. He doesn’t know why he wants to leave her with a great, better than realistic impression of himself but he does and as of now he deems his attempts as ultimate failures.
He hears her giggle from her end, rifling through what sounds to be papers, “Yeah, I’m her. And boy is it refreshing to get someone who’s calling with an actual purpose.” She sighs as if a weight’s been lifted off her shoulders, “And don’t worry about the phone call anxiety. Makes two of us, to be honest.”
This catches him off-guard. The last thing he’d expect is for this girl to have phone call anxiety. In fact, she appears to be a natural, God-given talent at carrying conversations and upholding chit-chat with people. Maybe he’s a little too quick to judge - probably, considering he’s ‘known’ her for less than five minutes and knows nothing but her occupation, her name and the state she lives in - but that bubbly persona she greeted him with gave off the impression that it’s immune to any and all kinds of social anxiety - or anxiety in general. To hear such an honest and counter-to-assumptions confession on her part rattles him a tiny bit. In a good way though.
“How does that work for you? Isn’t your whole job depending on your phone conversational skills?“ He doesn’t mind that he didn’t phrase that too perfectly or that he straight up blurted it out. He knows he’ll be understood. She’s obviously a person who understands. Not just something specific, but everything. She simply understands. How he drew this conclusion and how accurate it is, he may not know until further notice.
“Well...“ she sighs as if genuinely looking to give him a proper answer, “You see, after doing it for so long and having been caught off guard quite a few times with some absolutely absurd orders, I’ve grown prepared of literally ANYTHING and I have a line prepared for anything the caller has to say. I just no longer let them catch me off guard and it’s fine. Helps avoid any possible awkward silences.“
Corpse’s eyebrows shoot up, her explanation only raising more questions rather than providing answers. But he’s not gonna be the annoying dumbass asking those questions at close to 1AM and bugging her. After all, if she agrees to this partnership, they’ll be hearing and potentially seeing a lot more of each other soon. “Impressive, honestly. You’re gonna need to teach me sometime.“ He’s unaware he’s smiling until he catches his reflection in the window. However, he doesn’t bother hiding it. This conversation is actually making him feel good, serving as a reminder that he’s not the only one who periodically goes through turmoil over small things. 
She giggles again, this time the sound manages to draw a blush out of him, coating his cheeks, “I’d typically stray for revealing my secrets to professional success, but I’m willing to make an exception for you...” she pauses for a second as though she’s just now remembered something, “Oh shoot, I don’t even know your name.”
He wheezes out a nervous laugh, realizing he never introduced him, “Oh yeah, sorry, that’s my bad. My name’s Corpse, nice to meet ya.”
“Nice to meet you too, Corpse.“ Y/N replies, sounding pleased but teasing simultaneously, “Now tell me, you didn’t call me about my phone call secrets, did you? What may be the real purpose of your call?“
Oh shoot, he himself almost forgot what he was calling for. Luckily, the reference designs displayed on his computer screen remind him. “Right, well, I’ve been thinking of launching a new merch line either this month or the next, depending on how long the procedure will take, and I needed someone great on my team to make some merch actually worth the money people are paying for it. And, as I said, I was told you were in that ‘someone great’ category.”
“Told by who, if you don’t mind me asking?“ She briefly cuts him off, her voice now giving away the fact that she’s half-absent-minded in this conversation, added evidence be the ruffling of more papers on her end.
“Jack. I mean, Sean. You know, Jacksepticeye.“ Corpse explains, contemplating whether he should’ve ratted Jack out like that. Hearing the sound of delight Y/N lets out eases his worries ASAP though.
“Oh Gosh, I haven’t seen that cutie in so long! He’s like a brother to me so a friend of Jack’s is a friend of min-“ this time she cuts herself off so abruptly Corpse thought the line was cut or she hung up on him. She doesn’t let him wonder for long though, “Wait, wait, wait....Merch? And you’re friends with Jack?“ She pauses for a second once again, once again not a long enough second for Corpse to speak up. “You’re a famous YouTuber, aren’t you?“
He was completely unaware of the fact Y/N hadn’t realized he was someone famous yet. In fact, he didn’t think of it because he thought it wouldn’t be a big deal to her considering she’s friends with Jack-fucking-septiceye! In his mind, his ranking is far lower than Jack’s - despite that mindset being absurd - so the last thing he expected was for her to have some sort of impressed reaction to have been talking to him on the phone this whole time. Hell, she doesn’t even know his full YouTube name or what kind of content he produces.
“WAIT!“ She shouts urgently, startling him a tiny bit, “You’re Corpse Husband, aren’t you? Oh my God, yes you are, how didn’t I put it together sooner? Ah crap, I really need more coffee for this.“
“No! No, you need more sleep.“ Corpse hurries to correct her but is very clearly ignored or overlapped with the many sounds that are coming from her end, “What are you doing?“
“You’re getting the first rough sketch of a design by tomorrow morning.“ She says, taking a sip of whatever beverage she’s acquired for the purpose of keeping her awake, “You go ahead and get some sleep, I know exactly what I’m doing. Don’t worry about it.“
“I’m not worried about the design.“ He hurries to say before she, God forbid, hangs up on him, “It’s 1AM, woman, you need sleep! I don’t need those designs done by tomorrow. Hell, I don’t even need them this week!“
“You don’t, but I do.“ Y/N says, sounding almost breathless because of what seems to be overwhelming excitement, “You don’t get it - I’m designing merch for Corpse fucking Husband! You have any idea how crazy that is?“
“I personally would say it’s underwhelming. I mean, I’m no Pewdiepie, after all.“ He says, now sat at his desk with his free hand rubbing his temple as he stares at the designs he’s pulled up on his screen, ones he probably won’t need given that he’s now working with a professional.
“Oh, shut it.“ She chuckles, “Shut it and get some sleep, ok? I’ll talk to you in the morning.“
“Noooo...“ He leisurely stretches the word, “Tell me, Y/N, do you have Discord?” She clicks her tongue instantly, giving him a signal that the question he’s asked is bordering into the territory of ridiculous. He playfully rolls his eyes, “Alright then, lemme find you. If we’re partnering up on this, we’re both staying up.”
“You know you can just straight up tell me you don’t fully trust me with this? Like, I won’t be offended, I get it.“ She murmurs in-thought, the sound of clicking evident on her end. 
“You know you can just straight up tell me you don’t want me bothering you and want me to leave you alone?“ He mimics her statement, smirking to himself as he pulls up Discord, knowing he’s already won.
She huffs and tells him her Discord info, quickly adding a small comment, “...but only because great minds think alike. I know we’ll be getting along on this design pretty nicely.”
“Yeah, yeah, right, sure, whatever you say.“ He laughs, “Accept my friend request and let’s drop this phone call.“
“Hey! - um, before we do that, I just wanna say a quick thank you.“ Y/N murmurs quietly, as if half-hoping he doesn’t hear her.
“For what?“ Corpse asks, his brows furrowing, unsure if they’re on the same page about this gratitude.
“For never once triggering my phone call anxiety.“ She admits, “I mean, I know I said I have lines prepared for every conversation scenario possible, but you totally caught me off-guard.“ She giggles a tiny bit, now sounding dangerously close to nervous, “But, not in a bad way, if that makes sense. Sorry if it doesn’t, I need more coffee.“
“No, no, it does!“ He hurries to reassure her, “It really does. And thank you too. Thank you for, you know, tolerating my BS at this hour. God knows I would’ve ignored your call if our roles were reversed.“
He hears her scoff and can’t help but laugh, “Huh ok, I see.“ She says, sounding greatly triggered and mock-pissed at his confession, “I’ll make sure to think of that next time you call me after midnight. Or at all, ever.“
Laughing his butt off, the only thing Corpse can think of in this moment is:
Damn, this girl and I are gonna get along
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mrhotmaster · 4 years
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16 Movies You Can Enjoy At Home During Lockdwown
16 Movies Or Series You Can Watch At Your Home During This COVID19 Lockdown
Whether videos of ping-pongs taken to the zoo or cats play games with their owners, the internet in these coronavirus holiday weeks can be an endless entertainment outlet as you ace social distancing.
Better Call Saul, Netflix 
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This current one's a moderate burner made by Vince Gilligan and Peter Gould, and is a side project from the previous' massively effective Breaking Bad. 
A great part of the cast of Breaking Bad, spare the two lead characters, show up in this show. The hero of this wrongdoing dramatization is Jimmy McGill played by Bob Odenkirk. 
The show serves as an independent forerunner to Breaking Bad and outlines the moderate plummet of the adorable and road brilliant McGill into the universe of wrongdoing. 
McGill is an independent man who earned his law degree while working in the sorting room, who at that point turns into a seriously paid legal counselor who works out of the back of a nail salon. 
Despite the fringe criminal ways McGill completes things, the cards he has been managed nearly cause one to identify with his obscure character. 
Hunters, Amazon Prime Video 
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Motivated by accounts of genuine 'Nazi trackers', the polarizing show follows a diverse gathering of individuals who have decided to unite as one to search out war crooks stowing away (generally) in America under new personalities. 
The show stars Al Pacino as Meyer Offerman, a Jewish altruist and Holocaust survivor who serves as the pioneer of the gathering secretively chasing Nazis in New York. 
While genuine trackers, similar to Simon Wiesenthal, took their discoveries to the police or the media, the show's characters volunteer to vindicate the Jews who endured because of Nazis. 
Also, it is this demeanor that makes their most youthful enlist, Jonah Heidelbaum (Logan Lerman) who assumes his late grandma's position in the gathering, questions everything that he has faith in. 
With components of a retaliation dream and sarcastic comic book-narrating, the show has issues yet there's some heavenly acting in here. 
Curb Your Enthusiasm, Disney Hotstar 
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Changing the least complex stuff into heavenly workmanship takes an uncommon ability. What's more, Larry David, author, and co-maker of Seinfeld, who plays a fictionalized variant of himself in Curb Your Enthusiasm, is a past ace. 
To vent his wrath at flimsy tables and tepid espresso, he opens up a 'show disdain toward store', a café directly close to the café with the shaky tables and tepid espresso. 
Without either, obviously. The tenth and freshest period of this arrangement is as applicable to the occasions as could be expected under the circumstances, tossing in references to Harvey Weinstein and the #MeToo development. 
There's additionally a scene where David circumvents town wearing a MAGA (Make America Great Again) cap after finding that the adornment promoted by Donald Trump has exactly the intended effect in warding individuals off (social separating before coronavirus).
Afsos, Amazon Prime Video 
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This miniseries follows Nakul, an essayist so ineffective that he endeavors to end it all sequentially. He stays safe, yet the equivalent can't be said for the individuals who spare him. 
On the off chance that this plot wasn't sufficiently strange to warrant a watch, Nakul chooses to enroll the assistance of 'changed' contract-executioners who presently 'help' individuals needing to kick the bucket. 
While Nakul, played by Gulshan Devaiah, holds the story together, Heeba Shah as the fatal professional killer Upadhyay is a treat to look for her vacant promise to what she calls 'craftsmanship'. 
Toss in a lot of researchers chasing for an everlasting status mixture, and a sadhu following Nakul because he has all the earmarks of being unfading, and you have a story ready with unexpected developments. 
Coordinated by Anubhuti Kashyap, Afsos has a lot of things amiss with it, yet its chilled demeanor to horrible subjects like mortality and casualty makes it watchable. 
Kidding, Disney Hotstar 
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This Jim Carrey starrer is currently gushing on the web and it is suggested in any event, for the individuals who have recently been put off via Carrey's over the top acting in droll works, for example, Ace Ventura. 
Carrey is viewed as Jeff Pickles, a cherished TV moderator who is venerated by kids and grown-ups the same, on account of his long-running manikin appear. 
Mr. Pickles is a fantasy-like individual who shows kids important life exercises. In any case, when he loses one of his twins, his melancholy leaves him distressed and all he needs to do is recognize that misfortune on the show and show his watchers (basically kids) about death, something the producers of his manikin show emphatically restrict. 
The impactful arrangement is a story of how Pickles manages the passing of a youngster, at the same time attempting to secure the multimillion-dollar brand domain that is based on his 'glad' picture. 
Self Made, Netflix 
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This restricted arrangement sees Octavia Spencer as the chronicled figure of Sarah Breedlove, generally archived as America's first African-American specialist who proceeded to turn into a tycoon in the mid-1900s. 
The independent business visionary and humanitarian made a realm out of making makeup and hair care items for dark ladies. 
Spencer, commended for her job in the Academy Award-winning film The Help, convincingly plays Breedlove, directly from her long stretches of being a single parent who began by being a washerwoman to help her girl to build a business called the Madam C J Walker Manufacturing Company. 
Coordinated by Kasi Lemmons, the story has been fictionalized somewhat to rethink the battles of a lady conceived on a cotton ranch to an in the past oppressed family, yet the vibe great arrangement is to a great extent dependent on evident occasions. 
Am Not Okay With This, Netflix 
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This story about growing up figures out how to viably radiate a feeling of relaxed fear. 
The show begins by revealing to us that the hero, Sydney Novak (Sophia Lillis), is managing each adolescent issue ever young person has ever had. 
But, when she gets extremely furious, the object of her annoyance feels like they've been hit by a concealed scoop. 
Among the most inconspicuous of these anger instigated periods is the point at which Novak's closest companion's beau, whom the hero loathes, begins seeping from his nose out of nowhere. 
Things just deteriorate from that point and Novak has no clue why her wrath can "get things going". 
In light of a comic book by Charles Forman, Novak helps us a little to remember Carrie, the hero of Stephen King's eponymous novel, just as Eleven from Stranger Things since both these little youngsters additionally have supernatural forces, yet the likenesses end there. 
Pushpavalli, Amazon Prime Video 
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Season two of this dramatization sees humorist Sumukhi Suresh return as Pushpavalli, a young lady whose exceptionally flawed endeavors at charming a suitor, Nikhil (played by Manish Anand), left watchers alarmed. 
A Tamilian from Bhopal who follows Nikhil to Bengaluru, the in any case clever Pushpavalli keeps on keeping crowds snared with her shamelessly tangled endeavors to snare the man she had always wanted. 
In the wake of hijacking his pooch, paying off a chaiwallah to do her offering and getting her leg broken, Pushpavalli proceeds to discover inventive methods for escaping predicament, so imagine a scenario in which that requires getting connected with to another person, or releasing a reptile among clueless kids. 
Extraordinary notice must be made of Bengaluru-based on-screen character Shraddha in this all-around scripted show as Vasu, the nightie-wearing, hockey stick-using proprietor who runs Pushpavalli's paying visitor settlement. Vasu's character alone merits a show to itself.
Guilty, Netflix 
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Enlivened by how those blamed for lewd behavior have gradually advanced go into society, this Karan Johar creation means to revive discussions around the #MeToo development. 
Coordinated by Ruchi Narain, the film stars Kiara Advani as Nanki, whose sweetheart Vijay 'V J' Pratap Singh (Gurfateh Singh Pirzada) is blamed for assaulting his school batchmate. 
A government official's child and an artist, V J is the most dateable person nearby, while the lady who blames him, Tanu (Akansha Ranjan Kapoor), is somebody despised profoundly for being uproarious, consideration chasing and uncaring. 
The film gives the advantage of the uncertainty to the two gatherings, making crowds question if Tanu is imagining everything for exposure (something she is prepared to do), just as throwing questions on V J's Teflon notoriety. 
As the specialists examine, Nanki embarks to discover reality for herself, at the same time doing combating her very own evil presence. 
Mentalhood,  ALT Balaji and zee5 
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Karisma Kapoor makes her Web debut as Meira, a mother of three, in this account of how defective guardians attempt to bring up their children as most ideal as. 
A previous Miss Kanpur, Meira has as of late moved to Mumbai to raise a 'cutting edge family' with Sanjay Suri who stars as her obsessive worker spouse. 
The arrangement likewise includes a reliable star cast that incorporates Sandhya Mridul, Tillotama Shome, Shilpa Shukla, Shruti Seth and Dino Morea. 
Made by Ekta Kapoor and coordinated by Karishma Kohli, the show diagrams Meira's development into a blogger who composes on everything from nourishment to sex jobs with expectations of making a child-rearing aide. 
The show seems to be being motivated by the Reese Witherspoon and Nicole Kidman-starred American dramatization Big Little Lies and, in contrast to the American arrangement, this sermonizing arrangement is probably going to be delighted in additional by watchers who have youngsters. 
Life of Speed, Netflix 
This new on-the-square narrative portrays the tale of Juan Manuel Fangio, an Argentinian race vehicle driver who pretty much overwhelmed the primary decade of Formula One by winning the World Drivers' Championship multiple times during the 1950s. 
This record stayed unbeaten till Michael Schumacher went along (as a major aspect of four distinctive hustling groups). 
Coordinated by Francisco Macri, this verifiable narrative plans to comprehend the brain of the hustling legend while looking at the lives of race vehicle drivers who routinely change their lives for the love of speed. 
The high-octane universe of hustling was maybe definitely more hazardous in Fangio's time than it is today considering there was no defensive rigging back then and wellbeing highlights were insignificant. 
Maska, Netflix 
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This transitioning film sees Manisha Koirala as a Parsi mother doing combating to get her child associated with the privately-run company of running an Iranian bistro. 
'Nineteen years back when Rumi was conceived, his future had been chosen,' says Jaaved Jaaferi, Koirala's screen spouse. 
Rumi was to grow up and turn into 'a mask-waala' (one who applies spread) like his dad (Jaaferi) before him. 
In any case, he chooses to turn into a Bollywood entertainer. Prit Kamani plays Rumi, the befuddled youthful millennial who starts finding his Parsi legacy simply after separating himself from it. 
Maska is as much about Rumi's excursion as it is a festival of Mumbai's Irani bistros. 
With a reasonable sprinkling of youthful sentiment and family show, this is Dil Toh Baccha Hai Ji author Neeraj Udhwani's first endeavor at the course.
Next in Fashion, Netflix 
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As Netflix's first endeavor into configuration wars, this unscripted TV drama highlights 18 creators from over the world. 
The candidates are generally experts who have dressed famous people before and have worked with significant design houses, yet none is an easily recognized name, something they all seek to be. 
The show takes one through the way toward making a structure, directly from texture choice and preparing it to the time it's fit to be demonstrated. 
The show is facilitated by Tanveer Wasim France (of Queer Eye popularity) and creator, model and TV moderator Alexa Chung. 
The victor gets prize cash of $250,000, and the opportunity to turn into the following large thing in design. 
There's additional space for motivation for watchers as challengers configuration outfits deserving of the runway, formals for work, just as stylish streetwear. 
Special Ops, Disney Hotstar 
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Coordinated by Neeraj Pandey of A Wednesday! what's more, Special 26 popularity and Shivam Nair, this is the most recent Indian spine chiller to be discharged on the web. 
It highlights Kay Menon as Himmat Singh, a senior knowledge official. The story exemplifies how Singh has been pursuing a hypothesis that the real driving force of the 2001 Parliament assault was somebody whose presence nobody thinks about. 
Singh has his operators in remote urban areas and has been spending lavishly on tasks to pursue this man down, and now he needs to legitimize the cash spent. 
Between flashbacks, watchers are up to speed with how Singh's group is attempting to discover this secret miscreant. 
The show helps us a little to remember Manoj Bajpayee's The Family Man, which is a superior show. 
Activity scenes and awful writing in the moderate parts let down an in any case not too bad story, be that as it may, for the stuck-at-home and nothing-to-do, it's something one could thoughtlessly watch. 
Miss Americana, Netflix 
youtube
Coordinated by Lana Wilson, whose past movies concentrated on suicide and late-term fetus removal, this venture follows the life of American vocalist lyricist Taylor Swift. 
It opens with Swift being encompassed by journals, markers of individual stories. This is critical since Swift has gotten by out of diverting emotions into melodies that have become graph toppers. 
She's at that point told that her most recent collection, Reputation (2018), has gotten no major Grammy assignments. Quick continues, practically aloof in her methodology. 
Wilson proceeds to show Swift tending to her 'decent young lady' picture that has commanded the last's music profession, and how Swift arrangements with the thought that 'pleasant young ladies don't cause a ripple effect'. 
The story graphs her ascent to distinction just as her longing to please fans, all of which have driven Swift to some dull spots. 
The film shows the private side of Swift, the VIP who despite her whiz status drives a real existence shadowed by forlornness. 
Westworld, Disney Hotstar 
youtube
The third period of Westworld is presently spilling on the web, and keeping in mind that it is being praised for getting cutting edge tech references right, we are as yet astonished by the splendid execution of the show's story. 
The story starts in Westworld, an anecdotal, Wild West-themed event congregation where guests can do anything they need, with no results whatever, because the 'individuals' in Westworld are life-like androids. 
These androids are so authentic as people that guests continually come back to the recreation center to play out their most out of control dreams, activities that would be inadmissible in the 'genuine'/world. 
Inconvenience starts when the android has at the recreation center increase awareness about what they truly are. 
This new season sees them escape into this present reality, our reality, after a bloodbath. 
In light of Michael Crichton's 1973 film by a similar name, the arrangement stars Even Rachel Wood as Dolores Abernathy, an insightful android.
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aion-rsa · 3 years
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Japanese Spider-Man Documentary Spotlights Fun, Weirdness, and Spectacular Stunts
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You’ve certainly heard about the Japanese Spider-Man TV series from the 1970s. Maybe you’ve seen clips here and there on YouTube, or reaction gifs have made their way into your social media timeline. Perhaps you’ve even seen an episode or two, via a convention-purchased bootleg set during a hazy evening at a friend’s place or during the brief period a few years ago when they were officially available to stream on Marvel.com. Whatever the case, the Japanese Spider-Man TV show is designed to elicit strong reactions from western viewers, particularly comic book purists, who might balk at how it completely dispenses with most familiar Spider-Man mythology in favor of a story involving alien invasions, the planet Spider, giant transforming robots, and much more.
But whatever your opinion about the series, officially known as Supaidaman, you owe it to yourself to check out the first episode of Marvel’s 616, the new documentary series that just landed on Disney+. It’s an eight episode first season that touches on an eclectic range of topics that surround the Marvel Universe, and perhaps no topic is more inherently eclectic that Supaidaman. The first episode of the series is an hour long exploration of the making and legacy of the Japanese Spider-Man, and it’s an absolute delight from start to finish, and loaded with information and details unknown to most fans.
This isn’t a snarky look at a piece of Marvel history that the company is ashamed of. Instead, expect a treasure trove of heretofore unknown information, as well as archival images and new interviews, that finally give western audiences a full picture of what the Japanese Spider-Man was all about. If that isn’t enough incentive, it’s packed to the bursting with footage from the series itself, looking better than it has in any versions I’ve ever attempted to watch it in.
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The weirdness of Supaidaman is well known, but what’s rarely discussed is its raw, joyful energy. From the absurdity of the rubber-suited villains (one of the many harbingers of Tokusatsu shows and American offshoots like Power Rangers to come) to the dynamic, intricately choreographed fight scenes and dangerous stuntwork, this show is unmatched among live action Spidey adaptations in its willingness to make the most of its practical effects and stunts, a realm where Spider-Man seems most at home.
The episode is told primarily through the lens of Gene Pelc, who worked as Marvel’s liaison in Japan in the 1970s and worked alongside Toei to bring the show to life. Pelc is joined by others from the development of the series, and I’d be willing to bet that this is the first time they’ve been interviewed about this series with an eye on explaining it to global viewers. Key to these, of course, is Shinji Tōdō, who played Takuya Yamashiro/Spider-Man on the show. Tōdō’s love for the role is still plain, and it’s touching to see him reflect on the series with such fondness.
The most fun may come from the moments Hirofumi Koga, the stuntman who played Spidey in costume for much of his screentime. Koga, whose background in gymnastics made him an ideal choice for the bizarre, spider-like movements of the hero, as well as the show’s tremendous reliance on practical effects for Spidey’s most well known powers like web-slinging and wall-crawling, tells numerous stories of stunts that it’s difficult to imagine any production getting away with these days. It’s all accompanied by an appropriate amount of incriminating footage, such as Koga in Spidey costume climbing “30-40 meters” up the legs of the Tokyo Tower without a safety rope, climbing upside down under a suspension bridge above a ravine, or swinging from said bridge on a web line…smack into a grove of trees dozens of feet below.
There’s barely a minute of screen time without footage from the series, and even those who don’t have the patience to actually sit through any of its 41 half-hour episodes will get a thorough look at the good, the bad, and the weird of Supaidaman. There’s even what appears to be brand new footage of someone wearing one of the original costumes, demonstrating the character’s spider-like “low center of gravity” movements. It’s always a breath of fresh air to see a Spidey suit that’s tights rather than a layered and overly textured blockbuster creation, and this, alongside the practical effects of the series, are perhaps a reminder that Spider-Man works better when all of the rough edges haven’t been completely sanded off.
For a series that was never meant to be seen outside of Japan, this is a wonderful spotlight for this forgotten piece of Marvel history. Although, interestingly enough, the American live action Spider-Man TV series from just a few years earlier doesn’t quite get the same treatment. In stark contrast to how sharp Supaidaman looks, the few seconds of footage from The Amazing Spider-Man (all taken from that series’ pilot) are shoddy, and of lower quality than versions that can be found on YouTube. A combination of apparent (and unwarranted) corporate shame and rights issues have long muddied the waters for an official release of that show, but maybe a future season of 616 can finally give it some love.
Perhaps this episode of Marvel’s 616 can be seen as a trial balloon for dives into other, semi-forgotten corners of Marvel’s multimedia history. Or maybe more immediately, maybe this is a precursor to an official Supaidaman released on Disney+. Whatever the case, indulge yourself with an hour on Planet Spider with this episode, and enjoy some of the most wildly creative Spidey-centric stuff ever put on film.
The post Japanese Spider-Man Documentary Spotlights Fun, Weirdness, and Spectacular Stunts appeared first on Den of Geek.
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littlefrostfox · 6 years
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Twinkle Bells and Trimmings
Hi @cyanidelemonade !  I - @littlefrostfox19 on tumblr - am your @mlsecretsanta for 2017!
This is my first time writing a fanfiction with the characters from the amazing show, so I apologies profusely if they are out of character in any way. I do hope you enjoy this one shot, and that you and your loved ones have a wonderful festive season, and a brilliant 2018! :)
THERE ARE NO SPOILERS IN THIS FIC!
 On ao3 and ff.net
Twinkle Bells and Trimmings - A Miraculous Ladybug Oneshot
Word Count: 3′433
Rating: General / K
“What do you mean I have to be the one to deliver this to him?!”
As she and Alya walked out of the Dupain-Cheng’s bakery, Marinette stared down at the slightly heavy cane basket that had just been shoved into her hands. When Rose had come up with the idea of their class putting together Christmas gift hampers for Ladybug and Chat Noir, like all of her classmates, Marinette had been incredibly inspired by the project. As class president, she’d spent the last five weeks leading up to Christmas helping to coordinate everything in an effort to make it as festive as possible. They had even gotten some donations from other students at the school, as well as community members who had been impacted by the heroics of Paris’ protectors. Marinette had taken every job she’d been given in her stride, even the budgeting, which with her busy schedule both as Marinette and as Ladybug proving somewhat of a challenge to keep track of. However, it was the simple prospect of her having to give Chat Noir his personalised gift basket - as Marinette - and engaging in conversation with the slightly cocky and constantly flirting superhero, that made her the most worried.
“Come on, girl,” Alya told her, as she walked beside her best friend, her head snuggled in amongst her fur rimmed hooded coat. “If you really didn’t want this job, maybe you should have paid more attention during the last meet-up.”
Marinette sighed, as her mind floated back to the day of the mentioned occasion. She had been late to that particular meeting- it was the same time as the conclusion of a gruelling Akuma attack on the outskirts of the city - and when she had arrived, she couldn’t help but fall to a few moments of rough sleep. When she had been awoken by her classmates, asking her what she had thought of a decision, she quickly agreed with them, despite having no clue what they had even agreed on. Only now had she realised the true extent of her personal error.
“Remember, we thought since you were the class president, we thought it only fair that you have the honour of giving it to Chat Noir,” Alya continued. “If you weren’t busy yesterday, you could have done yours when me and Nino gave Ladybug hers. Shame you couldn’t make it…I’m sure you wouldn’t have been THAT awkward in front of Ladybug.”
“More like having to try and pull off being both Marinette and Ladybug at the same time…that would be beyond awkward!” Tikki whispered, the kwami snuggled in a hidden pocket inside Marinette’s christmas scarf, her words soft enough for only her chosen to hear.
Marinette laughed, both at the truth of Tikki’s words and the energy that was overflowing from Alya, her friend unable to keep still from joy. Giving Alya the duty of delivering Ladybug’s hamper to the super-heroine was an easy decision for the group, however it did cause a slight argument between her and Chloe early on in the project. The issue was quickly resolved by Alya’s quick thinking, the girl suggesting that Chloe hold all responsibility over Ladybug’s Christmas card, which she told Chloe was ‘the most vital part of the project’. Upon hearing this, Chloe soon forgot about not being the one to give the gift to Ladybug, already planning what she was going to write to her greatest idol.
“I wish you could have been there to see me give it to her. Luckily Nino filmed the whole thing.” Alya could highly contain her excitement, the memory of the moment still fresh in her mind. “She looked so surprised when I gave it to her! Nothing could happen that could ever ruin the best Christmas ever!”
Marinette had made sure to keep as much distance as possible from knowing the entire contents of the Ladybug side of the present, wanting the moment where she received the gifts as Ladybug to be as genuine as possible. But nothing could have prepared Marinette for how much each of the gifts and notes meant to her. From the home-made chocolate chip cookies, decorated with miniature ladybugs and white butterflies (made by her own parents), to the mix tape filled with original songs to Ladybug (coordinated by Nino), each gift was so well thought out and personal. Even Chloe’s card, which the normally snobbish girl had put some many hours of her own time into, had so much though, love and appreciation into it, the card including masses of messages from people who she had rescued from Akuma's or people whose lives she had changed just by existing. The moment Alya had given it to her, she had struggled to keep it together, the experience bringing tears to her eyes.
“Anyway, enough about my fangirl moment,” Alya laughed, breaking Marinette out of her daze. “Now we need to focus on finding where Chat Noir could be right at this moment.”
Before Alya could even get out her phone, Marinette spoke up. “He’ll be on patrol around the Norte Dame. He’ll be there until lunch, to when he either be heading to the outskirts near Versailles or the Champs de Mars.”
Alya glanced at her quizzically, her eyes wide with confusion and surprise. “And how would you know that? Don’t tell me you’re studying Chat Noir and Ladybug’s patrol schedule like you do Adrien’s, are you?” She raised an eyebrow, a smirk forming on Alya’s face when she saw Marinette start to squirm.
“W-What? No, of course I don’t know! It was just a guess, that’s all! An simple, normal observation!” she stuttered, growing flustered. “I just thought they could be there because…I saw them there…y-yesterday! That’s it! When I was….was going to find some extra…tinsel… for the bag trimmings, remember?” It was a in an feeble attempt to back pedal, not wanting her secret identity to be revealed, but luckily it seemed it to the trick, Alya soon laughing.
“I was just teasing you, girl! In fact, I think I’m more the one who verging on the side of stalking if anything to do with Ladybug is concerned….” Alya put an arm around Marinette’s shoulder’s, relieving the tension from Marinette’s face. She then pulled out her phone, opening an app which Marinette hadn’t seen before. “Max helped me designed it while he was working on the electronic message chips for Chloe’s card. Now I can have updates on Ladybug and Chat Noir’s location, and any social media information on recent Akuma attacks at the touch of a button! It’s just a prototype, but hopefully it could soon take the Ladyblog to the next level.”
Within a few short seconds, Alya’s phone buzzed again, a green dot appearing on the on-screen map. “What do you know…turns out your hunch was right.” As she put her phone away, she pointed across the road. “Looks like he’s around the Square René Viviani right now. Lucky for us we were headed that way anyway.”
As Alya rushed across the park, Marinette had a mental note to herself. I will have to keep that app in mind the next time I transform….as if keeping my secret wasn’t already hard enough…!
Despite the sharp winter winds that filled the air, and the recent bout of heavy snowfall, the Notre Dame still had a reasonable amount of people nearby, the wooden chalets of the Cathedral Christmas markets nearby creating almost a picture-perfect festive atmosphere.
When she had caught up with Alya, she discovered she had already locked her sights on Chat Noir. Not like it was every really hard to spot him amongst the crowds during his regular patrol times, even more so during winter, his black leather suit easily distinguishable against the city’s white snowy backdrop. For this particular instant, the superhero in question, who was just finishing up having a photo taken with a small girl and boy in matching reindeer costumes, managed to spot Alya and Marinette out almost instantly, soon walking over to them.
“Joyeux Noël Chat Noir!” Alya called to him, her phone tightly gripped in her left hand, ready to start filming at the perfect moment. “Quite a….festive hat you’ve got there!”
At the bringing up of the green, red and white swirly Santa hat he was sporting, Chat Noir grinned, adjusting it with pride. “Purr-fect, isn’t it?” He did a small spin, eager to show his festive present off.
“Why the hat Chatton…?!” Marinette muttered under her breath, her partner still wearing the same silly Christmas hat she had seen him keep on his head for the last eight patrols. Despite her constant pleas as Ladybug for him to wear something else, he continued to wear it. The feline hero had proclaimed that he had grown quite attached to the handmade gift, given to them by one of the pair’s smaller fans. The festive puns adoring its brim may have also had something to do with his attachment, which caused a frustrated groan to escape Marinette’s throat at the very thought.
Alya whipped her head in Marinette’s direction, changing the subject. “Mari had a hunch that you guys would be here. Having a break from your daily patrol?”
Chat nodded. “We decided to change up our usual patrol schedule for the holidays. We’ve been handing out gifts for the past few days, and were supposed to be going around the city markets today, but unfortunately Ladybug hasn’t shown up.”
Dammit. Marinette mused, trying to hide her ashamed expression from Chat Noir. I completely forgot that we were supposed to be doing that today…
The idea that Chat had just brought up was of his own creation - a street based campaign of delivering small tokens of Christmas cheer and positivity, by none other that Paris’ most beloved and trusted superhero duo, all in the effort to bring up the holiday spirit in a city that was growing more paranoid with passing Akuma attack. He had pestered Ladybug about it for months, his partner always going back to the same argument that they should focus first on protecting the city against Hawk Moth. But after a little while, and a few annoying Christmas carols, she eventually gave into the idea, seeing its simple merit as well as the passion Chat Noir had put in to the organising of it all. It was simple in nature, but maybe small, constructive actions were the best way to get through this daily battle, and eventually defeat Hawkmoth himself.
“I know that she would have wanted to be here, but sometimes life gets in the way. Paris knows she cares, and so do I,” Chat nodded, smiling softly. “Ladybug, out of all people, needs to make sure she looks after herself. She’ll be back bringing joy to Paris when she’s ready.”
Alya nodded in agreement. “Well, if you two need any help with your campaign, just know that there are plenty of people that would be more than happy to help. You both deserve a break this time of year.” Hawkmoth had grown more ruthless than ever, Akuma attacks increasing to several per week, with the week before Christmas hosting one every day. While greatly rushing the superheroes off their feet, Alya had also become more exhausted with each passing day, her duty as soul reporter of the Ladyblog reaching maximum capacity.
Suddenly, Alya’s phone started blaring out a familiar ringtone, Jagged Stone’s latest tribute to the superhero pair Alya’s latest choice of phone alert. She glanced at her phone, her expression becoming conflicted. “Geez, its Nadja Chamack calling about my internship application at the TV station. Do you mind if I quickly take this?”
“Not at all.” Chat Noir said politely, secretly knowing how much Alya had fought to even be considered for this internship through his interactions with her as Adrien. “Marinette and I can get to know each other better. Can’t we, princess?”
Marinette nodded as well, trying not to let the annoying nickname bother her. “Go on, Alya. I’ll manage with this until you get back.”
After exchanging with her friend a quick thumbs up, Alya moved away, deep into conversation. Marinette turned back to Chat Noir, not quite sure how to continue their conversation. Small talk was more Alya’s domain, and although she had spoken to the superhero many a times - more as Ladybug as opposed to her civilian identity - she had always found it awkward to talk to him. Marinette had expected a witty remark or a show-offish moment from him, but instead was slightly shocked upon seeing Chat Noir standing in complete silence, appearing almost nervous. The pair stood in a silence for a minute or so, Chat Noir giving an occasional fist pump to passing children, or engaging in short conversation with families as he passed them a few Christmas treats from his matching gift sack.
When a lull appeared in the small talk, Marinette looked back to Chat Noir. Fighting against her sometimes hesitant nature, she lifted the cane basket up so she it was cradled in her hands. “The reason we came to see you was….” She slightly spat out, the teenager still trying to come up with her small speech in her head as she spoke. “I…I actually came to give this bag to you. It’s a gift, a sort of thank you present. It’s not mine….I mean, it’s not just from me. My classmates and I from Françoise-Dupont, and some families from across Paris made it.”
“That’s very lovely of you,” he replied, walking with her towards one of the small park benches a few metres away. “I will make Ladybug receives it as soon as—“
“Actually, this one is just for you,” Marinette interrupted, gesturing to the tag tied around the cellophane covered basket, the green writing and paw print stamps distinctively more suiting to Chat Noir’s aesthetic.
Chat Noir’s bountiful steps came to a halt, a shocked form of a smile sliding onto his usual over-the-top act. “I-I-It’s for me? Really?” he whispered, appearing genuinely moved and honoured. When they arrived at the seats, the two softly sitting down, Marinette handed the basket to him. Chat’s eyes widened, his now wonder filled green eyes switching between the collection of gifts and Marinette herself.
Carefully, Chat Noir started undoing the wrapping covering the hamper, the delicate nature of his unwrapping also surprising Marinette. He kept glancing at Marinette, as if to question if these presents were especially for him. He was sometimes left out by the media, all the fame and attention mostly directed to Ladybug, so maybe he had just thought that that would be the same case in this particular situation, Marinette thought. Or possibly, the thought causing Marinette to feel slightly sorry for the superhero, that he believed that he didn’t deserve this sudden spree of appreciation.
Finally, he reached for the first present in the hamper, Chat Noir now proceeding to fidget in anticipation. While she had avoided impacting too much on the contents of Ladybug’s hamper, Marinette had had more of an input into the details of Chat Noir’s, having helped all her classmates in the early phases of the project in the planning of their specific gifts for the feline superhero. However, with the recent collection of Akuma attacks, she hadn’t had much of a chance to see what the final products would be, or know much of the extra gifts added in-between.
Each gift had given a slightly different reaction, all of them linked by the joy he physically exerted upon opening them. The first was a framed portrait drawing of the feline superhero, an original digital art piece created by Nathaniel. While exactly capturing Chat Noir’s humorous and carefree nature, he had styled the superhero in somewhat of a majestic, almost prince-like manner, creating an image of a kind, brave, spirited and selfless protector. Shades of gold, yellow, green and silver, as well as some contrasting touches of purple in between, all displayed a side of Chat which, amongst all the bad puns and crazy antics, sometimes slipped her mind as Ladybug, as well as Marinette.
There was also a custom coffee mug- which apart from the colour scheme exactly matched Ladybug’s- given by Kim, a dictionary of the best puns of all time - a gift from Alix, which Marinette already knew she would come to regret suggesting -, tiny boxes of tissues with cartoon pigeons on them - given as a joke by Alya, which Chat seemed to find especially funny -, as well as lots and lots of Camembert themed treats - which were at first provided by Adrien, and then proceeding to her own parents, who along with providing some Chat Noir and Ladybug themed gingerbread, also donated a entire platter of different variations of local Camembert. She would have to keep that in mind for any future gifts as Ladybug to give to him.
Upon Chat getting to the bottom of the basket, Marinette pulled out a large envelope, which was also addressed to Chat Noir. He carefully opened it, revealing a detailed card, the front filled with photos of people with Chat Noir, as well as some of his well known Cat puns. Inside, he found a song, as well as countless messages and notes, all towards Chat Noir. Chat’s smile wavered, his glance unable to look away from the card.
“I was in charge of designing the card…” Marinette said, not yet noticing Chat’s expression. “Ivan and Myléne wrote the song inside. They’re really talented, aren’t they—“
She turned back to Chat, a soft sniffling reaching her ears. Without warning, Chat Noir wrapped his arms around her in a hug, squeezing her tightly. “Thank you Mari,” he told her, his voice filled to the brim with joy. “The gift and the cards…they’re beautiful…I never had expected to receive anything like this. I am beyond grateful for all the love and time you all put into these gifts. Thank you.”
Not knowing how to respond, Marinette simply smiled, returning the hug. Their tender moment didn’t last long, Alya’s loud voice causing the pair to flinch.
“Marinette! I thought I told you to wait for me before you let him open all the gifts so I could get it on film!”
Quickly, the two split apart, Marinette fighting uncomfortably, trying to explain. Alya smiled, shaking it off. “Ah well… the least you both can do is stay still long enough for a photo. So no running away, got it pussy cat?”
“Chat’s honour! Anything for this hero’s favourite reporter!” Chat Noir smirked, swiftly returning to his typical, cheeky facade. Marinette groaned, which caused Chat Noir to laugh again, before they both turned to face Alya for a few photos.
After engaging in some short conversation, Chat thanking Alya vigorously for the gifts, Marinette and Alya wished him farewell, Alya needing to rush back home to update the Ladyblog before the day’s end. Just as Chat was about to turn and leave, however, Marinette’s mind clicked into gear.
“Chat Noir, wait!”
Chat Noir quickly tuned back to face Marinette, who was rushing back up to him. “I forgot to give you this. It’s my gift to you. I hope you like it!” She carefully handed him a small handmade drawstring bag, which had a similar design to the card.
Chat nodded graciously, returning to the girl a sincere smile. Chat turned away slightly, quietly opening Marinette’s present. His smile widened, lightly chuckling as he pulled out a silver, white and red bell, covered lightly with small black and white paw centred snowflakes. Also in the bag was a soft gold ribbon, which had two small slips on it to allow the bell to be attached onto the spot where his typical gold bell resided. Chat Noir rushed to switch the bells over, carefully putting his old bell in the small bag, and then in his suit pocket for safe keeping.
He gasped lightly upon hearing its ring, the sound lighter and more delicate than his usual bell. He turned back to where the girl’s had been, the pair having left around a minute or so ago. Sighing, he notice a small slip of paper peaking out of the bell’s gaps. Curious, he pulled it out, unfolded it and started to read it.
To Chat Noir. Hope you find this present amusing and positively claw-some for the festive season. From Marinette.
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bitingmascot-blog · 6 years
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So you want to market your game
What I’m about to talk about concerns mostly Finnish game developers I’ve met. We are too humble in our work and our skills. I believe this might also apply for most introverted game developers. I have limited info and skills, so please make your own interpretations on your own experiences, read up on marketing articles on Gamasutra or look for other indies’ articles (I’ll link some at the end). I’m also studying game development, not marketing, so my ideas on marketing aren’t based on “traditional” marketing techniques, just what I’ve learned on a few courses and on the internet.
Something that seems to be difficult for starting game developers is how to actually sell their game. They can sell the idea to their team, the vision to other game developers, but not the product to customers. Some are great at the “show and tell” of gaming events, others at the magic of a social media hit. These come from skills of speech, showmanship, art. But they don’t know how to sell the feeling, the package, the price; the product. I’ve seen people immerse themselves into making their game, intending on making it a product. But then nobody hears anything until it’s done. And then it gets buried.
So why don’t people take time to sell their game? I’ve heard a few reasons, like
“game developers are artists who create for the joy of creating”: that would be great if their livelihoods weren’t dependant on the products selling
“it takes too much time to do”: if you are making a jam game or learning with a game developing hobby, that’s fine, but otherwise it’s just as important as the game you are making to get people to see it
“I don’t know how”: this is actually the most reasonable reason to not do marketing, but not good enough to not learn. Granted, there aren’t schools for specifically selling and marketing games (if you know of one, tweet at me @BeanieDev, I would be interested), but there are so many online resources to learn from.
I think everyone has heard the line “Marketing starts when development/preproduction/designing starts” in one form or the other if you’ve listened to any talk about video game marketing. I think that a more honest line is “marketing starts when the decision is made that the product is going to be a product”. Names need to be decided for social media, concepts drawn up for getting people’s attention. Then the three biggest decisions: who handles the marketing, what kind of marketing is used and how serious is the product. Let’s quickly go through these:
Who handles the marketing: A team nowadays can consist of a random assortment of the following; artists, programmers, designers, producers and audio guys. There may be other roles in your team, but these are the “main jobs” in smaller teams, so I’m gonna talk about them.  In addition, we can think about getting an external marketing person (that’s me!). So who would be best to do the marketing on top of their other work? This is also figuring you are a small team, indies without a marketing team. I actually think that marketing can be best handled as a team. Let’s look what every team member can provide for marketing and what weaknesses they provide if they are put into a marketing position on their own.
Artists have a lot of skills that social media marketing can utilize. But their other work is very important and can take a lot of time. So, this is a case-by-case decision for the team. If there’s a social media –savvy artist who can create small, clean stuff quickly, then an artist can get the product a lot of attention. But marketing also includes writing copy (text), contacting people, going to events and taking time to figure out what things are working and what aren’t. That’s a lot of time taken away from drawing, modeling, texturing or any actual game development.
Programmers or designers can usually make the quickest “funny in-game clips” in the editor. The great #gamedev/indiedev posts (glitches, gameplay/feature displays) are easily made with some simple screen recording software. They only need to write a funny explanation of what’s happened and that’s a great post! But again, there’s so much more to marketing that would take that time away from the game development.
Producers are commonly put into the part of the marketer. They handle events, they see what’s going on with every part of the project. But they might have enough to juggle with their actual work too. If the project is serious enough, producers are constantly keeping track of the project, handling emails, meeting with investors or publishers. So not the worst pick for a marketer, but they can be reliant on others for the materials or too busy for it.
Sound guys are the sound guys. With that kind of creative talent, they often know a thing or two about video editing too. They have great possibilities for making trailers. But, in that way, they are completely reliant on the others in the team.
So then we get to the external marketing person. They have the time set for writing, contacting and keeping an eye on things. However, they are dependent on the rest of the team to provide visual materials, barring they don’t have skills in art or game development in general.
So who’s the best pick here? The guys who can’t produce the content or the ones who don’t have time for everything else? I say combine the manpower. The whole team produces content. The easiest way to do it is to have people share what they see while creating it. Share it on the team’s Slack or Discord and then have someone in charge of posting put it up. This fixes another problem as well, we’ll get to that soon.
What kind of marketing: So there are many forms of marketing. There’s social media, news sites, YouTube, influencers and reviewers. Your own website, discord server, the social media handle, Reddit and Imgur. How do you pick what you want to use? Which social media? What influencers? When who what -Argh! So much to choose from. So what do you do? Do them all at the beginning? No. Choose a couple of social media tools and Reddit/Imgur. Look up on how to use those social media online (I’ll link some I’ve used in the end). For Reddit, look for relevant subreddits, check the sidebar for instructions, when unsure ask and remember the Reddiquette. Imgur is tricky. They dislike the hard sell, you need to interest them with short videos, gifs, and images. Instead of selling the game to them, show them some funny clip and say “this is a funny bug/cute scene from the game I’m making, had to share it”. Hang out in the comments and chat. Give more info when they want it. Great line from Mark Rosewater’s GDC talk: “People are more invested in things they initiated”. You give them a chance to ask in the comments. Those who are interested ask questions. Answer them and they get more interested. Once you get some following, make a discord channel. Give people more chances to get close to your product. Make a devblog on Tumblr or IndieDB. Find new social medias that I don’t even know about. Mastodon, Vero, Social-media-number-251, you never know what might be the next big thing for indie developers to make big waves.
So then you got to pick the most important thing for this part: what does the marketing sound like? Are you selling as the developer? Are you selling as a character? How do you talk? Cute-sy? Cool-like? What’s the tone? No matter where you market your game, people see the tone. If you haven’t heard of the Nintendo Power Earthbound “This game stinks” line, you should google that to see how not to sound when selling your game. So pick out a tone. Stick to it. This is where having one person post helps. No disconnect from the main idea. There should be some discussion with the group first, but then one person can do the posting when the tone is set.
How serious is the product: Are you making a small jam game with your friends? Or a 3-year endeavor that will break the way we think about games? And should it sell? Everything depends on you. For a jam game, as the creation should be a fun weekend with your friends, maybe the people who see it and the purpose should be the same: your friends, having fun. So a couple tweets with images, maybe an Imgur post with a link to the download. For the 3-year endeavor, a team of marketers, outside help, professionals to make the hard sell on big publications. But those won’t come before you make something polished. Those projects take time. And while some say the hype lives on, it’s actually hard to keep it alive. Great article on playing the long game by Tanya Short from Kitfox Games on Gamasutra.
When you start to get further with the development, you can pick out more tools, check out more avenues that fit the posts you make. When someone hollers at you, holler back. Build a community if it fits your game. Look for Youtubers, from lists online and if your team enjoy someone’s content, shoot them a message. Be respectful!
So that’s a lot of info on how to start things off. And that’s not half the battle. Then the real work begins. I’ll leave you off with a few select articles and talks I’ve found on the subject. Again, if you got something to comment on or want to talk about the subject, shoot me a message on Twitter @BeanieDev. Happy marketing!
Juho The marketing trainee
http://www.gamasutra.com/blogs/TanyaXShort/20180928/327255/Years_in_the_Making_The_Long_Game_of_Boyfriend_Dungeon.php
http://www.gamasutra.com/blogs/LewisDenby/20180425/316986/Kotaku_is_not_the_answer_strategic_thinking_for_indie_game_PR.php
https://www.gamasutra.com/view/feature/2695/the_basic_marketing_plan_for_indie_.ph
https://www.gamasutra.com/view/news/316705/How_to_market_a_game_with_minimal_budget.php
https://www.patreon.com/posts/18946926
https://www.reddit.com/r/gamedev/comments/6afxr5/marketing_your_game_is_hard_marketing_your_game/
https://www.youtube.com/watch?v=Q5tyX_IBTXA&feature=youtu.be&a=
https://www.youtube.com/watch?v=KsFgXXjoLi8&feature=youtu.be&a=
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fazeupmag-blog · 5 years
Text
New Post has been published on Fazeup
New Post has been published on https://www.fazeup.tk/2019/05/getting-began-with-spotify-in-india/
Getting began with Spotify in India
Spotify lastly launched its music streaming service in India in February 2019, after quite a few stops and begins and regardless of a authorized battle with Warner Music Group that rages on even at this time (extra on this later). Indian audiences had been actually clamoring for the globally widespread app, provided that Spotify in India surpassed one million installs in lower than per week. In case you’re but to make the leap, or think about for those who even ought to, right here’s all the pieces you must find out about Spotify in India!
Getting began with Spotify in India
Creating an account
You possibly can obtain the Android app from the Google Play Retailer. Spotify can be obtainable on iOS, on Home windows (additionally through the Microsoft Retailer), and on the net. You possibly can join free with an e-mail tackle or log in with Fb. Utilizing the Fb choice makes it a lot simpler to share your Spotify playlists, what you’re listening to, and different suggestions with family and friends.
In fact, you may management precisely what and the way a lot info you wish to share, if any. If you wish to keep away from it utterly although, signing up with an e-mail tackle would be the higher approach to go. With the e-mail tackle signup, you have to to confirm the account. Offering your date of beginning, gender and including a profile title completes the account creation course of.
Including your music preferences
As soon as your account is ready up, you’ll have the ability to choose the languages you favor – this consists of English, Hindi, Punjabi, Tamil, Telugu, Malayalam, Marathi, Gujurati, Kannada, and Bengali. This would possibly look like quite a bit, however rivals like JioSaavn and Wynk Music add one other 5 regional languages to their portfolios, so Spotify India has some catching as much as do right here.
You now get to pick your favourite artists. There’s a minimal of three, however the extra you choose, the extra well-rounded the each day combine playlists will likely be proper off the bat. Tapping on the title of a singer brings up extra choices (like music administrators or feminine singers they’ve labored with). This was truly a extremely enjoyable factor to do, mentioning previous favorites that I wouldn’t have thought off straight away. You can even discover artists primarily based on style.
After deciding on not less than three artists, the Spotify app homepage opens. Based mostly in your earlier alternatives, not less than one “Daily Mix” will robotically be created for you. Scrolling additional down will present extra album suggestions, trending songs, editors’ picks, new releases, and an entire lot extra. In case you’re hoping to get listening straight away, Spotify has greater than bought it lined.
The settings menu
Faucet on the gear icon on the prime proper nook of the house web page to enter the settings menu. You possibly can disable or allow a knowledge saver mode, add a crossfade, permit express content material, normalize the quantity, set audio high quality, replace your language selections, set your social media preferences, and an entire lot extra. There are a bunch of settings right here that may allow you to cater the app expertise to precisely the way you prefer it.
Curating your music and podcasts
Including songs, playlists, and podcasts to Your Library
As nice as it’s to have random, however effectively put collectively playlists created for you, you’ll nonetheless wish to create your individual to get probably the most out of the music streaming service. To search out particular songs, artists, or podcasts, hop on over to the Search tab on the backside of the app web page. Simply begin typing a reputation, and what you’re searching for ought to pop up within the search outcomes.
In case you aren’t specific, you can even undergo quite a lot of beneficial playlists primarily based on style,  language, period, temper, and even the season. In case you like a particular playlist, or perhaps a few songs from one, you may add them to your library by tapping on the guts icon subsequent to the title of the music or the playlist.
The identical goes for podcasts as effectively. You possibly can seek for a particular podcast or scroll down within the search web page to podcast part. You’ll have a variety of podcast suggestions primarily based on quite a lot of classes or you may simply look via the highest charts. As soon as once more, if there’s one you want, it can save you it to the library by tapping on the guts icon on the prime proper nook of the web page.
If you’re listening to a Spotify-created playlist and like what’s on, you can even save the whole playlist or add particular songs to your favorites by tapping on the guts icon. On the flip aspect, for those who don’t like a selected music, you may faucet on the cease signal (subsequent to the guts icon) to cover the music. Tapping on the three vertical dots icon provides you much more choices, together with including the music to a playlist, including it to queue, viewing artist info, and sharing the music.
Your Library
Your Library is the place you’ll discover the playlists and albums you’ve like and your favourite artists. Any songs you’ve appreciated will likely be within the “Liked Songs” playlist. Change to the Podcasts tab to seek out your favourite reveals, latest episodes, and downloads. Sure, when you’ll want the premium subscription to obtain and take heed to music offline, there’s no such restriction with podcasts, which is unbelievable.
In fact, you don’t have to go away all of it as much as Spotify and you’ll create your individual playlists. First, give the playlist a reputation. Then faucet on the big “Add Songs” button to get began. Spotify contributes right here as effectively with lengthy lists of recommendations which can be curated out of your favorites and up to date listening habits. You can even seek for a particular music or go the “Songs you liked” part so as to add them. Faucet on the plus/add icon. You’ll now discover your newly created playlist within the library.
Listening on different gadgets
You’ve your playlists prepared and podcasts queued, however what for those who don’t wish to take heed to them in your cellphone? The excellent news is that Spotify isn’t restricted to at least one gadget and you should use the cell app as a distant to regulate music playback on one other platform. When listening to a music, you’ll discover a small show and speaker icon on the backside left of the display screen. This opens the “Connect to a device” web page that may allow you to management any music enjoying in your pc or TV, or via a Wi-Fi speaker. Faucet on an choice and comply with the on-screen directions.
The Spotify India catalog
Spotify is taken into account probably the greatest music streaming providers throughout the globe, partially as a result of unimaginable catalog it has to supply. Sadly, Spotify’s launch in India was removed from easy due to an ongoing authorized battle with Warner Music Group. English music from a protracted record of world superstars is unfortunately not obtainable on Spotify India in the meanwhile and this can solely finish when the difficulty with the licensing deal has been resolved.
Need to take heed to Charlie Puth, Ed Sheeran, Linkin Park, or Coldplay or the host of different artists who signed with WMG? You’re higher off holding on to a different music streaming service for now.
Spotify’s bother with licensing offers doesn’t finish with WMG. The corporate has additionally been pressured to take away over 120,000 Hindi and regional language songs due to an settlement not being reached with SaReGaMa India Ltd, a serious report label in India.
It’s not all gloom and doom although. There are nonetheless fairly a couple of licensing offers that Spotify has managed to get with Indian and worldwide report labels, so the catalog is much from a barren wasteland. One among Spotify’s strongest fits has been its suggestions, and it stays a good way to find new artists and beforehand unheard songs. In fact, there’s a variety of widespread music obtainable as effectively.
There’s even some music that I haven’t been capable of finding on some other Spotify competing apps, like a 2006 Karsh Kale album that I used to be solely capable of finding on Spotify and YouTube Music.
The very best half for me is the provision of podcasts on the app. Granted, I’ve by no means thought it was an enormous deal to modify between my music streaming and podcast apps. It’s nonetheless good to have all the pieces in a single place although. I can also’t attest to how full Spotify’s podcast catalog is right here, however I discovered all the pieces that I take heed to.
Spotify Free vs Spotify Premium
The free model of Spotify in India is much much less restricted than it’s within the U.S., the U.Ok, and others. For instance, whereas the cell app solely enables you to use Shuffle Play in different markets, that isn’t the case right here. You additionally don’t have to fret about monitor skipping limits, not having the ability to play any monitor or create customized playlists. The truth is, you’ve full entry to the whole catalog that’s obtainable in India on the cell app with the free tier.
There are advertisements to cope with in fact, however having a 30-second advert play after each six songs and the occasional popup that asks you to subscribe to the premium service isn’t intrusive or annoying by any means.
That stated, there’s nonetheless sufficient of a bonus to going premium or there wouldn’t be any level to having the choice. For starters, advertisements go away utterly. Audio high quality additionally will get a lift to 320kbps from the usual 160kbps (prime quality) and 96kbps (regular high quality). Streaming with increased high quality audio would require extra knowledge, nevertheless it isn’t as a lot of a knowledge hog as you’d assume, and knowledge caps aren’t as a lot of a priority anymore.
Spotify Premium costs fall according to the subscription charges of competing music streaming providers in India for probably the most half. It might appear a contact dearer than some, however that’s as a result of providers like JioSaavn have drastically lower their costs as a response to the arrival of Spotify and YouTube Music this yr. Spotify additionally presents numerous pay as you go plans that include long-term reductions and also you additionally get to reap the benefits of a 30-day free trial.
Spotify costs in India
119 rupees (~$1.70) monthly subscription with a 30-day free trial.
Pay as you go plans
13 rupees (~$0.20) for 1 day.
39 rupees (~$0.60) for 1 week.
129 rupees (~$1.85) for 1 month.
389 rupees (~$5.55) for three months.
719 rupees (~$10.25) for six months.
1,189 rupees (~$17) for 1 yr.
College students will obtain a 50% low cost on all obtainable plans.
The reductions given with the long-term are undoubtedly value making the most of. The annual plan works out to 99 rupees (~$1.40) monthly and is cheaper than the month-to-month subscription. Additionally, you will want a sound bank card to go for the month-to-month subscription, whereas you should use debit playing cards, Paytm, and UPI to pre-pay.
Spotify in India – does it ship?
Spotify has sadly been off to a shaky begin in a market that isn’t in need of competitors and issues haven’t actually gotten that significantly better. It might have the obtain numbers, however that’s possible due to the preliminary wave of pleasure that surrounded the launch. In fact, individuals aren’t blocked from utilizing multiple music streaming service both.
Spotify enjoys a sure world model recognition that only a few merchandise or firms do. Nevertheless, the competitors is extraordinarily stiff in India and Spotify is sort of late to the celebration. JioSaavn slashed its costs by round 70%, the premium Wynk music subscription is free for Airtel (one among India’s largest networks) customers, and Amazon Prime Music is included with a Prime subscription.
An apt comparability for Spotify could be YouTube Music that additionally lately launched in India. The subscriptions are equally priced. Nevertheless, the common YouTube app was already the preferred “music streaming” app within the nation. Simpler entry to only music and extra options will solely assist YouTube Music. All competing apps even have higher catalogs, not less than for the second.
I do know I’m making issues sound far direr than they really are. Licensing offers will likely be achieved (hopefully). Spotify will react to the value gouging (in all probability). Some free subscription offers with community carriers can occur (possibly). The apps are refined, the catalog will get higher, and there’s one factor that Spotify has that no different Indian music streaming service does – podcasts.
Have you ever signed as much as Spotify in India? Why? Why not?
Supply
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andrewmrudd79 · 7 years
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The Sad Truth about Your Half-Finished Projects
Here is a common experience:
You get incredibly excited about a new business idea or project. Maybe you’ve had it in the back of your head for a long time and something finally clicked inside of you to start working on it. Or, maybe it’s something you just thought of and you want to get it up and running as soon as possible.
At work, in the car, and even in your sleep, thoughts about your new idea race through your brain. You’re not only taking mental notes about the work you need to do but you’re also imagining what it would be like when other people experience your idea and benefit from your creativity and hard work.
You go full throttle with your idea. You work hard, make sacrifices, and get stuff done. Progress is being made and it’s incredibly exciting.
Then, for some reason, the fire dies and the excitement goes away. Work that you were once totally jazzed about now seems like a chore. “What’s possible” is replaced with “what am I doing?” and the progress begins to slow down and production eventually comes to a halt.
Your idea just sits there, half-finished (more or less).
Sound familiar?
If this hasn’t happened to you, you’re one of the “lucky ones.” But for most people this “crank then tank” experience is all too common. Although I’ve taken many of my ideas to launch, I have a slew of others that I’ve started but never followed through with.
Here’s one in particular that I’d like to dissect for you:
Step-by-Step Images
In January 2011 I wrote An Underrated Skill That All Bloggers Should Have and I Would Like To Teach. In it, I talk about how important graphic creation and manipulation skills (i.e., Photoshop skills) have been for my online business—to be able to quickly (and on my own) create or manipulate an image and use it right away as opposed to hiring someone and paying them to do it for me, which could take several days and a lot of back and forth.
It’s the one skill that I learned while working in the architecture industry that I can easily apply to my online businesses, and I’m in Photoshop almost every single day. It reduces stress and saves me a ton of time and money.
The post I wrote was meant to increase awareness of this valuable skill but also use it as a “feeler” to see whether or not people would be interested in learning how to use Photoshop or software similar to Photoshop.
In short, there was a lot of interest.
As a result, in addition to a webinar, I had a big idea for a separate website that would include a number of graphic design tutorials that people could learn from.
There were, of course, a ton of existing resources, both paid and free, for how to use Photoshop and other software, but I wanted to take a slightly different approach. I wanted to create tutorials specifically for bloggers, Internet marketers, and anyone else who does business online.
Instead of something like a course that takes you through all of the tools and helps you understand how Photoshop works, it would instead let you select from a library of tutorials for whatever specific kind of graphic you needed at that time. A banner ad, a Twitter background, a Facebook cover image—you select the graphic you need and my tutorials would walk you through, step-by-step, how to create that specific graphic, some including templates to work off of to make things even easier.
That’s when I started working on StepbyStepImages.com.
For three weeks I was so amped about my idea. I created mind maps, outlined tutorials, and built the website that you see on the deserted website linked above. I even learned how to install and use WP-Wishlist to include members-only content.
After three weeks I had created the perfect “shell.” It was sort of like a totally brand new house: empty, but ready to be furnished.
Then, it was time to furnish the site and create all of the tutorials. That’s when things started to slow down.
A Change in Course
In total, I had mind-mapped about 60 different graphic design tutorials. For each, I wanted two versions: a version where I show how to create or edit the image in Photoshop, and then another version where I show how to create or edit the image in Gimp, a free online image editing software. That’s 120 different screen recordings.
I started to screen record the first video and with edits, re-shoots, branding, and effects, it took about 30 minutes to complete a high-quality 5-minute tutorial.
I didn’t expect it to take that long and I still had 119 more to go.
That’s when things started to slow down. A lot. Something happened mentally and I just wasn’t excited anymore. It was a feeling I almost had in an instant and my whole mindset about this project changed. I only created one more tutorial after that first one, and since then, nothing.
What Happened?
This sort of thing happens to me every so often, although lately I’ve been very good about completing big projects before moving on to the next. One example of this is my podcasting tutorial, which took over 30 hours to complete.
With Step-by-Step Images, however, I just didn’t feel compelled to work on it anymore, and even after some time the drive to work on it never came back.
I’m sure there are a lot of factors involved, but here are some thoughts on what happened:
Overwhelm
Being overwhelmed with the work that lies ahead before an idea actually becomes a reality is probably the most common cause for dropped, unfinished projects.
The excitement in the beginning can cloud the truth about how much work actually needs to be done, and so halfway through when you finish the work you enjoyed doing, the rest of it seems like climbing Mt. Everest.
It’s tough though because everyone says to “just take action” and “go for it,” and to an extent I absolutely agree, but at the same time some smart, initial planning and general reality checking needs to be done before diving into anything.
The best thing to do is to familiarize yourself with what work may lie ahead so that you’ll know what to expect. Unexpected things will happen, of course, but the more you learn about what you’re about to do the better chance you have to follow through.
How do you best familiarize yourself with stuff that’s new to you? Talk to other people and read about it.
Business Cards First?
For some reason, when I was in high school, my friends and I all had business cards. It was “cool” to have a business card with your name on it and some of your skills listed. But the funny thing was, none of us had actual businesses!
But we were cool because we had business cards, right?
For Step-by-Step Images, it seems I had adopted the mentality of business cards first, business second. When you think about it, that’s silly.
Unfortunately, this is what a lot of people do. We get an idea but build everything around it before getting into the meat of what that idea is really all about.
If I had simply started with recording the tutorial videos, I would have learned just how much time each one would take and maybe I wouldn’t have wasted three weeks and a ton of energy on something that I was going to eventually put aside.
If I had finished the tutorials first, you can be darn sure I’d get everything I built in that first three weeks up and running fast.
Also, this validates the idea in the first place; the actual meaty business part of the idea. Get that done first, and the rest will fall into place. The business cards will come when you’re ready.
How many “business card first” ideas have you done that you’ve never finished?
All of it?
Along the same line as some advice that was given to us by Dane Maxwell on SPI Podcast Session #46, I don’t have to create all 120 tutorials before launching Step-by-Step Images. And really, I shouldn’t.
I could start with fewer and still make paying customers happy, and they’d be even happier down the road when any new tutorials come out, instead of using them all up at first.
Let’s say, for example, I start with only the Photoshop Tutorials. I could add the Gimp tutorials later as a value-add and make a big announcement about it. Right there, that cuts away half of the tutorials I need to do before launch.
Then, maybe I could eliminate a couple of the larger categories, like banner ads, for which there are already many tools available online to help people create them. I could then focus on fewer, stronger, and more unique tutorials that are in demand.
The lesson here is that thinking about every single feature and function of your product or service is smart, but you don’t need all of those things ready before you launch.
What are the core things that people need and would be happy to pay for? Focus on that, and then add to it later.
This is exactly what I did to launch my new course, Smart from Scratch! I launched it in October last year (2016) and only a small portion of it was actually finished. After validating the course with a batch of founding students who paid to get access, I then created the rest of the course with them and their valuable feedback.
And, by the way, this course is coming out of “beta” soon, and will be re-opening sometime next month. To sign up, head to SmartFromScratch.com to get on the waiting list today!
You can’t earn 50% on a project that’s only 50% complete. You earn nothing until that project is available to the end user.
“Outs”
When I started shooting tutorial videos for Step-by-Step Images, it was at the same time I had some other exciting projects going on. A site I built as a result of a Niche Site Duel was starting to earn hundreds of dollars per month and was growing exponentially. A few weeks prior, I was contacted by a Hollywood producer about potentially working on a film as the Director of Web and Social Media, which I eventually agreed to do.
So what happens when you work on a project and it gets to a point where it becomes overwhelming and challenging? And you also have other more exciting things going on? You shift your focus to what’s exciting.
I remember a story someone once told me about personal training. Most personal trainers charge you per session. If you don’t make a scheduled session, you have to pay anyway, but they give you one or two “free passes” per month where they won’t charge you.
My buddy would always tell his personal trainers, “No free passes. If I don’t show up, charge me, no matter what!”
He didn’t want any outs—that thing he could fall back on in case something didn’t work out. It’s risky to have outs, even though they are usually there to help you.
Why?
Because mentally if you know that “safety net” is there, you’ll likely start making excuses.
Let’s say, for example, you were to wake up ten minutes before a session starts one day. If you have that freebie, you might say “Well, I have a freebie, I’ll just fall back asleep.” If you didn’t have that freebie you’re more likely to jump out of bed and sprint out the door like you’re going to miss the bus. Next time, you’ll make sure to double check your alarm clock from that point forward.
In my situation, the other projects I had going on were my outs. I didn’t need to succeed with Step-by-Step Images because I already had all of this other stuff going on, and other things that were successful and generating an income.
It’s no wonder the one moment I sprint up to a hurdle I turn around and walk away.
So what should I have done instead? 
Firstly, I needed to stop thinking of my other projects as outs.
GreenExamAcademy.com, my first online business, was a successful because I had no other choice but for it to succeed. I was just laid off and had no other options, including getting another job in the architecture industry, which was impossible. Does this mean I should get rid of everything else I have going on? Of course not, but it means mentally I should treat them as separate projects and should want them each to succeed separately just the same.
Secondly, I should have committed. Looking back, I can’t remember a time when I fully committed to the project. It was the idea I got so excited about I started working on it before truly thinking about it, and so when I got to that stopping point it actually wasn’t very hard for me to just move onto something else.
And lastly, I should have pre-sold the idea. If you promise delivery by a certain date you could take pre-orders for your project (potentially with an early-bird discount) and use that money as a resource to help you finish your project, or at least as motivation to get things done and done on time, or else you’re going to have a lot of very angry customers.
Where will I go from here?
I’m not sure, but this post isn’t all about me, it’s about you too. Thank you for sharing my experience with this project. Of course, it’s always tough to admit to failure but life is a learning process and I hope my experiences here have or will help you in some way, shape, or form.
Think about the projects you’re working on right now.
Have you truly committed to them?
Do you have any outs that could take your focus away from what you should really be focusing on?
Remember, half-finished projects aren’t the same as eating half of a meal or finishing half of a marathon. You still get a benefit from each of those things, but the sad truth about your half-finished project is that in reality, it’s nothing.
You can’t earn 50% on a project that’s only 50% complete. You earn nothing until that project is available to the end user.
image
The Sad Truth about Your Half-Finished Projects originally posted at Homer’s Blog
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judithghernandez87 · 7 years
Text
The Sad Truth about Your Half-Finished Projects
Here is a common experience:
You get incredibly excited about a new business idea or project. Maybe you’ve had it in the back of your head for a long time and something finally clicked inside of you to start working on it. Or, maybe it’s something you just thought of and you want to get it up and running as soon as possible.
At work, in the car, and even in your sleep, thoughts about your new idea race through your brain. You’re not only taking mental notes about the work you need to do but you’re also imagining what it would be like when other people experience your idea and benefit from your creativity and hard work.
You go full throttle with your idea. You work hard, make sacrifices, and get stuff done. Progress is being made and it’s incredibly exciting.
Then, for some reason, the fire dies and the excitement goes away. Work that you were once totally jazzed about now seems like a chore. “What’s possible” is replaced with “what am I doing?” and the progress begins to slow down and production eventually comes to a halt.
Your idea just sits there, half-finished (more or less).
Sound familiar?
If this hasn’t happened to you, you’re one of the “lucky ones.” But for most people this “crank then tank” experience is all too common. Although I’ve taken many of my ideas to launch, I have a slew of others that I’ve started but never followed through with.
Here’s one in particular that I’d like to dissect for you:
Step-by-Step Images
In January 2011 I wrote An Underrated Skill That All Bloggers Should Have and I Would Like To Teach. In it, I talk about how important graphic creation and manipulation skills (i.e., Photoshop skills) have been for my online business—to be able to quickly (and on my own) create or manipulate an image and use it right away as opposed to hiring someone and paying them to do it for me, which could take several days and a lot of back and forth.
It’s the one skill that I learned while working in the architecture industry that I can easily apply to my online businesses, and I’m in Photoshop almost every single day. It reduces stress and saves me a ton of time and money.
The post I wrote was meant to increase awareness of this valuable skill but also use it as a “feeler” to see whether or not people would be interested in learning how to use Photoshop or software similar to Photoshop.
In short, there was a lot of interest.
As a result, in addition to a webinar, I had a big idea for a separate website that would include a number of graphic design tutorials that people could learn from.
There were, of course, a ton of existing resources, both paid and free, for how to use Photoshop and other software, but I wanted to take a slightly different approach. I wanted to create tutorials specifically for bloggers, Internet marketers, and anyone else who does business online.
Instead of something like a course that takes you through all of the tools and helps you understand how Photoshop works, it would instead let you select from a library of tutorials for whatever specific kind of graphic you needed at that time. A banner ad, a Twitter background, a Facebook cover image—you select the graphic you need and my tutorials would walk you through, step-by-step, how to create that specific graphic, some including templates to work off of to make things even easier.
That’s when I started working on StepbyStepImages.com.
For three weeks I was so amped about my idea. I created mind maps, outlined tutorials, and built the website that you see on the deserted website linked above. I even learned how to install and use WP-Wishlist to include members-only content.
After three weeks I had created the perfect “shell.” It was sort of like a totally brand new house: empty, but ready to be furnished.
Then, it was time to furnish the site and create all of the tutorials. That’s when things started to slow down.
A Change in Course
In total, I had mind-mapped about 60 different graphic design tutorials. For each, I wanted two versions: a version where I show how to create or edit the image in Photoshop, and then another version where I show how to create or edit the image in Gimp, a free online image editing software. That’s 120 different screen recordings.
I started to screen record the first video and with edits, re-shoots, branding, and effects, it took about 30 minutes to complete a high-quality 5-minute tutorial.
I didn’t expect it to take that long and I still had 119 more to go.
That’s when things started to slow down. A lot. Something happened mentally and I just wasn’t excited anymore. It was a feeling I almost had in an instant and my whole mindset about this project changed. I only created one more tutorial after that first one, and since then, nothing.
What Happened?
This sort of thing happens to me every so often, although lately I’ve been very good about completing big projects before moving on to the next. One example of this is my podcasting tutorial, which took over 30 hours to complete.
With Step-by-Step Images, however, I just didn’t feel compelled to work on it anymore, and even after some time the drive to work on it never came back.
I’m sure there are a lot of factors involved, but here are some thoughts on what happened:
Overwhelm
Being overwhelmed with the work that lies ahead before an idea actually becomes a reality is probably the most common cause for dropped, unfinished projects.
The excitement in the beginning can cloud the truth about how much work actually needs to be done, and so halfway through when you finish the work you enjoyed doing, the rest of it seems like climbing Mt. Everest.
It’s tough though because everyone says to “just take action” and “go for it,” and to an extent I absolutely agree, but at the same time some smart, initial planning and general reality checking needs to be done before diving into anything.
The best thing to do is to familiarize yourself with what work may lie ahead so that you’ll know what to expect. Unexpected things will happen, of course, but the more you learn about what you’re about to do the better chance you have to follow through.
How do you best familiarize yourself with stuff that’s new to you? Talk to other people and read about it.
Business Cards First?
For some reason, when I was in high school, my friends and I all had business cards. It was “cool” to have a business card with your name on it and some of your skills listed. But the funny thing was, none of us had actual businesses!
But we were cool because we had business cards, right?
For Step-by-Step Images, it seems I had adopted the mentality of business cards first, business second. When you think about it, that’s silly.
Unfortunately, this is what a lot of people do. We get an idea but build everything around it before getting into the meat of what that idea is really all about.
If I had simply started with recording the tutorial videos, I would have learned just how much time each one would take and maybe I wouldn’t have wasted three weeks and a ton of energy on something that I was going to eventually put aside.
If I had finished the tutorials first, you can be darn sure I’d get everything I built in that first three weeks up and running fast.
Also, this validates the idea in the first place; the actual meaty business part of the idea. Get that done first, and the rest will fall into place. The business cards will come when you’re ready.
How many “business card first” ideas have you done that you’ve never finished?
All of it?
Along the same line as some advice that was given to us by Dane Maxwell on SPI Podcast Session #46, I don’t have to create all 120 tutorials before launching Step-by-Step Images. And really, I shouldn’t.
I could start with fewer and still make paying customers happy, and they’d be even happier down the road when any new tutorials come out, instead of using them all up at first.
Let’s say, for example, I start with only the Photoshop Tutorials. I could add the Gimp tutorials later as a value-add and make a big announcement about it. Right there, that cuts away half of the tutorials I need to do before launch.
Then, maybe I could eliminate a couple of the larger categories, like banner ads, for which there are already many tools available online to help people create them. I could then focus on fewer, stronger, and more unique tutorials that are in demand.
The lesson here is that thinking about every single feature and function of your product or service is smart, but you don’t need all of those things ready before you launch.
What are the core things that people need and would be happy to pay for? Focus on that, and then add to it later.
This is exactly what I did to launch my new course, Smart from Scratch! I launched it in October last year (2016) and only a small portion of it was actually finished. After validating the course with a batch of founding students who paid to get access, I then created the rest of the course with them and their valuable feedback.
And, by the way, this course is coming out of “beta” soon, and will be re-opening sometime next month. To sign up, head to SmartFromScratch.com to get on the waiting list today!
You can’t earn 50% on a project that’s only 50% complete. You earn nothing until that project is available to the end user.
“Outs”
When I started shooting tutorial videos for Step-by-Step Images, it was at the same time I had some other exciting projects going on. A site I built as a result of a Niche Site Duel was starting to earn hundreds of dollars per month and was growing exponentially. A few weeks prior, I was contacted by a Hollywood producer about potentially working on a film as the Director of Web and Social Media, which I eventually agreed to do.
So what happens when you work on a project and it gets to a point where it becomes overwhelming and challenging? And you also have other more exciting things going on? You shift your focus to what’s exciting.
I remember a story someone once told me about personal training. Most personal trainers charge you per session. If you don’t make a scheduled session, you have to pay anyway, but they give you one or two “free passes” per month where they won’t charge you.
My buddy would always tell his personal trainers, “No free passes. If I don’t show up, charge me, no matter what!”
He didn’t want any outs—that thing he could fall back on in case something didn’t work out. It’s risky to have outs, even though they are usually there to help you.
Why?
Because mentally if you know that “safety net” is there, you’ll likely start making excuses.
Let’s say, for example, you were to wake up ten minutes before a session starts one day. If you have that freebie, you might say “Well, I have a freebie, I’ll just fall back asleep.” If you didn’t have that freebie you’re more likely to jump out of bed and sprint out the door like you’re going to miss the bus. Next time, you’ll make sure to double check your alarm clock from that point forward.
In my situation, the other projects I had going on were my outs. I didn’t need to succeed with Step-by-Step Images because I already had all of this other stuff going on, and other things that were successful and generating an income.
It’s no wonder the one moment I sprint up to a hurdle I turn around and walk away.
So what should I have done instead? 
Firstly, I needed to stop thinking of my other projects as outs.
GreenExamAcademy.com, my first online business, was a successful because I had no other choice but for it to succeed. I was just laid off and had no other options, including getting another job in the architecture industry, which was impossible. Does this mean I should get rid of everything else I have going on? Of course not, but it means mentally I should treat them as separate projects and should want them each to succeed separately just the same.
Secondly, I should have committed. Looking back, I can’t remember a time when I fully committed to the project. It was the idea I got so excited about I started working on it before truly thinking about it, and so when I got to that stopping point it actually wasn’t very hard for me to just move onto something else.
And lastly, I should have pre-sold the idea. If you promise delivery by a certain date you could take pre-orders for your project (potentially with an early-bird discount) and use that money as a resource to help you finish your project, or at least as motivation to get things done and done on time, or else you’re going to have a lot of very angry customers.
Where will I go from here?
I’m not sure, but this post isn’t all about me, it’s about you too. Thank you for sharing my experience with this project. Of course, it’s always tough to admit to failure but life is a learning process and I hope my experiences here have or will help you in some way, shape, or form.
Think about the projects you’re working on right now.
Have you truly committed to them?
Do you have any outs that could take your focus away from what you should really be focusing on?
Remember, half-finished projects aren’t the same as eating half of a meal or finishing half of a marathon. You still get a benefit from each of those things, but the sad truth about your half-finished project is that in reality, it’s nothing.
You can’t earn 50% on a project that’s only 50% complete. You earn nothing until that project is available to the end user.
image
The Sad Truth about Your Half-Finished Projects originally posted at Dave’s Blog
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davidmhomerjr · 7 years
Text
The Sad Truth about Your Half-Finished Projects
Here is a common experience:
You get incredibly excited about a new business idea or project. Maybe you’ve had it in the back of your head for a long time and something finally clicked inside of you to start working on it. Or, maybe it’s something you just thought of and you want to get it up and running as soon as possible.
At work, in the car, and even in your sleep, thoughts about your new idea race through your brain. You’re not only taking mental notes about the work you need to do but you’re also imagining what it would be like when other people experience your idea and benefit from your creativity and hard work.
You go full throttle with your idea. You work hard, make sacrifices, and get stuff done. Progress is being made and it’s incredibly exciting.
Then, for some reason, the fire dies and the excitement goes away. Work that you were once totally jazzed about now seems like a chore. “What’s possible” is replaced with “what am I doing?” and the progress begins to slow down and production eventually comes to a halt.
Your idea just sits there, half-finished (more or less).
Sound familiar?
If this hasn’t happened to you, you’re one of the “lucky ones.” But for most people this “crank then tank” experience is all too common. Although I’ve taken many of my ideas to launch, I have a slew of others that I’ve started but never followed through with.
Here’s one in particular that I’d like to dissect for you:
Step-by-Step Images
In January 2011 I wrote An Underrated Skill That All Bloggers Should Have and I Would Like To Teach. In it, I talk about how important graphic creation and manipulation skills (i.e., Photoshop skills) have been for my online business—to be able to quickly (and on my own) create or manipulate an image and use it right away as opposed to hiring someone and paying them to do it for me, which could take several days and a lot of back and forth.
It’s the one skill that I learned while working in the architecture industry that I can easily apply to my online businesses, and I’m in Photoshop almost every single day. It reduces stress and saves me a ton of time and money.
The post I wrote was meant to increase awareness of this valuable skill but also use it as a “feeler” to see whether or not people would be interested in learning how to use Photoshop or software similar to Photoshop.
In short, there was a lot of interest.
As a result, in addition to a webinar, I had a big idea for a separate website that would include a number of graphic design tutorials that people could learn from.
There were, of course, a ton of existing resources, both paid and free, for how to use Photoshop and other software, but I wanted to take a slightly different approach. I wanted to create tutorials specifically for bloggers, Internet marketers, and anyone else who does business online.
Instead of something like a course that takes you through all of the tools and helps you understand how Photoshop works, it would instead let you select from a library of tutorials for whatever specific kind of graphic you needed at that time. A banner ad, a Twitter background, a Facebook cover image—you select the graphic you need and my tutorials would walk you through, step-by-step, how to create that specific graphic, some including templates to work off of to make things even easier.
That’s when I started working on StepbyStepImages.com.
For three weeks I was so amped about my idea. I created mind maps, outlined tutorials, and built the website that you see on the deserted website linked above. I even learned how to install and use WP-Wishlist to include members-only content.
After three weeks I had created the perfect “shell.” It was sort of like a totally brand new house: empty, but ready to be furnished.
Then, it was time to furnish the site and create all of the tutorials. That’s when things started to slow down.
A Change in Course
In total, I had mind-mapped about 60 different graphic design tutorials. For each, I wanted two versions: a version where I show how to create or edit the image in Photoshop, and then another version where I show how to create or edit the image in Gimp, a free online image editing software. That’s 120 different screen recordings.
I started to screen record the first video and with edits, re-shoots, branding, and effects, it took about 30 minutes to complete a high-quality 5-minute tutorial.
I didn’t expect it to take that long and I still had 119 more to go.
That’s when things started to slow down. A lot. Something happened mentally and I just wasn’t excited anymore. It was a feeling I almost had in an instant and my whole mindset about this project changed. I only created one more tutorial after that first one, and since then, nothing.
What Happened?
This sort of thing happens to me every so often, although lately I’ve been very good about completing big projects before moving on to the next. One example of this is my podcasting tutorial, which took over 30 hours to complete.
With Step-by-Step Images, however, I just didn’t feel compelled to work on it anymore, and even after some time the drive to work on it never came back.
I’m sure there are a lot of factors involved, but here are some thoughts on what happened:
Overwhelm
Being overwhelmed with the work that lies ahead before an idea actually becomes a reality is probably the most common cause for dropped, unfinished projects.
The excitement in the beginning can cloud the truth about how much work actually needs to be done, and so halfway through when you finish the work you enjoyed doing, the rest of it seems like climbing Mt. Everest.
It’s tough though because everyone says to “just take action” and “go for it,” and to an extent I absolutely agree, but at the same time some smart, initial planning and general reality checking needs to be done before diving into anything.
The best thing to do is to familiarize yourself with what work may lie ahead so that you’ll know what to expect. Unexpected things will happen, of course, but the more you learn about what you’re about to do the better chance you have to follow through.
How do you best familiarize yourself with stuff that’s new to you? Talk to other people and read about it.
Business Cards First?
For some reason, when I was in high school, my friends and I all had business cards. It was “cool” to have a business card with your name on it and some of your skills listed. But the funny thing was, none of us had actual businesses!
But we were cool because we had business cards, right?
For Step-by-Step Images, it seems I had adopted the mentality of business cards first, business second. When you think about it, that’s silly.
Unfortunately, this is what a lot of people do. We get an idea but build everything around it before getting into the meat of what that idea is really all about.
If I had simply started with recording the tutorial videos, I would have learned just how much time each one would take and maybe I wouldn’t have wasted three weeks and a ton of energy on something that I was going to eventually put aside.
If I had finished the tutorials first, you can be darn sure I’d get everything I built in that first three weeks up and running fast.
Also, this validates the idea in the first place; the actual meaty business part of the idea. Get that done first, and the rest will fall into place. The business cards will come when you’re ready.
How many “business card first” ideas have you done that you’ve never finished?
All of it?
Along the same line as some advice that was given to us by Dane Maxwell on SPI Podcast Session #46, I don’t have to create all 120 tutorials before launching Step-by-Step Images. And really, I shouldn’t.
I could start with fewer and still make paying customers happy, and they’d be even happier down the road when any new tutorials come out, instead of using them all up at first.
Let’s say, for example, I start with only the Photoshop Tutorials. I could add the Gimp tutorials later as a value-add and make a big announcement about it. Right there, that cuts away half of the tutorials I need to do before launch.
Then, maybe I could eliminate a couple of the larger categories, like banner ads, for which there are already many tools available online to help people create them. I could then focus on fewer, stronger, and more unique tutorials that are in demand.
The lesson here is that thinking about every single feature and function of your product or service is smart, but you don’t need all of those things ready before you launch.
What are the core things that people need and would be happy to pay for? Focus on that, and then add to it later.
This is exactly what I did to launch my new course, Smart from Scratch! I launched it in October last year (2016) and only a small portion of it was actually finished. After validating the course with a batch of founding students who paid to get access, I then created the rest of the course with them and their valuable feedback.
And, by the way, this course is coming out of “beta” soon, and will be re-opening sometime next month. To sign up, head to SmartFromScratch.com to get on the waiting list today!
You can't earn 50% on a project that's only 50% complete. You earn nothing until that project is available to the end user.
“Outs”
When I started shooting tutorial videos for Step-by-Step Images, it was at the same time I had some other exciting projects going on. A site I built as a result of a Niche Site Duel was starting to earn hundreds of dollars per month and was growing exponentially. A few weeks prior, I was contacted by a Hollywood producer about potentially working on a film as the Director of Web and Social Media, which I eventually agreed to do.
So what happens when you work on a project and it gets to a point where it becomes overwhelming and challenging? And you also have other more exciting things going on? You shift your focus to what’s exciting.
I remember a story someone once told me about personal training. Most personal trainers charge you per session. If you don’t make a scheduled session, you have to pay anyway, but they give you one or two “free passes” per month where they won’t charge you.
My buddy would always tell his personal trainers, “No free passes. If I don’t show up, charge me, no matter what!”
He didn’t want any outs—that thing he could fall back on in case something didn’t work out. It’s risky to have outs, even though they are usually there to help you.
Why?
Because mentally if you know that “safety net” is there, you’ll likely start making excuses.
Let’s say, for example, you were to wake up ten minutes before a session starts one day. If you have that freebie, you might say “Well, I have a freebie, I’ll just fall back asleep.” If you didn’t have that freebie you’re more likely to jump out of bed and sprint out the door like you’re going to miss the bus. Next time, you’ll make sure to double check your alarm clock from that point forward.
In my situation, the other projects I had going on were my outs. I didn’t need to succeed with Step-by-Step Images because I already had all of this other stuff going on, and other things that were successful and generating an income.
It’s no wonder the one moment I sprint up to a hurdle I turn around and walk away.
So what should I have done instead? 
Firstly, I needed to stop thinking of my other projects as outs.
GreenExamAcademy.com, my first online business, was a successful because I had no other choice but for it to succeed. I was just laid off and had no other options, including getting another job in the architecture industry, which was impossible. Does this mean I should get rid of everything else I have going on? Of course not, but it means mentally I should treat them as separate projects and should want them each to succeed separately just the same.
Secondly, I should have committed. Looking back, I can’t remember a time when I fully committed to the project. It was the idea I got so excited about I started working on it before truly thinking about it, and so when I got to that stopping point it actually wasn’t very hard for me to just move onto something else.
And lastly, I should have pre-sold the idea. If you promise delivery by a certain date you could take pre-orders for your project (potentially with an early-bird discount) and use that money as a resource to help you finish your project, or at least as motivation to get things done and done on time, or else you’re going to have a lot of very angry customers.
Where will I go from here?
I’m not sure, but this post isn’t all about me, it’s about you too. Thank you for sharing my experience with this project. Of course, it’s always tough to admit to failure but life is a learning process and I hope my experiences here have or will help you in some way, shape, or form.
Think about the projects you’re working on right now.
Have you truly committed to them?
Do you have any outs that could take your focus away from what you should really be focusing on?
Remember, half-finished projects aren’t the same as eating half of a meal or finishing half of a marathon. You still get a benefit from each of those things, but the sad truth about your half-finished project is that in reality, it’s nothing.
You can’t earn 50% on a project that’s only 50% complete. You earn nothing until that project is available to the end user.
image
0 notes