Pablo Picasso, Study for Les Demoiselles d'Avignon, 1907
Pablo Picasso, Five Nudes, (Study for "Les Demoiselles d'Avignon"), 1907
Pablo Picasso, Les Demoiselles d'Avignon (The Young Ladies of Avignon), 1907
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Reading, Pablo Picasso, 1932
Remembering Picasso on the 50th anniversary of his death (April 8, 1973).
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Georges Braque (French 1882-1963), Baigneuse (Le Grand Nu, Large Nude), 1908. Oil on canvas, 140 × 100 cm, (Source: Musée National d'Art Moderne, Centre Pompidou, Paris)
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Jean Lambert-Rucki (1888-1967) — Woman and Profile of a Man in the City [oil and traces of graphite on cardboard, 1921]
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Jean Metzinger, La Femme au Cheval - The Rider
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Ngil mask from the Fang people, 19th-20th c. African
Pablo Picasso, Les Demoiselles d'Avignon, 1907 (detail)
Pablo Picasso, 1907, Nu à la serviette (detail)
African Lwalwa Mask
Pablo Picasso, Head of a Woman (Study for "Nude with Drapery") Paris, 1907 (detail)
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Fragmented Love - DIGITAL PRINTS - Cubist Style Art
Through the juxtaposition of fragmented elements, "Fragmented Love" embodies the complexity and richness of human relationships, particularly within the LGBTQ+ community. It invites viewers to explore the myriad facets of identity and connection, celebrating the diversity and fluidity of love.
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John Hejduk, "Wall House No. 2,"
Hoornse Meer, Groningen, Netherlands,
John Hejduk originally designed Wall House No. 2 in 1973 as a weekend retreat for landscape architect Arthur Edward Bye. The House was to be built in Ridgefield, Connecticut, United States. However, it wasn’t until 2001 that the structure was built as part of the Blue Moon architecture festival in Groningen.
In this project, Hejduk uses the wall to reinterpret the traditional configuration of a house: instead of presenting the different spaces enclosed within the perimeter walls, in the Wall House 2 the rooms and the circulation systems are physically isolated from each other.
The kitchen, dining room, bedroom and living room are stacked curvilinear volumes, vertically linked by an independent circular staircase and connected to a study by a long corridor.
The wall, which Hejduk establishes between the rooms and the circulation systems so that one has to go through it to move from one room to another, becomes a passing line, a limit. A palette of yellow, green, black, brown and gray reinforces the division of the function of each volume.
Since 2004, Wall House has served cultural purposes under the Stichting Wall House Number 2 foundation, hosting artist residencies, public tours, events, and functioning as a knowledge center.
Built by Thomas Muller / van Raimann Architekten and Otonomo Architecten studios,
Photos by David Altrath
John Hejduk (1929-2000), Bye House plan for the second floor, 1974. Yellow and blue coloured pencil and graphite over diazo type on paper, 459 x 980 mm. John Hejduk fonds, Canadian Centre for Architecture © CCA.
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