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#contemporary artwork
theaskew · 1 month
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Edward Hopper (American 1882-1967), Standing Female Nude, 1920–1925. Drawing, fabricated chalk on paper; sheet (Irregular): 18 × 12 1/16 in. | 45.7 × 30.6 cm. (Source: Whitney Museum of American Art)
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granstromjulius · 2 months
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Frank Bowling
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eliszelis · 7 months
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"He held out his hand as he spoke, and I noticed that it was all mottled over with similar pieces of plaster, and discoloured with strong acids." "His hands were invariably blotted with ink and stained with chemicals, yet he was possessed of extraordinary delicacy of touch, as I frequently had occasion to observe when I watched him manipulating his fragile philosophical instruments."
There, you've just read the official descriptions of Sherlock's hands in the book Study in Scarlet. Since he is an "expert singlestick player, boxer, and swordsman" (as wrote by Watson like basically everything), I'm convinced his knuckles would be reddish or even scraped.
I felt the need to illustrate a part of his image that goes through my mind when I read 😌🌺.
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pagansphinx · 4 months
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Simone Leigh (American, b. 1967) • Herm • 2023 • Bronze, 98 x 30 x 28 inches (249 x 76 x 71 cm)
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Herm (Detail)
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Installation view of Leigh’s three new sculptures, from left, Herm, Vessel and Bisi • Smithsonian’s Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Simone Leah was the first Black woman to represent the U.S. at the Venice Bienale.
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blueiskewl · 2 years
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Michael Heizer Mysterious 'City' in the Nevada Desert to Open After 50-Years
City," a vast complex of outdoor structures and landmasses the land artist Michael Heizer began constructing in the desert of Nevada in 1970, will finally begin welcoming public visitors next month. The site's opening on September 2, more than 50 years after work at the site began, marks the fulfillment of Heizer's most ambitious and career-defining project.
"City" has been described as quite possibly the largest contemporary artwork on the planet, stretching more than a mile and a half long and half a mile wide, evoking the scale of ancient sites like Native American mounds, Mesoamerican metropolises and Egyptian devotional complexes. It is situated in the remote Basin and Range National Monument in central eastern Nevada, within the ancestral lands of the ​​Nuwu (Southern Paiute) and Newe (Western Shoshoni), around 160 miles north of Las Vegas.
For the first year of public accessibility, only a limited number of visitors will be admitted, with mandatory advanced registration.
Initially funded by Heizer himself, construction of "City" eventually received the support of many influential collectors, institutions and dealers via the formation in 1998 of the Triple Aught Foundation, which will manage and preserve the site for years to come. The foundation -- whose board includes Heizer himself, Los Angeles County Museum of Art director and chief executive Michael Govan, Museum of Modern Art director Glenn D. Lowry, collector and Glenstone co-founder Emily Wei Rales and Gagosian senior director Kara Vander Weg -- has established an endowment for City with almost $30 million in initial funding.
"Over the years I would sometimes compare Michael Heizer's 'City' project to some of the most important ancient monuments and cities," Govan says in a statement. "But now I only compare it to itself. It's an artwork aware of our primal impulses to build and organize space, but it incorporates our modernity, our awareness of and reflection upon the subjectivity of our human experience of time and space as well as the many histories of civilizations we have built."
The path to building "City" has never been a simple one, involving the shaping of enormous mounds of dirt, moving of rocks and construction of enormous concrete structures. That process has at times been further complicated by external factors. In 2014 and 2015, amid fears that Basin and Range might be shrunk, potentially allowing for disruptive development near the "City" site, a coalition of museum leaders and the late Nevada senator Harry Reid fought for the area's protection through a public petition and legislation introduced to Congress. And in 2017, as the Trump administration moved to open previously protected lands to resource extraction, some were concerned that Heizer's project would be among the sites imperiled.
Perhaps in response to such threats, Heizer envisions "City" as a project that will endure well beyond the lifespans of even the most treasured and tough contemporary art.
"My good friend Richard Serra is building out of military-grade steel," he said in a 2016 New Yorker profile about the project, discussing the American sculptor's large-scale site-specific works. "That stuff will all get melted down. Why do I think that? Incans, Olmecs, Aztecs -- their finest works of art were all pillaged, razed, broken apart and their gold was melted down. When they come out here to f**k my 'City' sculpture up, they'll realize it takes more energy to wreck it than it's worth."
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choasset · 6 months
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Brick Pavers in Vancouver Typical mid-sized minimalist backyard brick patio design with an addition to the roof
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besinaao3 · 1 year
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Midcentury Home Office Montreal a sizable built-in desk in a mid-century modern home office with a beige floor and a vinyl floor.
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catbui · 1 year
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Louisville Eclectic Living Room Inspiration for an eclectic dark wood floor living room library remodel with blue walls, a standard fireplace and a stone fireplace
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bizknapp · 1 year
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Reject Bother
2023
Oil pastel, charcoal, and ritual ash on heavyweight paper.
14x17
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theaskew · 2 months
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Ambera Wellmann (Canadian b. 1982), Nosegaze, 2020. Oil on linen, 69.85 x 59.69 cm. | 27.5 x 23.5 in.
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granstromjulius · 6 months
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John Currin
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eliszelis · 5 months
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I felt bold and went on a new path with this paint-y artstyle :-)
Honestly, Jeremy Brett's performance is just top tier, and I absolutely adore how close Granada stuck to the original books 🥹😭
I'm positive that Jeremy is watching from Heaven, very proud of all the love people express towards him and the character he got to play ❤️
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janerhoadesart · 2 years
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portrait study no. 4 (2021)
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pagansphinx · 5 months
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Armen Gasparian (Armenian, b. 1966) • The King and the Clown • Patinated bronze
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theaskew · 3 months
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Yoshitomo Nara (Japanese b. 1959), Girl with a Knife, 1999. Acrylic, graphite, coloured pencil and crayon on paper, 20 1/8 x 14 1/8in. | 51 x 36cm.
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theaskew · 1 month
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Anne-Pierre De Kat (Dutch 1881-1968), Eve, 1927. Oil on canvas, 204 x 122 cm.
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