Tumgik
#david claerbout
flyingprivate · 11 months
Photo
Tumblr media
David Claerbout, “Aircraft (F.A.L.)
11 notes · View notes
pytr75 · 1 year
Photo
Tumblr media
David Claerbout
3 notes · View notes
gattogrigiobjd · 1 year
Video
The Close
flickr
The Close by Nadine Via Flickr: Haru Casting Nanni The Close is conceived as a journey traversing the past and future of the camera, bringing together a reconstruction of amateur footage made in about 1920 and a digital 3D rendering of that footage. The silent scene, which shows barefoot children in a brick-walled, one-way alley (a “close”), transitions from grainy footage of a child into a highly detailed, quasi-technical portrait, objectifying face, eyes, and body. As the video freezes and holds the small child enraptured, singing voices set in. A recording of 24 spatially distinct singers performing Arvo Pärt’s 2004 vocal composition Da Pacem Domine surrounds the isolated child, who has become the focus of the work, with an architecture of voices. —David Claerbout
2 notes · View notes
artoounces · 2 years
Photo
Tumblr media
David Claerbout - The Silence of the Lens https://t.co/yHC5pAGovt > Get in the game https://t.co/DjA2lNwq12 https://t.co/tAihlWoCav
2 notes · View notes
tcpang · 11 months
Text
展覽 - 台北市立美術館六月份3個展覽
1. 生活決定意義 - 高重黎
2. Meditation in Peace / Meditation in Pieces - David Claerbout
3. René Burri: Explosions of Sight
六月份台北美術館三個好精彩嘅展覽,不約而同都係由影像出發,來自三個不同領域以及不同地域嘅藝術家及攝影師。
台灣藝術家高重黎先生嘅裝置藝術展覽,展出嘅唔淨止係影像,仲有動畫、影片、裝置,融合一齊嘅藝術品,觀眾嘅體會同體驗有啲天馬行空,但係又有啲弦外之音,非常衝擊。
第二個衝擊係David Claerbout嘅巨型影像投射,當中不乏一啲定格片段以及相關音效,來探索現實與想像當中嘅切換同埋荒謬,又係一個衝擊。
而第三個衝擊或者係啟發嘅就係Magnum攝影社其中一個好出名嘅攝影大師René Burri嘅回顧展,佢喺2014年過身,但係佢嘅影像無論相片定係出版俾到大家深深感動同埋啟發。尤其係佢嘅攝影哲學:雙平面構圖以及光線運用。
若果你今個月咁啱喺台北,不妨花啲時間去睇下。
資料查詢:
https://www.tfam.museum/index.aspx?ddlLang=zh-tw
Tumblr media
0 notes
lisablasstudio · 1 year
Text
Monday's image: April 3, 2023
David Claerbout, the “confetti” piece, Double-channel video projection, 3D animation, silent, color, 18’ 25”, 2015-2018, Kunst Museum Winterthur, Switzerland (Note: Video installation edit is hyperlinked via the artwork title).
#mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; width:600px;} /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */
Subscribe to Monday's image
* indicates required
Email Address *
(function($) {window.fnames = new Array(); window.ftypes = new Array();fnames[0]='EMAIL';ftypes[0]='email';fnames[1]='FNAME';ftypes[1]='text';fnames[2]='LNAME';ftypes[2]='text';fnames[3]='ADDRESS';ftypes[3]='address';fnames[4]='PHONE';ftypes[4]='phone';}(jQuery));var $mcj = jQuery.noConflict(true);
0 notes
tralausiv · 2 years
Video
David Claerbout, The Pure Necessity, 2016
0 notes
junawer · 4 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Photographs are perhaps the medium most suited to mystery. Their details easily masked by blur, grain and distortion, or just by virtue of providing only a glimpse of one moment in time, denying access to a full story.
In hiding far more than it reveals, a photograph can become a reflection of our own surfaces that hint at complexity but deny any definitive understanding.
First-Person Shooter: Mysterious Photography in Firewatch - by Grace Lee / What's So Great About That?
26 notes · View notes
a-topos · 3 years
Text
Tumblr media
David Claerbout – Long goodbye (2007) (Seen in Pinakothek der Moderne, Munich)
1 note · View note
Photo
Tumblr media
Rachel Maclean is showcasing her latest piece of work ‘Spite Your Face’ at the Talbot Rice Gallery in Edinburgh. 
https://www.ed.ac.uk/talbot-rice/exhibitions/venice-rachel-maclean
Referencing the Italian folk-tale The Adventures of Pinocchio, ‘Spite Your Face’ (2017) advances a powerful social critique, exploring underlying fears and desires that characterise the contemporary zeitgeist. Set across two worlds – with a glittering, materialistic and celebrity-obsessed upper world, and a dark, dank and impoverished lower world – the lure of wealth and adoration entices a destitute young boy into the shimmering riches of the kingdom above. Written in the wake of the UK’s decision to leave the European Union, and during Donald Trump’s presidential campaign, the story is steeped in the political flux and uncertainty of our time. Shown as a perpetual 37-minute loop with no definitive beginning or end, ‘Spite Your Face’ raises issues including the abuse of patriarchal power, capitalist deception, exploitation and the destructive trappings of wealth and fame, all in Maclean’s typically direct and acerbic style.
Opening/Preview night was 23rd February. Was a very busy night, successful for the artists. David Claerbout is also showing work alongside Maclean, a black and white silent film, ‘The Quiet Shore’. 
2 notes · View notes
versayshus · 5 years
Photo
Tumblr media Tumblr media Tumblr media
David Claerbout stills from ‘Sunrise’, 2009
single channel video projector, colour, stero audio, 18min
This video projection follows the morning work of a maid carried out in the early morning hours of dawn to sunrise whilst the house remains asleep after her departure on a bicycle into the sunrise.
1 note · View note
eucanthos · 6 years
Photo
Tumblr media Tumblr media Tumblr media
David Claerbout
Shadow Piece, 2005, single-channel video projection, black & white, stereo audio, 30 min 19 sec loop (artist’s site) Shadow Piece is set in the 1950s. We are on the stairs of an empty hall in a public building, looking towards the sunny street through a wide glass door. Occasionally, people walk up from the street to the door, and try to get in. Since the doors are closed, none succeed in getting in, and all finally decide to leave. In Shadow Piece, what is at stake is the modern promise of a clean, orderly and brightly lit future. In a partially digitally composed film (actually on a black-and-white archival photograph) we see people trying to enter a modernist building in vain. Over the course of 31 minutes, the balance and cleanliness of the composition gradually degrades into feelings of failure. The impossibility of accessing the building functions as a metaphor for photography and video as a time machine into which the spectator is unable to enter, as well as the utopian modernist dream that was never fulfilled.
6 notes · View notes
rruffian · 7 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
this was nothing short of amazing
3 notes · View notes
bataclanou · 5 years
Text
Tumblr media
David Claerbout in Kunsthaus Bregenz by Master Peter Zumthor
1 note · View note
joepie49 · 3 years
Photo
Tumblr media
Photo construction based on a still from “The Shadow Piece” by David Claerbout.
7 notes · View notes
danisergeluk · 3 years
Text
WOENSDAG 12 MEI 2021
Naar FOMU, RE-COLLECT Met O.a. Vincent Delbrouck, Bieke Depoorter, Boris Mikhailov, Max Pinckers, Annemie Augustijns en David Claerbout.
Tumblr media
Bron: Vincent Delbrouck
3 notes · View notes