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#day 4: ancient greece
drabsyo · 7 months
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Fleurmione Week Day 4: Ancient Greece (olympics!au)
💙Inspired by Sun and Laurels by waxwing_Saint on ao3
for @sosh022 and @waxwing-saint. Thank you for all that you do ❤
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triptomarss · 7 months
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Fleurmione Week - Day 4: Ancient Greece Inspired by an upcoming piece written by Nomad.
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k-starr-ent-ceo · 7 months
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Fleurmione Xena Scrolls - Fleurmione Week 2023 - Day 4 Ancient Greece.
Can also check it out on AO3
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thebubblesareevil · 1 year
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Family grows, it evolves…
Part 1, Part 3, Part 4, Part 5
There was a new exhibit on Ancient Greece at the museum, and as the resident expert Diana was given free range of the exhibit. Normally this wouldn’t be an issue, normally the League doesn’t find a clone of one of its founding members and spend a, frankly, ridiculous amount of time deciding how to proceed.
Diana sighed as she looked at the large room filled with artifacts needing to be catalogued before display. She lamented not having the same speed as the flash for but a moment before getting to work. It was 5:00, if she wanted to get any sleep tonight, she needed to get to work.
She steadily made her way through stacks of paperwork, working with the efficiency that was drilled into her since birth. It had been hours since she began her work, and though she tired, she resolved to head home to get changed for the next day. It wasn’t until she made her way from the basement that she realized something was off. Doris was sitting at reception, though she should have left at 8:00, the sun was still high in the sky, not yet ready to make its decent.
“Calling it an early night, Diana?” Doris asked “Big day tomorrow! Finally setting up the new exhibit. I can’t wait to take the kids, they’re so excited to see it.” She said with a wide smile. Diana surveyed the desk, catching a glance the clock. There in bold numbers and as 7:00pm, she smiled as she replied.
“I finished things up sooner than planned, so I thought I’d head out for the night. I need to get dinner started before my guest arrives.” Doris’ face nearly split in two.
“A guest, is he handsome, oh how could you hold out on me Diana!?” She said excitedly “I need all the details!” Diana laughed.
“Nothing like that, my Grandfather decided to pop in for a surprise visit. I haven’t seen him in quite some time, so it’s a lovely surprise.” Doris nodded along.
“You’re a good grandkid. I miss my grandparents everyday, you never know how much time you’ve got.” She said with a sigh. “Have a good night!”
“All the time in the world.” She said to herself, checking her watch and grinning. It read 4:30 am, she yawned as she left, making her way back to her apartment.
Everything thing was silent when she arrived, though that was to be expected at this point. She wade her way to the kitchen passing by the figure on the couch.
“Would you like some tea? Do you drink at all?” She inquired.
“I am perfectly capable, though I rarely indulge.” He replied in a monotone voice, if she had been anyone else she like would not have caught the edge of sadness clinging to his voice. Diana set the kettle on the stove and made her way over to the couch.
“Something troubles you, something big enough to approach me after all these years.” Clockwork smiled “You’re much sharper than your father ever was” the smile dropped.
“You are aware of the multiverse.” He said, Diana nodded. “As the Master of time, I bear witness to each world, each time line. There exists a world where humans built a bridge to the Infinite Realms, creating a being both born and killed by the infinite.” Diana gave him her upmost attention. “Sometime ago I was tasked with the elimination of this creature, this child, to prevent the tragedy he would bring upon that world.” He smiled “I was never one to listen to orders though, and instead I set the boy on a path that would bring about great change… it had unexpected side effects.”
“What kind of side effects?” Diana asked, worried.
“He began to cling to me, seeking me out for advice. I even found him asleep in my clock tower more than once. I have admittedly come to see him as my grandson.” Clockwork have a soft smile “He reminded me so much of you when we first met.” He sighed “I am here to ask a favor, young Danny is approaching a crossroads. There are two possible paths his timeline might take, one where he lives of the rest of his years moving between living in dead, his truth hidden from those who wish him harm. However there is another path, one I fear is becoming more and more likely than the last.” Diana had never seen her grandfather look so old, his entire form shifting to match his tone.
“What is it? What is going to happen?” Clockwork looked at her with sad, tired eyes.
“He will be betrayed, from this betrayal he will suffer such agony that the Realms themselves will retaliate. Then he will sleep eternal, bound to the infinite. His world destroyed.” Diana gasped. She placed a hand over his,
“What do you need me to do?” She asked firmly.
“Should the worst come about, I intend to steal him away from that world. Cutting off its connection to the realms permanently. However he is a being of both life and death, he cannot neglect his human half. What I ask of you is this, that you allow this boy to stay here, with you. There is no one else I would trust with such a task.” Diana hesitated.
She was a warrior, trained for battle from birth. She knew nothing of caring for a child. She thought her grandfather intended for her assist him in battle but this…. She looked at her grandfather, his sad eyes resigned, as though he expected her to refuse.
“Very well, on one condition.”
“Anything my dear.” She smiled.
“You must visit more, when last we met I told you I needed time. You gave me that, now I ask once more for time, time spent together.” She nearly jumped as his form shifted to that of a child.
“Nothing would please me more.”
“And grandfather? Should the worst not pass, I would still like to meet tho cousin of mine.” Clockwork froze, before he practically melted.
“Of course.” His form shifted once more to that of a young adult. Diana smiled pulling her grandfather into a hug.
“Thank you.” He whispered and he was gone. The kettle screamed. Diana got ready for a long nights rest.
—————————
A week passed before she heard anything from her grandfather. It was to the night before the opening of her new exhibit and she expected everything to go as planned. Just as she was picking out what she was going to wear to the gala, the sound of cars outside her window stopped.
“What do you think? Red or black?” She asked as she turned around holding the two dresses. Her grandfather stood tall, a stern look on his face. Diana set down the dresses. “It happened, didn’t it?” Clockwork nodded. Making his way towards the living room he stopped by the couch. There, asleep on her couch was a young teen, not much older than some of her teammates protégés. He had pitch black hair and pale skin, with lightning scars crawling up his neck. He chest did not move.
“He’s not breathing!” She turned to her grandfather, but he appeared unbothered. He smiled, watching the boy sleep.
“As I said before, he is a being of both life and death, sometime pieces of one form bleed into the other.” He turned to Diana, “He needs his rest, as for your first question, the blue dress will suit you much better on this occasion.” Diana gave him a soft smile.
“Come, I shall make us some tea while you tell me more about my cousin.” Clockwork nodded, taking a moment to readjust the blanket around the teen, before heading to the kitchen.
——————-
When Danny woke, to the sound of people talking he had a horrid migraine. He did his best to ignore the pain as he tried to remember where he was. The last thing he remembered was a dream of his parents yelling and the GIW knocking down their door. He slowly sat up, looking around the room, every wall was covered in pictures. Danny slowly stood and made his way over to the pictures. They all took place over varied times, ranging from, at the earliest, the 1920s all the way to the 2000s. All of the featured the same woman, she remained unchanged even as those around her grew old.
He listen to the voices, one familiar, one not, as he made his way towards the source of the noise. When he opened the door he was greeted by the familiar face of Clockwork. Next to him was the woman from the photos just as unchanged.
“Good afternoon Danny, did you rest well?” Danny did his best to disguise his flinch at the sound, grinning at the old ghost.
“Just fine thanks, what….what exactly happened? Where are we?” Confusion dripping from his voice.
Clockwork looked Danny in the eye, what he said next nearly broke him.
“I’m so sorry, Danny.”
Danny’s legs almost gave out under him. “It happened didn’t it? They tried to turn me in, to the GIW. That wasn’t a dream.” The ancient stayed silent, Danny's eyes went wide. "Is Jazz okay!? She... she was upstairs... if they hurt her!" Clockwork stopped him.
"Your sister is fine, they were only there for you." Danny took a deep breath, trying to process everything.
"So what comes next? Where are we?" Clockwork looked at him with a deep sadness.
"We are in a world separate from your own, connected by the Infinite Realms. I saw the possibility of what was to come and made arrangements. Due to the crimes of your world against you, the Observants and myself decided the best course of action would be to remove you from your world, and cut the living off from the Infinite Realms entirely." Danny looked down, resigned to knowledge of what they planned to do to him. "As you know, as a half-ghost you must tend to both sides of your being." Clockwork turned to the woman, "Danny, this is my granddaughter, Princess Diana of Themascyra. She has agreed to have you stay here, with her." Danny frowned.
"Your granddaughter? But she's...uhh" he paused, not sure how to continue. Diana laughed.
"Alive? Yes, I do believe I am. I'm assuming my grandfather has neglected to explain his past life" Danny nodded "How much do you know of the stories Ancient Greece?"
"More than most I think, there are a lot of constellations named after the myths. That and it's hard to visit Pandora and NOT get an hour lecture on Greece" Diana's eyes went wide.
"You know Lady Pandora? How wonderful, I grew up hearing stories of her bravery!” She smiled “That being said, that will make things a bit easier. My mother is Hippolyta, her desire to have a daughter was so great that she molded me from sand, Zeus, king of the gods, used his power to give me life.” Danny blinked once, then twice.
“So…you’re a Demi-god? I don’t understand how that makes you Clockworks granddaughter.” Diana smiled. “I mean, I know Clockwork probably used to be Chronos, Jazz and I had a whole debate about that, but what does that have to do with Zeus?” Diana smiled patiently.
“Danny, Chronos is the primordial god of time, yes?” Danny nodded “Okay, well he is also the primordial form of Kronos, the father of Zeus, my father.” Danny froze, looking over to Clockwork who merely nodded, as though Danny’s brain was currently trying to shut down. After a moment the dots finally seemed to click.
“YOU ATE YOUR KIDS?!?!”
Clockwork sighed, Diana laughed, Danny had a mental breakdown.
It took close to five minutes for Clockwork to fully explain as Diana grinned in the background drinking her tea. Once he calmed down, Clockwork finished continued expaining.
"As for your ghostly half, I will be providing plenty of ectoplasm for you to eat as well as bringing you to the Infinite realms each week until you learn to create portals of your own." Danny nodded.
"What about school? Or hell, anything really. I don't exist in this world, how exactly do I go about doing anything?" Clockwork smiled.
"I called on the power of the ghost writer for any legal documents and I personally filed them in the proper time period to ensure you have what you need. I have given those to Diana" she nodded "as well as giving her legal custody of you. As far as the law is concerned you are her recently orphaned cousin. Son of her estranged Uncle Haiden and Aunt Penelope, who tragically died a few days ago." Clockwork smiled, rising from his seat.
"I'm afraid I have over stayed my welcome, I think it's best I take my leave and allow the two of you time to acquaint yourselves better." Danny stopped Clockwork, giving him a hug he whispered.
"Thank you." Clockwork gently carded his fingers through his hair before stepping back.
"If either of you need anything, just ask." and he was gone. Suddenly there was an influx of noise coming from outside, just enough to tell them that the world outside was moving once more.
Danny stood awkwardly by the chair their grandfather was occupying.
"You know, I don't bite." Diana said, trying to break the ice.
"I do." Danny replied on reflex, before covering his mouth. He looked at Diana, she looked back before they both burst out in peals of laughter.
"This is so weird, what even is my life?" Diana wiped a tear from her eye.
"Well, considering one of my teammates dresses up as a bat and beats up criminals, while another talks to fish, I think it's safe to say neither of our lives can be considered normal." Danny broke out in another fit of laughter.
"No shit?" he asked. Diana lifted a single brow at the term.
"No shit."
"What kind of team are you on exactly? Extreme cosplaying? Underwater battle royale?" Diana smirked.
"How about we get you some food and I tell you all about it?"
Danny smiled "Sounds like a plan."
@a-salty-sal@impulsiveasshole@meira-3919@alcorbearson@cute6troll@samgirl98@skulld3mort-1fan@addie-lover-of-stories@amercurio@chronicallyonline-fandomwh0r3 @heirxofxtime @gin2212 @thegatorsgoose@wanderer-of-worlds@terzatheunderscorerima@bright-shade@satanicrutialspecialist@mur-ururu@birdie-24-05@ascetic-orange@cyber-geist@thatrandomsarahchick
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oxymorayuri · 6 months
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𝑇𝘩𝑒 𝑝𝑟𝑖𝑛𝑐𝑒𝑠𝑠 𝑜𝑓 𝑇𝑎𝑛𝑎𝑡𝑎 (𝐿𝑜𝑛𝑔 𝐹𝑖𝑐) | 𝑇𝑟𝑎𝑓𝑎𝑙𝑔𝑎𝑟 𝐷. 𝑊𝑎𝑡𝑒𝑟 𝐿𝑎𝑤 ✘ ♀ 𝑅𝑒𝑎𝑑𝑒𝑟
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Description (Spoiler ahead!):
You are a young woman (23 years old) born on a mysterious island called Tanata. Most people think that your civilization belongs to the ancient times... Only a few know that your city still exists.
You long for the meaning of life and one fateful day, everything changed for you when you met the Strawhat Pirates and the Heart Pirates.
(The civilization is based on ancient Greece in terms of clothing/architecture/culture)
Generally:
This is my first story in years, I hope you like it sweeties <3
The story takes place just before the time skip. A few things don't match in terms of time and content. Sooooo, please don't hold that against me, but that's my fantasy and I hope you enjoy it as much as I do. ^////^
Also, in this One Piece story, neither Luffy nor the Strawhats are the main characters / heroes.
It's mostly about the successes and deeds of the Heart Pirates and the fate of the Reader.
Additionally, the Strawhats were not separated on Sabaody. They all fought in the decisive battle, were rescued by the Heart Pirates and ended up on a lost island.
Warnings: A few chapters have adult content 🔞 - NFSW | Smut | MDNI | 18+
Trafalgar D. Water Law ✘ ♀ Reader
Slow burn with plot <3
Spoiler (will be mentioned in Chapter)
Mature content
Chapters ☟
Chapter 1 - Danger at a depth of almost 1000 meters 
Chapter 2 - Welcome to the woods
Chapter 3 - At the Hera Palace
Chapter 4 - The ceremony
Chapter 5 - Secrets and lies
Chapter 6 - Late night talk
Chapter 7 - The king speaks
Chapter 8 - Obvious interest
Chapter 9 - Strange feelings
Chapter 10 - The celebration
Chapter 11 - Fight!
Chapter 12 - The strongest of Tanata
Chapter 13 - A reason to leave
Chapter 14 - Your own path
Chapter 15 - Girl's talk
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literallyjusttoa · 1 year
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Apollo throughout the ages! Or at least from birth to Rome. I'm going to go ham on explaining the timeline under the cut, but I hope you guys like the designs I made for the different periods of his life!
Anyways EXTREME TIMELINE RAMBLING TIME
Baby (2591 B.C.E.): The year I arbitrarily decided Apollo was born in lmao. Apollo didn’t look like this for long. Probably only like, a minute. Just long enough for Leto to safely give birth and then he was immediately like “ew, no I wanna be big” 
2. Fighting Python (2591 B.C.E.): Immediately after being born, Apollo flies off to go fight Python for 7 days (fun!). After that, he is punished for committing murder and has to purify himself by serving as a slave for 9 years in the Vale of Tempe (funner!) Yeah, Apollo definitely had an A+ childhood. One thing in his first two designs Apollo doesn’t look entirely human. This is bc I like to think he was born with some cool titan traits!
3. Pre-First Punishment (2582-2300 B.C.E): Back from his years in the mortal realm, Apollo looks much more human. His clothes are inspired by Ancient Aegean fashions I found, as we are long before the start of what is considered Ancient Greece. Apollo is the youngest member of the Olympian council and it shows. This boyish look stays with him until after he serves under Laomedon.
Other events that happen during this time: 
Hermes is born (Around 2500 B.C.E.)
4. Post-First Punishment (2290-ish B.C.E-1500 B.C.E.): Apollo comes back from Troy influenced by their traditions, and it shows in his design. There wasn’t much I could find on how Troy differed from the rest of the Mediterranean at the time (probably bc for a while we thought the place didn’t even exist lmao) but I did find something that said an emphasis was put on those with higher status wearing jewelry. So Apollo gets pearls in his hair and golden bands around his arms. His clothes are inspired by feminine Aegean attire. 
Other events that happen during this time:
Music duel with Marsyas (Around 2000 B.C.E)
Dionysus is born (Around 1600 B.C.E)
5. Post-Daphne (1500 B.C.E-1194 B.C.E.): The introduction of the laurel. After Daphne’s death, Apollo distances himself from his family a bit, which leads perfectly into our next big event-
6. Trojan War (1194-1184 B.C.E): Apollo sides with Troy, and its influence once again appears in his appearance, this time even more pronounced. In a war against not only Greece, but his own family, Apollo keeps himself covered and constantly prepared to aid in battle. Missing his mother back on Delos, Apollo grows his hair out for the first time. 
7. Post-Trojan War and Hyacinthus (1184 B.C.E-776 B.C.E.): After Troy falls, Apollo sheds it’s influence quickly, not wanting to look like he’s supporting a side the rest of his family is either against or has given up on. He breaks his time evenly between Olympus and the mortal realm, and takes many lovers until the death of Hyacinthus around 800 B.C.E. After that, he stays up in the heavens for a few decades. 
8. “Main” Apollo (776 B.C.E-540 B.C.E): Starting with the first Olympics in Greece, Apollo is lifted as a paragon of Greece and its people. Shedding the peplos he has worn throughout his early years, Apollo wears a classic chiton and becomes much more invested in the affairs of man. This is a period of great power and ecstasy for him, but as the saying goes, pride goes before the fall. 
Other events that happen during this time: 
Death of Niobe’s children (Around 770 B.C.E.)
Music duel with Pan (Around 750 B.C.E)
Dating Cyrene (Around 630 B.C.E)
9. Coronis-Asclepius (540 B.C.E-500 B.C.E): A design that only lasts as long as Asclepius lives. Zeus is unsettled by Apollo’s influence over Greece, and starts applying more pressure against him. This leaves Apollo stressed, and that's without the fact that he is now raising a prodigy in medicine alongside Chiron. In these 40 years, Apollo attempts to balance his want to be involved in the mortal world with his fathers wrath. In the end, his father will win. 
Other events that happen during this time: 
Around 515 B.C.E - Tarquin purchases the Sibylline Books. Apollo and the Sybil of Cumae must happen before this point (not entirely sure when yet, but definitely in this period.)
10. 2nd Punishment (500 B.C.E.): Apollo serves his second punishment under Admetus. Crushed by the loss of his son and anger of his father, Apollo spends most of this time in hiding. It is only through the gentle hand of Admetus that Apollo finds some sort of healing. 
11. Late Greece (499 B.C.E-146 B.C.E.): Apollo is definitely trying to move on far too quickly from his punishment. He cuts his hair, dons his chiton, and gets right into being an Olympian. It doesn’t help that he is beginning to see the cracks in the foundations of Greece. Athens is flourishing, but only at the expense of Sparta and his own Delos. Years of civil war and threats of Roman invasion leave Apollo shaken, and he pulls away from both the mortal realm and his family, who seem more and more like strangers every day…
Other events that happen during this time:
Trophonius’ death (Around 200 B.C.E)
12. Fall of Greece (146 B.C.E.-32 B.C.E.): Rome officially takes over Greece, and suddenly Apollo’s family are all lost to him. As I’ve mentioned before, I don’t think Apollo has a Roman form like the rest of his family, and I imagine the sudden switch in their personalities must have been terrifying. Rarely worshiped and ostracized from Olympus, Apollo returns to the mortal realm, spending his time in solitude as a shepherd. As his influence grows weaker, he begins to show sign of weakness. This is the only time Apollo “ages” (I gave him a beard) and I tried to take away some of the attributes that would have been considered divine. Apollo is completely covered, and he wears shoes (which gods would never do)
13. Rome: (32 B.C.E.-476 C.E.): I know, I know, Apollo should have multiple Rome designs, but I got lazy. Apollo is credited by Octavian for his success in battle against Marc Antony and Cleopatra, and worship of the god skyrockets. Now back on Olympus, Apollo is still wary of his family’s Roman counterparts. He drowns himself in luxuries, hoping to distract from his worries about his brothers and sisters. Who knows what kind of bad decisions a man might make in this scenario?!? (*cough* Commodus *cough*). 
And that’s my full timeline so far!! If there’s anything y’all have questions about (Any missing myths, questions about why I put things were) I’d be happy to answer! I put a lot of work into this, so I hope y’all like it!
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diioonysus · 8 months
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my favorite historical facts
mayans believed that having crossed-eyes meant you were favored by the sun god kinich ahau, who was cross-eyed as well. in hopes that children would be, they would have objects dangled between their eyes to permanently cross their eyes.
ancient rome had a 4-story shopping mall with 150 shops and offices which was made in 113 AD
ancient egyptians invented toothpaste, they made it with rock salt, pepper, mint, and dried iris flowers
until recently (20th century) bones and mummies were used in traditional medicine, as some believed they could cure ailements by ingesting related body parts.
left-handed people were considered unlucky in ancient rome
lots of medieval barbers were also dentists and surgeons, which is why barbershops use red and white stripes because the stripes represent bandages used during bloodletting.
in medieval germany, married couples could legally settle their disputes by fighting a martial duel.
married women were not allowed to watch the ancient olympics, under penatly of death, but the vestal virigins in ancient rome were allowed to in some circumstances because their sacred building was knocked down to make a stadium
ancient greeks invented the first alarm clock in a system where pebbles would be dropped onto a gong and this would then make a loud sound
if a pirate ship approached flying a red flag with a hourglass on it then the defenders knew they were in some shit as red meant "give no quarter" and the hourglass meant essentially your time on earth was about to run out
shakespeare originated the "yo momma" joke, as in his one play titus androcius, a character says "thou has undone our mother," to which another character says "villain, i have done thy mother."
before abraham lincoln became a politician, he was a champion wrestler with more than 300 bouts under his belt, and only lost one match in his career. he was inducted into the national wrestling hall of fame in 1992
the gauls when trying to sack rome, caedicius had to get approval from the senate on the besieged capitoline. a messenger snuck through the gallic camp and scaled the unguarded cliff side of the hill to deliver the message. It was quickly decided to restore camillus to his command and to give him dictatorial powers and then the messenger snuck his way out again. the senone scouts discovered the messenger’s footprints and figured out that there was a way to scale the cliffs. they choose a night with a full moon and sent their bravest warriors up the cliff. none of the romans noticed, but the geese did. they started honking loudly and woke up the sleeping romans, the romans than pushed the gauls off the hill, and due to this fight the gauls suffered food shortages and diseases, so geese saved the day.
a pig was executed in 1386 after attacking a kid who would die from their wounds. the pig was arrested, kept in prison, and then sent to the court where it stood trial for murder, eventually being found guilty and then executed by hanging.
forks used to be considered blasphemous. when forks arrived in 11th century italy, it alarmed religious leaders because eating with artifical hands offended god.
the bluetooth design and name was named after the viking king harald bluetooth, based on an analogy that the technology would unite devices the way harald bluetooth united the tribes of denmark into a single kingdom. his intials in runes is the design of the logo
throwing an apple at somebody in ancient greece was considered flirting because the apple was sacred to aphrodite, so throwing it was declaring ones love
king george v of england was euthanized as his staff wanted his death to make the morning papers rather than the evenings ones, so they put him to death early without his consent
robert liston, a surgeon preformed an operation with a 300% mortality rate; he killed the patient and two other people
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classicstober · 7 months
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Welcome to ClassicsTober 2023!
✏️🏺🖊️
In 2021 my friend Dr Cora Beth Fraser and I (@greekmythcomix ) accidentally started ‘Classics-tober’ – a list of Ancient Mediterranean Myth and History prompts for each day in October, so that we had an excuse to draw Classics stuff for a month. We did it again last year and even more people joined in, so we’ll be running it again this year – we’re just putting the final touches to the prompt list for this year. And now that there are a LOT of new Social Media platforms, we’re going to be attempting to run it on as many of them as possible!
The idea is to create something - anything - for the prompt. Like other October prompt lists, it can be an illustration, but it can also be text, reference, historical artefact, video, story, translation... pretty much anything you're interested in from the Ancient Med World that fits with the prompt. There's no pressure to do every single one, just the ones you like.
This year we’ve chosen Ancient Greek Myth Characters, some well-known and others less so.
If you'd like to join in, tag this account and use #ClassicsTober and #ClassicsTober23 on your social media posts when you share them (and if on Tumblr tag this account)
NOTE: please make sure if you share the graphic you add the ALT text (below for you to copy and paste)
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ALT:
Classics*-Tober3
Ancient Greek Myth Characters
* meaning Ancient Greece and Rome because no one's come up with a better term yet, but if you want to add additional Ancient Med cultures then yes please - especially if you can link them to versions of these myths/ characters!
1 Cassandra
2 Medusa
3 Asterion
4 Lycaon
5 Chiron
6 Medea
7 Persephone
8 Icarus
9 Achilles
10 Asklepius
11 Pandora
12 Theseus
13 Arachne
14 Helen
15 Prometheus
16 Circe
17 Atalanta
18 Phaedra
19 Sisyphus
20 Odysseus
21 Psyche
22 Midas
23 Orpheus
24 Hephaestus
25 Talos
26 Thetis
27 Pygmalion
28 Nyx
29 Nemesis
30 Tiresias
31 Hecate
#ClassicsTober #ClassicsTober23
Share or create any style of media inspired by the prompt for the day - illustration story, poetry, artefacts, video, translation, anything! Do as many as you like. Share with the hashtags above.
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najia-cooks · 8 months
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[ID: Two triangles of baklava garnished with ground pistachio and whole cloves, with a silver Moroccan tea set in the background. End ID]
μπακλαβάς / Baklava
Baklava is a layered pastry consisting of a filling of chopped nuts piled between thin sheets of dough and sweetened with syrup. It is of contested and potentially ancient origin, with similar pastries attested in modern-day Turkey, Greece, and Assyria. Today, many regional variations of the pastry exist throughout North Africa and West and Central Asia.
This Greek-style recipe layers a spiced walnut filling between sheets of homemade filo dough, then soaks them in a sugar-honey syrup flavored with cinnamon, clove, and lemon. The resulting pastry is flaky, flavorful, and über-sweet.
Recipe under the cut!
Patreon | Tip jar
Ingredients:
For the dough:
4 2/3 cup (560g) bread flour
1/2 cup + 1 Tbsp (133mL) olive oil
1 Tbsp + 2 tsp red wine vinegar
About 1 - 1 1/3 cup (240 - 320g) lukewarm water
3/4 cup (165g) butter or non-dairy margarine, melted, for brushing
For the filling:
400g walnuts (or hazelnuts, shelled pistachios, and/or blanched almonds)
1/4 cup (35g) breadcrumbs
1 1/2 tsp ground cinnamon (1/2 cassia cinnamon stick)
1 1/2 tsp ground cloves (18 / 1.5g whole cloves)
Greek baklava most commonly uses walnuts, though pistachios are also used. You may experiment with nuts of your choice.
The breadcrumbs help to soak up the syrup evenly and prevent sogginess.
For the syrup:
2 1/2 cups (500g) vegetarian granulated sugar
1 1/2 cups (355mL) water
1/4 cup (80g) agave nectar or honey
1 tsp orange blossom water (optional)
Peel of one lemon
1 cassia cinnamon stick
3 whole cloves
Instructions:
For the dough:
1. Combine flour and salt in a large mixing bowl. Add the vinegar and olive oil and mix to combine.
2. Gradually add a scant cup of water and continue to mix until the dough just comes together. Continue to knead, by hand or with a stand mixer and dough hook attachment, until the dough becomes smooth and elastic, about five minutes. If the dough does not come together, add additional water 1 tsp at a time. The dough should not be sticky.
3. Divide the dough into small balls of about 40g each (for a 13" x 9" pan). You may decide to make the dough balls slightly larger if you’re a beginner at working with thin dough.
4. Coat each dough ball with some olive oil and cover. Allow to rest for at least an hour, to allow gluten to form and facilitate rolling out later.
For the syrup:
1. Scrub a lemon thoroughly and remove the outer layer of peel with a knife or vegetable peeler. Heat sugar, water, lemon peel, cinnamon, and cloves in a large pot over medium heat until simmering. Stir to dissolve sugar and continue to simmer for about 5 minutes.
2. Remove from heat and stir in honey and orange blossom water. Allow to cool to room temperature, then refrigerate.
For the filling:
1. Blanch almonds by boiling them for about a minute, draining, and pinching gently to remove their skins. Shell pistachios. Chop nuts, or use a food processor, to achieve a coarse grind (you don't want a powder!).
2. Toast and grind whole spices, if using. Combine nuts with breadcrumbs and spices in a mixing bowl and set aside.
To assemble:
Baklava is made by interspersing thin sheets of dough with butter and nut filling to create flaky layers. Several sheets of dough will be needed at the top and bottom to prevent the weight of the nuts from causing the pastry to collapse. Some cooks add all of the nut filling between two groups of filo dough, while others intersperse the nuts throughout.
1. Melt margarine in a small saucepan or in the microwave. Using a pastry brush, coat the bottom and sides of a 9 x 13" baking dish in margarine.
2. On a lightly oiled surface, roll out one ball of dough into a rectangle a little larger than the bottom of your baking dish (it will relax as it transferred). Place the sheet in the bottom of the dish, gently stretching it into the corners. Don't worry too much about small holes—there will be many layers!
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3. Gently drizzle and brush melted margarine over the sheet of dough.
4. Repeat this process 4 more times, for a total of 5 sheets interspersed with margarine. I placed each sheet on top of the previous one on the counter and waited to transfer them to the pan until I had rolled out all four. You may need to re-oil your working surface as you go.
5. Add just enough nut filling mixture to form a thin layer.
6. Roll out another two sheets of dough and brush them with margarine as before. Add another layer of nuts. Repeat until the nut mixture is gone, making sure to reserve at least five balls of dough for the top.
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7. Roll out and place the remaining balls of dough and brush them with margarine as before.
8. Refrigerate for 10-15 minutes to make the baklava easier to cut. Using a sharp knife, cut the baklava into diamonds by cutting in lines diagonally in one direction, and then diagonally in another direction to form points at an acute angle; or, form triangles by cutting lengthwise and then widthwise to form squares, and then diagonally to cut those squares in half. Stick a whole clove in the center of each piece of baklava, if you like.
9. Bake at 300 °F (150 °C) for an hour to an hour and a half, until the top of the pastry is golden brown.
10. Remove from the oven and allow to cool for about 10 minutes. Pour the cooled syrup evenly over the surface of the baklava. Don't add the syrup warm, or it may make the baklava soggy!
11. Allow the syrup to absorb for several hours, or overnight.
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puppy-steve · 4 months
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🐝 cj. 27. he/him 🐝
writer's tag | steddie ficlets | fic recs | wip posts | answered asks | ko-fi
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ೀ⋆.🌷 ao3 fics ೀ⋆.🌷 (registered users only)
▸ darling, lets get old - G, 383, complete fluff, recreational drug use, marriage proposal
▸ Starry Eyed Love - G, 1.1k, complete outsider pov, corroded coffin gig, established relationship
▸ haunted by the ghost of you (take me back to the night we met) - T, 2k, complete vampire eddie, established relationship, post-s4
▸ the magic that we'll feel is worth the lifetime - M, 7.7k, complete post-s3, established relationship, fluff, eddie's birthday
▸ constant, pleasure - E, 3k, complete dom/sub, daddy kink, face slapping, spit kink, babygirl steve
▸ [ hiraeth; ] - series, WIP appalachian eddie, established relationship, eddie munson's extended family
▸ silent spark - G, 4.1k, complete animal crossing au, pining, fireworks date, platonic hellcheer, aspec steve
⚘ there's comfort in the panic - G, 1.2k, complete panic attacks, established relationship, lex's spicy six spring fanworks challenge, hurt/comfort
▸ she put her love down soft and sweet - E, 5.7k, complete modern au, dom/sub, aspec steve, transmasc steve, established relationship, daddy kink
▸ it's the spirit of the season - T, 3.8k, complete established relationship, christmas fluff, crack treated seriously
▸ they said it all comes down to you - T, 1.5k, complete demon eddie, sacrifice steve, soulmates
▸ sugar sweet as dixie crystal - E, 4k, complete established relationship, high school sweethearts, transmasc steve, ace steve, daddy kink
▸ a whole lifetime - E, 1.6k, complete rockstar eddie, older/married steddie, daddy kink, dom/sub, babygirl steve, birthday sex
▸ i'll be yours if you'll be mine - E, 1.9k, complete hand kink, spit kink, daddy kink, secret relationship
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ೀ⋆.🌷 tumblr ficlets ೀ⋆.🌷
▸ farmer steddie - light dom/sub, steddie dads, older steddie, modern au ▸ tiny hands, little feet (snippet) - teen dads au, no upside down au, transmasc steve ▸ birthday blues - established relationship, fluff, steve's birthday ▸ the night before christmas - steddie dads, modern au, rockstar eddie, emma verse ▸ one more night - modern au, nurse steve, established relationship, injuries, hurt/cmofort ▸ if i ain't got you - arguments, making up, slow dancing in the kitchen ▸ promise you forever - appalachian eddie, established relationship, drunk dialing, fluff ▸ hold you close - transmasc steve, established relationship, fluff, comfort, descriptions of periods ▸ eddie's bad day - fluff, comfort, established relationship ▸ steve's bad day - fluff, comfort, established relationship ▸ night shift - nurse steve, modern au, established relationship, light smut ▸ it takes a village - teen dads au, uncle wayne, microfic ▸ can't you hear that scratching - microfic, established relationship, vampire eddie
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🌈 the besties 🌈
@hammity-hammer ☆ @yournowheregirl ☆ @corrodedcoughin ☆ @tboygareth ☆ @starrystevie ☆ @inairbinad ☆ @courtjestermunson ☆ @flowercrowngods ☆ @steves-strapcollection ☆ @fireandgrimstone ☆ @starryeyedjanai ☆ @legitcookie ☆ @matchingbatbites ☆ @corrodedbisexual ☆ @wewilllivehappilyandstrong ☆ @thefreakandthehair ☆ @steddieas-shegoes ☆ @theheadlessphilosopher ☆ @stobinesque ☆ @potentialheartofdarkness ☆ @sidekick-hero ☆ @patchworkgargoyle ☆ @sentient-trash ☆ @vecnuthy ☆ @wormdebut ☆ @wynnyfryd
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ೀ⋆.🌷 side blogs ೀ⋆.🌷
▸ doctor who - @rtd-who
▸ oceanography - @deep-deep-blue
▸ ac odyssey/ancient greece/mythology - @axhiiles
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dividers & banners by: @saradika-graphics updated: 4/9/24
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kakasaku-week-2023 · 11 months
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And the prompts for KakaSaku Week 2023: (AU)gust are live! Come explore our favorite couple in all the universes. Each day has two trope prompts to choose from, as well as a challenge quote to include, all submitted and voted upon my our lovely server members.
Feel free to fulfill one, two, or all three of each day's prompts. Fics, art, moodboards, songs, we want to see them all! (It's understood that some of these may require a little more explanation, so see below the cut for details.)
Have questions? Want to brainstorm with others? Need to gush about KakaSaku in general? Send us an ask.... or come join our Discord! We're open for ONE WEEK starting today, ending next Sunday (6/25), approximately 3:30pm PDT.
Click here to join the Scarecrows and Cherry Blossoms Discord Server!
(AU)GUST PROMPTS (August 6-12, 2023)
Day 1 - Historic AU (Think regency, medieval, Victorian eras. Ancient Egypt, Greece, Rome... The 80's? Take your pick!) 🌸Trapped in a Small Space 🌸Innocent 🐺"Never cruel or cowardly."
Day 2 - Someone Else's Show (What if Kakashi was a waterbender? What if Sakura was a Slytherin? Explore all of your TV/movie possibilities today!) 🌸Domesticity 🌸Wingman/Wingwoman 🐺"Should I stay or should I go?"
Day 3 - Modern AU (Probably the most self-explanatory... Have fun!) 🌸3 A.M. 🌸Missed Connections 🐺"You have my sword."
Day 4 - Fantasy AU (Give me your best Elvish courting rites, your witchy incantations, your dragons and mermaids and nymphs, oh my!) 🌸Hot Springs 🌸Seduction 🐺"I'm just a girl, standing in front of a boy, asking him to love her."
Day 5 - Swapped (Body swap, gender swap, age swap... Switch it all up on this day!) 🌸Booty call vs. Butt dial 🌸Beach 🐺"Oops."
Day 6 - Mythology (For all of your Hades/Persephone needs. Take your favorite folk tales and go nuts!) 🌸Soulmate 🌸Morning After 🐺"Not if your were the last person on Earth."
Day 7 - Canon Divergence (Canon but not. Where the butterfly effect is in full flight!) 🌸Pakkun Makes a Starling Discovery 🌸Arranged Marriage 🐺"Why are you in my house?"
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thegrapeandthefig · 1 year
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Hair offerings: historical context, purpose and uses
Offerings of hair, locks of hair or ritual hair-cutting is quite a regular occurrence in ancient sources and textbooks discussing various religious customs of the ancient Greek world. It also seems to be a fairly forgotten offering in a modern context, which is why I wanted to delve back in and write this post. I will be focusing on laying out the historical contexts in which we find this specific offering in order to understand the core logic behind what it means to offer a lock of hair to a deity.
Rites of passage
It is impossible to mention offerings of hair without touching on the topic of “rites of passage”. However, this is an umbrella term that encompasses different kinds of rites or life events depending on the environment and stage of life of the participants.
Kourotrophic hair-cutting
Arguably the most common example of offerings of hair is the one done by boys, typically when entering adulthood (typically referred to as paides or ephêboi), but there are important variations depending on the era and local customs, with the youngest example known being the one of a 4-year-old boy in the 3rd century BC.
Kourotrophic deities typically refer to Apollo, Artemis and the plentitude of local river gods. However, this is far from being the only gods considered kourotrophoric since we also have evidence that includes Poseidon, the Nymphs, Asklepios and Hygieia in that group.
There were several occasions for which young boys would offer their hair. In Athens, later sources mention that the 3rd day of the Apatouria festival included the ritual cutting and offering to Artemis of the hair of the young men who officially entered their phratries after having made an offering of wine to Herakles.
In a wider context, kourotrophoric deities are concerned with the growth and well-being of children and adolescents. It seems common that offerings were made pursuant to a vow, often done by a parent while the adolescent is still a child (or even just born). Their purpose is to help assure successful maturation, but they seem to work by establishing a positive relationship with the kourotrophic deity. These rites unfold over a long period of time: there is a vow, a period of hair growth that might last for many years, and then, a ceremonial cutting.
Pausanias gives us an example of ritual growing of the hair for the river god Alpheios in his story about Leukippos, stating he “wove the hair he was growing for the river Alpheios in the same way that maidens do.” (Pausanias 8.20.3)
The organization of the final cutting seems to have been a familial event that included the participation of the parents, if they didn’t even make the offering themselves on behalf of the son. Three inscriptions from the island of Paros in the 3rd century AD describe the offering of “childhood” or “ephebic” hair done by a parent to Asklepios and Hygeia, instead of being performed by the boy himself.
A noteworthy example from Thebes shows the participation of a brother instead of the parents (see image below). In this case, the dedication of the hair, shown braided, is made to Poseidon by Philombrotos and Aphthonetos, sons of Deinomachos. David Leitao rules out the possibility of this inscription being about a votive, in favour of it being a rite of passage for two reasons: firstly, the locks that are sculpted in relief on the stele are long and carefully braided, and reminiscent of the braids frequently seen elsewhere on the heads of boys and adolescents in Greek sculpture. Secondly, Poseidon seems to play an important role in the growth of children in Thessaly in particular.
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Further reading for this section:
→ Leitao, David D. "Adolescent hair-growing and hair-cutting rituals in ancient Greece: A sociological approach." Initiation in ancient Greek rituals and narratives. Routledge, 2013. 120-140.
→ Pilz, Oliver. "Water, Moisture, Kourotrophic Deities, and Ritual Hair-Cutting among the Greeks." Les études classiques 87.1-3 (2019).
Marriage
If young men grew and offered their hair to kourotrophoric deities at a young age, girls and young women tended to offer a lock of hair a bit later, as part of the pre-nuptial rites. While the practice was widespread throughout the Greek world, we can use this passage from Herodotus (4.34) concerning the citizens of Delos to illustrate the phenomenon:
“And in honor of these Hyperborean girls who died in Delos, the girls and boys of Delos cut their hair. The girls cut off a lock before marriage, wind it around a spindle, and place it on the tomb (the tomb is within the sanctuary of Artemis, on the left side as one enters, and an olive tree grows there); and the Delian boys wind some of their hair around a kind of grass and they, too, place it on the tomb.”
Similar pre-nuptial rites are attested elsewhere: in Troezen, the brides dedicated a lock of hair to the temple of Hippolytus (Pausanias 2.32.1) while in Megara, the brides made the offering on the tomb of the maiden Iphinoe.
Offerings of hair before marriage is only one of the many pre-nuptial offerings. Katia Margariti calls it a “very symbolic premarital offering” and notes that in most of the cases mentioned, the brides offered their hair to maidens who had died before they could transition into adulthood. Hippolytus, son of Theseus, stands as an exception, the aetiological myth behind the rite being that he angered Aphrodite by staying chaste in honour of Artemis, which caused his tragic death (before being resuscitated by Asklepios). It is in this context that he places himself as an appropriate recipient for the offering of brides.
In Athens, the offering of hair from brides was addressed to Artemis directly instead, but it could also be made to Hera and/or to the Nymphs.
Let me quote Evy Johanne Håland to summarize what has been said so far:
“The cutting of hair, ‘the crown of childhood’, admits boys and girls to society, announcing their passage to adulthood and marriage. By offering the aparchai, first fruits or primal offerings, to the life-giving waters, boys who were initiated as warriors and girls ensured their fertility in their married lives. Haircutting symbolizes the transition to another stage in life. This practice is found in ancient and later periods of Greece, where the fountains were decorated with maidenhair until modern times. In this connection the theme of death and rebirth is important, since the initiates are reborn into a new life. Moments of transition from one state of life to another are high points of danger, and the person is especially vulnerable to spirits, agencies, influences, or invisible mischief.”
Further reading for this section:
→ Oakley, John Howard, and Rebecca H. Sinos. The wedding in ancient Athens. University of Wisconsin Press, 1993.
→ Margariti, Katia. "The Greek Wedding outside Athens and Sparta: The Evidence from Ancient Texts." Les Études Classiques 85.4 (2018).
→ Dillon, Matthew PJ. "Post-nuptial sacrifices on Kos (Segre," ED" 178) and ancient Greek marriage rites." Zeitschrift für Papyrologie und Epigraphik (1999): 63-80.
→ Håland, Evy Johanne. "“Take, Skamandros, My Virginity”: Ideas Of Water In Connection With Rites Of Passage In Greece, Modern And Ancient." The Nature and Function of Water, Baths, Bathing and Hygiene from Antiquity through the Renaissance. Brill, 2009. 109-148.
Death, the dead and departures
With everything that has already been brought up, it comes as no surprise to find offerings of hair in funerary context. Death is, after all, a great transition, both for the deceased and the one suffering the loss of a loved one.
The premarital offerings of hair already hinted towards a link to death, whether it is through the remembrance of a dead hero or, more symbolically, the death of childhood.
While not a dedication to a deity, the symbolism of hair in the context of remembrance is something also found in a gesture connected with the memory of fallen soldiers: the warrior cuts strands of his hair, which after his death were then handed over to his relatives.
It is tempting to link this gesture to the funerary rituals that involved hair. As such, already in the Archaic era, it was customary for each attendee of a funeral to place a lock of their own hair upon the remains of the deceased. The Iliad gives us an idea of such a rite in Book 23 and to the rite of growing hair for a river god.
“No, before Zeus, who is the greatest of gods and the highest, there is no right in letting water come near my head, until I have laid Patroklos on the burning pyre, and heaped the mound over him, and cut my hair for him, since there will come no second sorrow like this to my heart again while I am still one of the living.”
“In the midst of them his comrades bore Patroklos and covered him with the locks of their hair which they cut off and threw upon his body. Last came Achilles with his head bowed for sorrow, so noble a comrade was he taking to the house of Hades.”
“He went a space away from the pyre, and cut off the yellow lock which he had let grow for the river Spercheios. He looked all sorrowfully out upon the dark sea, and said, "Spercheios, in vain did my father Peleus vow to you that when I returned home to my loved native land I should cut off this lock and offer you a holy hecatomb; fifty she-goats was I to sacrifice to you there at your springs, where is your grove and your altar fragrant with burnt-offerings. Thus did my father vow, but you have not fulfilled the thinking of his prayer; now, therefore, that I shall see my home no more, I give this lock as a keepsake to the hero Patroklos. […]As he spoke he placed the lock in the hands of his dear comrade, and all who stood by were filled with yearning and lamentation.”
The implications of this passage would deserve its own post, and I won’t dwell on this, but we can clearly see the double layer of symbolism at play with the locks of hair alone.
When it comes to burial rites, beyond the Archaic customs, Ochs interprets the custom this way: “Rhetorically, cutting a lock of hair and placing it in the grave can be understood as a message of collective solidarity. All mourners in the polis engaged in the same action and, thus, by doing so reaffirmed the cohesion of their beliefs. Note also that the collective, dedicatory message is directed at the deceased. The symbolic behavior, therefore, visually links the living community with the dead person or, more accurately, the dead person's spirit. In other words, the message is one of aggregating the living with each other and the living with the soul of the deceased.”
We can also find another purpose in the scope of ancient tragedies about Orestes and Elektra, where post-burial offerings are used to pacify the dead and to convey personal affection primarily through the use of food and drink. The lock of hair is also found but it functions in the plays as a device for recognition.
Further reading for this section:
→ Closterman, Wendy E., A. Avramidou, and D. Demetriou. "Women as gift givers and gift producers in ancient Athenian funerary ritual." Approaching the Ancient Artifact: Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (2014): 161-174.
→ Barbanera, Marcello. "Dressing to Hunt: Some Remarks on the Calyx Krater from the So-Called House of C. Julius Polybius in Pompeii." Approaching the Ancient Artifact: Representation, Narrative and Function. A Festschrift in Honor of H. Alan Shapiro (2014): 91-104.
→ Ochs, Donovan J. Consolatory rhetoric: Grief, symbol, and ritual in the Greco-Roman era. Univ of South Carolina Press, 1993.
Votives
Last but not least, now that the heavier ritual uses have been covered, is the topic of hair offerings as a way to say “thank you”. Similarly to how the offering of hair from young boys to river gods came as a petition for safety, we find locks of hair being used as thanks to surviving dangerous situations like illnesses or an escape from a disaster.
A Hellenistic epigram names the rescue from distress at sea as reason for a ritual hair-cutting, where a man named Lukillios shaves off his hair for Glaukos, the Nereids, Melikertes, Poseidon and the Samothracian gods as thanks for surviving the incident.
Another example is one told to us by Pausanias concerning the cult of Asklepios and Hygieia in the city of Titane:
“Of the image [of Asclepius] can be seen only the face, hands, and feet, for it has about it a tunic of white wool and a cloak. There is a similar image of Hygieia; this, too, one cannot see easily because it is so surrounded with the locks of women, who cut them off and offer them to the goddess, and with strips of Babylonian raiment. With whichever of these a votary here is willing to propitiate heaven, the same instructions have been given to him, to worship this image which they are pleased to call Health.” (Pausanias, Description of Greece 2.11.6–7)
While it is impossible to know the exact reasons why each of the women offered their hair to Hygieia, the idea that it was in return for health sounds the most logical.
In the sanctuary of Zeus at Panamara in Caria hair was either enclosed in a small stone coffer in the form of a stele and set up in the precinct with an inscription placed upon it, or placed in a hole in the wall or hung upon the wall with a small label placed upon it. The former was probably for the wealthiest citizens, while the latter reserved for those with less means. In the case of the former, the hair itself was no longer visible, but the stele and inscription were. In the case of the latter the hair remained visible in conjunction with a label that named the dedicant. The care put into storing the locks in these examples is telling of an offering that is symbolically charged and likely lasted a lifetime, due to the durability of hair.
Similarly, an epigram in the Palatine Anthology, attributed to Antipater of Thessalonica poetically tells of the hair offering of a young man to Apollo:
“Having shaved the down that flowered in its season under his temples, [he dedicated] his cheeks’ messengers of manhood, a first offering, and prayed that he might so shave gray hairs from his whitened temples. Grant him these, and even as you made him earlier, so make him hereafter, with the snows of old age upon him.”
While this epigram is clearly related to the idea of hair-cutting for young boys, as it refers to the growth of the first facial hair, it also begs the question of the quality of the appearance of the first white hair. Aside from being a poetic call to the blessing of living a long life — long enough to know old age — we might want to wonder about what it would mean to offer one’s white hair within the logic of transition from adulthood to seniority.
Further reading for this section: → Draycott, Jane. "Hair today, gone tomorrow: The use of real, false and artificial hair as votive offerings." Bodies of Evidence. Routledge, 2017. 77-94.
Final thoughts
If there is something to take away from the historical uses of hair in the religious setting of the Ancient Greeks, it is the idea of transition. From the entrance into adulthood to death, hair offerings come up at key moments in one's life, or at least, in answer to brushes with death, placing hair in a very important position. It is a highly personal, intimate and symbolic offering.
While this post isn't the place to discuss modern reinterpretations, I think the key to integrating hair offerings in reconstructionist practice comes down to asking yourself the question of what the milestones in our modern lives are and what they mean, alongside other life-changing events.
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fleurmioneweek · 10 months
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🗣️ TWO MONTHS UNTIL FLEURMIONE WEEK 2023 🗣️
That's right! It's almost here. Our favorite time of the year! Here's your two month reminder for our annual Fleurmione Week event. 🥳 So Fleurmunnyussy's get those ideas flowing!
All content mediums are welcomed (yes, even memes. Send them our way!)
This year, our theme is : ✨Genres✨
Here are the prompts you all voted for:
September 18th - 24th
Day 1: creature feature | university
Day 2: remake | cottagecore
Day 3: time travel | fairytale
Day 4: ancient greece | cozy fantasy
Day 5: espionage/assassins | vikings
Day 6: alt. history | treasure/bounty hunters
Day 7: Free day
There are two prompts per day. Feel free to do one or both! We look forward to seeing what you all come up with! And never forget #FleurmioneIsReal
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zoeysdamn · 9 months
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The Sandman Masterlist
[MAIN MASTERLIST]
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There shall be night | Morpheus x priestess fem!reader | Serie | [COMPLETE]
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||Angst | Slow burn | Mentions of blood, death and religious themes | smut (*)||
Synopsis: There used to be a time where gods were worshipped by mortals, way more than the modern times ever could. Those times were the era of temples and devoted beings, of prophecies and offerings. Back then in Ancient Greece, even before Dream of the Endless married Calliope, he discovered his first devotees.
Part.1
Part.2
Part.3
Part.4
Part.5 (*)
Part.6
Part.7
Part.8 (*)
Part.9
Part.10
Part.11
Part.12
Epilogue
Bonus parts: 
There shall be art | Morpheus x priestess fem!reader | One shot |
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||Established relationship | Fluff||
Synopsis: On a rare day-off, Morpheus, his wife and Death are visiting a museum, recalling all the centuries they went throught.
[Read it here!]
Forget me not | Morpheus x priestess fem!reader (minor) | One shot |
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||Established relationship | Fluff | Minor angst | brother-sister dynamic||
Synopsis: When Lyra the young daughter and Morpheus and (Y/N) accidently wanders in an unwelcoming part of the Dreaming, she finds herself encountering the darkest creatures of the realm. Among them, a familiar blonde nightmare with dark binoculars and a knack for threatening child’s bullies.
[Read it here!]
Terrible thing | Morpheus x fem!reader, Hob x fem!reader, Morpheus x Hob | Serie | [COMPLETE]
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||Angst | Slow burn | Poly relationship | smut (*)||
Synopsis: The way he kissed her reminded her of how soft and naive she had been when she became someone's other. Not in a bad way though, and she responded to his passionate and gentle affection with equal fervor. She had been seeking Hob Gadling's company out of a hurt heart and hateful tears. Yet, why was every single of their kisses a painful reminder of the confusion where her heart belonged? None of theirs was truly free, and at some point they both knew it. So she closed her eyes, and against her better judgment let the vision of starry eyes fill her mind as Hob's warm hands cradled her close to him.
Prologue
Part.1
Part.2
Part.3 (*)
Part.4 (*)
Part.5
Part.6
Part.7
Part.8
Epilogue
Crack headcanons and thoughts
Dream of the Fab 
The Sandman x Hamilton crossover nobody asked for
WE NEED TO TALK ABOUT THIS OKAY
Cinnamon roll alignement chart 
Johanna, no 
Hob Gadling and the art of making immortal jokes
Confused™ Dream of the Endless
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thedansemacabres · 2 months
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A Modern Harvested Look Into Dionysos Nykletios
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[ID: A mostly green image with a large, vibrant grape left to the left and blurry brown grape trunk in the background to the off-centre. Next to it is a large, close up image of an unripened verdant grape cluster.]
LITTLE DO MOST PEOPLE KNOW THAT MUCH OF THE MODERN GRAPE HARVEST HAPPENS AT NIGHT, as dedicated winemakers wish to ensure the consistency of their crop—lord Helios’ rays are what ripen the fruit, at the mercy of Dionysus’ influence. Other times harvest does during cool days, but the harvesters are still pressed to ensure the safety of the harvest—hot fruit spells problems for the winemakers, and winemakers are what buy the crop to ferment. And when I was there on the cool afternoon, Helio’s light fading from the horizon, I felt Dionysos there with the whisper of Nyktelios. 
THE HISTORICAL CONTEXT 
Nykletios (Νυκτελιος “of the night”) is an epithet only directly mentioned perhaps once, kin to Hestios; as such it may be hard to get a direct usage on the meaning of this epithet. Pausanias states:
Pausanias, Description of Greece 1. 40. 6 (trans. Jones) (Greek travelogue C2nd A.D.) : "After the precinct of Zeus [in Megara] . . . you see a temple of Dionysus Nyktelios (Nocturnal), a sanctuary built to Aphrodite Epistrophia (She who turns men to love), an oracle called that of Nyx (Night)."
Riding the Phallus for Dionysus suggests that this epithet may be connected to a larger mystery cult, that of a veiled Dionysus, with rites perhaps similar to the one Plutarch mentioned. Several of Dionysos’ rites occur within darkness—within Agros, his rites were nocturnal, invoking the terror and awe of Nyx’s darkness. His other mysteries likely involved the night as well. 
Night is also invoked several times with Dionysos, such as in the Bacchae. One example I associate with Nykletios are these lines from Dionysos and Pentheus: 
ΠΕΝΘΕΥΣ τὰ δ ̓ ἱερὰ νύκτωρ ἢ μεθ ̓ ἡμέραν τελεῖς;  ΔΙΟΝΥΣΟΣ νύκτωρ τὰ πολλά· σεμνότητ ̓ ἔχει σκότος. Pentheus When you dance these rites, is it at night or during daylight? Dionysus Mainly at night. Shadows confer solemnity.
Even as these rites are no longer practiced, it is almost fitting that modern harvests mostly occur at night—and winemaking during harvest season can easily draw into the dark nights as well, as we work on the grape and yeast’s schedules, not our own. 
A MODERN TAKE ON DIONYSUS NYKLETIOS 
As epithets can have multiple functions, I place Dionysos Nykletios in both the night harvests of vines, comforting frozen hands as we harvest fruit for the best vintage, along with his endemic nocturnal rites. The modern wine world is both alike and like the ancient one—the wine season is still within winter, with the worst moments for a winemaker being the time before Christmas until next March when the wines are finishing. 
If there was a day a hellenic pagan vineyard would exist, I would imagine that a procession would be in store for a religious harvest—though, there would not be any free juices allowed to paint the skin red. When you harvest grapes for wine, you do not want to burst the berries, and I could imagine Dionysos’ laugh when it eventually occurs. 
Dionysus Nykletios, May your hands warm us Under eternally Dark Nyx As the vintage is pressed And made into your Fine wine. 
References 
Csapo, É. (1997). Riding the Phallus for Dionysus: Iconology, Ritual, and Gender-Role De/Construction. Phoenix (Toronto), 51(3/4), 253. https://doi.org/10.2307/1192539
Gilbert Murray, & Ian Johnston. (2015). Euripides Bacchae: A Dual Language Edition. Faenum Publishing Oxford, Ohio.
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mikayuuweek · 10 months
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Around 1 week ago, fans over on Twitter voted on this year's MikaYuu Week theme. The two options, Date Nights and Reincarnation AUs, were equally popular!
SO WE DECIDED TO DO BOTH!
DATES: October 8 - 15
THEME: Date Nights Through the Ages
PROMPTS:
Day 1 | Prehistoric Times / Stargazing
Day 2 | Ancient Greece / Game Night
Day 3 | Medieval AU / Festival
Day 4 | Star-Crossed AU / Walk in Nature
Day 5 | Modern AU / Museum Visit
Day 6 | The Present / Wine & Dine
Day 7 | The Future / Coffee Date
Day 8 | HBD, Yuu-chan!
NOTE: Because we are combining 2, unrelated themes (Date Nights + Reincarnation AUs), there are 2 prompt lists this year. Feel free to combine the prompts for each day, or just stick to one list, or switch between them. Whatever you want! The goal is to be creative + just have fun!
Check out our Carrd in both English and Spanish for more info!
See you soon!!
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