I want to point out something in 1.16 “Shadow” regarding Dean’s resourcefulness and the derision with which his contributions are treated within the writing. In “Shadow”, multiple shots are taken at Dean’s methods of earning money and working cases as well as his intelligence level.
It starts with another small squabble about money that clearly frames Dean as still, at this point, the sole person supporting him and Sam financially through credit card scams, gambling, and hustling pool.
Yet again we have a jab at the ways Dean earns money. I wouldn’t make a big deal about this one at all if not for the outside context—the three previous episodes where Sam (while happy to benefit from Dean’s ill-gotten gains and provide no financial support to their two-man team) criticizes or is dismissive toward the work involved in how Dean earns money for them (1.01, 1.05, 1.08). Dean deserving to have his contributions dismissed is explicit in the text, but Sam's failure to actually assist with finances is implicit.
Next, it's how Dean gets information. He flirts with a cop and a bartender:
In the case of the cop, he gets information that is valuable to the case—unreleased details. In the case of the bartender, he doesn't, but he learns there's nothing to learn. But because Dean was also having fun, his actions are reduced down to him thinking with his dick, when he is actually intentionally using charm and even (see below) offering sexual favors in exchange for information:
Additionally, Sam (despite having seen Dean research just fine on his own multiple times) questions how Dean was able to do research on his own, which—you do you, Kripke, I guess? But we get "Haha name the last book you read" in a similar vein to 1.03 "Dead In the Water" (and just as Sam demands that Dean name one child he knows and Dean can't but it means nothing because Dean actually does like kids, Dean also does read—as established multiple times throughout the series.)
But also—if Dean called Caleb, why does that matter? Is talking to people to get the information you need, somehow inferior to finding some old tome and finding it in there? No. But it's treated that way in the framing of the episode. Weirdly like Dean took a shortcut or something and that's... "bad"...? When a shortcut in this context literally just means you're being efficient and resourceful and yeah—smart.
Then Meg jabs at Dean's intelligence as well:
What's also interesting, is that this is the first (I believe—I don't think I missed one at least) example of Dean's eye for visual patterns within the series.
So Dean, in this episode
Finances the suits Sam wanted to buy so they could sneak into the victim's apartment
Gets valuable information from a cop twice by charming her
Is able to recognize a symbol on the floor from blood spatter and is able to trace that symbol back to discover the monster they are dealing with using his hunting connections.
And all of this is treated in a dismissive way within the writing—like Dean's contributions don't matter or are earned in some way that causes them to deserve to be dismissed and even used as points against him. What's more, Dean doesn't fight back much. He leans into the very thinly-veiled suggestions of him just being dumb and horny and covers with jokes and a light jab about how the only thing valuable EITHER of them have gotten at the bar is the bartender's number (note that this is after he gets secret information from the cop and finds the symbol on the floor, which he could have pointed out but doesn't). He also leans into other narratives about himself suggested by Meg in the episode, but that's a separate post.
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Random Take or whatever. But I’m re-watching some supernatural episodes and I was so interested in Magda from S12E4 becoming a reoccurring character??? Like the connection she and Sam have in that episode, the fatherly & daughter bond they share about their psychic powers, that little moment she and Sam have in the ambulance where he says that she can call him for anything at anytime???? Please, it’s giving Sabriel love-child. So sad she got killed by an evil Brit in the end :(
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no but really azazel possessing john was just a convenient little metaphor, just another way for dean to reconcile with the conflicting image of his father-god who can do no wrong and the cruel man who has hurt dean, used dean, mocks him for his devotion and loyalty to his family, for his role as caretaker, despite benefiting from dean’s labor. anyways. looking at the scene and imagining there is no azazel....imagining the demon as metaphor is just. oh my god. like so heartbreaking and so compelling. the demon is alcohol, the demon is grief. john lashes out at dean, pins him to the wall, hurts him in his haze. and dean’s crying, begging him, not to let the demon inside him get the upper hand, fight this dad! please please don’t kill me. and then sam gets free, and he gets the gun. and he has a chance to end it. he has a chance to kill the monster that’s been haunting them for 22 years. but dean. dean still loves his dad. despite everything. he doesn’t know how not to love him. so he begs again, please please don’t kill him. and he thinks things might be different now. he always thinks things will be different after one of these fights. but dad doesn’t apologize for hurting dean. he sobers up, the metaphoric demon gone dormant for now, but everything is the same. they get in the car and drive and john is pissed and he tells them nothing matters but the job. dean bleeds out in the backseat of the only real home he’s even known and he hears his dad say “this demon comes before everything.” hears him say, this demon comes before YOU, dean. their lives are still ruled by the demon. the demon has always been there, will always be there. his dad is beyond saving but dean can’t kill him.
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