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#and trying to be a good person and saving others to make for the fact that i feel an intrinsic evilness about myself

tender-rosiey · 3 days

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plsss would u do sukuna taking care of his pregnant wife? like noticing his robes keep disappearing, only to figure out its his wife. or more dad!kuna 🙏🏾

robes — ryomen sukuna x f!reader

a/n: me👰‍♀️ ➕ 👹heianera!sukuna

sukuna is a deeply preceptive man.

it’s something he prides himself over, and since he is observant, he quickly notices that his robes start going missing.

in the beginning, he thinks that it’s probably the increased number of bloodied robes because he has been going on a higher number of rampages the past couple of days.

so, he goes to uraume to inquire about why the delivery of his robes has been later than usual.

uraume quickly responds that they have been personally delivering the clean robes to his chambers and ensuring that they are placed where he can clearly see them.

the revelation makes sukuna annoyed because that means that someone has been stealing his robes directly from his chambers.

he is presented with two courses of actions—excluding the option of saving himself the trouble and just killing all the servants: sending uraume to spy on the whole ordeal or investigate it himself.

considering how he has been pretty bored the past couple of days, he decides on the latter. the past few rampages have given a clear warning to the rest of the villages surrounding his castle.

so, with nothing else to do, sukuna takes it upon himself to monitor the main entrance of his chambers to see whether anybody enters the room after uraume places the robes in the room.

so, he situates himself near the room but far away so that they can’t catch him.

he stays there for a good couple of hours, yet he sees no one, not even in the darkness of the night: the supposed prime time for a thief.

perhaps the thief has been made aware of sukuna’s inspection? but that would mean that the robes would still be in the chambers. so, sukuna enters his room in search of his robes, but, to his surprise, he doesn’t find them.

that immediately leads him to concluding that whoever is stealing his robes is someone who has access to the hidden door of his room.

and no one knows about that door except—

“y/n.”

you yelp and slowly turn to your husband. he is standing there, arms crossed, brows furrowed, and an everlasting frown on his face. you have been caught and are in some big trouble.

you don’t falter immediately though. you try to act normal. you smile nervously, “yes, my love? is something bothering you?”

keyword: try.

he repeats your name lowly, and you quickly crumble. you visibly deflate and lower your head as you murmur, “yes…”

he nods in satisfaction before asking the awaited question, “where are my robes?”

your hands rest on your lap, and you fidget with your fingers.

you still can’t figure out what his reaction will be. so far, he is just gathering information. he is giving you nothing to work with, so you have no other option but to comply and just keep answering him.

sighing, you answer him, “my closet.”

he quirks an eyebrow and sits in front of you. his hand is placed on your head, and he raises your head, so you’re looking him in the eyes. it’s something that you have noticed only being done to you.

you had absentmindedly asked your head servant about it, and said servant, uraume, had told you that it’s because he views you as an equal and does not take pleasure in your fear and acting inferior to him.

and in the end, sukuna only does what pleases him. if it doesn’t please him then why do it?

he hums as if in thought before egging you on, “and why are my robes in your closet? in fact—” he smirks, eyes observing your frame, “why are you currently wearing my robes?”

you pull the robes tighter around yourself, and you purse your lips. sukuna wants an answer right now, and while he is enjoying your ‘suffering’, but he also wants to know what’s wrong.

if there is anything that he hates then it’s not knowing, especially if it’s something about you, his very pregnant wife.

his hand travels to your jaw, and he grips it lightly.

“so?” he says as he tilts your head to the slide slightly.

“you…have been gone for longer than usual lately, and I have been missing you,” you admit softly as you try your best to maintain eye contact, but you end up looking away.

he is still silent, so you continue laying out your reasoning, “and for some reason, the robes alleviate the pregnancy pain. I couldn’t find any logical or scientific reason, but I think—

—it’s because the robes are filled with your cursed energy, maybe acting as a kind of assurance to the baby that you are beside us even if you aren’t.”

he doesn’t grace you with any reaction nor reply for quite a while, and it makes you think that he is probably thinking about how foolish the entire scenario is.

so, you add hesitantly, “or something like that…”

after a moment, though, he sighs and simply says, “you could’ve just asked me, you foolish woman.”

you blink confused, “and you, my ‘no one takes what’s mine’ husband, would’ve allowed that?”

“you, idiot, are mine, so my belongings are yours anyway,” he states, and his hands rest on your stomach, “this is mine too, so you have to take good care of it.”

a smile takes over your face, and you nod happily, “of course, I will!”

you pause for a second, and it has sukuna confused.

you frown and you point your finger at him while reprimanding him, “and don’t call me an idiot, mister! I am your wife, and I am blessed with a good name.”

a pinch is delivered to your butt which makes you shriek. you jump away from you husband and start rubbing the spot in attempt to soothe it.

sukuna smiles wickedly before suggesting, “how about I help you with that?”

“no! keep your hands off of me, you brute!”

he chuckles, and it echoes throughout the room. it’s kind of creepy. you always said that you wanted to add more furniture to avoid that situation.

you start thinking about the new design for the room when your husband speaks up, “and regarding my absence the past few of days.”

you turn your head to him, and he continues, “I will be putting my plans on pause for a while, so you don’t have to resort to the robes for the time.”

he turns his back to you before announcing, “I am expecting you at dinner and later in my chamber. is that clear?”

you feel giddiness fill you up, and you reply enthusiastically, “yes, my king!”

“good,” he smirks.

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do not copy or plagiarize or you will be reported

#sukuna x reader #sukuna x you #sukuna x y/n #sukuna ryomen x reader #sukuna ryomen x you #ryomen sukuna x you #ryomen sukuna x reader #sukuna fluff #jjk x reader #jjk x you #jjk x y/n #jjk imagines #sukuna imagine #jjk sukuna x reader #jjk sukuna x you #jjk sukuna x y/n

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comradekatara · 2 days

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so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?

toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.

zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.

azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.

we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows

mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.

ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.

iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??

jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.

haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do

#turtles-alltheway-down #asks #analysis #toph #zuko #azula #suki #mai #ty lee #iroh #jet #haru #put the main three who matter here above and then the rest below the cut #sometimes i forget that zuko is a good character bc yall are so annoying about him…. but then i remember #i also need to talk about more at length about how azula rationalizes that the weak deserve to die thru ozai for MULTIPLE interconnected #reasons that I didn’t have time to get into here #and also just azula’s relationship to ozai in general #but im putting off actually writing that bc it is. genuinely devastating and i don’t wanna #anyway!!

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hecksupremechips · 1 month

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Shinjiham is cute when it’s romantic but tbh I think i vastly prefer the idea of them being best friends instead. Like, neither of them really saw it coming and weren’t really looking to get another best friend (Shinji has Akihiko, Kotone has Junpei and Yukari respectively) but it happens anyway. Kotone takes a liking to Shinji much faster than she does anyone else and I’d say a big reason is just the fact that he’s so reserved that it allows Kotone to do most of the talking while he just listens and they love this arrangement cuz Kotone doesn’t get to talk about her own interests very much. Though I think some of her needs to talk to Shinji stems from this insecurity that he isn’t happy in the group and she has this people pleasing problem and wants everyone to be happy so she makes a much bigger effort to talk to Shinji. And it’s very unfortunate because Shinji intentionally acts cold and distant because he doesn’t want to form any attachments because he wants to die soon, but aaaaaaaagh dammit this girl just keeps talking to him and being sweet and encouraging him to engage in his interests and share them with the others and he just can’t seem to say no when she’s got those damn puppy eyes. And Kotone is just able to get him out of his shell by being persistent but not in an overwhelming way, she’s very cheerful and supportive of him. And Shinji is able to offer her support by encouraging her to talk about herself and by making sure she’s taking care of herself. They just click really well and make such a positive dent in each other’s lives and it’s all about basic acts of kindness going a long way you know?

#persona #persona 3 #kotone shiomi #shinjiro aragaki #i uh. probably didnt do much here to prove that their relationship is best when its platonic akjsks i mean idk how to convey it #that these two are just so good for each other but that im just not feeling it romantically #and why should i honestly like cant a guy and a girl just be platonic soulmates like me and jackie aljsks #plus i just have other ships with these characters i like better ahem akishinji and mitsuham yall already know #and i just feel really comforted by their relationship being best friends cuz it makes the pocket watch a lot more power of friendship #and it just. irks me the idea that its romantic love that saves shinji and its romantic love that gave him a will to live #cuz first off you can save him without romancing him and also like if you think kotone is the only person he wants to live for #youre just wrong like in fact its very clear in his social link that he feels this strong love for everyone #its literally like why other characters are so ingrained into his link he loves everyone and they love him back #its just kotone who organizes the time for them all to get together plus like idk when ppl say shinji only wants to live after romancing #kotone its like. well hes not gonna have a good time post coma then huh #and i suppose the point being made is he has to learn to live even if his gf isnt there but again like. shes not the only thing he has #idk i just hate this like pedestal romantic relationships are put on and i hate the implications that like #akihiko has been trying for years to protect shinji and his love doesnt matter cuz it isnt some heterosexual romance #grrrrr it just irks me is all and yeah i just think theyre besties who do everything together #kotone is like shinjis emotional support animal that guides him through the scary crowds and shinji is off putting enough to scare away the #meanies that come their way and they have a dress up montage and make cookies

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haikyuupaladin · 10 months

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TLDR; don’t give tumblr money until they start making visible improvements towards accessibility

I’ve seen a few posts around about something people are calling crab day where you’re supposed to gift the crab button to your mutuals to support Tumblr financially. Please don’t participate in this unless Tumblr starts making noticeable improvements towards accessibility between now and then. It’s been 5 months of me trying to get the bare minimum of accessibility for photosensitive users or even just find out who I can talk to to get anywhere, and Tumblr is refusing to make any changes.

@photomatt has doubled down on the suggestion that you should just pay for ad-free or install an ad-blocker instead of listening to any of the suggestions photosensitive users have repeatedly made. Please do not give money to Tumblr until they show a commitment to accessibility because they will continue to ignore our requests if it doesn’t impact them financially.

Some of the requests we’ve made are:

1. Allow us to disable autoplay on browser as well as the app. This is an accessibility feature, not a data-saving feature, and should be treated as such.

2. Include ads in disabling of autoplay, along with other formats that currently get around the autoplay feature. Currently even if you have autoplay disabled you can still end up with flashing lights in your face every few posts from ads.

3. Improve the reporting process for strobing ads. The quick reporting process doesn’t provide good options to ensure the person reviewing the report realizes that it’s being reported for flashing lights so you have to hope they agree it’s either malicious or offensive and don’t just brush you off as abusing the report function. The more complicated reporting process involves getting a screenshot and the link that the ad brings you to, which requires lingering on the ad, which if you’re trying to report the ad for your safety, is dangerous. You can also still get the same ad 10 times a row after reporting it until it’s been reviewed. Which again, presents a danger to users.

4. Add a community label for flashing lights. Flashing lights are commonly untagged or mistagged, even sometimes maliciously. It would be extremely helpful to the photosensitive community to be able to add a warning to a post that doesn’t have one.

I’ve talked a lot about the photosensitive community in this post because that’s what I have personal experience with and what @photomatt has explicitly come out and just said to buy ad-free about, but there are definitely other accessibility issues that need to be addressed as well (like the alt text function needing improvements to make it accessible to users who need it and don’t use screenreaders, or the fact that a lot of tumblr official stuff still doesn’t seem to use the alt text feature themselves). Please feel free to add on accessibility issues I’ve missed in the reblogs.

#crab day #epilepsy #actually epileptic #disability #photosensitivity #accessibility #tumblr safety #disability pride month

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hyperfixating-rn-brb · 5 months

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The Good Omens Fandom has had a lot of fun recently with the knowledge of Aziraphale and Crowley holding hands on the bus at the end of season 1.

Soo here's everything that went through my head as I learned of it for the first time.

For that entire scene, Aziraphale is really far gone. He's dissociating so hard he can't even realize he's been sitting on a sword. Crowley is probably the only thing keeping him grounded.

They just narrowly stopped Armageddon after a showdown with literally Satan, and still can't let their guard down. For the first time ever, they're completely on their own side. Now they have to orchestrate a body swap to save both of them. They wouldn't just be killed, they'd be completely destroyed. Everything must go exactly according to plan, but how often does that actually happen?

And on top of that, his bookshop, his home, his safe place with the demon he has to pretend not to love is burned and gone.

Crowley is so incredibly gentle and reassuring this entire scene. He's been through so much trauma himself and has spent a lot of his existence shielding the angel from it, hoping to protect some of his innocence and naivete. Crowley is absolutely familiar with every symptom of PTSD and anxiety.

Now he has to see his sweet angel see such a small bit of the horrors of heaven and hell and start to crumble inside. He's going to do his dam best to try and help Aziraphale through it. Speaking softly, ("the bookshop burned down... remember?) slowly and carefully, gradually helping to pull the angel back to reality, reminding him that he's there and will help ground him.

They get on the bus, and sit next to each other. 11 years ago, they sat nearby but separated while Crowley begs Aziraphale to help him prevent the Apocalypse. Now they are sitting together. Both an act of reassurance and unity.

Crowley sits first, Aziraphale could so easily just sit across from him, behind or in front. But he chooses to sit right next to him. And hold his hand. Aziraphale desperately needs to be near to the *former* demon he loves, to hold him, to make sure they won't be separated.

In the book, their famous lines of "none of this would have worked out if you weren't, deep down, just a bit of a good person" and "just enough of a b*stard to be worth liking" came as Satan rose from the earth, as a goodbye in case they were destroyed.

Luckily, that didn't happen and they survived. Armaggedon was stopped. But the angel is still so anxious of losing Crowley. So he chooses to reach out, to anchor himself and reassure himself that Crowley is still there beside him and that they are okay, at least for a few minutes.

And Crowley let him. He knows how badly Aziraphale needs him, he needs the angel just as much. He knows how badly he craved an anchor and support system as he was first abused and traumatized by his Fall, then further by Hell. So he's going to continue being there for Aziraphale, doing everything he can to make his angel feel safe and comfortable.

Over the next few years, Aziraphale would become so much more comfortable reaching out and touching Crowley. Leaning into him, resting a hand on his shoulder or briefly touching his chest. Somehow both reassuring himself that the former demon was still there, and reminding Crowley that he's still there for him at the same time.

Then Crowley becomes more comfortable with the touch, leaning into the angel by himself. No longer flinching at a sudden graze of a hand or reassuring squeeze.

That one moment of the two holding hands on the bus cemented so much of their relationship. "The last few years, not really..." all started on that bus the moment Aziraphale chose to sit down next to Crowley.

edited: at first this said "new knowledge" because I just found out about this all the other day, and wrote this up at 3 AM, and didn't really fact check when this knowledge became well known. I've only really been a GO fan since maybe 2021, and only really started being active in the fandom during the last few months, so a lot of info that is fairly well known is still generally new to me. soo yeah this was edited :)

source for anyone asking for it!

#good omens spoilers #crowley #aziracrow #ineffable husbands #aziraphale #good omens #go2 #bus scene #they like holding hands #neil gaiman #david tennant #michael sheen

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weirdmageddon · 8 months

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i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

#homestuck #homestuck meta #dave strider #mom lalonde #roxy lalonde #hs #strilonde guardian swap

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Text

PARITY

male reader x sana & miyeon

21k words

Within some reasonable tolerance, the two are carbon copies. Six of one, half a dozen of the other.

Doppelganger, twin, deadringer - they always tell you, they don’t see it.

But when they stand together it always comes across like two shadows stitched into one silhouette; the slope of their noses, their mouths; the way their hair cascades down past their shoulders.

You’ve learned to recognize the twitch at the corner of their lips before a laugh - how they speak in the same inflection and pitch and tempo, the same cadence coloring all their syllables. Even in their figures there is something uncannily familiar: that petite stature, that grace; they both have perfect posture, an ingrained elegance, like something handed down generation to generation. And of course - the height. The hair. The eyes. The same-damned-smirk.

Here's a hypothetical: if Sana's DNA, then Miyeon's RNA. They're both two separate ways of reading the same thing, and they both have it in them to transcribe the same hot load of proteins over all their pretty faces.

"Oh, that's like a sex joke," Miyeon says to Sana, frowning slightly, "right?"

"I don't know." Sana hums. "Protein... like sperm?"

You sigh, rub your thumb at your temple. This is why, normally, you wouldn't take ditzy to bed, but there's all this history between you and Sana that proves otherwise. The dirty truth is: you’ve been taking ditzy to bed for years. And Miyeon’s right there. She’s all bright eyes, blonde hair, tiny little waist, the perfect height to get two fingers in her cunt and the rest of her in your lap without you even needing to shift your arm into something more uncomfortable. God forbid.

She pulls back the curtain of silk-glossed-hair spilling over her cheek and tucks it neatly behind her ear. Okay, fine. So maybe you really do have a type.

"Yeah," Miyeon decides. "I think that's a good pun. Cute."

She glances sideways at Sana; something flashes between them, imperceptible. They've been doing this sorta thing for a long time - long before they ended up in their current living arrangement. This machine of synchronized, unvoiced communication.

"Cute," echoes Sana, delighted, and she lets her eyes flick back to yours. "Baby, are you, like, gonna give us lots of protein?"

"First of all, we’re fast approaching the point of diminishing returns on the whole protein spermaestria," you muse, wryly. Sana beams. "And again, the point I’m trying to make, Sana: you two are identical."

"Not in spirit," says Miyeon, automatically. "Or intellect. Or appearance, either."

"You can't just claim that," says Sana, matter of fact. "He means physically. I have bigger tits and a better ass.”

There's no argument from your end. And not only because the cab driver hits a speed bump or a pothole or perhaps a small child way too quickly that sends you all lurching together into the seatbelts.

Miyeon finds a good hold in the handle over the door - it saves her - and you wind up steadying Sana. For a split second, it's both their shoulders leaning on yours: Sana, then Miyeon, then Sana. Back and forth. Back and forth. The three of you still end up sprawled halfway out of the seats and onto each other in the cramped cab, tangled all together.

"Please, explain it then," implores Sana, hushed slightly. "Go ahead, I'm sure Miyeon's dying to hear it."

"Look, it's not a perfect one to one mapping," you say, running your hand through your hair and putting on your patient professor-in-front-of-the-class face. "For example: Miyeon's cuter-"

"Thank you," chirps Miyeon, sweetly sardonic, before you can even append anything else to the statement. Sana’s already there with a noise of mild protest.

"I mean, I'm a full inch and a half taller than you."

"So?"

"That’s an unfair advantage. You've gotta be the dumbest person I know."

"Funny," chides Miyeon, swiveling her gaze onto Sana. "You could barely talk when we were fucking your brains out on your birthday. He's dating you, not me, remember? If anything, you're the one sporting an unfair advantage."

"Okay, well," Sana counters, reasonably, "when you can barely get a sentence out from choking on my boyfriend's cock, who the hell is supposed to call it?"

You ignore that. Miyeon is having more difficulty; her face has flushed cherry red and her hand's white-knuckle-gripping the side of the cab's passenger door.

"For what it’s worth," you cut in, placidly, "I don’t think there’s any clear answer."

"Nonsense," they both reply, simultaneously and satisfied - like wind up toys. And that's the way the conversation tends to go when you get them alone like this. Identical, you pause to think again after spilling out from the back of the car and onto the curb outside the girls’ apartment.

All the things they say are word-for-word - they walk the same, eat the same, smile the same, tilt their heads the same. In those moments where you don't speak, it feels like watching some two-headed monster, an entity constructed from equal parts of both. And it isn't just the physicality at play. They've got that eerie ability to read each other, speak for each other. It's strange: their habits, the way their eyebrows arch, the set of their shoulders. It all syncs right up, matches seamlessly.

It's really fucking uncanny.

"Um." Sana twists one slim wrist back and forth until the key turns in the lock. "So, is it, like, wrong of me that I kinda just wanna skip the dinner part of this and watch my roommate get wrecked in the middle of our living room?"

"Depends," you answer, before you can let yourself dwell too much.

“Just a complete and utter carpet dive,” Sana says, shouldering the door open and flipping on the lights. “It’d serve her right. She’s being annoying.”

Miyeon scoffs, sticks out a bare, pale leg - it ends in a nail polished fire engine red, the strap of a stiletto sandal - and blocks your way inside. "Hey," she protests, lightly. You are not the only object in the equation - you are merely an item to be held against them; it's not about you, not in its most abstract shape. Miyeon and Sana are competing - vaguely for your affection, but more so just for affection in general. It's an ego thing, if nothing else.

"I'm an angel. I'm precious."

"Get your pretty feet out of his face," warns Sana.

"Ugh," says Miyeon. And then, "so short-tempered when you're not getting away with everything."

"Whatever, princess." Sana gestures, airy and flippant. "In any case: fuck off, or go get fucked."

This has become some kind of weird custom, admittedly. Miyeon does exactly as her best friend requests. She floats down the hallway and toward her room.

"Can't get good service around here anymore anyway," is what she tosses over her shoulder. Her fingers run up the door frame to her room and hang there, briefly, before she glances sideways back. You and Sana, now giving her your deservedly undivided attention. There is no split focus, no point of overlap. Her hair falls loose past her shoulders; her shirt clings a little to the muscles of her arms, her ribs. The point of contact between her skirt and her upper thighs. Those impossibly big eyes. She's gorgeous. You rarely ever let yourself forget that. There's something devastating about the set of her face, about how her body is absolutely fucking perfect, all curving lines and smooth planes - tits that fit right in your palm, the dip of her stomach, the pretty shape of her ass - she’s tiny, and in a way, that means you can do anything to her and manage to get away with it. She’ll let you. She’ll ask you to do it all again.

"You two are more than welcome to follow along, if you feel so inclined,” Miyeon adds before she opens the door to her room, steps through, and lets it shut behind her.

"Yeah." Sana runs her tongue over her top lip, staring you straight in the eye. Her smile is slightly predatory, all sharp teeth. "If you’re so inclined."

(For anyone wondering about things like premise or backstory, here’s a useful memory:

Sana has a new roommate. They've been living together for two, three months. She's still not over the fact you didn’t ask her to move in, and you're still not ready for it. Your answer hasn’t changed. You like your apartment the way it is; the two of you need space; it's what the kids call cohabital parity and no, the ring's not in your wallet and it's not even bought yet; stop nagging me. It'll happen when it happens.

Anyway,

It's one of those plainly beautiful evenings in early July or August - a weekend probably: the living room is bathed in the sort of low, radiant sunset that can go on forever, all of summer stretched out, leisure and sunshine. Sana had talked her way into getting you to take her somewhere highbrow and a little out of your budget. She can talk her way into just about anything; that's her brand, her bad habit, her good fortune.

"We're not going to be able to get our tickets," you're explaining into the loud blare of a hair dryer. And to paraphrase, "what the fuck is the point of making reservations if we’re going to be so reprehensively late?"

Sana's juggling the curling iron while fumbling with an eyelash curler and applying mascara and rearranging earrings all at the same time, and you think about reminding her, again, that it doesn't matter what she looks like if you never actually, you know, leave - but then the hair dryer switches off.

“Hey.” Sana ignores the concern and swivels to ask which earrings match which necklace - two pairs are laid across the countertop; they look exactly the same; you love her, desperately, but for the record, you've never been any good at telling jewelry apart. Neither the knowledge-set nor the motivation; she looks fucking gorgeous in everything regardless-

The front door clicks then, and Miyeon bursts through with the force of an entire hurricane - and promptly stops, dead. You forget what the hell she said, but the story was: she'd just gotten back from the worst date in her life. She's in tears, sobbing. It's a mess. She's a mess. You can't leave.

She falls right into Sana's arms. Then Sana throws a pointed, triumphant grin your way, and says to Miyeon - and you remember this, word for word, verbatim - "Aw, baby. Don't worry. Let us take care of you. We'll make you forget all about him, okay?"

This is the long and short of it: Miyeon arrives, in tears. You never make it to dinner and a show. And the night ends more or less how it started - with Miyeon still pretty much crying, but only because you two won't stop. With your fingers, your mouths. Sana knows what her tongue's doing; Miyeon is loud - and responsive. She's gorgeous too. She's so into it. She needs someone who is genuinely in love with her, who isn't going to try and push her around. You slip your cock into her and that's pretty much it, a different kind of curtain call; Miyeon gets Sana's thumb rolling at her clit and, yeah - she's fucking gone. She cums on your cock like she’s dying, like you’re killing her. It's as simple as that.

Now, there are several instances of which this is the case, in chronological order:

a.) The first time, in Sana's bed.

b.) The second time is in the back of Miyeon's hatchback. Tight fit for three people. It's a do-not-recommend.

c.) The third time, when they want to try blindfolding Miyeon while she rides your cock in the living room. The girl can't see shit, you break some IKEA furniture you can’t pronounce the name of, and the condom comes off during the whole process. There’s this unsettling, world-rocking possibility in which you get Miyeon fucking legitimately pregnant via oopsie-daisy. So, you and Sana wind up spooned up with Miyeon between you two and discuss the eventuality, should it arise - what you will all do in the future, the consequences, what Miyeon and Sana will say to Miyeon's and Sana's families - what the fuck you'll tell the rest of your friends, let alone the press - and then, deciding together: hey, well maybe this is actually a really bad idea.

d.) The fourth, fifth, sixth and every time after that where you realize that you're just gonna roll it all back and pretend like this is completely normal. Two's company, three's kind of a fever dream - but this is the platonic ideal of groupthink. It works. It just does; you know how to fit the pieces together now. How to read her body language: the one-two-one rhythm, Sana and Miyeon and then Miyeon-and-Sana; where their hands are, where they're moving; Miyeon's choked little sobs and the breathless gasps when your cock is deep inside her; all the unintelligible murmurs passing between the two of them that you can't understand - but none of them ever really matter. The important thing is that she's put her two front teeth in your left collarbone while you fuck into her slow and deliberate, in a way she can really feel. You cover Sana's mouth with your palm, your fingers pressed against the pulsing heat in her pussy, and you make them both cum over and over until they’re eyes are screwed shut and they’re counting stars.

That's about it. That's all the things.)

"I call it being spoiled for choice," Sana says, pausing only momentarily to decide in the mirror of Miyeon's makeup vanity whether or not to take off the bracelet on her wrist.

The glint that strikes off the metal is gold in the bedroom lights, all warm yellow and sparkling silver. Sana narrows her fingers, pulls it off, on - like you've caught her trying on clothes, the latest fashion in a store front window. A stylistic consideration. It matches the rings on her third and fourth fingers. She decides that it suits her.

"Lo and behold," Sana continues, "we have a real situation on our hands. In your hands. Whatever, you get my drift."

"Your cock," adds Miyeon, smiling like sunshine. She’s tracing you over your pants with her thumb, and she’s got her doe-eyed grin on, the one that promises something sugar-sweet, kneeling between your thighs at the edge of her bed - the slightest dishevel of her hair, kiss-swollen lips. God, what a picture. Her pupils flare when her fingers reach the top button of your pants. "And what's worse? I'm going to die if I can't have at least, you know. A couple minutes alone with it."

"You'd figure out a way to die either way," Sana muses. She leans backwards in Miyeon's desk chair, tugging idly at the hem of her skirt.

They're not usually dressed alike, and that's the weirdest part - Sana's never had Miyeon's particular taste for the tiny gauche dresses and white converse shoes and glossy nails, not unless it’s some matching outfit that she's being bullied into. Today's no different: the soft fabric of Miyeon's slip of dress barely stretches down to the line of her thigh. The hem starts just below the boundary of innocuous and everything else. She’d been hiking it up all evening. And the straps lay so thin across her shoulders that one little tug in the wrong spot would probably send it skidding all the way down to the floor.

That's the main thing on your mind when you get one in between your fingers.

Miyeon simply shoulders the other, rolling it down to hang loose, leaving the dress hanging off the gentle slope of her chest.

"Pretty," you say out loud.

"I know," she says, holding the grin.

She can make the world smile, it's infectious - and your gaze follows the path: from the blonde-shiny hair spilling over a collarbone, to the peeking line of her bra, to the flutter of the bottom of her dress at her hip. You catch the subtle lace trim, the little patterns embroidered into the waist, and decide her body's a gift - and wrapping it is something divine, something meant to be ripped right to shreds. If no one else is willing to volunteer, then it'll fall on you. Sure, sure, sure. You can be thanked later.

"Lose it," you request, quietly.

"Mr. Impatient," is what Sana sniffs out, scoffing. She's lounged back on the other side of Miyeon's makeup counter. Her heel taps away at empty air, bouncing off the end of her foot, that hot little fucking rhythm she's had going since her partner in crime got in your lap and kissed you right down into oblivion. "You want to get her naked and get inside of her, huh?"

"Is that not why you dragged me here?" you counter.

"Oh, don't put this on me." Her expression slides right into the mischievous smirk you're familiar with. Miyeon’s often sporting the same one.

"He wants to bend you over, princess," she tells Miyeon, and you hear the wistful sigh through her parted lips come out like permission. "Not that I can say I'd blame him. When's the last time you've taken cock again?"

"With him last week." She throws the response to Sana. They look, more than anyone, to be in sync in their one-upmanship.

"Hmm," says Sana, and she’s looking right at you. "Check how tight that dress fits over her hips, don't you just want to tear it right off of her?"

"He's not doing that," says Miyeon, but there's the lilting tease in her voice that signals precisely the opposite. She wants it: wants it like sugar and soda, salt water taffy; wants to be stripped like skin, bared to the bone. Her knees spread, just a little. "Not yet, anyway. Right now," she adds, hand fluttering towards the inside of her thigh, supplying touches right over the lace, "I want to suck his cock."

"Such a slut," Sana teases, tilting her head.

"You'll get yours," Miyeon insists, before pulling your cock out of your boxers with a small smile, curling her fingers around it, leaning forward. "God, this thing." She has the head under the palm of her other hand, and a wet-tipped promise on her lower lip.

You thread your hand into the hair aside Miyeon's temple, gentle and what will seem in a moment: paradoxically-tender.

"Imagine what it'll do to your mascara when I fuck your mouth."

Miyeon licks her lips. You reckon she’s completely aware how it comes across - the wicked fantasy she is.

"I'm imagining what it'll do to you when she chokes," Sana retorts.

“When he fills up my throat,” Miyeon says, hungry.

Sana sighs, sounding utterly wistful, and she fixes the same unrepentant look on you. "Poor Miyeon is just starved for cum tonight. Aww," she remarks, sweetly, "The poor thing. Do me a favor won't you? Fuck my pretty little friend in the face."

"Well," is all you get out before you look up at Sana. "Yours too, honey."

"Hardly, the same," Miyeon cuts in primly, glancing sideways at Sana. There is some snobbishness implied; there are ways Sana and Miyeon have always found to subtly measure themselves against one another, to best each other - all of these ridiculous acts and anecdotes. Like their voices aren’t replicas of one another - and in constant disagreement over whoever is currently claiming to be the original.

Miyeon prissily tilts her jaw up. "Your ego might actually be the worst part about you, Sana. That and your tits."

"Guess he just loves all the worst parts," Sana quips, rolling her eyes, "and every time you call it into question I fall in love with him a little more."

She's got one foot up now on the seat of the chair and she's running her fingers, delicate and teasing, around the press of her panties. It's not a voyeuristic thing, she's told you, it's less about watching Miyeon get fucked than it is about knowing exactly what it looks like when she herself gets spread out beneath you. She watches you and Miyeon, she watches her best friend and you, and she touches herself and it's perfect. There's a few seconds, long and warm, before she lifts her fingers away, then sucks them into her mouth with a grin. Just the slightest taste.

"But seriously," she says to Miyeon. "If you're gonna do something - then do it. Don't be a tease. We both know the answer, anyway."

Miyeon swallows. You hear her. You watch her lips wrap around the head of your cock and pop off, wet and shining, and her head rests in the curve of your palm.

"I’m working on it," Miyeon allows, lowly - she pumps her fist again around you, careful with the motion; this little twisting tug. "Fuck, it's not even the fact that it's fucking huge, or. Like, it’s not because I’m dying to get stuffed by this, or because I’m sitting here thinking: oh my fuck, I’m gonna feel so full with this thing inside me."

You have her hand under her chin, thumb stroking gently against her cheek. Her eyes return to yours when you put a little more pressure in your grip. She’s fantastically pretty, and the gleam of lust and want in her irises has you probably too eager to play along.

“So then, what could it possibly be?”

"It's-" Her cheeks darken pink beneath her blush, stumbling through a mouthful of ums and uhs as her eyes make tiny departures back to your waist until she finally gives up and just stares again.

Sana sits up a little in her chair.

"Look, this is the prettiest cock I've ever seen.”

You and Sana almost snort in unison.

“I’m serious.” Miyeon rubs a semi-circle over the head with her thumb, glancing up at you beneath her mascara, and then to the base, back up. It jerks, almost like reflex, in her grasp; she huffs in delight. "It’s, like, perfect in every way. And, god, everytime- I’d just about do anything to feel it inside me."

“You’d beg?” Sana asks, eyebrow raised.

“I’m about to get down on my knees and grovel, honey.”

"Should've just said," Sana laughs - Miyeon chews her lip, half-exasperated, and drops a kiss to the tip that makes Sana's expression simper - "you’re halfway there. Want him to cum in that sweet mouth?"

"Want him to tell me what he's going to do," says Miyeon, frilly. "Every last detail."

Lips stretching open, fingers splaying, curling around the weight - she dips her head to rest her cheek on your thigh and kisses the underside of your shaft. She’s practically like liquid. Flowing and easy and gorgeous, always gorgeous, too far gone to form a full thought. That much is obvious. And why shouldn't it be - your hand's already snagged up, your thumb's already wiping the hair out of her eyes. She turns to let it sit against the edge of her cheekbone. "You really need an incentive? Want you to fill me up so I can-"

"Swallow," you supply, simply. “Swallow everything.”

"Yeah," Miyeon presses into the curve of your cock. She doesn't wink, not really; she doesn’t need to. "I like you. You always know exactly what to say."

Her hair brushes a feather-light caress up the skin of your thigh, mouth a vision of sin and pretty red lipstick. "Open," you command, quietly, and she follows your orders exactly - mouth dropping, head tilting, eyes drifting closed - her lips glisten with saliva and you could shove your cock into that mouth, easy. Just push in and wreck the inside of her - spit on her chin, feel her throat clench up as she gags and struggles around your cock. God, if that isn't a thought that can do a number on the base of your spine.

"Easy," Sana supplies, like she can read your mind. That wouldn’t really surprise you. “Leave some of her make-up for me.”

There's the quick hiss of an inhale, Miyeon's mouth stretching open. Her jaw going slack. You feel the long, wet suck of skin and spit, and her eyelids flutter as she settles in. She slides her tongue and adjusts, makes soft, raspy, throaty noises while her lips slide down the first few inches of your cock. It’s funny - Sana had made the same sound earlier in the day - and it's really not like it's an awful comparison. They both let on gorgeous little noises when they're sucking cock and it makes sense because it's the same cock. Same skin. Same person.

You're not, however, about to do something so pedestrian as compare notes. Not on them. Not in the fucking slightest.

And Sana, god - Sana doesn't just watch. She knows better. She's not even the one taking your cock in her mouth but there's the insistent presence of her: a fingertip diving down past the crotch of her skirt, a quiet moan, her wrist jolting in a repetition of short, sharp strokes, the kind she likes to use on herself: precise. Deliberate.

"Miyeon," you whisper. "God, just - it's your fucking mouth, you-"

The hand on her face strokes the side of her head - a push-pull. A chance to break off - she doesn't - so she ends up with a rougher grip tangling through her hair and you guiding her head further down the length of your shaft.

Miyeon loves the pressure on her throat. You know that. And, yeah, she fucking hates choking on it but somehow in her mind, they're different. Opposites. Because with the way she's going, a little cough will burst free in a few seconds time. That’s your signal, you’ve learned, that she'll let you slide yourself to the hilt. Just keep the wet tip lodged there until she starts gasping around it. It'd only take a minute.

Two tops.

And well, that's the compromise: your patience for a throat fuck is infinite. She's staring up at you with upturned brows and that pretty-please pout on her slick-wet lips. She's making her best effort but, christ. Fuck.

Her eyelids flicker once.

Then close.

"There," you breathe down to her, your knuckles finding her cheek, smoothing over the sharp curve of bone there. Your cock is slotted right in her hot little mouth and you're starting to feel like maybe you really did hang the moon and stars in the sky after all. Her lips press around you. Sink, up, down. "Such a good girl, sucking my cock, looking up at me- god, all dolled up, it's not even fair, Miyeon."

Miyeon can be many things, and presently among them: a filthy, obedient angel.

She pulls up. "I try," Miyeon breathes right at the tip. Her tongue darts out. She swirls, and swirls, until it’s back under the tip of your cock again, soft.

You're too predictable, or you're too forthcoming, or here’s the thing about a woman's intuition; Miyeon wants to tell you something more, she wants to let you know how fucking unbelievably hard you are in her hands right now; she wants to laugh at you for getting caught up and dumb but she's not letting your cock slide free. This suckle of her lips, right at the crest where you're most sensitive and leaking precum right into her mouth - this press and pull is as close to conversation as she can get. So what. You love it. She loves it: the reward is in the ricochet. You look at her and her cheeks hollow and the flash of her pink tongue gets wet and warm under your head, the slit of her mouth stretching to take every ‘totally fucking perfect’ inch of your cock.

And then her lips tighten and she just-

"Christ, Miyeon-" You whimper it right down to her, your voice lost in the shiver of her throat, all tight and wet around your cock. It's like your vocal cords have been stolen right along with the air in your lungs and everything feels floaty, warped and red and blanketing you with Miyeon's hard-worked rhythm:

The scissoring flick of her tongue as she strokes the base with a firm fist. The other hand resting on your hip, feeling your hips jerk. She wants this, the part where you let go and stop thinking. The part where she opens her throat, lets her saliva flood to pool against her palm, and wet the tip of your cockhead before letting it slide right back in her throat. Your shaft flexing into her heat, the sound of those gags.

She just-

She just goes on like that, sucking your cock while the flat of her palm skates a little tighter. Up, up, down - up-

"Miyeon," Sana says, now on her feet and shadowing in closer, leaning. And that's it. Sana knows too. She kneels down next to her, gets a finger under her chin, and delivers in a uniquely cold tone: "hands behind your back, sweetheart. I want him to cum in your gorgeous little mouth."

You nearly choke, ironically. You're already grabbing so much of her hair: all those smooth silky strands threaded through your fingers.

You thrust and pull. She gags. She fucking chokes.

Spit collects, rolls down the corners of her mouth and gathers on her chin. You can see the mascara threaten to run tracks along her pretty cheeks, the way the makeup smudges so dangerously close to her bottom lid. "Yeah?" you say, so softly, but you can't - can't seem to look anywhere else, or take anything back - so, what, her jaw's just gonna go on being that perfect little shape, and she's gonna be a brat for it. Okay. That works. She looks good choking. You can see the slick glint of her pink mouth stretching taut on your cock, your cock jerking and bobbing on the pad of her tongue; it's not real - no, this is completely real. The ball of your foot slips along the floor.

It's instinct. You can't help yourself; a groan spills out of you, half-sighed

Sana's whispering right in her ear; not that you can make anything out of it over the noises from her mouth, her fist all wet, pumping. The tick-tock bob of her hair. Sana's hand is on the back of her head and then - pushing the last inch down, and down, her nose buries right into your skin.

“Mnnph.” Miyeon, gurgling: your cock pressed all the way down the line.

"Fuck," you spit, holding her jaw in place. "Fuck, Miyeon-"

She looks up at you, her eyebrows cinched, the graceful lines in her picture-perfect-face pulling around you - blissed out. She stutters in place while you dump a hot load of cum into her mouth.

And she adds a cough as you pump everything directly onto her fucking tongue. It’s more than she anticipated, judging by the leak. How your cum rolls down from the corner of her mouth.

Sana drops a kiss onto her temple as she takes you in and out of her mouth again, until she presses her lips firm and hollows her cheeks. Miyeon's fingers caress your balls like there's some part of you that isn't giving her fucking everything already.

"Come on, princess," says Sana, kissing her way along Miyeon's neck, the tops of her shoulders. There is not an angle to Miyeon's elegant features that she could take that could possibly be anything short of priceless. "Show him how you swallow."

The image is obscene, for one thing. The utter filth in that satiated hum; there’s another.

It's your white-hot cum dribbling past her swollen, fucked mouth. Miyeon swallows like the good girl she is - takes a breath, stares, and then finishes, a gulp, an extra breath, her whole face now a shade more flushed. Sana kisses her on the cheek and suddenly it's perfect: they're both staring right at you. Your throat has to unclench, reboot and the air in the room just tastes so good and your chest is heaving; you just- fuck, you can't breathe-

"Shit," you exhale. It comes out like a small explosion. "Uh-"

The side of Sana's mouth slants and then Miyeon grins: it's her cheek, dimple; that crescent moon thing and oh, this is the point. Sana slides a hand over the gentle curve of her stomach, then sets her open mouth over Miyeon's still-lips, slipping in close and - kissing. Their mouths melt together like it's the most practiced thing, tongues a second later, and Sana is stroking your cock in her fingers; the expectations clear in every little coaxing flick of her slim wrist.

"Do you have any idea," Sana sighs against her lips. The two of them, blinking up at you, like good little things - sweet enough. "How fucking wet you both have me?"

And Miyeon, shameless as she is disastrously pretty, reads right between the lines. "Where do you want it?" Her mouth tilts up to the side. A wicked smile. "He can cum all over us, no? And I have this skirt with an awfully short, pretty lace. We don't even have to take our clothes off, really, I can just-"

Sana gets an eyeful - Miyeon - before cutting her off, silencing with the wet press of her mouth, and suddenly their kiss goes frantic and quick. They're rolling apart: hands tearing up their clothes. Off. Off. Off.

Your cock stirs. It throbs. Fuck. Sana’s barely intelligible in the space between their tongues. "I could lay flat,” she’s saying, “with my legs open, and-"

"-with him on top of you, pressing inside you - so he could hold me down, and then pull all the way back out, to leave a thick load on your clit-"

"-and when he has to pull out-"

"-probably cum all over you too, the best view-"

"-or all over the rest of me, while I touch myself-"

"-maybe-"

"-and you just have to imagine how good that'll feel, while my thighs shake and we ride it out, you and I-"

Their faces - both flushed and dampened with the strain, both breathtaking. Their eyes are hooded, lashes a-flutter. They'd made their own decision, didn't even bother with yours. A mutual vote of two-to-one: you're going to fuck them in turns. You’re going to fuck them together. You're going to edge yourself in one cunt and fill the other. They're both going to take it, and wear it, and then use each other to make you cum again. Good. Okay, any questions - and they want it rough?

The answer’s a two-part chorus. Yes.

Not even an hour later, Miyeon is playing, of all fucking things, Candy Crush, legs draped lazily across Sana's lap, both of them kicked back on the couch, dressed again like the best girls you've ever seen. "The amount of money they make on this app-" Miyeon complains, waving a lazy hand. A long strand of blonde brushes against the corner of her mouth before she swipes it away again with an irritated sigh. She's just sitting there, knees folded, blithely bitching about a game of match three on her phone. "And they send these fucking blocks just to mess with me," - another swipe. Her hair sticks against the fresh gloss coating her lips. "It's literally just a waste of human-fucking-potential."

"It's a game for children," you offer.

"Then why is it marketed at adults, hm?" She's absolutely serious. "Sana plays it too."

"Mhmm," Sana agrees, not really agreeing at all. Her eyes are closed; you're sitting next to her, and she's taken up your leg as a makeshift pillow, lying down with her arm resting on her forehead, so casually disinterested in anything other than the quiet thrumming of your presence by her side.

It's insane that they're like this: like they're not constantly checking their phones for texts, like you don't all have lives. You're almost - dare you think - having a semi-regular conversation. Now If for a moment you could ignore how they both look like the human embodiment of sin-

"Miyeonie," Sana says.

"Sana," Miyeon returns, flat.

There's not even a movie playing on the living room TV - just the netflix menu; it's volume is at a sort of white noise. A subtle buzz clicks on in the air conditioner.

"You know how you're supposed to go out with that guy next weekend."

"You mean the date you set me up with." Miyeon pauses, tongue caught between her teeth. "Where I have to put on a pretty little dress. And smile. And laugh at all his jokes."

"You know the one."

Miyeon jumps on Sana's train of thought. "You want me to send you some pictures when it's over."

Sana turns it over in her head a few times. “Maybe,” she says, finally.

A genuine exchange perhaps. No fighting, no bullshit, no riptide of pure unbridled sexual frustration.

"Or," Sana adds, simply, "you skip the part where you sabotage the small talk and come back to our apartment." She blinks. "End up getting us both."

“You’re suggesting I’ve been ruining dates on purpose?” Miyeon, incredulous, runs her fingers through the hair at the top of her head, gentle, almost like an admission of guilt. "You're out of your mind. Why would I do that?"

The fragile peace never does last long. Sana looks at you again. Holds onto the eye roll. "Why, indeed."

"I don't follow," Miyeon says; something, a tic, a tell, causes the muscle in her brow to stutter.

"She's suggesting that you'd rather be in bed between us than on a date with some guy whose face we've only seen once," you cut in. Sana looks over. "It's come up a few times."

"Okay, so what?" Miyeon takes a breath. Her mouth a rictus twist. "You're trying to get me to admit it out loud? That I like to get fucked by my gorgeous bestfriend and her pinterest-board-of-a-boyfriend more than I'd like going to a mediocre concert downtown with some dipshit who just wants to see if I'll stick out this 'goddess' routine for a month or two and then bounce for someone else. Wow. Sherlock and Watson, coming through for the killshot. Take me straight to jail."

"We never got around to those cuffs," is what you make mention of. It's not particularly helpful.

"Don't pretend," Sana says instead, "you don’t like to play both sides. Or that the trad-wife fantasy of yours is somehow subtle."

“There's nothing shameful about knowing exactly who you are, or wanting something," Miyeon insists. She tilts her head towards the two of you. A different angle. Her words come out sharp and hot: "some of us have the decency to let our friends know exactly what they want."

“Okay.” You laugh out loud, half out of nervous habit. "Well obviously there’s some sort of rhythm here - I’m just not dumb enough to think I can put a finger on the pulse."

"Then this is, what, some sort of elaborate plot for my heart?" Miyeon's chuckling to herself, but in the space of a blink her voice is more tender. Her arms folding in close. "Is that the plan, finally catching me-"

"Next week." Sana sits up. "There's a trip coming up, something kind of international." She picks at the hem of her sweater, and looks at you.

“What the hell, exactly” - you card your hand through Sana’s hair - “does ‘kind of’ international entail?”

"Ms. Prada has a modeling campaign to attend," Miyeon intones. "She also needs someone to take care of the jetlag, is what I assume this is about."

Sana waves her hand in the air. "I'm saying we book you an extra ticket. Rent a room at a nice hotel. No work. No phones. Just us three, and the best sex you've ever had."

“I wasn’t even aware I was going to that,” you say - almost as an aside.

“You weren’t.” Sana leans more of herself into you. "You are now."

"Is this how you're going to woo me? The grand design?" Miyeon's hands are fiddling in her lap. Sana’s pressing in. Closer. "All the sex and leisure I could ever ask for?"

“It sounds ridiculous when you say out loud,” Sana answers, curling into her. “But, yeah, that’s pretty much it.”

Miyeon laughs like it’s a lost cause. Genuine, throaty - like music.

“Simplicity doesn’t have to be a bad thing, Miyeon.” Sana kisses her, slow. Quietly, "you could even pack a swimsuit," and there's this beat, the rise and fall of Miyeon's breathing that might lead anywhere: "though I doubt we touch the beach at all."

“You’re pulling on all my heartstrings, Sana.”

And there you are - etching your names onto the calendar. Reservations and bookings and promises of everything and anything and exactly where you all want to be.

It's Miyeon that finally admits, "you know part of me can’t resist the idea."

"Then, this weekend." Sana's fingertips trace circles on your hip, the tensing pull of muscle. You're aching and exhausted and content: drifting in the tide, a catch of the day, some soft, dreamy wave of consciousness, nothing specific, just the moment passing through all three of you.

But you do get it. There's this obvious snag in your heartbeat, too.

Because Sana is grinning; her fingertips, tapping. Your stomach's fluttering too. A little ghostly clutch of hope in your chest and it's such an embarrassing notion. You're getting swept away - pulled under - and it's Miyeon, splaying out beside Sana, her hand reaching out to you with her palm turned up. It's a promise, and the force of her can - and has - moved mountains.

"I pick the hotel," Miyeon's voice is deeply firm and sure. She’s got a fistful of Sana’s pajamas. "You two can sort out the lingerie."

Sana's mouth curves a perfect grin. She's kissing her again: wet. Heavy. It's not a no, if she was ever expecting one.

So that's your reality: what used to be two dalliances - separate but not distinct - now share one headspace, and there's enough rapport just in the group chat alone. You've all been messaging back-and-forth for weeks; Miyeon playing the game where she's the steady one in your life, the knot you're going to tie down when you can finally afford it (and in every way she can imagine). You find it entertaining. Sana seems mildly amused. And Miyeon will call you on the phone, sometimes. A chat-off. About nothing and everything. What you should bring on the trip. Where she's going to eat dinner before you meet her at the airport. Et cetera. Et cetera.

// Miyeon 1:21 AM > hey. I'm all finished packing. how's the bedroom looking?

// 1:26 AM > absolutely wrecked. no survivors

// Sana 1:27 AM > It’s fine. We stripped the sheets, got the box from the closet. Have the video you wanted as well. Call the laundry service in the morning and get the floor washed too. You know. So, nothing comes out of the security deposit.

// Miyeon 1:29 AM > a threesome that destroyed an apartment? say it isn't so

// Sana 1:34 AM > didn't hear you complain during.

// 1:38 AM > strict instructions, right?

And then sometimes, during those conversations, Miyeon will send an aside just for you:

// Miyeon 1:40 AM > strict? please. do whatever. I'm like so good at following instructions

That's Miyeon. The paradox of being submissive - you never, ever treat her gently. She never really wants you to. Sana's mid-reach over your chest to turn off the lights when she glances down at Miyeon's text, then promptly scoffs. The two of them don't always have the most conventional dialogue.

"She's one hundred percent serious by the way." Sana rolls on her side, away, but the nightlight beside the bed just manages to illuminate the slope of her ass - curved in the silk nightie she'd thrown on before bed. You want to crawl between the fabric.

"I never really doubted that. She's got a very specific... demeanor.”

“You’ve noticed.”

“Um,” you say. Sana’s turned over her shoulder to blink at you. “Kind of a dark streak. Like something in her is craving-"

"To be broken to pieces? Oh, it's fucking bliss for her when she's vulnerable and the tension cracks."

“I was going to phrase it a little more indirectly than that, but yes, I suppose that’s the gist of it.”

Sana shrugs.

"The girl lives to be chased is what it is.

It's just Sana and her perfect legs and smooth, creamy thighs right there, ready for you to touch, ready for you to fall apart over. They brush your calf, your thigh - so you are kind of distracted.

“And she feels most wanted when she's choking, getting used, right at the point she can't decide if another inch is gonna kill her or drive her up the wall. No air in her lungs, nothing under her own control." Sana flops, presses against your side, one leg tossed on top, arms curled around your neck. "Pretty obvious, all things considered."

"Sounds a bit familiar, no?" you tease, and reach back to draw her against the front of your body.

She curves, twists into your embrace. Her hair is half up, half down - wide eyed like a fantasy made manifest. You're always gonna give in, even when Sana doesn't deserve it.

"You get me. It’s the best. Please, go nuts with the idea."

“Huh, birds of a feather.”

“Sure, whatever,” Sana brushes a kiss against your cheek, presses back into your hips to feel your hard length strain between your boxers and her ass, softening only because, god, she's a real human fucking treasure, "so maybe Miyeon and I have a certain… similar temperment to us, maybe that's true."

"Yeah," you breathe. Your arms wrap around her, the heat in her core now evident from the outside. "That's what I've been saying."

Sana doesn't respond to that, not directly; her palms drag, smooth, over your fingers. "Fuck me to sleep," she suggests instead. "We've got an early flight."

And so you do. You'd pulled your cock from your shorts the second she pressed her ass into your waist and claimed her place as your other half, the little spoon. There's a few beats, a few breaths, where you'd rocked against her clumsily, lining yourself up, and she'd braced the two of you:

She'd arched her back, got an arm over her head to tangle a hand into your hair and keep you right where you were - your lips against her neck. Until it's just this soft-rhythm, all easy thrusts; one arm underneath her, the other around her hip, finding and spreading and - easily - gliding into her cunt.

Sana sighs a lovely sound right next to your ear: your name, some hushed curse. Her hand is wrenched back into whatever group of muscles she can find. And you listen to the gorgeous little tritone of oh shit, oh god, oh fuck when you make her cum. The displays of indulgent affection in her throat, then the ruddy mess of you working her to a wreck of pleasured exhaustion until she collapses into a hot-faced, sleepy daze. All cozy between the sheets, the duvet - you’d fucked her from the outside in; made her relieved and relaxed, all loose and calm. Sana curls into you with her moans still staining the cool side of her pillow and the snugness of her cunt wrapped around your cock.

You drift off just like that, snug inside her. Sana is, as always, impossibly warm.

On your phone, there are some choice text messages:

// Miyeon 2:18 AM > jesus

// Miyeon 2:18 AM > can you guys like please

// Miyeon 2:18 AM > PLEASE

// Miyeon 2:18 AM > fuck any quieter

Okay, so it's not perfect. But you're about ninety-percent sure Miyeon had used every fiber of her willpower not to float across the hall and take her spot between the both of you. And it's probably for the best. You feel pretty rough when the alarm starts blaring as it is.

The room Miyeon picks out isn’t exactly small, nor was she minding the purse strings. There's a wide expanse of living area, a massive bed in the back; the ensuite and bath beyond that has a walk-in shower large enough for all three of you and room left over. On the walls is gentrification-colored paint, a gray laminate flooring to match; there is not one speck of dust. It feels every bit the palace it is on the outside - the gables and mansard roofs and the Juliette balconies - gothic, or neoclassical. Something vaguely European, with all its rich furnishings and pristine fixtures to boot.

Sana and Miyeon step into the space with all the familiarity of royalty.

"Warm in here," says Sana, appraising; her black chiffon, nearly translucent, fans about her hips with each tiny sway. In her white pumps, she's already a perfect tease and she hasn't even touched herself yet. "Smells good, though."

Miyeon's heels echo behind her like gunshots against the floor, and it's really not ever fair the way a skirt wears her. "The listing said something about a hospitality kit, and essential oils - there should be a basket of things. Do you want me to start the water?"

"Let's settle in a little first," Sana suggests, and without any fanfare, the first thing she does is draw the gauzy curtain closed.

There's an itinerary; it's an ongoing event. Technically it all started in the airport terminal when Sana slung her arm around Miyeon's waist and her hand went straight down to her ass. She just gave it a little squeeze. In the moment, nothing terribly remarkable, but then again, Miyeon didn't tell her not to. They walked through security like that and picked out drinks together from a terminal cafe before doing a circuit, fingers linked. The way Sana looks at her now - Miyeon sees - is how she's always looked at her. That is maybe, the whole point.

"Come here."

Sana's tone is smooth as silk, her mouth an inviting pucker, gloss-dewy and delicious. The bow is even tied at the back: Sana's collar is fitted snug. It sits tight at the base of her neck with the silvery cord loose across her shoulder, knotted down near the apex of her spine. It's simple, classic. All soft fabric and no frill, with an absence that invites eyes and wandering fingertips: she hasn't worn a bra. No strap lines. Her body has the sweetest outline and the warmest curves and god, the skin she's not showing is as good as what she is.

"So," you say out loud. It hits you: there's no cameras, no urgency. No obligations. "We came all the way here just so Sana could have sex, huh."

It's really always about the two of them.

"Good sex," Sana corrects. The table next to her catches the flat of her palm as she settles herself against the surface, one leg crossing in front. The slit in her dress rises in the movement: enough of a hint at the soft thigh underneath. You see her do this every once in a while and her body doesn't lie; this is an implicit act of seduction. But when she looks back up, her smile goes shy and her voice follows suit: "I promised our princess that we'd spoil her a little."

You say, "she's right there," at the same time Sana adds- "which is kind of impossible when she's still wearing her clothes."

Miyeon makes a big, showy production of crossing her arms in a huff. You could do anything; flip a switch; knock her flat against the wall, and Sana would hold her down with a hand at her throat and a kiss her like fire and gasoline on her tongue and no one would have a single word to say to complain.

You could have. Would have. But Miyeon finds her fingertips on the ridge of her clavicle, the barest swipe. She pulls at the top button of her shirt and the seam unlatches: a single reveal, a gradual, fluid movement in the dip and fall of a one inch gap. Just enough skin to make you and Sana swallow.

"Oh?" Miyeon grins. She stares at you with that coy smirk, biting her lip; an invitation for a kiss. For a fuck. You cross the gap, with every intention of making good on it; only, Sana slips in behind her - stops her midway in undoing the next button - and places a hand on the nape of Miyeon's neck, cool.

"She really can be a brat, can't she."

"Only because she gets rewarded for it," you admit, and as soon as Sana touches her, Miyeon is looking up with that same face she gives you when she gets on her knees, ready to be just your little pet, your desperate, whimpering thing.

Sana leans into her ear: "maybe because she knows she can't stop thinking about you bending her over, every chance she gets. Isn’t that right, pretty girl?"

They've always been like this, you think. Growing up with money and cars and ski vacations in the Alps: that sort of thing. It's been a long, slow, build-up and this was always the payoff. It is, without a doubt, just the slightest taste of luxury. Sana pushes, and Miyeon turns up to her mouth with a slow, dangerous whisper. "Isn't it kinder to say it as it is, instead of dancing around it for weeks-"

"For months," corrects Sana, and then sliding into a far more generous tone, "mouths, fingers- or his cock?"

"Maybe," Miyeon lifts her chin like she's readying to kiss, "all three."

Her voice drips - purses her lips, and you're there again: at that fateful exchange. Everything about Miyeon has the power to sink its claws deep. Those heels on her dainty little feet, the stockings climbing along her thighs. Everything.

"Miyeon." That comes out harsher than you'd have thought.

"What can I say? I'm not a patient person." She's got that wild, starry-eyed look to her. You could tame her. You could dominate her - your throat is so dry. The room has the faint scent of citrus, like lemon rind and verbena - a kind of lightheadedness settling over you all. "So, why don't you..." She's blushing, holding her arm up as she skims a finger down this slow path along your torso, finally hooking it into the top of your pants. And now, it's very, very clear she isn't wearing a bra either. "Make things a bit easier."

There's an entire lexicon of everything you'd like to do, so it's best, maybe, that you settle for: "Sana, be a doll."

"Anything," she says; she doesn't hesitate. You like the easy give.

And it's kind of amazing. All three of you together and, sure, the way her fingertips tighten, sliding under the curve of Miyeon's chin and then pulling the linen shirt down from the backs of her shoulders - this is a choice you can all agree on. One that pulls on the elastic band hugging the cut of Miyeon's waist, makes the material drag and ride up the front of her legs. Her belly. Sana has the gift of being able to kiss so perfectly on the back of someone's neck that you could easily forget she can get a little mean, too.

"What is it, baby." Sana asks; a challenge, not a question. "Come on, love. You know it's true. Why don't you let me show him how sweetly you moan with just a pair of fingers in your cunt."

"Please do."

"You're practically wet just saying it. You want it that much." Her voice goes thin, then deep again: a stark contrast. "Show him the mess you've made."

Miyeon's hand is in all the way in your pants; you feel hot. Like the room's air conditioning should've kicked on a lifetime ago - you're trying not to think too much on the way her slender fingers start to wrap themselves around the shape of your cock and your mouth falls open, because she can just - fuck - do that-

They turn to each other like mirror images over the slope of Miyeon’s shoulder, exchanging some secretive wordlessness in the privacy of their smiles and soft, muted laughter. Miyeon's on the toes of those pretty pumps to lean in, closer, further, and Sana lets her.

Which is exactly how it happens: Miyeon kissing you. And she really kisses you, sweet, delicate - and somehow all-consuming. It sets off this chain reaction, a wildfire of unbridled desire: that thread in Sana that can be almost violent, and one that Miyeon always manages to bring to the surface of her skin. Because now Miyeon's gripped and pinned, and Sana, bless her, pulls the fabric of her own dress up over her head until she's naked alongside her. Working towards a common goal. Here's two hands. Here's two more. They're helping you out of your shirt. It's pretty easy from there. You're all unraveling together, just falling apart - Sana and you, working in tandem to unclasp the pearl snap buttons trailing up and down the sides of Miyeon's sinfully short skirt, peeling back the cotton. Miyeon holds the swell of your cock tight in one hand, pumping, while Sana rakes her nails over Miyeon's breasts; both girls taking off the final scraps until every article of clothing is tossed to the floor.

And Miyeon here is simply unbelievable. Your hands are all over her. Her razor-fine waist, her thighs. Her lips. Those soft tits, and that cute mole above her nipple. Because even her imperfections deserve the same lavish attention.

You kiss her, and kiss her, and you can't help thinking how filthy it feels. This wet mouth and tongue, everything you could want in the slide of her mouth - just, messy-perfect and a bit sloppy; how her whimpers leak out in soft, a tight inhale. You cup the side of her jaw as your hips grind into her and a low, uneven sound escapes you. Sana's small fingers wrap her ribs to grip a breast, knead the supple curve and supply her thumb to the indent. It's really, so soft, and warm, and then wet: your precum dribbling over her knuckles, rolling down. Miyeon has her head tilted to let her jaw lean into your palm - she smiles, and laughs like it's nothing - like you're not there, towering over her lithe little frame. Like the head of your cock isn't brushing into her bottom rib under all the twists and jerks of her wrist.

"Your cock is so hard," Miyeon threads into a sigh, in that throaty, almost melodic voice. And then she laughs because she knows exactly what it’ll fucking do to her. "And fucking heavy. I thought I was going to get a real good look earlier in the airport," she confesses.

"Let me guess." Sana presses a kiss to her temple from behind; a lull in the scene. You fuck yourself gently into the curl of her fist. "You've been thinking about it this whole time. About getting him inside you. With that naughty little mind of yours running at a million miles an hour. God, that must've been such a tease, getting stuck with just the thought while we sat through lunch, and the flight-"

"Don’t forget right now-" Miyeon presses in. Her breath is hot against your neck. "While we're talking."

"Princess," Sana says into her ear, and it makes her tip her head - until she’s revealing the pale skin of her neck. God, yeah; maybe she really is nobility. "I'd be hard-pressed to leave you wanting. Your body's all wound up for us."

"She's fucking soaked," you confirm, like you aren't pointing out the most obvious thing in the room.

Miyeon bites her lip; you're gripping your shaft, urging her wrist to go faster. "This is the part where you turn me inside-out, no?" Miyeon is a walking fucking cliche and she knows it, smiling all slyly with her teeth. She says it so damn casually: "so why isn’t my pussy getting any attention, really. I wonder, I wonder-"

"Trust me, neither of us are interested in teasing," Sana assures her. "We're going to fuck you until you can't remember your own name. And then we'll fuck you some more."

You push down hard on her collarbone, and in that same instant Sana drops her free hand below and runs the flats of her fingertips along the plane of Miyeon’s tummy - until Miyeon tilts her hips - everything else still, almost lazy. Her feet leave the floor and then come back down again. The momentum of the fall ends up being enough to jostle the three of you towards the nearest wall where Sana's back is kissing the cold drywall. And you're already there - pressed into both: Miyeon's palms flat against your chest as you haul her thighs around your waist.

Hoisted, lifted, cradled between you and your girlfriend - who by the way is inching two fingertips under the top of a lacy-banded thong, slipping beneath the white trim, to finally (oh, god) pull her hand away and slip it into Miyeon's parted mouth. "Look at you." A hum in her chest. "The most beautiful, perfect-"

(You push your cock into her, and hand to god, you swear Miyeon's voice breaks like a bottle over pavement.)

"And all for us- your slutty little pussy is already so wet- Miyeonie, we've barely even started.”

Just think. The code word system you've been employing for months - "We were actually thinking... if you're not doing anything else... what's the harm in the two of us getting more familiar with you." - has proved exceptionally reliable in getting Miyeon out of her clothes and into your lap, but here's where it all vanishes into thin air. Sana's mouth is hovering over Miyeon's shoulder; her body, caught between the two of you. And she's trading in on the implied permission to tell you more directly:

"She needs to cum all over that cock, babe. Fuck her pussy until she’s creaming, won't you."

"Right." You groan in tacit approval, hands holding firm onto the firm swell of her hips - that round little ass, the dimples you can feel the dip of, just under your thumbs. She's already thrown her arms up around the back of your neck when your cock slips inside her, to tug you in; this wordless begging: need, need, need.

It's not even a totally new sensation. Nor is it even the first you've ever been inside her, but god - Miyeon takes one deep breath, and on the second inhale, you sink another thick inch of your cock into her slippery slit: she's completely, gloriously bare, just this slick heat that only opens more and more and more. You draw back, thrust in, and there's this sopping sound, all wet press, into the soft muscle - you don't even remember pulling her panties to the side. But they're bunched into the crease of her thigh and that's rather convenient.

Her breath hitches as she slots down onto your shaft, again - in rhythm - like a total dream. "Fuck, that's so tight," she grates, her voice rough and gutted; something like, 'I cannot believe you feel this good.'

-and they groan in unison when you pick up speed. All of it. Together.

Because it's not just Miyeon's perfect cunt wrapping you up tight, squeezing and pulsing, even better on the backstroke - but it's the way Sana is catching your lips in the space over Miyeon’s shoulder. That you three can play each other with the promise that every last moan or gasp or the single, resounding thrill of pleasure will find a perfect partner: one for your mouth and one for Sana's fingers at Miyeon's collar bone, a tickle along her hip, pressing an insistent fingertip around and around in small circles, dipping into the give.

Her body's shaking so much through every push and pull. Fuck. She's so small - and you're the one filling her. Fucking her. Breaking her. Pressing two girls into the wall like you've earned the right. You're splitting Miyeon apart so that Sana can fill the spaces you leave empty and vice versa: and she's so, so desperate, the little noises she's making, "Please," like it hurts. "Fuck," like it's the best feeling. "Keep going, please, fuck- don't stop."

"See, baby? It feels better when you just give up, doesn't it?" Sana's got her fingers down further between Miyeon's thighs; you can see her swipe upwards. Hear the wet sound. She says, "there," into her ear. "Nice and slow, while he fucks that cunt, and I rub you like this, we want to keep making you feel good. So take what you need, hm. I don't hear you-"

"Oh my god," Miyeon moans. And she means it - feels herself dripping all over you. "I need it. I need it, I-"

"Come on, darling," Sana chuckles, soft and low in her ear.

"N-need," Miyeon chokes.

And what kind of idiot wouldn't take their palm off her breast, or undig their fingers from the round of her ass for even a second. It's having her in the palm of your hand. With one foot dangling against your thigh and the other tangled up above you, the stretch in Miyeon's body is entirely for the convenience of letting you fuck her to pieces.

"There it is," Sana is murmuring into your mouth again, and that’s a reward of its own, her wet, full kiss at the junction between Miyeon’s neck and shoulder as her thumb digs deeper into the curve of the girl’s thigh. You listen to Miyeon moan your own name, uttered like it was written by god and meant to form on her lips as it tumbles down through the ragged mess of pants and gasps.

“Fuck, baby-” You press harder. “Your pussy feels incredible- how you suck me right up like you're the good girl you love to pretend you are- like a perfect toy," you breathe, "-all nice and hot. Licking, swallowing around my cock, getting dicked out for my enjoyment-"

"Yeah, yes," she pants out, the total capitulation. "It feels so fucking good."

You feel the mindless, blissful roll. A rhythm in the give of her thighs as you slide home again and again. There's a clink from the bracelets on her wrists; her hair falling into her eyes; there's the sheer ecstasy written all over her pretty face when Sana reaches one hand to start drawing slow circles on her clit.

"You're just fucking me so god-damn-good." She’s breathless; you’re taking everything from her. The poise, the finesse, the dignity.

"Of course we are," Sana supplies, and it's fitting. You're both holding her up. You'll be the ones tearing her down.

Miyeon's arms tighten around the back of your head, arching, squeezing, and there's that feeling that always accompanies Miyeon: like she's completely melting you to her core and turning your brains into fucking mush. Everything from her tight little pussy to her breathtakingly pretty eyes to the way her spine flexes to meet the pitch of her voice - it's fucking ridiculous, that she's even real in the first place - let alone that your cock is buried so deep in her cunt you think you can hear her sob. Or that all five-foot-two of her is making these tiny desperate noises as you use the width of her hips to bounce her harder onto your cock.

Sana's long fingers slip and press - they're not touching anything except the swell of her pussy, just this ghostly brush of a light, almost chaste graze. It's enough: a touch like that, and fuck, another-

Miyeon cries out.

“I'm going to cum-"

"Say it again," Sana's whispering, "tell us what you need," and in a sort of coup-de-grace-style-of-climax, she bites at the skin over the top of Miyeon's jaw and slips a fingertip right onto her aching clit. Presses down. "You're such a fucking slut, Miyeon, such a gorgeous cocksleeve-"

"I-"

She's actually whimpering, the poor thing. Eyes squeezed shut, toes clenching; everything is trembling, tense with release. You’re fucking her into a puddle of a person, and she’s holding her lip between her teeth like it might do a goddamn thing. It makes sense; the tightness, and wet and heat is what she knows.

"Go on," Sana answers her, and it's like her words slice the voice in Miyeon’s throat to shreds, "cum all over his cock. So. Fucking. Good, baby," a hard push through every syllable as her teeth snag into the shell of her ear. She rides the boundary of degradation and downright debasement because she knows that’s how Miyeon will absolutely cum for her. For you, for both of you. "Do what you're fucking made for, and just take it, pretty, lovely, you can’t live a second without having his fat cock and my fingers in you, can you? You look like a filthy little angel like this, I swear."

You’re both on the same page, telling her over and over - shh, shh, you take that cock so well, feel that cock fuck you apart, baby, and all you have to do is cum - only, you’re paying homage to the title: you call her princess. Sana takes the opposite approach. Tells her, "you want everyone to know, don't you, what a goddamn fucking slut you are. You filthy, dirty little thing-"

It works. They both work, and so does everything else.

Your blood has gone totally hot. Like molten lava. Boiling over and about to spill.

The last thing Miyeon says: "Oh god - I'll be good, I'll do anything, I'll be your slut - Sana - anything-"

And it's one of the best lines to ever leave her mouth.

"-for this beautiful cock and these fucking perfect fingers, shit - fuck! Right there, right there, right-fucking-there-"

You fuck deeper, harder. The orgasm ripping through her muscles lets you leave marks and bruises you’ll be coming back to all weekend. Miyeon's face falls against the crook of your neck, mouth pressed there - you can feel every gasping inhale, the open-mouthed warmth of her body. It's you that whispers a shudder, half-voweled - "Miyeon," and she’s already there, so ready - it's kind of crazy how everything about this girl works so intricately and precise, like her very design was to take you to the hilt and melt all over your cock, because Miyeon's response comes as a mind-blanking:

"You can," a muffled whine in her throat. "Do it. Cum inside me. I want to-"

Sana’s eyes flare like she can feel that cable snapping, too. How your mind is all white noise. The torque of blood rushing through your head. You're thrusting deep into her well-fucked cunt with all the strength you can muster, your hips stuttering in the follow-through. When you catch the smile in her lips - the curl in her lips like she knows you’re about to spill everything, like the perfect siren’s call- you hear Sana over her shoulder: "fuck her. Use her. I think she wants to feel it in her fucking stomach - you know, the whole reason we’re here-"

You cum inside her - there’s no question - filling her tight hole up. Shit. You actually cum all over her too.

In fact, you manage to drag yourself all the way out from Miyeon, the wet quivers and hot aftershocks, all so Sana can get a good visual of how you’re fucking ruining her: the loose rope of white that streaks up her tummy, splaying out beneath her breasts. The absolute debauchery; it’s even more pornographic when your fist pumps another splatter of cum right onto the swollen lips of her pussy. Miyeon moaning on impact.

Sana supplies her own soft gasp, scraping the air past her teeth, tension hanging in the silence - and then you bury the rest of your load back inside her cunt.

And here's a feeling that's going to stick with you for a while. Beyond the fireworks in your pulse - the shake-ripple that leaves you with nothing, no muscles, no brain matter - you slide your cock through her cunt again, and again - just to feel how your cum pushes back out. And she's watching, she’s letting you watch: how messy she's become. Her tits. Her sweat-dewed thighs. How every second seems to bring its own unique ache.

Really, you’re left only with a near mental blank. “God, Miyeon-”

You have just the barest capacity to consider the way Miyeon's trembling frame clings hard - pulling her ass cheeks down flush against your hips - your thick cock completely seated, stuffing her fucking cunt as she goes weak and submissive. You hold her there, suspended as your orgasm softens inside her and Sana hums along your lips, the soft coos spilling into Miyeon's ear: "what a messy, nasty girl. Princess needs to be full and leaking everywhere, doesn't she. How many creampies do you think you're going to ask for?” Sana laughs. “How many will ever be enough? I hope he gave you something worth begging for."

It's not really surprising how a feeling can hook its teeth into you when you're cumming like that. Subjugating the deepest reach of her sopping cunt to fulfill your own filthy fantasy.

And look: Miyeon is soaked - soaked and wrecked and pliant. You kiss her and kiss her, and Sana kisses you, kisses her too, all of it muddled up - and your mouths are a mess. Your hands go into her hair, onto her ass; there's cum down her thighs and all over the floor. The smell of you three: her slicked arousal and your sweat and Sana's expensive perfume.

Here, come come - Sana is a flurry of activity; she's helping Miyeon out of her second heel after you'd fucked the first one off her foot without bothering to get the strap unhooked. There's her careful proclamation of, "thank god the walls aren't paper," as you practically carry Miyeon to the edge of the sofa, this dreamy vision of messy hair and a royally-befit-blush. In the whole world, not once has Miyeon looked like anything less than nobility.

And now's no different, really.

You sink down onto the plush, tufted fabric - a chair whose shape might confuse you if Sana hadn’t told you earlier it was explicitly built for fucking, or whatever it is you're doing. She's smiling at you, settling her face right onto your shoulder and peering up.

"Sana," she says wistfully, but looks right at you. "My legs are still a noodly-mess. Could you turn on the jets in the tub?"

"And leave the two of you unsupervised?" She jokes. "Never."

Miyeon sticks out her lip. Pouts, almost: "it'd just be a second."

"She's only asking for a minute," you add in.

Sana rolls her eyes. "And since you've suddenly turned into two hopeless idiots, it can't be trusted. If I'm drawing a bath," a flick of the gaze, "the least you can do is join me. A chance to recover if nothing else."

Miyeon, being Miyeon, has already dropped her face down to your lap, curling up with your cock at her lips. When she gets her first, tantalizing, almost chaste little swipe at the tip, she smiles all impressed with herself. With those big brown eyes, her fingertips skating delicately along your stomach, and her dark lashes beating slow - all of Miyeon, right now, is on purpose, calculated. Precise.

Her voice is even worse: "she wants her own go first, don't you think?"

Sana watches where your fingers thread into the ends of Miyeon's silky hair, just the gentlest twist and tug. How you have her mouth ready and open, waiting; how Miyeon glances over for approval.

"Well," Sana turns a cheek, "he's already so worked up." Her dark eyes look towards you - a mock frown. "I don't know if we can convince him otherwise."

Miyeon's throat clicks - she's not choking yet, but left to her own devices, she will be. Her expression melts into an almost-gasp as your cock fills the empty space in her mouth. There's that plush little gag as she opens, lips wet. You rock your hips, and then you get to watch her nose kiss the trail leading up the smooth plane of your belly.

"I could go for a soak," you admit, with Miyeon drooling on your cock.

Because Sana's doing that thing where she turns around, has the smug look over her shoulder. Makes a slow, teasing movement that leads your eyes from her pretty face all the way down the cut of her back, until finally she's pushing the soft waves of her hair into one hand so that her ass is perfectly presented-

And jesus, sure: the sloping hips, the inviting lines - the sharp points and soft edges, where she is and isn't; her cupped fingers come up to her own chest, just to show off the heft of her tits, hanging heavy. Everything is sensually posed. You're only a little bit mesmerized. Her figure has always had the cut of a pinup model. Curves like a siren. Her waist to hip ratio is - oh-fucking-kay, maybe you could do it right now - bend her in half - get her fucking sobbing until you kiss her quiet and cum so deep in her cunt it's all she can think about for days-

You realize then you're pulling too hard on Miyeon’s hair.

Not meaning to, or maybe too eager.

Hey, you have a pretty girl sucking life back into your cock and one more giving you bedroom eyes from across the room all ready to sit on it; you never said you weren't trying your best.

"Careful, honey. I'm getting impatient." Sana's hand traces the wallpaper trim in the hall, a sweeping path; a vague reminder as she disappears down and around the corner. You hear the squeak of the faucet and then the sound of her light footsteps. And then it's just an echoey and unapologetic, "one day I might not let you have all the fun," followed by, "my goodness-"

Sana, appraising her reflection in all likelihood. All bright smiles

You turn back to find a second set of eyes staring back, full of hunger, as a wet, messy heat wraps around the base of your shaft and follows to the top with the flutter of her tongue - and then all the way to the back of that tempting throat. Miyeon's moving at the tempo you'd put her at. You appreciate that. But you lift her jaw and hold the side of her face so she's looking straight at you - and as soon as you pop yourself out from between her lips, you say, "you'll let me taste Sana, too, won't you, baby?"

(Miyeon's never been good at saying no - to anything. That doesn't change here in the slightest.)

The way you laugh is easy and sweet. You kiss the space over her temple. "We've always been in this together, Miyeon," a soft tease. "Go ask her nicely, and I bet she lets you clean me up," before adding, "maybe, after you lick all the cum out of my girlfriend's tight ass."

And Miyeon simply grins. The promise of that sloppy fucking mess. She's ruined herself time and time again over far less.

"Oh," she says, "you know how good I look with cum dripping down my chin.”

It's kind of impressive how shameless she can be. So fucking blase - what are friends for, anyway.

“Shall we?"

You scoop Miyeon right up into your arms and, upon standing, swing her little body around in front of you. And she knows that's the sort of thing she shouldn't enjoy: being manhandled, told what to do, having someone lift the choice off her shoulders like that - but that doesn't stop her from tangling herself up around your neck and tilting her hips back into you in that playful-fake, overly innocent-cute mien - where she says in this tiny whisper, "are we, you think?"

Your mouth lands on her ear, nips the softness there, "behave yourself, sweetheart."

And then a low, breathless laugh escapes her: "when's the last time that was even an option."

(For the record, the answer is never, and you're probably actually so fucked - it's kind of hilarious to look back at it, and think, because how could any two people who have spent as many weeks (months) as you, putting all the right pieces into the right places, get all the stars align at once? The idea that the three of you are hooking up and nobody's getting hurt, murdered or hung out to dry is statistically improbable; and the likelihood that anyone in this presidential suite will survive the weekend without breaking at least four limbs in various places is rapidly dropping with each passing hour. You've been taking the old adage and clutching it against your chest -

It can't be a sin, if it makes you happy.)

Past the door, the first thing you notice is that Sana's hair is all pinned up. Always pretty like that.

However it doesn't change the picture a whole lot. A few inches more bare skin isn't exactly a big difference when there's the whole, naked, porcelain expanse that spans the soft length of her shoulders, along her hips and waist, and runs to her feet. It's still kind of incredible. The hourglass shaped silhouette. All the natural curves finding relief in the right places. Model-esque, that sort of thing. And, yes: her tits, the absolute heaven-sent frame of her ass and those amazing legs.

It goes without saying.

She's there with her back arched, an arm perched on the granite of the counter. So relaxed. An elegance only afforded to the very lucky or the very rich. She lets her head fall back, the fine curve of her chin canting above a neck that you would've been biting kisses into just moments ago if she hadn't put herself in full profile to take your breath away.

"Show off," Miyeon mumbles, and then whispers to you, "sorry. My body can't do that, like-" she indicates - with a weird wobbly hand gesture, about the height of Sana's pelvis. "Whatever that is."

Sana tilts her head forward and meets the glance you give her reflection.

"Hmm," is her eloquent contribution to the airy room, woven into the pitter-patter of bathwater, lapping at the surface. "Now why am I left to wonder why there's no one making good on my requests, huh."

You cross the space; get close. And Miyeon stays curled up against you, doesn't let you slip away as you walk over, doesn't let go. She kisses the front of your shoulder, hums softly.

"My bad," You say. It's very believable. You sound a bit winded; kind of a wreck, but your sincerity shines through in that sort of 'I'll fuck it better' kind of way.

"Excuses, excuses." A dismissive shrug. "The water's perfect. But if you insist," and the sultry drop of Sana's eyelashes is deliberate, an invitation. Her breath is caught as your mouth finds the space between her neck and shoulder blade - the place where she's gone all pink, "I'd hardly pass up the chance for you both to eat my pussy first."

And look: it's not a lie, per se, but the natural instinct for Miyeon-logic is just to provide the justification, "the faster we get you a cumming, squirming, desperate mess-" her hand slips to cup the junction of her jaw and the crook of her throat. "-the sooner it'll be 'til he fucks me senseless again."

"We have a long way to go to get even, sweetie," argues Sana. "Last time, you were both pretty self-absorbed."

"We'd never ignore you on purpose," you whisper into the crook of her neck, and Sana turns to let you follow that deep, velvety mouth as the kiss flows across her lips. "You're absolutely necessary."

"Only by accident, then. That's a little bit worse," snarks Sana. The reprimand dies down into something soft as Miyeon lets her tongue trail flat over a nipple. She shudders.

"If I keep going, maybe you can forgive us?" You watch her eyelids flutter open, a haze of ecstasy passing behind her eyes. You keep an arm at her hip, wrap around and press flat until her whole flat tummy is pinned against your cock.

"Mmm," Sana hums. It's that sultry note she likes to let trail from the very end of her throat. "Ask me again after you get me off. But slowly: I want to savor every detail."

Miyeon traces kisses across Sana's rib until your girlfriend presses two wet fingers to her mouth. Easy.

"Then you should probably do something about her," you say, and - as if in agreement - Sana twists her hand into the cascades of her Miyeon's hair. You lean into her shoulder. She sighs; exhales, deeply, while her back is shimmying further backwards into the countertop.

"And you should help her make it up to me," Sana chimes, her voice clear and melodic, every inflection playing right at home in her vocal cords. "Two mouths are better than one, and I have so many other places you should be kissing."

Sana has a verifiable gravitas, for one, and when she's not hiding in plain sight behind the bubbly-bright act she likes to put on, it's nearly impossible not to fall in line behind her. This isn't to say you couldn't win her over either; it's a pretty small crowd here. But you choose one direction and watch her skin pink up and turn to red; you grab a wrist and it goes cold and white. Every last part of her is so damn expressive. The point is that she doesn't need you to make a fool out of yourself to know you're into her - or vice versa.

(Or. You're such a goddamn sucker, as Miyeon likes to remind you with a scoff, a little eye-roll, and then her hands on your belt. At least, before everything else: the knowing smirk, the dangerous suggestion).

You let your fingers find the backs of Sana's thighs as she spreads her knees apart, and there, you're reminded of the one thing. That of all the ways these two girls are identical, you've never found a comparison that really works. Not by any useful measure.

Miyeon has all the softer features: a bit dainty, the doe eyes and the lone dimple, like a doll with an aw-so-cute factor, whereas Sana is all sharp, clean angles; the sculpted muscle in her calves and thighs, the firmness and muscle underneath - which, yeah, definitely not the worst trade off. Don't get it confused, both girls crave your approval; both prefer when things get rough and sloppy. Describing either as anything but the most submissive holy-shit-take-me-now-I-need-you type, when put under the slightest pressure is laughable.

Not when Miyeon lets you use her like a toy. Or when Sana tells you exactly what you need to do to fuck a baby into her (hypothetically speaking; she gets a little silly and dumb around the edges whenever she's about to cum and her brain starts tripping over her tongue). Neither will hesitate when given the option of having your hand on the side of their throat, pinning their wrists to the headboard or the shower wall, fucking them until they go liquid and collapse in your arms, shivering, whimpering and begging, their pussies pulsing around your cock. In fact, there's really no hard or fast rule at all. But here, you recognize, is a great point of difference -

"Baby," you murmur into the inside of Sana's thigh. You leave a mark with your lips that you’ll come back to. "So. Fucking. Gorgeous-" right as Miyeon starts pressing her mouth against her cunt. "Aren't you, baby? The most beautiful girl. And all of this is just mine?"

Listen - the praise kink your girl has is actually pretty textbook: Sana wants to be called sweet, she wants to be complimented, rewarded, and all that good stuff; she wants you to talk to her the way everyone who sees a flash of her skin or a sway of her hips wants to - the best parts of adulation, arousal, love, without any of the side-eye of it being totally obscured in a crowded venue.

Direct.

To the point.

She wants to hear each and every you're sexy, you look hot, your ass drives me crazy. She wants it on the gruff in your voice, how it gets a little rough at the edges. Tell me you're mine. You make me so hard. This is just the very essence of who Sana is, and you have learned that you need to give as well as take: feed her a tiny ego boosting here and there, and she will completely throw herself at you in return.

Miyeon watches you run your tongue over her cunt like she’s taking notes, and it’s clear you’re more than prepared to give it all up to her. There's always been this veneration, this reverence for every inch of her, a pull towards her - her eyes, her mouth, her wrists, her long beautiful legs, the place where the skin of her thighs meets - you've always had this insane fascination with Sana, this need to know what she'd taste like or sound like. At any given moment.

"Oh," Sana pushes Miyeon closer, moaning. "Yours. So yours, baby."

The moment you both have your tongues working at her - tasting, the sweetness of her dripping down onto both of your faces, making you lick your lips and kiss each other so Sana gets to watch - Miyeon hums approvingly. Lets out this very performative, "isn't she just the best?"

And it isn’t that you can't find the right word - divine, wonderful, heaven, incredible, without any flaw - there just isn't much room to read into the fact that you and Miyeon are both sunk to your knees on the bathmat, kneeling in worship, in adoration - sucking on Sana's clit. The imagery sells itself.

"We'd never forget the important things," Miyeon continues, dreamily.

She's trading with you the folds of Sana's dripping pussy and the outline of her lips for her thigh. You pick up where she leaves off, and that earns you Sana's hand raking through the back of your hair, pressing you so close you can hear her heartbeat in her pulse; her blood burning through the very spot.

“That's how you make me feel, baby: so fucking good. Amazing." You taste it. You chase it. There is nothing like her cum filling your mouth. "Pretty. Mine. All mine."

“Yeah, okay - sure - that feels really fucking good.”

Sana's orgasms always start slow; a slight adjustment of her hips, the rub of one calf against the other, she's never been the quiet type but there's not quite the screaming or yelling just yet. Her jaw is set.

"You're, uh-," she adds, failing at anything else.

Miyeon tries for it. That edge of danger; not in pain or frustration, but, "there you go, sweetie: you sound so fucking pretty when you're worked up. Just tell us - the words, we need the words to make it good, baby."

"Fine," says Sana, tilting her head down, breathing deeply, and she makes a sound that's neither a whimper nor a laugh, but a crossroads of both. "Right there, oh my god, you are so fucking dangerous, holy shit. Oh, please. Please. You two- just, please, don't you dare- just a little bit - mmm. Why do you have to be so good at that?"

"Right?" Miyeon laughs out loud - like you're the one missing a vital point, like it's your fault your face is buried in her folds. “I used to think guys just didn’t like doing it. And then, well-"

And you drag your tongue flat and up over her pussy, right through that whole slicked up slit, your fingers still pumping in and out, and then you flick it just hard enough to-

"-yeah," she huffs, panting.

Miyeon presses her thumb into the mess of Sana's cunt, and it causes Sana's whole body to shudder apart - you lift your face to breathe, or to promise, "we can go for hours if you want, taking turns making you cum," before pressing into her again, and Sana's only got so much patience and stamina when you're two steps ahead of the curve, because her legs are practically going to wobble off her body.

"Poor, pretty baby," Miyeon murmurs against her, and she's talking like she’s taken all the control now. Operating in that cycle of push and pull.

And to her point: Sana is whining, gasping - every bit as hot and bothered and needy. She's whispering please and not giving up her requests.

"Fuck. Okay, sorry-” she apologizes. For some reason.

Your nose keeps getting bumped, her cunt is grinding down into your chin. That is fine. If it keeps on like this, your whole face will be soaking wet.

"I'm going to just- going to go ahead and cum, I think- so fucking. Yeah, keep on going just like, shit, please: my pussy is fucking throbbing."

This is the easy part, if you've read the rest right. If the hours and the minutes, and all the passing days: you know which direction the pieces are about to fall.

Sana arches her spine, rolls her hips into your face, and when you swirl your tongue all over the wet heat at her core, the sound she makes is music: low, throaty and delicate. Your mouth is attached to her clit still when you look up over the hand you have steadying each tremble in her diaphragm. And possibly as a sort of vengeful maneuver, Miyeon is shoving two fingers under your jaw and far enough into Sana's pussy that each curl of a knuckle is all that’s left to find Sana cumming right onto your mouth, your chin.

She wants to scream, to cry out, but her mouth joins her face, in that frozen expression of anguish, of an absolute that perfect pleasure.

"Shh, shh, it's okay," Miyeon consoles, standing up, leaning in - close, really, impossibly close; she presses their foreheads together, murmuring against Sana's ear, whispering what-do-you-need, there you go. Baby, that was perfect. They each know the song and dance. They can shamelessly recite each other's lines. Miyeon slides an arm to the small of Sana's back, one across her shoulders, and Sana leans against her with this gorgeous look of a perfect, mind-numbing orgasm on her face, her eyes bright, her lashes fluttering - a sheen of sweat across her forehead; your stomach falls and bottoms out; you can't not be fucking attracted to these two. Miyeon smooths down her hair, reassuring her. Her hand reaches lower, wraps around her, pulls.

The bath is well filled at this point, water near overflowing, and Sana is equally fucking soaked. This storm of wet and hot beneath your lips. You clean her off with the broad stroke of your tongue and don't spill a drop, because the noise she's making - it sounds like rapture, ecstasy. She's half-delirious, panting, with her hands gripping the sides of your head.

"Where," she gasps, trying her damnedest. You have the best girls in the world, you really fucking do. Miyeon rubs the heel of her palm against the soaked, red hood of her cunt. Sana lets out a sound halfway between a gasp and a groan; the arch of her hips chasing Miyeon's touch; "you, are you two - god damn, if I hadn't already-"

"Shhh. My poor girl. You're not thinking about his cock just yet," and those are Miyeon's slender fingers coaxing your jaw free from Sana's cunt, prying her free from you so she can sit alone at her throne. "They always keep lube in these kind of places," Miyeon reaches into a drawer, fumbling about. It takes a moment for it to register that she's actually talking to you. "It usually looks like some body oil, you know the nice massage kind, in these tiny bottles. Help me look, will you?"

It does not take long - hotel management understands what these rooms are for. The scandal and the romance and everything in between. Because Miyeon finds what she’s looking for in the next drawer down: a sample-sized container of massage oil, something slippery and organic. It smells vaguely of lavender.

"Look at me," Miyeon tells you, and Sana is absolutely listening along too. It's all very seamless: Sana and then Miyeon. All the synchronized parts. Their signals have some sort of feedback even if you're not always actively aware of the things they pass back and forth.

Miyeon guides Sana onto her shaky legs, turns her toward you - So you swallow, hard, and run your thumbs into the crease of her ass - you're kneeling, still, still totally naked and wet all around the jaw. "Eat her ass, and I'll keep her cumming until she can't feel anything else."

You shift your weight and run a kiss along the tender skin at the back of Sana’s thigh. The contact has her bracing a hand on the counter for support.

“And then-” Miyeon says, with a gleam in her eyes like she knows what the fuck she wants. She slides back down to the floor until Sana is pinned between a rock and a hard place. Her two favorite people in the world: namely, your hands gripping Sana's hips, and Miyeon's tongue all over the aching little clit you'd just had your mouth wrapped around moments ago.

"And then?" you provide, hovering a kiss onto the beautiful round of Sana's ass. Her fucking cheek. You have to slap it. Just a little. And when you watch it ripple back and forth with your handprint there, a spot of pink already blooming, well, she has to be giving you a sultry look that demands to know when it is exactly that you are going to stick your cock inside of her, and it is absolutely just impossible to look anywhere else.

"And then," Miyeon supplies, "we're going get that beautiful cock in her ass so you can fuck her brains to mush."

"Thanks I guess, for the explicit permission," you scoff, and here you drop your lips, trail them into the crack of Sana's ass, up and down, teasing the taut stretch of her hole with the tip of your tongue.

"Someone has to take responsibility for-," she pulls on Sana's leg and stretches it forward, repositions her ever so slightly. She sucks Sana's clit into her mouth with an exaggerated sort of satisfaction.

You wait for Miyeon to continue, and then realize with the unshakeable notion: she isn't going to, because it's too damn much trouble. There is no reason to pull apart the premise and not the girl straddled between your faces. The only option is to follow her lead, and to worship Sana. To trace every crevice of her, lick between her ass and the sensitive, clenching heat of her pussy.

"Can we, like, take a timeout-" Sana's mouth is slurring into the skin of her forearm. Her upper thighs are quaking, quivering as you sink your teeth in. Her head's gone all heavy as a slutty little moan rings out and straight down her lungs.

And maybe the realization is setting in. You and Miyeon are going to fuck her until you all can't think - until you're nothing but primal urges, nothing but bodies with beating, pounding hearts; and every thought in Sana's head will be to the two of you; to Miyeon, whose hand finds the front of Sana's stomach and guides her pelvis into rolling forward and grinding into her mouth, to you, with your tongue lathering and lapping at her asshole, and running your hands around her hips until her whole body's shaking, "oh fuck, my god-"

(The writing is on the wall. You and Miyeon are going to fuck her until none of you know where you end, where the other begins.)

Sana tries again, and the question ends in a deep, rumbling, "don't you want, Miyeon, wouldn't you rather just really, fucking love, having his thick cock stretch you apart," - she swallows - and when she glances behind her back and finds you watching her, there is just pure, unadulterated arousal burning through her eyelashes, over the flare of her ass.

You catch the fucking bow of her lower lip wobbling as she adds, a little more pointed and a lot more determined, "when you're, fuck, begging and screaming for his load? To be his cumdump, his little bitch," it's like she's got her heart set, and her mouth can't stop moving fast enough, and "to do whatever he wants just because it makes you look and feel so damn hot?"

You can hear Miyeon's mouth smacking with the way it works, the way she is swallowing, gasping. You can hear the sound she makes when her mouth goes loose, and says, agreeing, "you're going to love it Sana, every god-damn-inch, you always do" and Sana is falling apart again into your grip, moaning, and then "it's so much better. All the stretch, that tightness. But she needs your fingers first.

You can hear Sana gasping too, dripping a mess into the place where her pussy and ass meet. Miyeon licks a wide strip from her core all the way up and kisses it. Lick. Kiss, lick - her hands pulling Sana closer by the hip - kiss, kiss, lick - pulling her mouth around your girl's clit. So close to the place in Sana's bubbly cheeks, where your mouth supplies long sucks and soft kisses - so close you can practically taste the scented flavor in Miyeon's lip gloss.

"I can't- shit. Hold on, guys," Sana whispers. It's her nails scraping against the granite. "You need to-" and then the loud, dull thwap of her knee knocking into the cabinet.

She's cumming again - this time, loud and guttural, but another really beautiful sound - her cunt pulsing hard into nothing while the air hangs in limbo, Miyeon's tongue circling her clit, your palms around Sana's beautiful, round ass. You're half convinced they'd be fine with being locked away in some tower. Forget the world and its obligations. Or, rather: let the world stop spinning; leave only this.

There is not much talking from then on.

Mostly whining, whimpers and pleas to: not stop, yes, there, yes, please, fuck, and Miyeon wraps her fingers around you - almost the same thing she did when you were pumping your cum into her quivering cunt earlier, asking, please, may I-?

Sana bends herself over the counter, like something instinctual. The perfect bend and arch in her spine, the bow of her knees and the press of her thighs. Inviting, pleading. You can feel the tingle, the stiff tension in the muscles, when you reach out and lift her ass; it gives so easily to your touch. Your palm, her cheeks. There's a beautiful flush as the pink starts to run, fade, and reappear along her back, and - fuck, okay, seriously-

Miyeon's there, kneeling next to you: stroking her fingers up your length. She’s kissing you too. It’s hard to think.

But the sound of the cap coming off the bottle comes like an alarm clock, pulling you out of a dream.

Miyeon sits on her heels, smiling into the press of your lips as the bottle she procured tips out. Clear, viscous and smooth into her palm. When it becomes a lot of dripping; she swirls it against your cock - her knuckles wrapped around you, running and twisting into every curve, sliding her whole grip with long, calculated strokes.

"I don't think she's in any condition to keep a tally," Miyeon announces, "so, why don't you decide?"

"Meaning?" you're panting; your brain keeps working to formulate complete thoughts.

"Meaning," she slips her tongue against yours, slides her teeth and draws into your lower lip, "you should totally pound her gorgeously tight little ass" - another kiss, mostly on your lower lip; almost a bite - "and then you should dump that massive load of yours" - a shudder rolls through her shoulder and leaves a whisper in her wake - "right inside mine."

There are about eight thousand words in the English language but what you say is, "fuck."

Because she's right: Sana is blathering the moment you stand up and let your hands reach around, grab hold of her full, rounded hips. She’s not in any state to protest or complain about matters of equality or correspondence. Her lips and tongue are barely even fit to say anything but yes-yes-please-anything, oh god.

Which, okay, whatever: of course, whatever the fuck she needs - whatever they need - you pull at her hips until it's there, your cock sandwiched between those full, warm ass-cheeks, the perfect amount of pressure to get you so fucking hot, and Sana's not shy about rolling her hips to keep you pressed to the surface, rocking into your balls until her cunt's making slick, wet, hungry noises and she's just one endless, groaning moan.

"Love feeling your cock," Sana mutters; and there is a, "please, fuck me, baby- please?" thrown in for good measure.

"Please do, you're like - you're like ridiculously gifted," Miyeon adds, always the right touch of caustic.

"-please."

Sana's eloquence is short lived, because the second you give her ass a squeeze and Miyeon presses her thumb against Sana's cunt, her voice catches on her throat.

She sounds perfectly winded, completely out of breath, a tiny, sexed-up growl running through the notes as she speaks to her reflection in the mirror. Miyeon laughs. She can hardly get her own shit together when you lean up and grab a breast in hand, or start leaving slow-but-steady bite marks along the back of her shoulder blades; like it's all-too funny when you pin Sana to the counter until she starts to beg in that please, please, please tone: when every syllable and gasp is hitched and short.

"She doesn't want gentle," Miyeon tuts, finding her place next to Sana, holding her chin in her hands and catching the expression on her face. She presses a thumb into Sana's mouth for no reason other than: they're so soft. Wet. Pink and full, parted around her fingertip. "Isn't that right, baby?"

Your gaze follows their hips, swaying. And from this angle: identical. The hair, the jawline, the arch of the throat and shoulders, the elegant twist and fold of their limbs, the eyes, the blush, the smile, and the legs. They don't have to look exactly the same: their presence is near identical - Miyeon's the cuter one, sure. It's been established, but fuck, the look on Sana's face as you spread her asshole with just a finger is fucking dangerous. You're going to lose your mind. Both the flat tummies and the beautiful breasts and their matching hard nipples - and the fucking two best asses the world has ever seen. A line up over the counter: Miyeon and Sana, side by side; their reflections looking at you in tandem, wearing these same expressions. The eyes begging, asking and insisting, the pouting lower-lip and the glassy sheen of their eyelashes.

You tell them: "how am I supposed to" - you run the thick-glistening head of your cock along the pucker of Sana’s tight ass, grind your hips into the friction - "focus when you two look at me like that?”

"Um, just give up," says Miyeon, grinning; and then, when your jaw snaps closed and there's the obvious shift of your hips as your length strains through your body's need and pulls you closer to that incredible, tight, dark hole: "god, there you go. That is so fucking hot."

So, it's just like this:

They watch each other. The mirror is right there; every want, every motion.

And then, yeah, a low and throaty, "is that it?" - Sana nods into Miyeon's hand and smiles, with just the slightest hint of something that could resemble a blush - "why we always come back to him? Because, really-"

"Mmm." Sana hums agreement, dazed and drunk in her words, the slow breath of air you push out of her chest as your cock starts to sink in; the deeper the intrusion, the lower your names become - just murmurs and sighs and sounds: "god, yes, god-"

Her pussy starts to drip onto the tiles, her slick collecting at Miyeon's knees as Sana takes you all the way: and you hold, once you're all the way in; once that gorgeous little puckered rim has stretched around your entire width; there's just the smell of the room; lavender and rose and citrus - Sana's endless arousal - and you hold, and hold on tight - and your muscles shiver as Sana draws the first rocking motion of her hips.

The smallest, lightest grind.

"Jesus fucking christ," you curse, because the heat around your cock is excruciatingly tight. A slow-burning, tingling-aching pleasure as the flesh inside Sana's ass moves up and down the length, drawing out inch by inch of skin - until your entire cock is nearly pulled out.

You're the one that drives all the way back in.

Sana gasps. She runs her hand through her hair. She tries her damndest to remember what words are, clearly coming up empty.

"Baby." Miyeon is kissing her forehead, her nose, her lips, and coos praises in her ear. She sinks her fingers into the curve of Sana's immaculate ass, pulling on the soft cheek, showing-

You are speechless. It's just: that next stroke. And another. Your cock slipping in and out with each pass, so easy once Sana sighs, licks her lips and leans into your rhythm, there, all at once and then faster. And she looks in the mirror, because of course; of course she watches Miyeon run her hand all over her front, the perfect tits and a pretty stomach - your thrusting keeps up until every thrust has her hips rolling forward and snapping back, chasing her own momentum; chasing that thick, hard, stretch of cock and that beautiful pleasure-pain as the force and pace rocks her, pounds her so her entire body has to curl against Miyeon's chest for support, so that she's going a little weak in the knees.

"How is he?" Miyeon's tone gets wicked in these situations, a lot less innocent. She gets excited, giddy. "Pretty, handsome, stupidly attractive," her voice picks up a playful lilt, and she gets you grinning - it's only the start. "And he's all yours. But how's the cock, huh? He's gaping your ass so pretty. Your hole is so fucking open around him. It looks incredible, doesn't it?"

Sana reaches for the side of her ass, presses her fingertips to her skin: pulls and splits a fingernail into the tender flesh where her ass and thigh meet - right above her cunt. You snap your hips into hers and watch your cock disappear. Every motion gives, slurps and sucks until you're hilted inside her.

"Feels, mmmm - fuck." Her chest is fluttering, every part of her so fucking flushed, her blood running beneath the surface so every single inch of her skin is saturated with her own need, her want.

"Feels so good," you growl, your vision gone dark around the edges. Miyeon's there, vaguely, smirking into Sana's jaw, licking at the sweat, scraping her teeth along the skin to bite down, pull- "she's so fucking tight. Gripping the hell out of my cock. Like, it feels unbelievable, you know."

"Babe," she cries, though you give her no respite - you use that little sliver of slack and pull out far enough that she'll know it when your cock is hammering into her ass, a little more aggressive, and you start with quick, hard pumps that echo throughout the room - not for your pleasure or hers: just to hear it, listen, you're driving up so far into that perfect, gorgeous ass that it sends her tits rocking and rolling with every bounce of her chest; her moans, her babbling incoherence, are, again - it's like a drug - and Miyeon's smiling. And also, getting herself off.

"So pretty," Miyeon says into her temple, "with his cock fucking open your ass." And she has her fingers swirling, swirling, in little patterns around her cunt, grazing over a wet clit, like the way you're pounding Sana's ass and dismantling her whole consciousness is absolutely the most arousing thing ever, like Miyeon could stay and watch forever, like Sana's the most beautiful person in the world, and Miyeon would be right here with her every second - whispering praise in her ears - "god, babe, if I could, I would never pull his cock out. You take him so well, don't you? You're just made for it. He could stretch you out over and over and we could, you know - be fucked silly - no thinking - for, like, forever. All day long."

Sana's fingers claw, gripping at the bowl of the sink, while Miyeon has her hand glued to her clit, playing herself.

Miyeon doesn't wait - but she asks anyway - and of course: she's leaning up, in, nuzzling Sana and saying: "yes?"

"So," is all Sana gets out before gasping, because the sight, it's too much to not let yourself feel a little power drunk, and there is a sudden thrust that practically turns the poor girl's voice into a croak. "Yes. Fuck - fuck-"

You don't really have any clue where this is coming from but: "Miyeon, here, take this cock. Come get what's yours you fucking cocktease," and, whatever - who needs thoughts? Your girlfriend's already bent over the bathroom counter, your fingers holding the smooth curves of her ass apart, her beautiful body opened all up and pink.

Miyeon ruffles her hair as she finds the perfect angle, knees knocked up against the drawers, and she's got more oil spread onto her own puckered rim.

You know your girls: Sana is desperate for your cock, Miyeon lives to be used.

"I love how fucking cock-drunk she gets," Miyeon laughs, and then - the moment you've shifted from one gorgeous hole to the other - her mouth slackens, her eyelashes flutter: "shit. Holy - didn't really realize- oh wow."

"Kinda distracting?" you tease, knowing full well you're just going to lose your own words; watching a gorgeous ass swallow your cock; being told to keep giving and take, just as much: the warmth in your own core, your cunt, clenching hard - an aching pulse - the excitement coursing through your veins and this, this whole sensation of being connected: your bodies, all-encompassing and present, three whole units, joining at the hips, being forced back together-

"-you feel fucking, so tight. That's how the fucking joke goes, right?" Miyeon manages: to talk, still, even with a cock in her ass and your teeth and tongue painting pretty marks up the ridges of her spine.

Sana is catching her breath, brushing her fingers through her hair staring wistfully.

"Gives you two so much to talk about."

"Now don't even start- I really like it, alright."

Sana gives her ass the worst slap but your balls hit her cunt on the following thrust. Miyeon's so fucking tight you can barely breath. And her laughter tinkers off into a very pretty string of obscene moans from the way your cock spears into her, all at once: the flat, wet, throbbing sounds of a tight ass taking a thick cock without stopping, stretching and sliding with an increasing ease the longer it goes on for, until you're snapping your hips so far forward they're slapping Miyeon's ass and gripping, squeezing the round shape of her waist; until the movements are just you, the heavy weight of your balls against the hot wet skin between her legs.

And god damn it, she's got to start with:

"Forgot how much you stretch me, Jesus - baby, it is a really gorgeous cock you've got," - and that is when it hits, and her hands fist up, trying to grab at something, anything: "oh my god."

"You are such a whore," Sana laughs, but not unkind, because Miyeon can only grin in response, with your cock pounding out into the red-hot, clenched walls of her asshole. And then: a nice, hearty sigh.

You find yourself asking, almost by impulse, "isn't she, uh, tight. God."

And, fuck: you were thinking how insane it is you two ever managed without the third party. How now, not fucking Sana and Miyeon's glorious, matching asses side-by-side would drive you fucking crazy, and maybe that's why it's really the best news. How when your cock slips out of one ass, and slowly nuzzles into the other - how when you all three watch the pretty faces in the mirror twist and turn into a look of such pure fucking bliss - you just sort of-

"Oh."

That's Sana: with Miyeon pressed chest-first over the marble counter, Miyeon's cheek and nose flush against her face, their arms twisted, bodies crossed at the wrist and wrist - their skin shiny-red with exertion. They're the closest possible position: mirror images of the other, and - with the slightest push -

And it's pretty. It's fucking, you know.

"Perfect," you groan. "This is it. Look at you, the both of you - god - it's like. It's not normal to be as beautiful as the two of you are. Right. So, you know-"

"Hey," Sana is a little faster on the uptake when you're fucking Miyeon and her ass within an inch of dying, "your face. You look like you're close, are you close baby?"

The blood's starting to sing in your ears. Miyeon's forehead keeps bouncing into Sana's - their sweat, mixing, her skin peppered and blotchy pink from where she's gotten a little bit lost in her own head, her hips moving of their own accord, her body tensing, relaxing. You can read all of her movements, recognize her signals: the way she moans louder than usual, the way her cunt trembles against you, the way her ass squeezes, holds, lets go-

You pull out. Just to keep yourself from blowing, just to pull on your balls, to look and watch the perfect view. And Sana reaches back - a warm hand wrapped around you.

You feel her palm wrap around your cock, coaxing another serving of oil - like she knows just how rough it's going to be to start again.

"Just," she pants, leaning into Miyeon so you have to rut around to find your way back, "until the end."

There's something so pleasantly mind-numbing about the moment when you ease your cock into the sweet-soft ring of muscles again and she's just stretching and pulsing and grabbing all around you. The way you keep going: she's holding herself, giving her asshole a squeeze, a stretch - her lips kiss a sound onto the side of Miyeon's shoulder and she nods, gasps, breathes out heavy and pained, like the rest: a total fucking rush.

You watch Miyeon lean further, a beautiful shift of balance between the two. Her hands clamp around the sides of Sana's thighs for support, and the longer you pound into her, the deeper your cock sinks, the closer the pressure becomes as their heads turn in, looking to the same place, their foreheads knocking, and-

"Knees," you growl. You're holding your cock in your first - demanding: "Get on your fucking knees."

Sana smiles first. Then Miyeon. And when the lipstick smears against their cheeks, you don't have it in you anymore to think clearly. The line between your imagination and your fantasy is so blurred: you want their mouths moaning into eachother. You want Miyeon to clean the taste from Sana's lips. You want those cunts grinding, their clits making contact, and for one of them - fuck-

So: "I need the both of you."

And it's your name falling off of Sana's tongue when the tops of her shins hit the tile floor - she's kneeling, she's pulling Miyeon by her waist until the three of you have converged into this beautiful, glistening, open-mouthed trio. Sana kisses Miyeon hard while you cum all over the image: the contrast of their soft, wet, hot tongues against one another while your harsh grip pumps along your slick, throbbing length. It feels like a knot unraveling, a tension snapping loose, your cum landing on their cheekbones, their temples, between their lips - It's a long, slow roll through the valley of your abs - Miyeon licking into Sana's panting mouth and swiping through the streak of white you just pumped out into her fucking hair; the messy collision of lips, swallows, tongues; the faint, slow sounds, the slickness-

"Look," she breathes. You can hear the way their words hitch when their fingers hook eachother, guiding through the mess across their skin, dipping through the sticky cum, circling the plush pout of their bottom lips; and it's Sana that grabs Miyeon by the wrist, bringing her hand forward; sucking, running her mouth in a lazy path all across the width, "that's all, fuck, I need to. Wanna taste all of it."

You just groan.

Miyeon is slumped into the lacework of Sana's limbs, swapping the tastes between her tongue and the space of their breath; while her own thumb caresses the raw, stretched opening of her ass. Sana whispers things, incoherencies, into Miyeon's hair: kisses at her temple, strokes the muscles of Miyeon's back. Feeling how they shiver, they heave, they fall - exhausted and flushed in the heat of one-another's embrace. She licks the words across Miyeon's cheek and follows with her nose trailing Miyeon's jaw, and your cum's smearing a streak onto Miyeon's bottom lip, before their tongues have tangled themselves into another messy, well-fucked kind of collision.

"Good girls," you mumble, kissing Miyeon's knuckles, and helping Sana to her feet.

Your legs are a lot less shaky than either the two of theirs, but it's okay, you pick Miyeon up and set her on the sink; and then turn on the tap for the both of them, since they'd need a wash and some salve.

"Now, what?" says Sana. She's smiling; a washcloth at the ready; some dribble of soap from the bottle.

Miyeon gives her a smirk from over her shoulder, turning away just enough to flip her hair; the ends brush across her jaw. It's a cute little quirk of the eyebrow; the upward twinge to the corner of the lip; it's a motion that knows every muscle, every detail.

"Depends," says Miyeon, sharpening up her tone just the littlest bit, "the bath looks like a tight fit for all three of us but," and there it is - the mischievous glint; the curve in her hips, her mouth, and, of course - you notice the way her eyes drop to the stiffness of your cock. The way her voice purrs, all light, but a lot more intent: "Did you see the shower? It's absolutely gigantic."

"I saw the detachable head," Sana throws out. A teasing little comment, one you remember - that sends a pretty deep shudder down your stomach and thighs. Your cock twitches, hard and - okay, good thing Miyeon booked the room for a week and then some. The view is pretty great: watching your cock get rock-solid in under five seconds. Watching them kiss the same knowing look, sharing the private joke. Watching their hips swing, watching them slide the glass door: Miyeon in front and Sana from behind.

It's in unison that they both turn over their shoulder and ask, "won't you help us test it out?"

"Yeah, yeah. I'll be right there." You shake your head, "so thirsty," even though, you know you're equally to blame.

It's that tiny whisper of "don't look at me like you don't have cum in weird places either, hm?" that Sana gives you, while Miyeon is washing her hair, rubbing and sliding along the locks. "I'll help you with the spots that are hard to reach, come here."

It's that little, meaningful, mischievous curl in Miyeon's lip when the water's pouring, and your breath falls across her skin. The way her hands reach out for you, even when Sana takes her chin and plants a firm, messy kiss across her mouth. It's the same gesture Miyeon's making, using Sana's forearm for support. How she runs the palm of her other hand along the back of Sana's thighs, slipping and pressing forward to guide, nudge. She pulls Sana onto her toes, aligning their bodies. It's in the little laughs they share, the wet smacks of lips, the soft little hums they make when tongues slip over, into the open.

It's here too, that you first ever get them confused, just a momentary slip up of "Sana, could you grab the towel-" or some equivalent, when you glance away at the perfect wrong moment and you're left just a little puzzled, still mostly entranced by the sight of the steam on the glass and their fingertips drawing patterns into it as they lean in for another kiss, or a moan-

"Oh," Miyeon says, delighted, "I'm supposed to be her, right?"

They're fucking-

Sana is less enthused. "Stop. I do not. Am not."

- identical.

"Look, I didn't mean-"

Miyeon laughs to cut you off and skips the argument. She winks, and somehow that makes it worse.

It's there too, the look of regret when your fingertips curl into the skin of her breast, your thumbs a tease against the rigid nubs of her nipples and the texture of her pretty stomach. They don't realize how much you really love their matching expressions. So, they don't mind the mixup, and besides: you just follow Sana's guiding hands and let your lips ghost-kiss, so gently across Miyeon's thigh. It's impossible to imagine a version that isn't one and the other, the two of them, here, with you: sharing kisses, offering the gentlest, slowest exploration, teasing and tugging a gasp of a response.

"Hey," Miyeon muses, "does that mean you'll keep your cock warm in me once we go to bed and feed me a steady stream of ice cubes between all the sessions, mm?"

Sana raises her head in faux offense and drops back into the comfort of Miyeon's thighs. "Jeez-us christ," Sana huffs; "one day with him and she thinks she's me. Have mercy."

"She isn't?" you ask.

Sana sighs. "Um. Not even close."

Miyeon beams at the both of you. She even runs her fingers through Sana's hair, doting - affectionate. "She'll come around to the idea eventually, don't worry. Until then I'm more than happy to take on the role. It can't be that hard, yeah? Just to be all - naughty-sexy-sweet-oh, look, a surprise, i’m actually ready to get fucked six ways to sunday-"

-you get an eyeful of whatever they are doing, this time just, fucking-

Sana only says, "it'll have to take an exceptional amount of patience on both your parts."

-gorgeous, lewd, completely fucking filthy.

"I got a lot, babe."

The second Sana opens her mouth, it's followed with: "pfffht."

It's just, who wouldn't give them whatever they want? Whatever they ask? There's a list out there: no doubt the both of them, gagging. Throat-deep. In their little skirts. Panties. Naked and straddled, just, across their hands. One, maybe. Or both all the same, or still a different preference. One behind the other and taking turns. Something - and this is important, here:

"Look," they say, eyes wide up at you and blinking - on the same fucking beat no less, "you can trust us, okay?"

(Gentleman and distinguished scholars: the list, by the way, only ever gets longer.)

#sana smut #miyeon smut #twice smut #gidle smut #male reader smut #kpop fanfic #kpop smut

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crystallinestars · 1 month

Text

Taking Care of Them

Short scenarios about Argenti, Aventurine, and Jing Yuan receiving much-needed care and comfort from you. Pure fluff, a little hurt/comfort for Aventurine's part.

I took some creative liberties with Aventurine's character since we still don't know everything about him yet, so this is simply my interpretation of him.

This isn't proofread because my brain is fried from writing.

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🌹 Argenti:

As a Knight of Beauty, Argenti is a highly skilled fighter who puts his very life on the line to vanquish his foes. Usually, he defeats his enemies with grace and style, but even the refined Argenti sometimes sustains injuries.

In his most recent battle, Argenti made it out practically unscathed, save for a few scrapes and bruises that marred his handsome face. That was how he found himself obediently sitting on your bed while you treated his wounds.

“I apologize that you have to see me in this state,” he murmurs, guilt darkening his expression. “I did not want to cause you worry.”

“No need to apologize,” you brush off his concerns with a smile. “Now turn this way. I’ll clean the scratch on your cheek,” you said as you gently turn Argenti’s face to one side to reveal the shallow, red gash on his cheek.

Argenti complies without hesitance and sits perfectly still as you dab at the scratch with a cotton ball soaked in alcohol. It stings, but the Knight of Beauty unflinchingly tolerates the burn with a small smile on his face.

He can tell through the delicate and careful way you clean and dress his wounds that you care a great deal about him. Your touches were gentle so as to not cause him unnecessary pain, yet no less thorough. It felt nice to be touched so tenderly, to be cared for in such a loving manner.

Your heart is beautiful, he thinks. To possess such a caring and loving heart, you must rival the beauty of his beloved Aeon Idrila. Argenti truly believes that you are a wonderful and beautiful person, both inside and out.

As you finish patching up the last wound and pack away your first aid kit, Argenti turns to you and gives you a radiant, sincere smile from the heart.

“Thank you…” he softly says as gently takes one of your hands and kisses the back of it, “You have a dazzling heart—so pure and gentle. I feel like the luckiest man in the universe to have the privilege of receiving your care and affection.”

His words may sound over-the-top and perhaps even fake, but he truly means them. Every single one. Even if you don’t entirely believe him, the amused smile that his flamboyant phrases elicit out of you is all the reason he needs to keep them up.

“You’re welcome. Just try to be more careful next time. I’ll love you no matter how you look, but I hate seeing you hurt,” you murmur in reply and lean in to kiss the band-aid on his cheek.

“There. A kiss to make it all better,” you giggle as you pull away.

The little gesture catches Argenti by surprise, but he can’t say he didn’t like it. In fact, he enjoyed it more than he ever thought he would.

With a small chuckle, he pulls you close to kiss you fully on the lips. If you don’t take his word for it that he feels incredibly lucky to have your love, then perhaps his actions will convey the sincerity of his feelings for you.

🃏 Aventurine:

All his life, Aventurine has faced hate. Hate for being Sigonian, hate for being a dog of the IPC, hate for acting exactly the way that’s expected of his kind. He played into people’s perceptions of him. Why waste time trying to correct their views when they won’t change? It’s easier to just act according to their expectations and hide who he really is behind this playful and sly mask.

Only with you does he let his carefully crafted façade crumble to reveal his vulnerable self.

Aventurine is very good at acting like everything is fine when the world is against him. Perhaps to an extent, he truly believes that life is all about fighting battles on his lonesome. He can use others and get used as a tool in return, but the only one he can trust is himself. It’s the only life he’s ever known.

However, you’ve known him long enough to tell that the hate and isolation get to him, no matter how much he pretends that they don’t. When he comes home one night after a particularly awful day, it doesn’t take long for you to figure out that he feels down.

Aventurine smiled and teased you like usual, but he spoke less and clung to you more than usual. He hugged you from behind and kept an arm around you no matter what you were trying to do, almost as if he was seeking comfort from your physical presence.

Turning to face him, you glance into his tired eyes.

“What is it, darling? See something you like?” he teased, the corner of his mouth tugging into a smirk.

“Hmm, no,” you hummed. Extending your arms forward, you wrapped them around Aventurine and slowly pulled him into a hug. “I don’t see something I like.”

Aventurine is momentarily stunned by your unprompted action, but he quickly recovers.

“Oh? How come? Am I not appealing enough for you?” he quipped, resting his chin on your shoulder and returning your hug. Unlike your tight hug, his arms wrapped around you in a loose hold, as if he was uncertain how to go about it.

“Quite the opposite,” you softly chuckle, “I don’t see something I like, but I do see someone I love,” you whisper and turn your head to look directly at Aventurine’s face.

A beat of silence passes as Aventurine processes your words, before bursting out laughing.

“That was painfully corny, even for you!” he chuckled.

You scoff but don’t say anything in response, simply continuing to hug him tightly. Slowly, carefully, you card your fingers through his blond hair before moving lower to stroke your palm along his spine in soothing circles.

Aventurine’s laughter dies down, his initial mirth now replaced with something fragile and vulnerable as he falls quiet. He won’t ever share what burdens him, but you don’t need to know the details to provide him comfort. If he doesn’t want to tell you, then you won’t pry. At the very least, you’ll do all you can to support him and remind him that he’s not alone.

Being wrapped up in your warm embrace, feeling your gentle caresses—it all felt unfamiliar to Aventurine. It’s been so long since he felt the tender and loving affection of another person. It took a while, but eventually he relaxed and allowed himself to lean into your body, burying his nose into the crook of your neck.

Silence lingered in the air, but it wasn’t uncomfortable. There was something soothing in not having to talk. It was freeing to not worry about pretending to be okay or be pressured to talk about the things that trouble him.

That hug—that simple act of human affection—made him feel safe and protected in your arms. When you leaned back slightly to plant a tender kiss on Aventurine’s forehead, something inside him snapped and he had to hold back tears. Burying his face deeper into the crook of your neck, he clung tightly to you while you continued to rub slow circles along his back.

“It’s okay. It’ll all be okay, I’m here. You’re not alone…” you whisper, hugging him tighter.

Being wrapped up in your warm hug, feeling your affectionate kisses and gentle words is something Aventurine never knew he needed until now. Just for this moment, he lets his walls come down and bares his wounded self to you with the hope that you can soothe his pain if only a little.

And you do. With whispered reassurances and loving caresses, you ease his hurt, even if just temporarily. He is safe, you promise. He will always be safe in your arms.

🦁 Jing Yuan:

Jing Yuan is notorious for disliking the abundance of paperwork and other leadership tasks he has to take care of on a day-to-day basis as a General of the Xianzhou Luofu. Despite his woeful sighs about how tedious it is, and how the work never seems to end, Jing Yuan still accomplishes all his duties in a timely and precise fashion.

Jing Yuan is a hard worker, you are well aware of that. Which is why when he snuck out of the Seat of Divine Foresight to come spend some free time with you, you offered him to rest on your lap. And who was he to turn down such a tempting opportunity?

Sitting outside on the veranda with Jing Yuan’s head resting on your lap, you softly ran your fingers through his fluffy, white hair, marveling at how silky it was. It was as soft as it looked.

“I could get used to this,” Jing Yuan said with a sigh, relaxing into our touch. His golden eyes were closed as he enjoyed the sensations of your fingers combing through his hair, gently massaging his scalp and soothing any tension he felt.

Chuckling, you looked down at him, mirth dancing in your eyes.

“Really? I wouldn’t mind having you as my lap cat like this more often. Why not come see me every day and get pets?” you tease him as you lightly poke his cheek.

Jing Yuan cracks open one eye to give you an amused look.

“Being your lap cat sounds like a wonderful idea,” he sighs, “Laying on your lap and getting pampered sounds like my ideal life.”

Both of you burst out laughing at the ridiculous notion of Jing Yuan being a lap cat, your spirits lifting as the mood brightened even more.

“Ah, but if you ever want to take a break and relax, you’re always welcome to see me,” you say in a softer voice this time, resuming running your fingers through his tresses.

“I’ll keep your invitation in mind,” he replied, his voice dropping an octave as he relaxed into your touch once more.

The minutes pass in a comfortable and serene atmosphere, with you pampering Jing Yuan with affectionate caresses, meanwhile, the man listens to you talk about your day. You both knew that after this he would have to go back and complete the mountain of work waiting for him, but for now, you were content to spend this little bit of time with your beloved.

Under the warm sun and gentle breeze, with his head resting comfortably on your lap, Jing Yuan felt himself growing drowsy. His eyelids became heavier, and his body didn’t want to move from his position on your lap.

Noticing the General grow sleepy, you fought the urge to tease him. If you pointed out his sleepiness, he would most likely apologize and put a stop to this tranquil moment by getting up and heading back to work. He already saw you less than either of you wanted, simply because work kept him busy. Moments like these were a luxury.

Keeping quiet, you gently massage his scalp until his breaths even out and become deeper, seeming to have fallen asleep. His expression looked so serene and vulnerable, something that very few people have had the chance to witness. As his lover, you were privy to this sight more than most. You watch over him with a small smile on your face, gently tucking away a stray strand of his hair.

Thinking he was asleep, you lean down to press a lingering kiss to his forehead, but as you straighten, you notice Jing Yuan peering up at you with an amused glint in his eyes.

Growing flustered, you quickly look away, feeling your cheeks heat up with a blush.

Jing Yuan only laughs in response, but his laughter quickly turns into a contented purr as you shut him up with another head massage. Whatever teasing remark he had prepared, immediately died on his tongue as relaxation washed over him and he felt sleep take hold of his mind again.

“It’s ok, take a nap. I’ll wake you up in a few minutes,” you murmur, willing Jing Yuan to finally get some rest. You could tell he wanted to protest, but with a light brush of your thumbs over his temples, he released a sigh of defeat and conceded.

“You certainly know how to take advantage of my weaknesses,” he chuckled, voice a little hoarse from drowsiness.

Despite his initial reluctance, Jing Yuan fell asleep fairly quickly. The continuous days of endless work had left him exhausted, but your tender pampering and sweet company were just the respite he needed.

“Sleep tight,” you whisper, gracing him with another sweet kiss on his forehead.

#hsr x reader #honkai star rail x reader #argenti x reader #hsr argenti x reader #aventurine x reader #hsr aventurine x reader #jing yuan x reader #I just want to hug Aventurine and protect him from the world #even though he'll be the one protecting me once I pull him lol

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rex101111 · 11 months

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yeah sure Across the Spiderverse is about being doomed by the narrative and knowing you’re doomed by the narrative, but also it’s about how different people react to that, and how no one reaction is the right one, like Peter B. has lived as Spider-man long enough that’s gone through most of the “canon events” and he’s in a place where he’s like “yeah, alright, I can work with this” and is afraid of doing anything drastic because after being a screw-up for so long and finally, finally getting it right wouldn’t you be afraid making a mistake again?

And Miguel is angry but resigned because the one time he tried to defy the narrative it spat in his face and beat him to the ground. So now he’s doing what he genuinely belives is to everyone’s benefit. Without a hint of flexibility. He’s even angrier when Miles suggests that fate can be defied both because he’s convinced Miles is wrong and is going to get people killed and also if Miles is right than Miguel has to reckon with the fact that he’s convinced so many Spider-people to just “follow the script” and let their loved ones died because he was convinced there was no fighting the narrative. That not everyone is as doomed as he is.

And Hobie, who knows he might be doomed but is dead-set on spitting in the narrative’s face for as long as he can regardless. A different kind of acceptance. A kind of acceptance that’s covered in spikes and has teeth. If the narrative is gonna take him down he’s taking as much bad guys as he can before he bites it. And he’s isn’t going to be nice or polite about it, and he sure as shit ain’t gonna be quiet. Proper fucking punk, right there.

And Gwen, who is on the fence, but is sad and tired and just doesn’t have the strength to try anymore. She doesn’t have a home to come back to, or at least doesn’t think so, she’s stressed out and angry and she found out that as Spider-Woman that was always going to happen to her. She’s ready to give up, because being doomed is kinda freeing, if she was always doomed to fail, lose her friend, lose her dad, than it takes the pressure off. Sad as it was she could live with that. Until she sees Miles bite and fight and scream when he finds out he’s doomed, and that one little push gives her the courage to try and find out just how doomed she really is.

And Miles!! Free spirit, radical free thinker, “just let him spread his wings, man” Miles Morales. Who is trying so, so hard to figure out what his narrative even is, but is determined that he can figure it out, that he can spread his wings and manage on his own and find his place and be himself. Miles finding out he might be doomed is a slap in the face that he’s completely unprepared for. And he denies it completely. He refuses to lay down and just take it, he’s going to punch and kick and save everyone, no matter that every other Spider-person, Ham and Miguel and Gwen and every one, who’ve been doing this spider thing for much long tell him he can’t. And this radical rejection earns him pity, and earns him enemies, but he’s not backing down. He can’t back down. Because even if he is doomed he’ll never be able to forgive himself if he doesn’t even make an attempt.

Across the spider-verse is so fucking good you guuuuuysss

#across the spiderverse #across the spiderverse spoilers

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angel-of-the-moons · 2 months

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Aggravating

Dad Bod!Miguel x Spider-Woman!Reader

TW/CW: Smut. Smut in general. NSFW, PIV sex, office sex, teeth, hints at venom useage, a bit of pining(?) feelings! Body hair! Soft tummy Miguel! Dom(ish)!Miguel, a bit of bullying

MINORS DNI I AM NOT RESPONSIBLE FOR CONTENT YOU CONSUME

A/N: Blame @cupcakeinat0r for this. I really needed the distraction and our conversation is helping me a bit getting the creative among other things juices flowing!

Taglist: @tojishugetiddies

🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷

You had been... less than covert about the way you ogled your boss. On one hand, your Spidey mask was useful for hiding your eyes and face away from somebody's view; on the other hand, Miguel just somehow knew you were staring at him.

And... yeah. At first you were crushing on him, a young, single fresh-faced Spidey welcomed into a bigger picture suddenly comes face to face with the body of a Greek god. He swooped in to save you from a variant of Kraven before he could make a possibly fatal swipe.

After that, he admitted that he'd had an eye on you, such a promising candidate who just needed the right amount of guidance.

(The fact he has that gorgeous jawline and cheekbones that could cut glass plus those jaw-dropping eyes of his certainly helped you make your decision too.)

But you had been too much of a wimp to ever fess up, instead settling for pining in silence, throwing the occasional stare his way at his perfectly globed ass. (Seriously, did he purposefully design his suit to accentuate his ass or what?)

But the plain, flat-out ogling didn't begin until he began to gain more weight. Realizing his stress didn't have to be solely on his own shoulders, Miguel began to relax. He began to eat more, sleep more. Or, well, as much as a normal person should be eating and sleeping. You surmised he was likely dehydrated a lot, too...

Because once he picked up a steady diet (of what you didn't know, maybe he was a secret chef in the kitchen in addition to having the multiverse's greatest brain?) he began to look... healthier.

He gained weight, his formerly slim and perfectly cut abs and waistline began to fatten out, gain a delicious softness you wished to just lay your head over, or perhaps snuggle and squeeze.

Peter B made a joke to Miguel about comparing "dad bods" and god, when Miguel indulged him (mostly just to get him to leave him alone) he used his tech to have the top half of his suit vanish in rainbowy spiderweb-like patterns until he was naked from the waist up.

And... fuck. Your legs went weak at the sight of him.

Dark wisps of hair across his chest, spreading down his soft, plush-looking midsection to disappear beneath the waistline of his pants.

Even with that soft belly, Miguel looked built like a shitbrick house. Peter B had pouted, knowing he'd lost his little game before sauntering away, bragging about something along the lines of "well at least I have the prettiest baby mama in the whole multiverse!". Good for him, you had thought.

But very quickly as your eyes greedily raked up his frame, you realized he had been staring right back at you.

You very quickly rattled off some excuse and dropped off your report on your most recent mission, yanked your mask back down your face and scurried out of there.

Though you'd be lying if you didn't immediately shove your hand down your pants once you got home, playing with yourself at the mere thought of being pressed up against Miguel's soft-yet-imposing frame; feeling his dick (oh you just knew he was packing a monster, down there) stuff you full and stretch you out, the coarse dark haira brushing your clit with every slam of his hips.

You went to sleep thinking this was merely some kind of office crush, trying to force down the thoughts you had of your boss.

Little did you know, he often stole his own glances at you.

He needed to find a way to solve your little problems, soon.

🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷

"This is what you wanted, isn't it, princesa?" Miguel grunted, the sound of his hips slapping against your ass sinfully loud in his dark office.

Your body was perfectly illuminated by the dim orange lights on his monitors; every curve, dip and deliciously squeezable part of your jiggling ass as he fucked you.

The sounds your pussy made as you swallowed him deep were the most lewd you ever could have imagined yourself making, especially the little sounds coming from those pretty lips of yours.

Your suit has been torn right between your legs, freeing your soaked, swollen folds to his lascivious gaze before he had crammed two heavy fingers into your needy cunt.

Your tits squished against his desktop, and a whimper comes from you when he settles over you, the weight of his body pressing tighter down around you.

You could feel the soft flesh of his belly mold around your back, almost like a hug. Almost like how he had your head trapped in a headlock as he bullied his cock into you and stuffed you full of him.

Your brain was so set on your one-track focus of how good it felt to just have him fuck you, to use you, that you barely registered a word he said.

Having his warmth surround you and fill you had effectively rendered you dumb.

You choked slightly when you heard him hiss in your ear, his sharp fangs grazing the soft skin; he squeezed his arm a bit around your neck and that's what knocked you back into reality.

You were here. In his office, bent over and having your guts reorganized by a man you had been pining for for months.

The pent up sexual tension had finally exploded when he confessed his own interest in you, and he met you halfway with a kiss that was all tongue and need; loud and messy.

Like how he was bullying his cock into your tight little hole.

"My dick that good, bebé?" He panted, leaning back away from you to grip your hips in his meaty palms, squeezing your soft flesh as he stared, almost mesmerized at the creamy ring at the base of his cock as it disappeared into your dripping wet pussy.

Already on the floor between you was a small puddle of your slick.

"So good that I fucked you stupid after just a couple thrusts?" He said, his voice gravelly as he tried to keep it even, to betray the fact he wanted to just rut into you like a mad animal.

All you could do in reply was whine, a breathy sound that was almost a squeak as you mourned the loss of his soft body surrounding you.

The sound of him relentlessly fucking you cunt was abruptly halted and he let out a shaky breath, staring down at you. "I swear... did I nick you with my fangs? Shit... Maybe we should stop--"

"N-no!" You moaned out, desperately trying to roll yourself back against him in his grip. "Please, don't! I just--I just need more!"

Miguel grinned as you flattened your hands on the table, desperately trying to fuck yourself onto his cock but getting nowhere.

"Ahhh there's my good girl. Doing so good f'me." He purred, leaning back over you once again, his arms caging around you, encasing you in his wonderfully soft warmth, the hair on his body tickling your skin.

His lips traced the shell of your ear, his hot breath ghosting over your sweaty skin;

"Wanna watch you take my cock all day. Gonna fuck you so hard you won't be able to walk straight for a month--"

You made a long, loud mewl as he snapped his hips in suddenly, bottoming out so hard you felt him smash into your cervix; almost making you pass out from the force of it alone.

"This is what you wanted, sweetheart. Jus' giving it all t'you." He groaned, his eyes rolling back into his skull as he began relentlessly pounding into you once again.

#miguel o'hara #miguel smut #miguel o'hara x reader #miguel o'hara x you #miguel o'hara smut #atsv miguel #miguel o'hara atsv #miguel spiderman #spiderman 2099

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caligvlasaqvarivm · 2 months

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Murder, Love, and Destiny: An Eridan Ampora Character Study

Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.

Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.

Eridan is the least casteist highblood, if you ignore all the slurs.

Those are his emotional support slurs.

Pale EriKar was not only canon, but set up to be endgame.

Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.

He's Sad.

The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.

Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.

Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:

Eridan is a Consummate Murderer.

The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.

At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.

Compare Feferi: Go Home:

That should keep her happy for a while. At least until she dies.

To Eridan: Go Home:

That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.

So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.

Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!

Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.

But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.

Which brings us to our next point:

Eridan is Crushed by Anxiety.

If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.

If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.

Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.

Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.

(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)

Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.

He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.

He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.

NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.

Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.

SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.

We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.

KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties

Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."

And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!

CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble

You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).

Even being proud to be a sea dweller is pretty much an outright lie:

CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!

One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.

And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.

CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be

But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:

Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated

Secondary title: Those Are His Emotional Support Slurs, Okay

In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.

Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:

CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry

CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway

It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:

ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!

THEY don't even think he's being casteist.

In fact, directly contradicting this earlier argument he has with Feferi:

CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ

He OUTRIGHT states his real feelings here:

CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies

So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.

That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.

The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.

Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.

The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!

And it's all made worse because:

Eridan is Dumb of Ass (and True of Word)

Oh my god you guys he's so stupid that it hurts.

Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)

CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about

What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.

This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.

CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands

He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.

This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.

So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.

And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:

ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science

Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.

It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.

I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.

So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?

Uh, okay, so I swear this isn't shipping goggles -

Pale EriKar Is Canon And I Can Prove It

So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.

What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.

At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.

The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:

CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though

("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")

The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:

CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly

And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:

KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.

It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)

So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?

See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":

FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.

Compare that to Tavros asking for advice later down in the same memo:

PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.

He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.

You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:

KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.

That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?

That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:

TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole

He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:

TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on

Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,

Eridan's first instinct when in emotional duress is to go to Karkat.

Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).

Eridan is willing to shelve his own emotional meltdown for Karkat's sake.

Eridan demands to be the one to provide Karkat with emotional support.

And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:

CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it

Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:

PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it

Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.

But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).

So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)

But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:

GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.

But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:

CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.

In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:

But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:

PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.

It's extremely funny. Over the course of talking to Eridan, he goes from:

CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO

To:

CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.

Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:

A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.

That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.

It also goes on to note:

But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.

But what's really interesting is the next page.

And yet others will seem to have been hatched for each other.

Did you catch that? Let me zoom in.

(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)

In fact... in Eridan's first visual appearance...

The crab has always been there for him.

It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:

TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)

When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.

There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.

First, they both do the bonk:

Second:

CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.

Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):

CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.

Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:

The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.

Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.

And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:

Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.

So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:

ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.

(Which he specifically tells Karkat about.)

So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...

Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)

So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.

I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."

Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.

So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.

It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.

It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.

I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.

The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.

Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.

Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.

Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.

Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.

Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.

There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.

Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:

The Prophecy

ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.

ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized

GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway

Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)

But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.

Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.

Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.

That last one is actually relevant to:

The Thematic Importance of EriKar As Soul Mates

Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.

Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.

Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.

But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.

Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.

In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.

But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.

Because all the trolls SHOULD have survived.

Vriska should've survived because people should be allowed to have second chances.

Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.

Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.

Equius should've survived because people should be allowed to grow and change their beliefs.

Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.

Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.

Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.

Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).

And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.

I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?

This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.

This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!

Pale EriKar means LOVE WINS.

Thank you for reading.