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❤!
so. i have beef with thai university bl's engineering and architect bias. not even about them getting the majors terribly wrong, like whatever movies and shows never get them right anyways, but university majors can tell us so much about a character. is the major something they've always wanted to do, was it picked on a whim, was it picked for their parents, is it a good fit, is it a bad fit, etc etc etc. it can be big insight into the facets of their character (ala the boys from not me) or the things they like and connect over (Kim and Chay from kinnporsche) and more. and while college majors don't have to be like, a big thing or relevant to all characters, if you're in the university genre, you really ought to be thinking about this sort of thing.
which brings me to love in the air: where, ironically, mr. background character Sig gets this development and none of the actual fucking mains do. (lita, i love you, but your writers certainly made choices.) but i'm not here to talk about my beloved Sig, i'm here to talk about my darling Sky.
given that Sky's dorm is absolutely covered in art and he has art reference shirts, i headcanon that Sky actually wanted to be an art major. he loves painting cityscapes and anything with brilliant colors. half his shirts were picked up from museums and event gallerias. but, after Gun and pulling himself back together, the guidance counselor asked one "you want to be an art major? but that's so...risky" and all of Sky's fresh wounds and insecurities slammed into him like a truck and he asked what would be a smarter choice then. the guidance counselor rattled off a list of ""practical"" art-inclined majors and Sky, perhaps drawn to the idea of building something new and lasting, chose architecture.
which! is a pretty good fit for him! he's good at it, he likes his classes, he likes twisting the assignments to fit his own visions. but that's all it is: a good fit he can settle for.
so, the fic proper:
it's third year. Sky's stressed over deadlines and midterms. and Prapai's watching him from the couch, concerned, because he's used to Sky's frantic energy this time of the semester, but this feels...different. but Sky rarely thinks to say things out loud when he's trapped in a storm of negativity, so it's up to Prapai to gently put his hand on Sky's shoulder and ask him what's wrong.
midterms, projects, club paperwork, next weeks' internship interview, Sky thinks. "this isn't FUN anymore," bursts out Sky, then immediately snaps his mouth shut because he did not mean to say that.
and Prapai doesn't let it go. Sky has a model due at 8am tomorrow that's only half-finished, but Prapai pulls him into the other room and gets him a glass of water and they talk. at first, Sky deflects, saying it's just stress, but Prapai hits him with the soulfully worried puppy eyes and next thing Sky knows, he's talking about how he's always loved art and had wanted to be an art major originally, but that's just not the smart thing to do and how architecture is a good place for him, really, he just also sometimes gets caught up in what ifs but really, he's fine. they've been talking for an hour and Sky's model is due in a few hours, but somehow Sky's not even thinking about that as he curls up into Prapai's shoulder and just breathes, feeling lighter than he has in weeks after getting that off his chest.
"so why don't you switch majors?" Prapai asks.
"don't be stupid, i can't do that," Sky retorts automatically.
"why not?" Prapai insists.
"i... but i... you can't... what."
Sky tries to say it'd be smarter if he just finished his current architect degree. Prapai asks why he should force himself through at least another 2.5 years of architecture if he doesn't even want to do it afterwards. Sky blurts out he never said that, then immediately changes the subject to what if he isn't good enough for art. Prapai counters he believes in him and that Sky will grow as he learns more. Sky insists it will take him even longer to graduate and find a job. Prapai says the time will pass anyways.
it's overwhelming. Sky drops the subject and returns to his model, which he only half focuses on. Prapai pulls an all-nighter with him, taking over the actual cutting since Sky's spacing, and encourages Sky to finish his other work. Sky goes to his desk and mostly stares at his assignment. the model gets done but the report doesn't, and when the professor yells at him the next day and asks why he wants to be an architect, Sky just stares at him for a good twenty seconds before going, "i don't." then bows to the professor and walks out.
the transition to an art major isn't fully smooth. Prapai jokes that he'll bribe the entire administration department if he has to to get Sky what he wants and Sky hits him for that, even as he's smiling. the actual switch turns out to be less painful that Sky anticipated (which is a low bar, the switch was growing into a full apocalypse in that boy's head). even his time in university isn't expected to be much longer than he'd originally planned for. it still doesn't take away how nerve-wracking the whole thing is for him because he's very much relying on Prapai to help smooth out any potential bumps. it's all worth it after he takes his first color theory class and feels like he's truly settled in.
sometime later, Prapai's parents have a soiree or dinner party or whatever it is rich people do, which Sky and Prapai also attend (and Sky zones out through the business chatter but delights in being Prapai's arm candy to the jealous), and eventually they wander over to where a small group of people are admiring and praising one of the artworks hanging on the wall. Sky's thinking "ooo art talk instead of business talk," then does a complete double take because that's his art. nearly yanks Prapai's hand off his wrist because what the fuck that's his art people are talking about his art, WHY ARE PEOPLE TALKING ABOUT HIS ART.
"...do you not like it?" Prapai asks, concerned, "i told you that my mom would like it, when i asked if i could give it to her..."
Sky makes a noise not unlike a deflated balloon. "but you! she! you were just being nice!!!!"
Prapai blinks. "my mom's on the board of three art museums, she doesn't bullshit when she says she likes your art."
Sky makes another deflated balloon sound. Prapai gently spirits him away to a private room and Sky Stares at him, confused.
"but i'm... i don't... i haven't grown that much, i'm still learning, i'm not that good..." Sky squeezes his hands, and asks in a very small voice, "they like it?"
Prapai gently squeezes back. "Sky... the person who said your art isn't good"--(they both scowl here, they don't need to say his name out loud to know who Prapai's referring to)--"maybe they said your art was bad not because it was true, but just because it would hurt."
(Sky's face scrunches at that. Prapai holds him as he turns those words over in his mind.)
"do you want to tell them that you're the artist? we don't have to if you don't want to, we can keep it anonymous if you'd prefer."
if takes Sky a minute before he nods and says he wants to tell people it's his work. then Prapai takes him back out and after a few moments of shyness, Sky comes out of his shell and Prapai delights in being his arm candy for the rest of the night.
[[ ask me about fic im not writing ]]
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Build A Cowboy Round 5!
Hi good evening sorry for vanishing OK SO i mentioned in the tags of my first poll that this cowboy is not just going to be a vaguely historical cowboy, but from a Very specific time frame, because of the fic that his partner Javi exists in. That being said, there is a lot to unpack here with this! The time period exactly is 1841, the setting is Texas (because I am texan and we are predictable) and oh my god this is one of the most insane times for a character to be from texas 😭
Our cowboy will have in fact lived through the Mexican War of Independence (1810-1821), the Texas Revolution (1835-1836), tx's CRINGEFAIL attempt at self governing, rapidly approaching our annexation into the US in 1844-5, and then coming right up on the fuckign CIVIL WAR in 1861. These guys deeply understand the concept of "get me the fuck out of the interesting times, im sick of the interesting times". im so sorry cowboys, you can blame Herman Melville for this.
anyways yall didnt come here for a history lesson but you are in fact going to get one because i am insufferable first and an artist second :) and also as a note, race and backstory are always intertwined things but Especially when it is fuckign 1841 so. yeah exercise caution, there will be discussion of racism, medical close-calls, and anti-indigenous genocide. PLEASE ACTUALLY READ THE BACKGROUNDS BEFORE CHOOSING ONE! you dont have to read the sources. those are just there because i have autism. 👍
DETAILS BELOW THE READMORE BC I GOT WAYYY TOO WORDY⬇️
BACKSTORY A: Black Cowboy fled Texas* to Oklahoma with his family after the revolution, now travels up the trade routes breaking wild horses, passing along abolitionist messages, and assisting refugees. A miracle baby surviving a cleft lip with limited surgery and sustained permanent hearing damage as a result, he took up the trade of horsebreaking with flying colors, keeping right up with his older brothers. A sharp shot, keen eye, and a talented horseman, his best trained horses help him identify sounds that he otherwise can't hear. Loosely familiar with PSL, but primarily used a mix of lip-reading, localized/community generated sign growing up.
* After the US aided Texas in staging a coup against Mexico and declaring independence, an ordinance passed in 1836 that fully banished free Black people from the region unless they had personal pardon from Congress. This ordinance was not passed without pushback, and it changed shape and restriction over the years as people of color such as Joseph Tate, John and Charity Bird, Diana Leonard, Allen Dimery, and more all fought for their right to their own lands and lives. The law eventually settled into what was known as the Ashworth Act in 1840, which allowed free Black people to stay IF they had been residing in the state before 1836. It certainly wasn't the victory many had hoped, and even though many free Black persons in Texas were granted pardon to stay, like the Ashworths who the act was named after, many others were forced to leave after their allotted time was up, and were threatened with the future of slavery should they return. thank you texas history for being a vile piece of shit 👍
BACKSTORY B: Mexican/Tejano Vaquero from West Texas whose family has been ranching and cattle driving for decades. Has no interest in moving post-revolution, fuck you very much. If the borders are going to cross his family without asking*, then there's no need to cross them back. Technically lives with his family, but spends extensive periods of time away from home on cattle drives. Steady-handed, steadfast, quick to keep his herd safe. Miraculously survived a cleft lip as a baby and sustained permanent hearing damage** as a result, but that didn't stop his father from teaching him everything he knew, nor our man from taking to it like a fish to water. Knows more about cattle driving than you will ever forget.
*Some brief notes on the borders shifting and alienating people in their own rightful land.
**There was no official sign language of Mexico until the first Deaf school was established in 1869, but he and his family likely have a community-based one that works for them.
BACKSTORY C: Coahuiltecan (specifically Payaya)* cowboy, farrier, and leatherworker. Picked up the line of work as family was pushed to assimilate, one of the few still claiming Coahuiltecan identity at this time**, and has made a good living for himself and his sisters with it. Like the others, miraculously survived a cleft lip as a child but sustained permanent hearing damage as a result. Knows Plains Indian Sign fluently, and also relies on the direction of his horse for picking up sudden sounds before he can spot them. Tries to keep his work as local as possible to avoid separation from family for long, and whenever that is necessary, makes sure to come back soon.
*Note: Coahuiltecan is a term referring to several northern-Mexican and southern-Texan autonomous groups with distinct cultural differences. However, since Spanish and French colonizers lumped these groups together, an immense amount of distinguishing knowledge has since been lost.
** Also note: the Tāp Pīlam Coahuiltecan Nation is still very much around today (check out their site!) but nearing the mid 19th century, people at least claiming/listing this heritage on legal documents dwindled immensely for a variety of reasons.
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