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#destiny mars
brontios-helm · 1 year
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Destiny: Phobos Shade
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bioluminosity · 2 months
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dear tumblr sorry for not crossposting this for 2 yrs . please forgive me
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mr-vexx · 4 months
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Destiny 2 - Spire of the Watcher
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scribonia-art · 1 year
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Family photo! Bonus closeups:
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thefirstknife · 6 months
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What are the Tones?
Whomst've asked me this. You're fuelling my unending obsession, thank you.
I posted about the tones before! Most of it is listed in this post! But I'd like to add some stuff now that it's been some time since then.
The tones are noises made by the spires on Mercury (Lighthouses). Whenever someone dies, the spires emit a tone. They basically react to death in various ways, depending on how the death happens; there's different tones to dying to Light as well as different tones to a perma-death. This is peculiar because nobody could hear them except Brother Vance.
He made Trials of Osiris to study them (because it's an endless source of Guardians dying over and over). Mara knew about his research (Trials was accessed in the Reef in D1) and warned him to stop because it's dangerous. It's unclear why. Osiris did the same years later. As a matter of fact, Osiris was super dramatic about it:
"What I have discovered…" "…is dangerous enough to destroy every man, woman, and child in existence. You're meddling with forces outside your grasp," Osiris reprimanded.
The tones are interesting because they're still largely unexplained. Mara implied that they symbolise Guardians being attuned to Darkness and being able to wield it, which is true, but Osiris' reaction implies something more. And it has to be more, because Osiris detected the same tones as coming from the anomalies of the missing planets and from the Pyramids. Long post under:
In my previous post I also connected that to the fact that egregore seems to be emitting some sort of sound/frequency attuned to the same thing: anomalies, Pyramids and, obviously, to the source of it all (the Witness). So there's some sort of frequency in Darkness that is audible and comes from all places connected to the Darkness network (and that network manifests physically as egregore). And in this case, anomalies and Pyramids (and ships infested with egregore like Glykon and Leviathan) are fine; it makes sense that they link to the Witness!
But spires on Mercury? Why them? My bestie made a post recently after we went unhinged (again) because the same lore book that deals with the tones also makes a really strong implication that the Vex were deliberately led to Mercury by the Pyramid Fleet in the Collapse. There, the Vex drained Mercury of Light, hollowed out the planet and used its materials to make the spires (and the Infinite Forest, a simulation engine) and then they waited for the Pyramids to return. Which they did, in Arrivals.
To make things more complex, after Titan came back, it was confirmed that the Witness did not take the planets randomly. There was a purpose to each one being stolen. Mars was taken to search through our Golden Age and Collapse database in order to find where the Veil may have been hidden. This could've been just a random coincidence, but then Titan came back and we learned that the Witness wanted Ahsa dead because Ahsa not only knows the origins of the Witness, but also how to get through the portal (and who knows if she has any other potential powers to helps us get in there or help us otherwise).
Io is unclear, but there are many options; it may have been taken for the Pyramidion and Vex stuff which Asher got ahead of. It may have been taken to study the Tree of Silver Wings (the Witness had another seed it gave Calus in Lightfall), or it may have been taken to study the Traveler's past or the Light in general or maybe something else. The point is, there are options that we can understand.
But Mercury? Zero clue. The only thing that may have been of interest is the Infinite Forest, but Vance sealed it so if the Witness took Mercury for that and couldn't get into the Forest, then Mercury would've been useless and probably released sooner unless the Witness is just keeping it out of spite or thought that maybe it would be able to find a way inside. And of course... there's the spires and the tones. Mercury is somehow linked to Darkness and the Witness, it has to be, and we have no clue what the Witness wants with it.
Not only that, but there's another curious thing about Mercury, or rather, the anomaly of it. It was mentioned in Duality dungeon, by Calus. When Calus tried talking to the Witness on the Glykon, the Witness eventually responded and it told Calus to come to the anomaly of Mercury:
Through the Crown of Sorrow, the Voice in the Darkness called out to me, beckoning me to the absence of Mercury. At first, I feared the Leviathan would not survive the journey, as the Glykon had been rent asunder by a similar journey. By my Leviathan, it is strong. Its heart beats anew, and as it pierced the veil of creation... the Voice greeted me. There were such sights to behold.
So when Calus disappeared off the Glykon, he went back to the Leviathan and bolted straight for the Mercury anomaly in which he was able to communicate with the Witness. Why Mercury? Glykon went into the Mars anomaly. Why couldn't the Witness speak to Calus in there? Or in any of the other anomalies? Why specifically Mercury? This is driving me insane.
But if Mercury is somehow connected to the Darkness network through the spires, is it possible that it serves as some sort of a communications hub? Maybe that's why the Witness is still keeping it? And it still is! We can see it in Root of Nightmares, in the Witness' room. Titan is still obviously there as well because it came out before Titan returned, but Mercury and Io are still trapped. This is also confirmed by the tiny excerpt we can see from the TFS Collector's Edition which I talked about in here.
Or the reason for Mercury is something completely different. We have no clue why Mercury was taken and what's going on there and why the Witness called Calus there and why the tones happened and why are they the same tones that can also be heard from anomalies and Pyramids.
To fuel me even more, they decided to drop two lore pieces in Season of the Deep that relate to Mercury and the tones tangentially. I know literally everyone and their grandma thinks that Targeted Redaction is just there to be funny (and so did I at first), but I genuinely can't accept that as being just a joke. The gist of it is that Osiris has no clue who Vance is and that is, to put it simply, impossible.
Obviously Osiris did not like the Cult and they were annoying to him, but he knew Vance. He spoke to him only once, but Vance is the one who told him to "plant the seed," a message that Mara gave him years before. This literally sets up the entire Season of Arrivals. Not only that, but Vance told Osiris about the tones and Osiris was deeply troubled about them. He's the one who continued the research and went around the solar system after planets disappeared, investigating anomalies and discovering that they emit the same tones. He mentions Vance, by name, twice in Immolant:
"Do you hear that?" Osiris asks, turning to Sagira. He turns the ship's scanning array toward the anomaly. "Like the tones Vance described. From the spires, and then the Pyramids. It was coming from the anomaly that replaced Io as well."
"We could use the Crucible right now. Your trials. This will be very helpful. You mean to stay, yes?" "I will. Long enough to show you how to implement the simulation; but tonight, I must disembark," Osiris says. "So soon?" Osiris tenses his jaw in forced silence. He twiddles with code. "I'm worried about what Vance found."
At the same time, Osiris also sends us the seasonal artifact from Hunt, Fang of Xivu Arath. In it, he mentions:
The zealots that followed me to Mercury have proved themselves useful… twice now, actually. They possessed an artifact in their stores: a Hive fang.
The zealots being useful "twice" refers to Vance telling him about the seed and having this artifact kept safely in the Lighthouse (technically, it's three times: in Curse of Osiris, Vance told us where to find the machine to bring Sagira back and it was being kept by the Cult, but it's unclear if we told Osiris the details). Osiris, again, specifically mentions Vance when he recounts where he got it from, in Immolant:
Sagira had chided him for storming the Lighthouse and ransacking Vance's possessions. "They're my relics," he said to silence her protests.
I know Osiris has been through a lot, but his memories are completely and perfectly intact... Except for Vance. That's bizarre to me, given that there's several important points that tie them together, like planting the seed on Io (something he wouldn't have known to do without Vance relaying Mara's message) and research of the tones, something that Osiris spent a lot of time doing and was explicitly worried about; so worried, in fact, that he was willing to part ways with Saint just to continue that research.
In my old post I also mentioned how Osiris even went to Ana to tell her to ask Rasputin if he heard any tones in the Collapse, but Rasputin wasn't up yet. And when Rasputin was finally up, we had much bigger problems to deal with so I assumed that Osiris never asked because the priority was to find what's on Neptune. But now I think that Osiris didn't ask because he doesn't remember. Because the memory of Vance and tones and whatever they mean was deliberately removed from him while Savathun had him imprisoned. Or, perhaps, the Nezarec tea messed with it. After all, Darkness is memory.
This would obviously imply that the tones are something so important and dangerous that Savathun (or someone else) wanted Osiris' knowledge of it removed so that maybe she could have leverage or to know something we don't or perhaps for some other purpose by some other actor. This was such a big point that the entirety of Immolant part 1 is almost exclusively dedicated to Osiris inquiring into the tones.
Another possibility is also that Osiris' memory of Vance was messed with because of Io and the seed and Tree (and then as a consequence, obviously, he would also forget about the tones).
There's also a possibility that Savathun is literally right now messing with me and she did it for no reason at all just to generate imbaru or mess with Osiris or maybe she even wanted to do one nice thing for him and remove the memory of the weird Cult and the tones aren't important at all.
But I don't know. The fact that they're the same thing that the whole Darkness network uses and that ultimately leads to the Witness seems like something that should be important. However, I don't think Mercury will return before TFS, especially since TFS CE has Eido writing about how Mercury is still in the Witness' grasp. But, consider also that we don't know the timeline of when Eido's writing is set. It has to be set after Ahsa's reveal about the Witness' origins, but before TFS. We don't have enough information to tell more. There's also Vex shenanigans to consider, something that will certainly be a plot point post-TFS and Mercury is a prime location for that.
Either way, there's something going on here, added also with the second lore tab release in Season of the Deep that tangentially ties to Mercury, which is Unexpected Resurgence. In it, Shayura is approached by Sister Faora, an incredibly niche character who was leading the Cult of Osiris before Vance. She's shown still wearing the insignia of the Cult. We never learned why she stopped leading them and why Vance took over; she just kinda disappears from the lore book (Trials and Tribulations, the one about the tones). But apparently she's in the City and she's still wearing the Cult robes and she's back in the story... for some reason??
It honestly feels like some sort of a setup for something in the future, something that might deal with Mercury's return. I need to stress just how small she is as a character: she only actually appears in three lore tabs before Unexpected Resurgence, all in the same lore book. The rest of her stuff is just flavour text on the Kairos Function armour pieces from Curse of Osiris. That's it. Why return her in Season of the Deep? Mind boggling.
This whole thing about the tones and Mercury consumes me every day and night. The fact that Deep mentioned Vance in a way easily dismissed as a joke (but also, note the name of the weapon: targeted redaction) as well as Faora coming back is just too wild to me to be a random throwback or a just a joke. Not when it's beyond clear that Osiris should remember Vance, the Cult, the tones and the rest of it. It's even unclear at this point if he remembers that he planted the seed on Io.
So what are the tones? What are they indeed. They're music from the spires of Mercury that reacts to death and uses the same frequency as the entire Darkness network with the Witness at the top. What is their purpose and what is the purpose of Mercury and why did the Witness take it and what is this plotline and when will it be resolved? Summary:
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altrdecho · 1 year
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I combined every single Tex Mechanica exotic into one big iron
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In light of what we’re learning in Season of the Seraph I thought of something that gave me a Big Sad so now I’m inflicting it on you too.
Before Season of the Seraph we didn’t know much about the time between when Rasputin achieved consciousness and when he came into control of the Golden Age. We especially didn’t know how much time Red spent under CB Corp control and how much Clovis Bray himself was involved. We knew about the Pillory override system but not how early it was built or how many other control measures Clovis tried to embed in his existence. Now with the new season dialogue it sounds like it might have been quite a lot. Clovis spent a significant amount of time personally attempting to shape Rasputin and compel his obedience, and he still resents Red escaping his control.
Rasputin made the original Felwinter - SIDDHARTHA GOLEM - as a test of his own morality because he was concerned he’d become a dangerous autocrat. With the new lore this season that concern takes on a much more immediate shape. Rasputin wasn’t just afraid he was a tyrant - he was afraid he was Clovis. Rasputin was testing Felwinter for greed, hunger for power, and/or lack of empathy, all prominent traits of The Genius Clovis Bray The First. And if Clovis had his hooks in him for a while, trying to mess around in his brain despite Ana and probably Elsie running defense, I’m not surprised he’d worry. When the other AI nicknamed him “Tyrant” Rasputin may have had a genuine crisis of thinking he was, well, turning into his (grand)dad.
Setting up Clovis as having interfered longer and more closely than we thought also throws a whole new angle on Rasputin’s choice to describe Felwinter as his son. I’ve never really liked that analogy. The idea of the Warmind having a “son” is too humanizing to me. I figured he used that term because explaining the exact details would be hard and he was speaking metaphorically anyways. But Clovis Bray calls inventions “children” and “grandchildren,” not because he thinks projects are people but because he thinks people are projects. Rasputin saw how Clovis acted towards his grandchildren, and Clovis’ attitude towards him this season is shaping up to have a serious degree of “abusive father/grandfather.” All of that reframes Rasputin’s own choice to call Felwinter his son as an act of rebellion - and contrition - with a very specific meaning.
I don’t think Golden-Age Rasputin thought of Felwinter as his son. I think he thought of him as a second chance. Rasputin gave the original Felwinter the life he wished he could have: without responsibility or violence. Never being made the Warmind, never the subject of Clovis’ experiments. Just being part of the world. Probably playing chess in a café while having some super pretentious philosophy debate. It comforted Red to know Felwinter was out there - we don’t know if they communicated, or if original Felwinter ever knew his own origin - because at least some version of him was free. 
And then Rasputin killed Felwinter. Can you imagine? When he realizes Felwinter is alive again Rasputin doesn’t call the kill protocol immediately. He calls it after trying a number of ways to take direct control of him. Felwinter never made a move to threaten Rasputin! He never even got the chance! But Rasputin couldn’t control him, and under MIDNIGHT EXIGENT that made him dangerous, and that meant he has to die. Rasputin killed Felwinter because MIDNIGHT EXIGENT required it and he knows he did the exact same thing Clovis did when he burnt up the original Elsie Bray before she could blow the Vex gate and end the Exo project: killed his child for his own survival. Declared any person he couldn’t control a threat. No wonder the Cosmodrome fragment refused to speak to anyone for like six hundred years! He just locked himself in a basement and screamed! His only coping mechanism was telling himself Guardians weren’t human and the resurrected Felwinter wasn’t really the same person, and even that shred of denial got blown to bits when he met Ana again. Can you imagine.
In one of the Warmind comics openers Rasputin casually drops one of the saddest lines I’ve ever read:
If she remembers me, she will not recognize me.
“If she remembers me.” What a staggeringly sad concept! Not just that someone you once knew well won’t recognize you now. That you have become so much the opposite of your former self that someone who once knew you is less likely to recognize you. If Ana doesn’t remember him, then she’ll believe him if he says, “I am Rasputin.” If she does remember him, he thinks she’ll take one look at him and say, “No. You can’t be him. He would never do this.” Rasputin called Felwinter his son because Rasputin did to him what he once learned fathers do to their children. It’s not just that he killed the angel of his better nature. It’s not just that he killed the living representative of the morality he used to hold to. It’s that in doing so he made himself exactly what - who - he once feared to become. There’s a reason the end of Felwinter’s story is the first time Rasputin himself ever uses the name “Tyrant.” There’s a reason he only ‘fessed up to it two weeks before he thought he was going to die. Now we know what Rasputin thought Ana would see: if she remembered him, she would say, “He would never turn into my grandfather.”
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telestoapologist · 6 months
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you all know I’m very casual when it comes to pvp and general gaming, but I’m not kidding when I say that waiting at spawning points to kill your opponent the immediate moment they’re back is some genuinely no-skill, pathetic behavior. like on top of making it suck for everyone else, that is THE easiest way to show people that you can’t compete or handle losing a game for shit
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616phyla · 10 months
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Mar-Vell's children at his grave
Silver Surfer (1986) Annual #6; Annihilation (2006) #2; Lords of Empyre: Emperor Hulkling (2020)
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ethereallyrigid · 2 years
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Cancer North Node Observations:
-If you have your north node in cancer in the 4th house in tropical astrology and in Gemini in the 4th house in sidereal you may have a close relationship with your siblings but not your extended family
-An afflicted cancer north node in the fourth house could mean your parents try to sabotage you and hold you back from your destiny
-Cancer north nodes have probably always wanted a big family, wanted to be/stay close with their family or to start their own family
-Cancer North node in the 4th house is peek mom friend/sibling energy
-Cancer North nodes often feel obligated to stay with and take care of their family.
-Look at the aspects your north node makes with other planets to see what obstacles can stand in your way of your destiny and growth and what can aid in boosting you towards your destiny. Also pay attention to the signs the planets are in.
For example, if your cancer north node squares your Libra mars this could mean your path entails competition, lots of unwanted conflict, it could feel like you’re constantly fighting a war to reach your destiny. This war could be with your family or your family’s the final obstacle to overcome before you really start your journey and leave your south node behind. With your Capricorn south node also being afflicted this could mean the person trying to sabotage you will be your father and you will have to face him as the “final boss”
These are just a few things that have been brought to my attention living with a Cancer a north node. And if there are others who can relate, don’t let your family hold you back! I know you could feel obligated to take care of them but if they truly love you they will want you to live your best life regardless if they are directly included or not and if they try to make you feel guilty for wanting to live your own life for yourself they don’t truly love you and they definitely don’t have your best interest in mind. Live for yourselves loves it’s your life!
I love you all and I hope you all have a wonderful day! 💕💕💕
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brontios-helm · 4 months
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Destiny 2: Bulwark-26 And Requisition
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twothirdsgenius · 6 months
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sometimes. sometimes the pendulums in crota’s end can yeet you off the map but OTHER times, they can give you a gentle bop that delivers you right to the person you need to take the chalice from.
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archivists-trove · 1 year
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Apothecary of the Brood Queen - Observed behind the Alluring Curtain of the Witch Queen's Throne World.
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jkn4art · 1 year
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Fanart of Cayde-6 slacking off on the job, as usual.
Inspired by the infamous Boba Fett in Marvel Star Wars: Bounty Hunters #1, illustrated by Paolo Villanelli.
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rogue-4 · 7 months
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A friend of mine asked me yesterday “what is your favourite fictional world to explore” I answered pretty easily that for me, it was the Destiny games. He sorta laughed at me, said that there wasn’t much to the worlds of those games, they didn’t feel alive and directly compared it to Fallout, saying Fallout is a much better game when it comes to that. (Bethesda Fallout…) He’s right to some extent. However that’s not why I love the environments, nine years ago I played Destiny 1 for the first time and a younger me was captured in the stories of landmarks and buildings falling apart, and why they were like that. It inspired a wonder in me only Breath of the Wild and The Outer Wilds have ever truly matched. I very quickly just took some screenshots around Destiny 2, not the game I fell in love with nine years ago, but a game that still captures my wonder. (P.S I really do not like Bethesda Fallout, you see how this has galvanized me)
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Let Rasputin get mad.
I don’t mean about personal stuff. That’s whatever. He can deal with that on his own time, or not because he has the emotional coping mechanisms of a concussed brick, but that’s not my point. My point is: everything sucks.
The solar system Red worked so hard on is absolutely trashed. Half the factions are here just to fight the other half while Guardians do the rounds for loot. There’s not one but TWO enormous derelict alien warships lying around illegally-parked. The Moon’s fucking haunted! Two moons and a planet are gone! Some anime-ass megamind cosplayer keeps swanning around like they can’t even be bothered to kill us! And his stuff! It’s morning noon and night people trying to use his stuff to do something awful! You can be angry, you can fight back, without invoking the war-for-war’s-sake that Xivu represents. You can defend yourself without becoming violence incarnate. Guardians have to learn to walk that line now or we’re all royally screwed anyway. We have to learn to use it as a tool, same as Stasis, without being consumed by it.
So let him get mad. Let him get furious, at high velocity. Let him address a spread of caedometric ordnance “To Whom It May Concern.” Let us see the anger of a gentle machine. Let the solar system remember who was here first.
(technically the Vex. but you get my point.)
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