LISTEN. i would like to talk about the fact that there were two gods when the series started. just two gods. mianite and dianite. light and dark. order and chaos. god and his devil. then. somehow. this stranger just appears out of thin air, (which by itself is soooo magic coded) and is hesitant to take sides because something doesn't feel right. there HAS to be more than this. there's always been more than this. and maybe it started in this world but she's always existed, and it was his fault it was his doing. and maybe she lives in this world and dies in the next or maybe she's evil instead of neutral but one thing remains the same and that is that he created her with nothing but a single sentence spoken aloud. he altered reality, changed the entire course of the universe, past, present, and future, just by saying Maybe i dont want this. maybe there is more here, and it is missing.
the manifestation of that power is so prevalent during the entire series too? why else would the god of chaos himself want you on his side. why would the god of chaos want you on his team if you were not otherworldly and insanely powerful. why would the universe target you in every battle wrought against you and yours. why would a king try to gain your allegiance and loyalty if not for your unnatural abilities. why would a supreme being work so hard to eliminate everything you created and then some if you were not a substantial threat to their power. why would you be possessed and lured to the dark if you didnt have a desirable trait or two that an evil entity might want to have in their grasp. what good is a normal being to a god.
jordan's mianite character is the MOST god coded character in the entire series aside from the gods themselves. its so subtle. so so subtle. but its also right there in your fucking face. his very existence and prevalence in the storyline just SCREAMS godhood.
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the absolute horror and offence in his face at alfred taking away his dinner is perfectly captured
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I wish the anime hadn't cut this part out. It really highlights how afo presented himself as a savior to those who felt lost during the dawn of quirks which was how he was able to get such a huge following.
we see him do that during present day too as we see how he exploits those, particularly children, who society forgot about by taking them in and caring for them so they'll remain grateful and loyal to him.
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"IDW Megatron got a redemption arc and Starscream didn't it's so unfair--"
Do not slander Metalhawk, Bumblebee, and Windblade's hard work trying to fix this man they didn't work for half the continuity (and in 2/3 of their cases) literally die and come back as zombies/ghosts for y'all to be out there saying no one helped Starscream get redeemed and have friends and be a better person
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Race: one time someone dislocated on stage and I held my pose perfectly still for thirteen minutes instead of helping or comforting her, so that is evidence that I can stand still
Davey: oh god was she okay
Race: ...I don't remember
Race: meet the plastics except I'm just playing all the parts
Spot: that sounds like when I slept over at your place
Race: and that was the best night of your life
Davey: every day our cast re-creates cowboy battles. Every day I hate them more
Race: I'M A MAN, I FEEL THE TESTOSTERONE FLOWING, I WANNA GO TO WAR, I WANT A LIGHTSABER
Albert: he's just a baby, get him a lightsaber
Spot: I love getting to sit down inbetween scenes offstage or in the audience while we block because Race is never technically offstage for longer than a minute but he's not in a lot of scenes so he just sits backstage alone and I get to laugh
Jack: oh what a man what a man what a man what a mighty good man
Davey: do you have to be in your underwear and dancing to paint the set
Jack: yes, it's a crucial part of my process, Dave
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So this scene in Cloud Castle exists
I love how Will’s answer for “why aren’t you seeing your nightmares in this place specifically designed to show you your nightmares” is “I go to therapy”
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thinking about it, apollo might be the only defense attorney in the ace attorney franchise who became a lawyer to actually be a lawyer, which explains a lot about him
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https://www.tumblr.com/skullsandcorals/738285799236321280/im-dyslexic-im-not-stupid
1. Holy shit I am so happy I found another person who gets how smart Percy is, and gets that every instance of Percy looking/getting called stupid is due to his dyslexia or people not telling him anything.
2. Which book/chapter is this from? I need to bookmark it ASAP and start shouting it from the metaphorical tumblr hills.
3. We really don't talk about how good a mom Sally is? Like yeah she's badass and gentle but like. She respects Percy. When the school system failed Percy, she's the one who still not only believed that he was smart but still acted like it and probably taught him too. Queen mom Sally Jackson right there.
1.) YEAHH EXACTLY. Or his ADHD 😭 It drives me NUTS whenever Percy is treated as the dumb + comedic guy. Like I get what they're saying and why they're saying it, but sometimes his character gets reduced to JUST that and it hurts my soul. I get that he's funny as a narrator and as a character and sometimes he can be a little "clueless" but it just feels like some people like to think of that as either all he is or a huge part of who he is. I believe I've also seen Leo get this treatment despite literally being insanely smart at such a young age so. that's...fun. They can be funny and smart too 😞
2.) It's from the 10th Anniversary edition of The Lightning Thief! It's Rick's cover letter for the first readers of the manuscript & a note from the narrator. I don't have a copy of that edition myself, but I've seen some pictures of it on Rick's blog and someone posted one of the pages on Reddit (where I got it from).
Here's the full page from Reddit (source) & the picture from Rick's blog where the page is visible (source):
3.) YEEEAHHHH I LOVE HER SO MUCH!!! What I would do to get adopted by her rn. The way she talks to him makes me kinda teary-eyed because she's just so...you can just tell how much she loves Percy and that she would do anything to make sure he grew up resilient and kind in a world that's always out to get him. She believes in him so much that it just makes me lose my mind a little. It's just so sweet and I can't help but feel so moved by it.
I'm not sure if you've read Chalice of the Gods, but there's this scene where (spoilers, kinda) Sally talks to Percy after the whole thing with Hebe and honestly this scene makes me want to sob and cry and weep
“You are a lot of things, Percy. But helpless isn't one of them.”
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just opened sonic forces speed battle to see if they did it again. They did it again
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I'm not saying anything. I'm not saying anything.
All I'm saying is:
-> 2007 french-countryside-shritless-bike rides-summer happened. (And then lots of making love eyes)
-> (then possibly along with their TLSP times ending they put a stop to not just the gigs... But maybe other ✨developments✨ too 👀)
-> But then? 2015 recording-of-their-second-album and moving-in-next-to-each-other-being-glued-together happened (resulting in even more of the love eyes)
And we got this:
And possibly this:
And then a lot of unknown things happened. (Possibly potential ✨developments✨ being stopped part 2.)
And in 2022 we got this:
That's all I'm saying.
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hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.
as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".
with that in mind, there are two types of songs we in western, english speaking, society call "love songs":
1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and
2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.
(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)
now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).
to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.
(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)
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formerly an essay in tags but - billie lurk. half-nameless, misremembered woman. her powers derived from the things taken from her, without any catharsis or empowerment. the rat charm, tied with deidre's hair, her lover's voice in the mouth of rats. her arm and eye, taken, given back only to cause her chronic pain, then lost again. foresight seems a cruel gift for a woman who botched the timing of her takeover of the whalers, and bet wrong when it came to delilah.
she never bore the outsider's blessing; his first visit to her was more like an assault. every other dishonored POV character gets the choice to be selfish, and for that selfishness to mean something, but billie's actions have no effect on the world at large, either, in a game without a chaos system.
some say that corvo is the ghost, but he can reach out and change things. billie's buried herself twice and come back and nothing she does seems to matter - she is less a protagonist, more a convenient full stop in the narrative.
try this: open doto, start a new game. sit in her cabin. notice how little of billie there is. even the woman she loved more than anyone has the face of another named character.
she sits amongst the assets of other games: empty canvases and a dressmaker's mannequin that wears nothing.
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Was doing some thinking today and realized that one of the reasons I'm really drawn to Kieran is because he's a rare example of a character that's shy (and usually good-hearted) but still has some rougher edges to him.
I feel like all too often shy characters are shoved into being portrayed as either "smol bean who would never hurt anyone and just wants friends uwu" or "brooding loner who snaps at people to cover up the fact they don't actually know how to socialize" with not a lot of wiggle room in between. While I can and do enjoy characters that (arguably) fall into those respective categories, they're a bit reductive in the sense that things are very rarely that black and white in reality. Even the kindest people have a limit to what they can tolerate. They have bad days or respond poorly to events around them that cause them stress. And the same can be said in reverse as well—point being, people are multifaceted and don't always behave as predictably as we'd like to think.
And I think Kieran reflects that dichotomy perfectly. When we first meet him, he's meek, timid, and relies heavily on his more brash and forceful older sister to help him navigate social situations where he would otherwise lose out on something valuable because he's too afraid to come forward and ask for what he wants (like how she has to ask the player to battle him on his behalf). He's often quick to cower whenever she starts to get heated, but he's also not afraid to point out when he thinks she's wrong and sometimes even gets sassy with her himself. He's undeniably sweet and gentle and shows eagerness to make friends with the player, but he becomes much more curt when he notices we're lying to him about Ogerpon. The rest of the Teal Mask storyline shows him fluctuating even further—yelling at Carmine and the player for keeping secrets from him, punching things in fits of anger...then backpedaling and apologizing for the trouble he caused a few scenes later. Spreading the truth about Ogerpon to everyone in the village to help make her happy...then selfishly demanding a battle to see who's worthy of being her Trainer when she has already clearly chosen the player.
After being lied to and suffering repeated losses at our hands (including the Pokemon he's idolized all his life choosing us over him), he leans even more heavily into his bitter side during the Indigo Disk—being cold and ruthless to pretty much everyone around him, but at the end of the day it's primarily overcompensation for what he perceives as his own personal weakness (because he's still just a kid trying to be taken seriously). He's shown to drop the act on multiple occasions—most notably when he's caught off guard by our appearance at Blueberry Academy and at a few points during the Area Zero expedition. He antagonizes the player up until the moment of his defeat and tries to catch and use Terapagos in a last-ditch moment of desperation that ends up going horribly wrong, but after everything resolves he's quick to admit his mistakes and asks the player for forgiveness and if they can still be friends. After the epilogue he's mostly back to his old self, but still seems to get worked up when provoked (e.g. when he yells at Drayton for refusing to stop calling him "ex-Champ" in one of their League Club Room interactions).
And I think this varied and sometimes contradictory behavior is precisely why Kieran is such a cohesive and believable character—because it shows how even kind, well-meaning people may have a hidden darker side that can show itself under the right circumstances. How they might let their insecurities get the better of them. How a shy, timid kid might not have the experience to know how to deal with sudden feelings of frustration and/or jealousy that are far too strong to keep to himself, so he lashes out as a result. How despite all this he remains kind, sensitive and loving at his core and shows willingness to learn from his mistakes. And that is what makes him so compelling to me.
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one problem with getting into Fiction Franchises like, oh let's say the MCU, long after they started is that 1) there are things that refer back to things I don't know about and 2) i don't know what i don't know about, and in a way that latter is more of a problem at least for me.
i managed an episode of wandavision and was left thinking "this seems like it's good, but i have no clue what's going on here so it's not going to work for me is it?" and i am reliably told it's supposed to be Mysterious Mindfuckery but i, a noob, was unable to work out without external clarification what i wasn't supposed to know. if you see what i mean.
i notice the mcu movies (at least as it progresses?) don't have numbers on them, and we know when they're direct sequels because there's a subtitle. and if you come at these later you need to get a chart to work out whether you should watch thor: ragnarok before or after thor: the dark world. which is easily done if i am determined to get things in the right order, but any effort is too much for someone.
so while i am willing to consider the idea that the later mcu films/shows are just Less Good than the early ones (personally Doubt so far but I'm not opposed to the idea) it's very easy inside a fandom to lose sight of what your thing looks like to the casuals who make up most of an audience, and frankly the mcu is currently Very Large and confusing.
who are all these Mrs/Captain/Miss/etc Marvel ladies and which of them have already been in films I might or might not have seen? how many ant men are there prior to this one? am i supposed to know who the baddy in this or that film is? which of these side-characters are from something else?
doesn't-seem-related-but-it-is: i was surprised to discover that the general mcu fandom view of the loki series was not that it was some sort of AU situation that could be thought of an entirely separate from the main series of films. because that was pretty much why it was the one to hook me, i think - it explained the relevant backstory with clips and yet also this is a different loki so if i don't want to go and watch however many films he was in i don't have to. i would expect him to be to some extent "out of character" because it carefully explained to me that this is not really the same character as that identical guy with the same name who was in some number of films. there's a woman one and an alligator one but don't worry they're all from AUs anyway.
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