No one is doomed to abuse people. There isn't an "abuser gene" or "evil chromosome". There aren't "cursed bloodlines".
There's a culture that frequently enables, romanticizes and eroticizes abuse, and individual human beings who choose to take advantage of that, or not.
Even someone who has abused others in the past has a decision about whether or not to continue that harm. Further abuse isn't inevitable, it's a choice.
The idea that abusers can't help it just further enables abuse culture. If someone is abusive, they are making a choice.
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DARVO: Deny, Attack, Reverse Victim and Offender.
An abuser denies the abuse ever took place, attacks the person that was abused (often the victim) for attempting to hold the abuser accountable for their actions, and claims that they are actually the victim in the situation, thus reversing what may be a reality of victim and offender. It often involves not just "playing the victim" but also victim blaming.
TL;Dr: Stop pathologizing neurodivergent people and individualizing abuse, and start treating abusers and bullies as a social failing that are products of privilege.
Unless you want to insist that every bitchass who's ever plagued marginalized people has NPD.
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I've said a lot on this blog that abuse is a choice, and I want to explain a little what that means and doesn't mean.
Abuse is a choice because your actions are your responsibility. Each abusive action is something you could choose to not do.
"Abuse is a choice" doesn't mean that abusers are necessarily thinking of their actions in terms of abuse. (I'd argue that most abusers do not think of themselves as such.)
It doesn't mean abusers are necessarily thinking about the harm they're causing at all, or even that they're always aware on any level that their behaviors are harmful.
What it does mean is that if you are harming someone, that's your responsibility. You are deciding what actions to take, and you chose actions that harm someone. Whether or not you stopped to think about that fact doesn't erase your choices.
It's everyone's responsibility to make an effort to treat other people with care and respect, and if for any reason that's hard for you sometimes, it's still your responsibility to find ways to handle that situation without harming others.
Abusers aren't a specific "type" of person. They don't have some Makes You Abusive Disease. They're just people who are taking advantage of and sometimes creating power imbalances, in order to relate to others in a way that benefits them or that they enjoy or feel more comfortable in.
They are not always doing this consciously, but that doesn't mean it's not a choice.
Because they have the option of figuring out how to be kind, and they are ignoring that responsibility.
We all share that responsibility, and it's important that we keep it in mind.
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"The atmosphere on this ship is fucked. Everyone knows why."
"I don't. Enlighten me."
"Your feelings for Stede—"
This scene has been picked over a lot, but this is the first time I noted the speed with which it happens, including how clearly Ed himself knows what Izzy will say, and has from the moment he walks on deck. It's the culmination of an emotional violence that has been there since the start of Season 1 and that focuses on how and where Ed is allowed to express his feelings.
It's Ed who decides to make the discussion public, and Ed who challenges Izzy to say, out loud, in front of the crew, exactly why Izzy thinks the atmosphere is fucked.
Ed's acting unhinged a moment before, but as soon as Izzy speaks, he's very present—because he's been pushing for this to happen. The tone of voice he uses when he says, "Enlighten me," is similar to the sarcasm in his voice back in "Discomfort," when he says, "Sounds stressful, Izzy." He's not daring Izzy to say it's about his feelings; he's waiting for him to.
Izzy barely even gets Stede's name out before Ed is nodding and pulling the trigger. It's not at all what Izzy later says—"He took my leg because I dared to mention your fucking name." The exact words are "your feelings for Stede."
In Season 1, Izzy has insisted that his words to Ed about Stede be spoken in private. He never discusses it with anyone in the crew. The only time other people are present for those discussions is when Izzy insists that Ed send Stede to "doggy heaven," and then Fang has an emotional breakdown (and for a good bit of Season 1, Izzy treats Ivan and Fang as an extension of himself). The crew know that Ed is in love with Stede, but Izzy does not speak about that in front of them. Izzy's verbal violence about Stede, and his attacks on Ed about Ed's feelings for Stede, are always out of sight and hearing of the crew.
But he does speak to Stede's enemies about it, and Ed knows it. Izzy has told Calico Jack that Ed is "shacking up" with Stede. Spanish Jackie also knows, and so do the English, because that's how and why Izzy sold Stede out. Ed is aware, from the moment that Jack uses the term "shacking up," that Izzy has been speaking publicly about Ed's relationship with Stede.
Ed himself does not talk about his romantic or sexual relationships. Other people do—Calico Jack, Anne and Mary, Izzy—but Ed is not public with that information, even saying that “our private lives are our private lives” (echoing Stede’s statement to Jack: “Ed’s past is Ed’s business and I respect that.”). The times when Ed makes his feelings toward Stede known, even implicitly, are private—the “fine things” scene, the kiss on the beach, even the stabbing scene, all are between Ed and Stede. No one else is meant to witness those. After Stede has left him, Ed’s grief and the reasons behind it are clear, but he still conceals it with a song “about someone else.”
Ed keeps his softer emotions hidden and private, or tries to, because he’s been conditioned to believe that they’re dangerous to have. And they are—Jack makes them the subject of derision, and Ed is explicitly threatened when he makes his love for Stede too publicly visible. Izzy invades his private spaces (his cabin, his personal space) to berate and expose his emotions, mockingly calling Stede Ed’s boyfriend. The discussion of emotions that Ed tries to keep private are always initiated by Izzy, and the discussions are always violent and derisive.
The crew themselves do not know what has led to Ed shooting Izzy. They haven’t seen the escalation of violence and violation, going from emotional violence to physical—and the initial toe-cutting scene is very much Ed invading Izzy’s safe space to enact violence on him, just as Izzy did to him. They haven’t been witness to the threats and the danger that Ed has increasingly experienced and that in part led him to putting on Kraken in the first place.
The shift that happens in “Impossible Birds” is Izzy once again invading Ed’s space, where he’s caressing and then concealing the groom figurine, to prompt the discussion of emotions. What Izzy thinks is a result of him speaking Stede's name and ethos is actually a result of him invoking, again, Ed's emotions about Stede as a way of manipulating him. But this time, Ed is going to make him do it in front of the crew.
It is, in a sense, an expansion of "the love that dare not speak its name.” If “everyone knows why,” then Izzy is going to have to say it. So the moment on deck is Ed forcing Izzy to publicly expose the things that have been concealed: Ed's private emotions that Izzy has broadcast to his enemies but never to his friends, and the violence that has been attached to those emotions. They're going to "talk it through," but Izzy has made talking it through violent and unsafe. Now what had been private violence is going to be public.
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I think when you want to talk about silco's emotionally abusive parenting then you HAVE to acknowledge that he genuinely cares about jinx and lack of love and care isn't why he fails her, he fails her specifically because he loves her for her AND as an extension of himself. and he is ALSO abnormal, if jinx straight up went 'hey father figure I'm seeing demons and my deceased family members whisper abuse into my ears all hours of night and day' he would be like oh yes that's the shadow demon ralph who attaches to our family and conjures up images of our past regrets, my father saw one too before he threw himself off the bridge. like of course he failed her as a parent, he's delulu in a way that he thinks they are both doing fine
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