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neil-gaiman · 9 months

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I'm sorry Neil, although I love your writing and agree with your opinions on most subjects I have to disagree with you on the writers' strike. No-one should have a more privileged life as a result of being clever and creative. I worked from the age of 15 to the age of 65 in low-paid jobs, taking 1 year off to go to drama school and 3 years off to get a fine art degree. I worked in terrible but necessary jobs, labouring, stacking boxes, unloading trucks, running errands, filing, going to work on a bicycle at all hours of the day and night on shift work in all kinds of weather. Even when I was a student I was still working in part-time cleani8ng jobs and even during periods of unemployment I worked in volunteer jobs for charities and social services.

According to Mensa I have an IQ of 160 and according to Plymouth University I have a BA hons in Fine Art but I cannot accept the idea that writers and other creative people should avoid normal jobs like driving an "Uber" or working in an office/shop/factory/construction site. To accept that idea would be to create a new aristocratic class when we should abolishing the old princes and aristocrats.

What we need, I feel sure, is a redistribution of labour so that everybody who can do so would spend some time each year in blue collar work and everybody who can would get higher education and a chance to make art of one sort or another.

The idea of doing other jobs to supplement writing or drawing shouldn't be seen as a terrible thing, a punishment or a suffering. Sharing the jobs around should be seen as normal.

I mean, I've done my half century of sweat labour and it didn't hurt me too much. I'm retired now and still making art of various kinds and I've never asked anyone to pay me for any art piece I've made. making art, writing, drawing etc. is the fun stuff which we get to do in exchange for the blue collar stuff which puts food on the table.

The worst pop song ever written was Sting/Dire Straits song "Money for Nothing" which ridicules the working class from a position of educational privilege.

So what's my question? My question is: What's wrong with a writer doing other jobs to make ends meet? Sounds perfectly fine to me.

Nothing's wrong with a writer doing other jobs to make ends meet. Writers and artists have been doing that since the dawn of time. Actors too.

But by the same token, there's nothing right about assuming that writing isn't a blue-collar job, or that writers and other people who make art can only make it for love and that thus they need other jobs to subsidise their craft.

I like living in a world in which the people who make the things that make the world worth living in get paid for their work. For me, that includes the people who make films and TV, books, art and music and comics.

Having spent a lot of time on film and TV sets, it's a blue-collar world on set, and everyone is working long and hard to make the shows you love. I'm never going to suggest that the riggers or the gaffers or the make-up team or the focus-pullers should drive ubers in order to have the privilege of being on the set and working there.

Or to put it another way, from the most blue-collar writer I ever knew...

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#wga strike #wga strong

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charliemwrites · 3 months

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Mister(s) Steal Your Girl — part 3

(I seriously need to come up with an actual name for this series before it sets in)

Introducing his grand horniness- John “Soap” MacTavish

No Content Warnings

It’s been six, coming up on seven, dates with Kyle. A dwindling part of you feared that after the absolutely mind-blowing night you two shared, he’d ghost you or something.

But nope, the morning after was spent in one of his jumpers, receiving kisses and breakfast and tea. The two of you watched movies all day until he drove you home, kissing you at the door. He let you keep his jumper.

Not three days later, he invited you to a movie you’d both been excited to see, and giggled over the popcorn bowl like teenagers. He didn’t even mind that you leaned over to whisper during certain parts, or the ramble you went on afterwards. (When you apologized for overanalyzing and talking so much, he gave you a bizarre, almost offended look. “Don’t you dare stop,” he huffed, “you’re way better than radio. What did you think about that after credit scene?”)

A few days after that, he called with apologetic news.

“Being shipped out for a couple weeks. Shouldn’t be anything too dangerous, and I’ll call when I can,” he explained.

You told the nervous little twist in your gut that you knew this about him. That this is Kyle’s job, not a convenient excuse to ignore you.

“Stay safe regardless,” you murmured earnestly into the phone. “I‘ll… I’ll miss you, Kyle.”

“You’re getting the biggest hug when I get back, darlin’,” he promised.

He kept to it too. Called at odd hours sometimes - once during dinner with your fiance even. But Brandon is always taking random calls nowadays, so you figured, given the circumstances, it’s not such a big deal to excuse yourself either.

On the other end of the call, Kyle sounded a bit tired, but happy to talk to you. He couldn’t tell you anything about what he was doing, but shared some smaller, safer details. That the tea was shite because Soap kept over-steeping it. That his lieutenant was big enough to body slam him during sparring practice. That Captain Price wishes you well and promises to bring Kyle back in one piece.

You even heard one of his teammates in the background, asking Kyle if he was “chirping at his new bird.” Soap, as you found out. They sound like a good bunch.

When Kyle comes back, you offer to welcome him at his apartment. You bring a little plate of cookies and a pack of his favorite beer, hoping it’s not too much. But when he opens the door, his expression melts before he scoops you up in the big hug he promised.

“You’re a fuckin’ dream, ya know that?” he murmurs, tucking his face against your neck.

You spend the whole weekend with him, kissing at the stitched-up knife wound on his muscled arm. Otherwise, all in one piece.

“Would you… want to meet my mates sometime?” he asks as you’re getting dressed for work Monday morning.

“Of course,” you reply instantly. Realize that might be too eager. “If you want to introduce me, that is.”

“I want to show you off to the bloody Queen, babes.”

You giggle, crossing the room to drop a quick kiss on his lips. He tries to draw you in for something deeper, but you wiggle and swat at him, complaining that he’ll make you late.

It’s good, you think. Blissfully good. Honeymoon phase, maybe, but considering how far off your actual honeymoon is, you feel like you deserve this. Kyle is a wonderful partner - kind, attentive, respectful. He listens, he cares, he’s independent of you and respects your boundaries. Sometimes you can’t believe you were ever nervous about this open relationship thing in the first place.

On Wednesday of that same week, Kyle tells you that Soap is going to visit and is eager to meet you. He was thinking dinner and drinks, come back to Kyle’s apartment afterwards. You readily agree.

The next day, a bouquet comes in. It’s a beautiful, though not extravagant, arrangement. Calla lilies, roses, and hydrangeas. The note that comes with it says, “Wanted to make a good first impression in case Kyle told you lies.” It’s signed “Johnny.”

You send a picture to Kyle, amused and a bit endeared. It brightens the rest of your day so much that you barely notice Lucy’s usual snide comments.

On Friday night, Brandon is unexpectedly home. Usually he doesn’t even come home from work on Fridays anymore - or at least he didn’t before you met Kyle. Lately, you only pop in if you’ve forgotten something for your overnight bag. You had to stay late at the office today, though, and your apartment is closer than Kyle’s.

“Was thinking we could go out tonight,” he tells you.

“Oh,” you say, taken aback. Not just by the invitation, but by the mix of emotion in your gut. Some of it is excitement and relief, but not as much as you’d expect. It’s warring with unease and reluctance, a bit of frustration that now of all times he wants to reconnect.

“Um, raincheck?” you offer, smoothing down your dress. It’s a new one you picked out with Kyle; you’re hoping he (Kyle) will notice. “I have plans.”

Brandon’s brow furrows, smile going tight. “You can’t reschedule?”

God you hate confrontation and he knows that, doesn’t he? Why is he pushing?

“Well I don’t know when I’ll get to see them again,” you explain.

Suddenly the tension in his shoulders eases. “Oh, is it a few people then?”

“Just a couple. I’m meeting one of them for the first time.”

“Have fun then,” he says, fishing his phone from his pocket. Like you’re not even there anymore.

You blink, then your phone buzzes with a message from Kyle and you hurry out the door.

“I knew you’d look terrific in that dress,” he says as soon as he sees you.

Thoughts of Brandon, that strange interaction, and those churning feelings all disappear in an instant. Kyle just has a way of soothing you.

The restaurant is one that has quickly become one of your favorites with Kyle. Good food, good drinks, quiet and relaxed atmosphere. You like the funky artwork and squishy booths.

Soap (Johnny?) has already gotten your party a table, and stands as the two of you approach. You nearly stop right there, and then almost trip a bit as momentum urges you onwards. Manage not to make a fool of yourself, but you still boggle at him.

Because Kyle? You thought he was a fluke. Just too handsome to be real, never mind tall and fit and friendly and— well, anyway.

You thought he was a fluke.

But Soap/Johnny is goddamn handsome too! Trim stubble, pretty eyes behind thick lashes, a soft-looking Mohawk that gives him a boyish charm without seeming immature.

“There you two are, thought ye stood me up!” he greets, drawing Kyle into one of those friendly man-hugs with the shoulder pats that look like they hurt.

“Youre a cheap date anyway, MacTavish,” Kyle replies, gently easing you forward with a hand on the small of your back.

“Och, don’t bad mouth me in front of a lady,” Johnny/Soap complains, then turns his twinkling gaze to you and offers a hand. “John MacTavish, but this bampot calls me Soap.”

“Not Johnny?” you ask curiously.

You take his hand, find callouses similar to Kyle’s. But his palm is a bit broader, a scar along his thumb - from a burn it looks like. Just as warm, just as careful. A firm, but not tight shake.

“You can call me anything you like, lass,” he says. From the corner of your eye, you see Kyle choking back a laugh. Johnny it is, you figure.

“Wait ‘Soap’ is a callsign right?” you ask as Kyle herds you into the booth.

“Right-o,” Johnny replies, smiling.

“Does Kyle have one?”

The grin that he gives you would make the devil sweat. As it is, Kyle groans and shoots you a betrayed look.

“Oh does he, lass.”

You light up, grin right back. “Tell me?”

“As if I could say no to a pretty face like that!”

And so begins a long, warm, perfect night. Johnny is great company. Welcoming and friendly, quick to smile, sharp witted. You could sit all night listening to him and Kyle quip at each other, but they’re so careful to keep you included and engaged.

Johnny even offers you some of his chips when his order comes, and you’re too delighted to say no. Not that Kyle seems to mind, encouraging you to steal a couple for him since Johnny keeps whacking his hand away.

The night ends back at Kyle’s. You whip up another batch of cookies with some suspiciously new-looking baking ingredients. The boys keep you company while you work — Kyle mixes the batter when your arm gets tired and Johnny keeps your wine glass full. In the end, you let them each get a lick of the dough spoon.

Eventually, you move to the couch, climb on together. Kyle, for some reason, scooches you into the middle instead of one of the ends, but you don’t mind and neither does Johnny, it seems. They argue over a movie to put on, but it doesn’t matter because the three of you talk through most of it anyway.

The second movie is your pick, which is your downfall. You barely get halfway through before dozing off. End up stirring to muffled laughter and harsh whispering. You’ve slumped into Johnny, you realize, seeing Kyle’s broad smile.

“Oh,” you hum, trying to sit up. “‘M sorry…”

“You’re alright, lass,” Johnny murmurs, gently nudging you back down.

“Kyle?” you ask, yawning.

“Still watching the movie, sweetheart. You can go back to your nap. Soap’s nice and warm, yeah?”

You hum, snuggle in again. He is comfy. “So are you.”

Another quiet chuckle. “I know, love.”

He rouses you later — the movie must be over, you think blearily. Kyle scoops you up, plants a kiss on your cheek as you tuck in.

“Say good night to your teddy bear, baby.”

“‘Night, Johnny,” you mumble, nuzzling your face into Kyle’s neck.

“‘Night, bonnie.”

You wake first the next morning — rare and precious. Kyle is lying behind you snoring softly, arm around your waist. You wiggle around to watch his sleeping face for a minute, appreciating the peace in his features. Drop a whisper-soft kiss on his cheek and then slip out of bed.

He grumbles a bit, but you coo at him to go back to sleep and he subsides quickly. Once you’ve freshened up in the bathroom, you pad out to the living room. Johnny is up as well, watching tv on low volume with a coffee on his knee.

“Mornin’,” he says.

“Good morning,” you chirp back, continuing for the kitchen.

“You’re up early,” he observes, following.

“Slept well,” you reply, grinning. “Thanks in part to you. I hope that wasn’t uncomfortable.”

He ducks his head a bit, a light flush blooming across his ears and cheeks. “Nah, can’t complain about a pretty girl fallin’ asleep on me. Means I must have made a good impression, eh?”

“Oh! That reminds me - those flowers were gorgeous. Did you know calla lilies are my favorite?”

“Aye, Kyle’s been talkin’ about ya nonstop since ye met.”

It’s your turn to flush, and much brighter. You hurriedly turn to the cabinets.

“Well, thank you. I loved them.”

“Yeah? I’ll send you more then.”

Startled, you whip around on him, mouth stupidly open as you try to find a response. “You really don’t have to do that!”

“But what if I want to?”

And if you were struggling for words before, you’re hopeless now. So you just throw your hands up with a little “gah” sound and turn back to gathering ingredients.

“What are we making?” Johnny asks, taking mercy on you. Not that using that sly “we” isn’t devastating to your composure.

“My super special flapjack recipe,” you answer. “Could you get that big bowl down for me?”

He steps past you to do so while you dig out the measuring spoons from the dishwasher.

“If they’re as good as your cookies, then I’m gonna need extra PT after this weekend.”

“Good,” you reply, smug, “that’s my goal.”

“Dangerous woman.”

You snort, holding up a wooden spoon. “Oh yeah, I’m a real threat brandishing cooking utensils at a special ops guy.”

“Och, don’ sell yourself short - my nan used to be a menace with those things!”

Kyle exits the bedroom fifteen minutes later to the smell of cinnamon and his best friend with a face full of flour.

“…Do I even want to know?”

“Just be glad she’s on our side, Garrick.”

#cod #thoughts™️#my writing #fanfiction #reader fic #misters steal your girl #get it? misters plural. because they all steal that girl #kyle gaz x reader #kyle gaz garrick #johnny mactavish #john soap mctavish x reader #Brandon the crash dummy

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