Better Bones: CW List
Can't believe I have to make this disclaimer, but here we are
Better Bones is not a project that aims to fix canon by making the Clans wholesome and unproblematic. Though there can be fun and kindness in it and my philosophy is an optimistic one, It's not an escapist fantasy. It is a story about semi-realistic cats of human intelligence in a violent, war-obsessed theocratic dictatorship, and how they attempt to change it over the years.
Clan Culture is flawed, that is on purpose. Addressing and changing this is what the story is about.
I am very disappointed I have to state this because it should be obvious from my main post where I explicitly say that my goal is to "Address (Canon's) Problematic Elements." Not remove.
If you cannot handle themes or depictions of;
Physical and emotional abuse; Domestic, authoritative, and familial
Child abuse and inter-generational trauma
Somewhat graphic medical discussion, such as abortion, wound infection, and the use of leeches and maggots
The killing and processing of small animals into food, including tanning and butchery
Semi-realistic cat behaviors, specifically marking things with urine
Ableism; both externalized and internalized, Clan culture treats disabled cats poorly and this is something several characters struggle with
Xenophobia; to a violent degree, including stochastic terrorism, hate crime, and discrimination
^^^ read that one again. Consider that on this list twice.
Politics; Authoritarianism, fascism, and liberalism as an enemy, discussion of dog whistles and ideology
"Redemption arcs" of people who did bad things
Cosmic horror and supernatural curses
Graphic violence, including against innocent bystanders, through assault, poisoning, drowning, falling, and even being eaten alive by large fish and demigods.
Animal abuse; Human beings harming cats on purpose and Clan cats generally being terrified of all humans, even kind and loving ones
Clan cats, both villainous and culturally mislead, glorifying these things in-universe, not immediately staring at the camera and breaking character to tell you "This Is A Bad Thing!"
Then Better Bones may not be for you. I would at minimum rate this project as PG-13, but PG-16 would be a more accurate bet.
I have sympathy for you if these are not topics you can handle. My project tackles very upsetting real-world issues and not everyone is looking for something challenging; that's understandable and there's no fault in that. I try to tag appropriately but can't promise to catch everything, so please keep yourself safe.
There are other, softer projects out there run by cool people if this is not for you, and you can add #Better Bones AU to your tag filters and this project will not show up!
But, I'm not responsible for your comfort with my art. If you followed me under the assumption that BB is "Warriors without any ableism/xenophobia/violence" you were mistaken. If you don't have the maturity to act responsibly when something upsets you, or DO have the malice to read a disabled person's work with the most bad faith interpretations you can muster, LEAVE.
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i've seen some people say that sokka should've gone with katara and zuko in tsr, and while i think the ep is perfectly fine as it is, i was curious to know your thoughts on that
yes, i've seen this mentioned before, as well as the somehow even worse take that "katara should've gone along to the boiling rock." i think this type of criticism betrays a fundamental misunderstanding of narratology, seemingly forgetting that characters are not real people, but rather components of a larger narrative that serve a function.
"the southern raiders" is an episode about katara confronting her grief, guilt, and rage; it is the apotheosis of her character arc, the same way that "the boiling rock" is for sokka (and, though that's not the point of this post, that apotheosis could not occur if katara were there). the reason that zuko accompanies katara in "the southern raiders" is not because yon rha killed zuko's mother, but because zuko's mother died for zuko in the same that katara's mother did for her. yon rha is to katara what ozai is to zuko, ursa is to zuko what kya is to katara. sokka also lost a mother, but she did not die for him. so going to confront yon rha, a man whose face he never saw, a man he does not feel any sort of personal connection to, would not make thematic sense.
kya's death is personal to katara in a way it isn't to sokka, but it is personal to zuko because he knows what it's like for his mother to be killed in his place. it's why he takes katara's revenge mission so personally, in a way that aang and sokka do not despite also having experienced unfathomable loss. it's also why i hate seeing people say that zuko only took katara to yon rha so that she'd forgive him; he genuinely thinks that this is what she wants, because it's clearly what he wants, we see that in "sozin's comet" when he quite aggressively expresses to aang that he should kill ozai (contrasted with sokka's logical detachment, zuko's desire to see ozai dead is a personal one).
the way he glares at yon rha as katara walks away demonstrates that he isn't yet comfortable with the thought of sparing this man, but he nonetheless respects katara's wishes and doesn't hurt yon rha himself, just as he respects aang's decision not to kill ozai (he doesn't think it's his place to kill them, and probably couldn't do it himself if it came down to it, he would rather outsource the killing). sokka does not feel guilt over his mother's death, he is under no illusions regarding life as a teleological narrative with heroes and villains the way katara and zuko are, he has probably given exactly zero seconds of thought to avenging his mother's death (whereas you know it's a scenario katara has fantasized about before); there is simply no compelling thematic reason for him to be there.
if the episode was about honoring sokka's desires in any way, katara and zuko would've just stayed home and talked out their feelings in a safe space moderated by licensed therapist wang fire. but the boiling rock was last week, so now it's katara's turn to be unreasonable (sokka was literally suicidal but also more productive, so it ultimately evens out) and learn an emotional life lesson about accepting her own humanity with zuko! it's really not that complicated.
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Ed turns a bit into the kraken once he thinks Stede might be dead or in danger. But this persona doesn't come from a place of self-hatred. This is him. He is an ashole. He is a pirate. He kills, everyone does. He was a hypocrite for a long time until now. Don't you guys remember he implied he didn't kill the people he burned alive? The fire did it? Come on.
That was good because he let's go of the idea that this side of him is a monster. He can be both. He can be Ed and soft. He can also kill and use his skills when he needs to. He doesn't need to be Blackbeard for that. He doesn't need to run away from this side of himself anymore. He can be loved, Stede loves everything about him, its fine. It's life.
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