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#ex: a villain's lament
konakoro · 4 months
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Whenever I have "video game" dreams, they're always gradual horde survival/"last as long as you can"-esque dreams and I absolutely hate it. I hate those kinds of games as is because they stress me out so much, but now I'm physically in a scenario where more zombies and monsters keep showing up to rip my face off and murder me horribly.
I just wanted to pull a heist on a concert, not get swarmed by zombies and feel my spine get ripped out...
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kingdom-dance · 1 year
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Finished my FH:Retribution Daniel romance playthrough and OUCH THAT SHIT HURTED
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java-lava · 9 months
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My Favorite webnovels/Webtoons/Webcomic/Whatever;
The Remarried Empress
My Gently Raised Beast
I Became the Villain’s Stepmother
Born as the Second Daughter
My In-Laws are Obsessed with Me
The Tyrant Wants to be Good
Men of the Harem
The Matchmaking Baby Princess
Who Made Me a Princess
For my Derelict Favorite
I Thought My Time Was Up
I’m the Queen in This Life
Tricked into the Heroine’s Stepmother
Woes of a Male Lead
Baby Tyrant
Hello Baby
Go Away Romeo
Monster Duke’s Daughter
Divorcing My Tyrant Husband
From a Knight to a Lady
The Male Lead’s Girlfriend
When the Third Wheel Strikes Back
A Heart for the Emperor
My Husband Changes Every Night
Edit to add(I’m constantly updating this);
The Twins New Life
I Got Pregnant with the Tyrant’s child
I’ll Raise You Well in This Life, Your Majesty!
The Evil Princess Dreams of a Gingerbread House
I’m the Soldier’s EX-Girlfriend
I Adopted the Male Lead
Villains Are Destined to Die
The Crown Princess Scandal
Marry My Husband
Perfect Marriage Revenge
Boyfriend of the Dead
Refund High School
Siren’s Lament
Empire’s Cutest Little Hostage
A Tender Heart; The Story of How I Became A Duke’s Maid
I Hold the Tyrant’s Heart
Lout of the Count’s family
I Am the Villain
The Crown Princess Scandal
The Dragon King’s Bride
Please Kill My Husband
The Reason Why Raeliana Ended up at the Duke’s Mansion
Am I Your Daughter?
Taming the Marquess
Pricilla’s Marriage Proposal
Crowning my Feral Prince
Under the Oak Tree
Finding Camellia
I Raised a Black Dragon
Adeline’s Darkest Night
Wish Upon a Husband
My Husband, My Sister, and I
I’m Being Raised By Villians
Talented Baby Squirrel
The Greatest Estate Developer
The Little Princess and Her Monster Prince
Surviving as the Tyrant’s Daughter
Father I Don’t Want This Marriage
Ten Ways to Get Dumped by a Tyrant
I Will Live The Life of a Villainess
Vampire Husband
Cursed Princess Club
What the Evil Dragon Lives For
1HP Club
Days With You
Batman: Wayne Family Adventures
Love Me to Death
Suitor Armor
I’ll Be the Matriarch in This Life
If anyone wants a one-shot based on a character from any of these, let me know
If anyone know where I can continue reading these for free, pls let me know (I’m broke);
Empire’s Cutest Little Hostage
A Tender Heart; The Story of How I Became A Duke’s Maid (nvm. About this one, I’ve been told that the child IS the Ml)
I Hold the Tyrant’s Heart
Lout of the Count’s family
Crowning my Feral Prince
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Stephanie Brown ACTUALLY having the character arc that fanon pretends Jason Todd had (plus a defence of canon Jason)
What I'm really saying is that Stephanie Brown is underappreciated, Jason Todd is often misinterpreted, and, though it should go without saying, ignoring canon is poor media literacy. So let's actually analyse canon and get to the bottom of what the stories are trying to say and how they use their characters to tell this, as opposed to just which character should we stan.
I'm arguing that Stephanie Brown's story actually features a redemption arc that sees her transform from a violent, almost murderous teenager into the most unwaveringly hopeful of heroes and that Jason's story is about a villain who we're meant to empathise with to expose the cracks in the Batman's heroic facade; a Frankenstein's monster if you will. Here's a numbered list:
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Part 1: Outgrowing Violence, Anger and Murder
A big part of Stephanie Brown's growth in canon is her learning not to kill or use excessive force. But it's not as simple as just killing is wrong, don't question it.
Let's begin with the narrative's relationship to violence, anger and murder. Why doesn't Batman kill? Because "[those] who [fight] with monsters might take care lest [they] thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you". If he kills, he's playing god, choosing who gets to live and die. No one deserves that kind of absolute power and absolute power also corrupts. Batman doesn't want to lose sight of himself or his cause. Deliberate murder is treated VERY negatively in the Batman mythos.
Enter Stephanie Brown.
Stephanie was a working class latchkey kid who grew up on the wrong side of the tracks. She had an abusive, criminal father, who was in and out of jail, and a mother struggling with addiction, who Steph became a carer for at just 15. Steph also became pregnant with the child of her horrible ex. At 16, she gave birth to that child and had to give her up for adoption. Steph is also a survivor.
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The world was never kind to Steph and left this teenager with a hell of a lot of bitterness and rage which her vigilante career became an outlet for. You can tell by the way she fights since Steph fights DIRTY; she'll tug hair and spit in your eyes and strike below the belt and catch a kick to twist your ankle and dislodge your already broken nose. On the one hand; the narrative tells us Steph is resourceful. She's 5'5", 130 lb and has zero powers, but can always find an opening even when going up against Gotham's grizzliest. It's telling that quick thinking, savviness and spontaneity become her thing when she becomes Batgirl; Steph is the wild card. On the other hand, she was a real diamond in the rough and a complete loose canon. In her first arc, it's Batman who stops her from making the biggest mistake of her life; killing her dad. To deliberately kill; to play god, is to lose yourself, remember. Her first arc is about not being defined by who your parents are and about not giving up on yourself. Batman basically tells her, there's hope for you yet Stephanie Brown, by getting her to spare her dad. And she does. And so began her superhero career.
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Nonetheless, it's never that simple. Steph is still a bitter, angry teenager, no matter how many jokes she cracks. It becomes a personal crusade when she, now Robin, discovers that The Penguin is using children as runners. It takes Cassandra Cain to stop her from inflicting anything she may regret.
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The narrative wants to show us how cruel the world can be and that it isn't black and white, either. The story ends with an angry Stephanie lamenting "why". It's a "why" she is asking herself too. Why does she do what she does? And it informs us that she, and maybe us the reader too, still have a lot to learn. Murder's not the answer but what is?
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Stephanie later saves Bruce by almost murdering serial killer Victor Zsasz. Bruce reprimands her and she cries, quite honestly, "I don't get it, I really don't", following on from where we left off in Batgirl. "There are always other options than to kill" asserts Bruce, forget not being on the same page, they're reading different books. The thesis of the story is what Bruce should have told Steph when she was an angry 15 year old about to murder her dad; "[those] who [fight] with monsters might take care lest [they] thereby become a monster". The world's cruel, Steph, but that doesn't mean you have to be too. "Are you firing me?" "No, I'm teaching you".
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Over 2 years down the line, an around 19 year old Stephanie, establishing herself as the new, hoping-inspiring Batgirl, is now teaching a brash Damian Wayne what she's learned.
"To murder or not to murder" is just a plot device to the themes of overcoming your own anger at the world's cruelty to contribute good, coming to terms with shades of grey, not giving up on yourself and staying hopeful in the face of adversity and horror. These are Stephanie's arcs and as a consequence, she goes from would-be-murderer to Gotham's cheeriest caped crusader.
Part 2: Double Standards and Second Chances
Another huge part of Stephanie's story is her overcoming double standards and doubters, to earn her own second chances. Her resurrection and rise to the role of Batgirl were choices made to hammer home this theme; it's never too late to turn things around.
There's some juicy metatext to analyse here too. DC editorial's treatment of Stephanie during War Games was horrific and panned by both fans and writers. To reperate for these harms, Steph was retconned back to life and then made Batgirl during Batman: Reborn. Here's a quote by Batgirl (2009) author Bryan Q. Miller on what his run aimed to bring out of Steph:
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The whole point of Stephanie's resurrection and take over of the Batgirl title was to give her a redemption arc.
In text, Stephanie was unfairly treated too, notwithstanding that she was brash and had a massive violent streak in her Spoiler and Robin days. Tim Drake constantly condescends her and tells her to give up vigilante life, even though she was ALWAYS a match for Tim according to Convergence: Batgirl. Cassandra Cain constantly underestimates Steph. Bruce Wayne tells his allies to cut off ties with Steph and then later fires her as Robin for DISOBEYING HIM as if that's not the first thing Dick Grayson ever did as Robin. Barbara Gordon tells Steph she has a death wish. Dick deems Steph too reckless (moments before he resurrects a zombie Batman). And Damian is an entitled brat who gives her a hard time for no reason. Everyone doubts Stephanie and it generally says more about the doubter than it does Stephanie.
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Stephanie was never great with authority or criticism so she still went out there and earned her second chance. And it felt rewarding when her doubters came around too.
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Stephanie was brought back from the dead to be redeemed and man did she take that chance!
Part 3: What is Jason Todd's Story Meant to Tell Us and My Defence of Canon Jason
Jason Todd returns from the dead as a ghost of Batman's past; he is the living embodiment of Batman's greatest mistake who couldn't stay buried and is back to haunt him. He's a character we are meant to empathise with but he's a villain nonetheless. He's not irredeemable but for the most part his story is not really about redemption. Succinctly, it revolves around the idea that "we are each our own devil, and we make this world our hell” to quote Oscar Wilde.
When we first meet the resurrected Jason, he's a cold-blooded murderer who's slinging guns and using The Joker's old moniker. These choices are made to emphasise that he went down the wrong path; he's breaking Batman's "don't play god" rule and his actions become eerily closer to those of the Clown Prince of Crime than Batman's. In fact Nightwing and Batman spend some quality time together in the next two issues because Nightwing is the foil to the Red Hood; he's what Bruce considers his greatest success. Remember that thing about "those who [fight] with monsters might take care lest [they] thereby become a monster"? Well Jason DID become a monster. And if he's the monster, then Bruce Wayne is Frankenstein.
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We're not supposed to think "yes, kill the The Joker, Jason", we're supposed to think "good god, please Jason, it's not too late to turn your life around". Here's Dick and Jason being the exact opposite of each other, an issue apart.
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So what was Jason's villainous return trying to say? For one, that people are the products of their circumstance, lest we forget Jason was once an eager and studious Robin who just wanted to be part of something greater when life, but specifically Bruce, sent him awry. This is also a story about Bruce which tells us says that our mistakes have consequences that don't stay buried, and that we will always be forced to reckon with our histories or it becomes everyone's problem. This next panel shows this best. All of Jason's killing and torture and fear-spreading and chaos does not come down to some "murder or not to murder" debate, it comes down to his relationship with Bruce. He is the monster that Frankenstein created who's back to haunt him and no one is safe.
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Jason's initial Red Hood arcs were never supposed to pose the question "should Batman kill The Joker or not?". The answer is no and always has been. They are supposed to show us how Bruce's poor fatherhood of and partnership with Jason Todd led to all this horror. And Bruce can't turn back the clock, he has to reckon with the consequences of his actions in the present or more people will get hurt. It's significant that these first arcs don't end with Jason returning to the manor and seeking help surrounded by family.
We then see Jason and his issues with Bruce threaten the lives of others like when he beat Tim half to death twice, tried to blow up Mia Dearden and then tried to become a murderous, gun-touting Batman after Bruce's "death".
Once Dick Grayson becomes Batman, the narrative sheds a bit more light on how Bruce's Frankenstein created a monster in Jason; Bruce wanted Jason to be another Dick Grayson.
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The red hair is a perfect metaphor. Jason is naturally red-haired and he is now balding because Bruce made him dye his hair black so he'd look like Dick as Robin. That sums it up for me. Bruce really created his own demon here and Dick, as the new Batman, is trying to make amends with the sins of the Batman's past. Jason's a great choice for a Dick Grayson villain because of their histories, considering Dick Grayson is the legacy Batman.
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"I tried really hard to be what batman wanted me to be...which is you." Jason tells Dick.
That line is so painful and way more recognisable and relatable than anything fanon has produced.
"But this world...this dirty, twisted, cruel and ugly dungheap had...other plans for me."
Look no further, this is who Jason Todd is.
That's a powerful story if you ask me, and this is why I like Jason Todd as a character; a villain I pity deeply, who is portrayed as a product of their circumstances without diminishing their agency and who makes me see the cracks in the hero's facade because they are the monster our "hero" created. He's also a very nuanced foil to the ever-shining light that is Dick Grayson. The appeal to Mary Shelley's Frankenstein isn't that the monster murdered people. I also would never swap canon Jason out for, I dunno, Wayne Family Adventures Jason who's the amalgamation of 3 or 4 common fanon tropes. This is my two cents.
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a-tale-of-legends · 4 months
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i actually liked drayton up until he started being mean to a clearly and visibly emotionally-distressed kieran. honestly when he pulled that "ex-champion" quip i fully expected that to be a full on reveal that drayton was the real villain all along
[Indigo Disk Spoilers Below!!!]
Honestly I never expected him to be a villain cause what Drayton acts like towards Kieran is one of those teenagers. The ones who claim to be your friend and probably seems pretty chill but ultimately twist their words so they are passively aggressively insulting you. Someone can probably describe what I mean better but that's what I thought Drayton is. There's a part of me that wonders of Drayton kinda bullied Kieran in the past. Not blatantly but like. "softly"????? God I do not have the words to describe what I'm thinking I seriously apologize here. But I was expecting him to be revealed to be an even greater ass than he was kinda showing himself to be. Hm not being a bigger asshole honestly isn't surprising, but like. I dunno the way he acts and treats others ( PARTICULARLY KIERAN) rubs me the wrong way.
That being said, and this might come as a shocker, I don't hate him. I think he's pretty chill and kinda cool. I just see what he's doing and just. Don't like it at all. He's still a teen ( I think ) and hopefully he can check himself in the future, but as he is now, I say he's a very interesting character. Him being Drayden's grandchild, being related to Iris, who was an actual champion, and in general coming from a prestigious family, you can pretty easily connect some dots and come to a conclusion as to why Drayton acts the way he does. Of course, it's never an excuse, but it's very interesting for someone like me, who just thinks about these things for characters regularly.
All in all....yeah. Drayton is an ass lol. After everything was said and done Drayton laments in how him and Kieran still aren't on the best of terms and it's like " GEE I WONDER WHY DRAYTON. I WONDER WHHHHHHY".
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jollyinteractive · 22 days
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DashingDon Recs
Scales- Author: @scales-cyoa. Short demo. MC is part of a relatively new and misunderstood dragon-hybrid race. You and your family live in a remote village. Story starts with intense fighting in the village. Seems to be abandoned.
Red Herring- Author: Nix. Fairly short demo. MC is an ordinary human in a world of super humans. One villain is targeting you specifically for your relationship with their greatest rival. You don't know the hero, but somehow, they know you. Can't tell if it's abandoned.
Panic Spring- Author: Ange (no link found). Short demo. MC is born to a family of powerful witches, from both sides. In this world, there is a bitter history of hatred between witches and fairies. You must contend with extremely high expectations. World/ familial relationship building. Seems to be abandoned.
Dark as Night- Author: @cereuscross. Short demo. MC is a half-witch and half-demon. When a werewolf pack experiences several disappearances, at the hands of a coven of witches, they approach you to help track down their missing pack-mates. Seems to be abandoned.
EX: A Villian's Lament- Author: @ex-a-villains-lament. Mid-size demo. MC is a former villain who joined the heroes to take down an even bigger threat, and they're learning to live with their decision. Most of the text is backstory and world building. Tumblr page claims hiatus but hasn't been updated since 2022.
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wingedcat13 · 2 years
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Can you explain a little more about Sunhallow? I picked up that he was an ego maniac and indiscriminately killed anyone he felt in his way, but what was the bigger idea behind his purges? How long did his stuff go on?
I can answer a bit more!
A lot of the uncertainty about Sunhallow and why we don’t have many details on him yet are because Synovus is very reluctant to think about him, and also just… doesn’t know for sure. For example, did he really believe he was a god, or did he just pretend? Synovus has days when they feel the one option is certain, and others where they doubt.
Sunhallow is based on the type of person who draws from a number of religious ideologies, cutting and tailoring them to suit his own needs. His powers were associated with sunlight - while he could summon beams of energy any time, he could only heal when exposed to direct sunlight. Synovus doesn’t know if UV lights would’ve worked, but doubts it.
Anyway, Sunhallow likely made his debut as a hero or a vigilante - and people still use that to argue that Sunhallow was right, actually, or that it was the evils of society that made them reject his lessons. Sunhallow was charismatic, respectful, easily marketable as a light in the dark. He started quoting scripture in interviews, talking about various Sun related deities on talk shows - Ra, Apollo, Huītzilōpōchtli - in ways that led to people beginning to believe he was, if not one of those actual deities, something of their kind, come again. At the same time, his repetition of Christian rhetoric sparked a faction that saw him as the second coming. He never explicitly confirmed any theory that was presented to him, only listened and smiled and admitted he didn’t know, but a part of him took solace in the stories, and he hoped to one day find out for sure.
He managed to combine those factions, and others who had been looking for a sense of belonging and safety. If you were with Sunhallow, you had divine favor. He wouldn’t allow anything to hurt you.
The step from ‘protection’ to ‘prevention’ was more like a series of shuffles.
When he executed villains, it was treated with caution. When another hero tried to stop him, Sunhallow claimed they were the corrupt one, and killed them too. He wept openly on interviews about it, lamenting that he hadn’t been able to save them from their own ‘dark path.’
Things escalated from there. By the time he was scorching entire towns, citing the story of Sodom, people were terrified of him. No one seemed to be able to kill him, and as long as they let him be, he seemed happy to play king of the castle of his own territory.
And then came Synovus, the Eclipse that never ended. Sunhallow’s heir, and the committer of the highest of heresies. Synovus was 16 when they killed Sunhallow, and Sunhallow had been active for at least ten years before that, total. We’ll say he probably kicked over into outright villainy (ex. Killing a hero) around two years before Synovus was born, so about 18-20 years of Sunhallow’s ‘reign.’
Sunhallow’s tenets were also notably kind of… vague. They let people read into them what they wanted to see, and because of that, it’s hard to get an idea of what the purpose of it all was supposed to be. If Sunhallow believed his own hype, it was about letting the sun purify the Earth, bleaching away the evils that plagued its surface. If he didn’t believe his own hype, he either did it to ensure his power was never questioned, or simply to see if he could.
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deathb8dy · 1 year
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THOUGHTS ON QUALIA AUTOMATA, TUMBLR EDITION
ORIGINAL POST I MADE WAS PUT ON REDDIT FIRST FROM DISCORD, I'LL JUST COPY AND PASTE WHAT I SAID AS IT'S EASIER. WITH EDITS OFC.
This point on holds spoilers in relation to the newest song 'Lamentations'. Please do not read unless you have seen the song OR are fine with it. Also this all will be copied and pasted from discord with edits to include examples (at least for the lyrics and such.)
If you have any comments or criticisms to make, please do so.
spoilers begin below here.
Even in the initial impression, the song about Fayrouz is the MOST human out of the three. In RBB, it's very mechanical and erratic in wording (no rhyming scheme at all but it still made sense for a song). In EWN it's still mechanical but has some humanity to it if that makes sense.
But both songs of the machines you can tell something is off.
Example in lyrics:
Tamari uses more nonsensical and complicated words as if to compensate for a lack of understanding. These words also tend to not make sense with each other either.
(EX; ‘Invite Suicidation, Transfer Enumeration’ is a great example. Suicidation is obviously about yk. But fun fact, it’s not even a word! And Enumeration is “the action of mentioning a number of things one by one.” Compared to the rest of the song of RBB, it does NOT make sense at all.)
Mariyam has more simple terms used and a rhyming scheme but still reverts to what Tamari does... And also references some really obscure stuff (Such as a french women's asylum!) that no one who would go looking would understand.
(EX; The lyric I mentioned is “Fleeting words in pen, I tell the story of Salpêtrière” with the last word in reference to ‘an institution founded in Paris in 1656 as an asylum for the infirm, aged, and insane. At one time, it contained nearly 10,000 people, and treatment was proverbially brutal.’ Which… is ironic since Mariyam is meant to be a therapist)
Example in art:
Tamari is FULL of references and barely anything that's actually their own design. While cool as hell, Tamari is basically what an AI does... Generate images/prompts based on wording and such. Which is likely why Tamari is so ... erratic!
Mariyam on the other hand does have more original art but most of it is ALL black and white until the end with Tamari. And even then, it's not complicated art with a lot of details unless with Tamari and even then... She still fails to have something to be put to human
And music wise:
Both songs are VERY metallic noise-wise with choir like sounds within the instrumentals. Both beginning and end. Tamari specifically has the "jumpscare scream" while Mariyam has just more "clock/chime" motifs. It's all still mechanical without any sort of "organic" tones if that makes sense
FAYROUZ ON THE OTHER HAND. Despite being the "villain" of the story is the most human.
Lyrics - She uses the most simple BUT effective words that aren't overly complicated/nonsensical (Tamari) or aren't as impactful as they should be (Mariyam)
PV - Unlike the two, I just noticed it's just a static one image pv as well as it's fully colored. Tamari and Mariyam had movements in their pvs, like they are trying to move to humanity but also how AI is always constantly shifting.
Music - THE BIGGEST DIFFERENCE. It has some mechanical elements (like the 'siren' like sounds in the beginning and end) BUT IT HAS MORE ORGANIC SOUNDS UNLIKE THE GRITTY GEAR LIKE SOUNDS YOU HEAR IN RBB AND EWN
Fayrouz also admits to being at fault but pushes on to do better (at her work, mess up on words but ykyk). Which is ironic isn't it? Her creations are more "human" than she is. Which lyrically also- Fayrouz references more mechanical functions while Tamari and Mariyam reference more humane functions.
EX:
Tamari - My stomach turned at the thought of the stars / And my heart pounded louder than the ones I had before
Mariyam - Though you’ll never die, you’ve found that / All eyes are staring at your hands
Fayrouz - Restarting, rebooting null programs / Running, debugging their brains /Forging and sorting successes
AND FINALLY. Tuning wise, Fayrouz sounds more human (if it's intentional or not) but still has the lyrics that are guilt based BUT focused fully on being like a human machine. If you are raised up to be a "machine".... how can you even know otherwise? Tamari and Mariyam are learning to have humanity, Fayrouz lost hers due to the loss of her husband and control over what she had (aka the siblings)
(out of context but it’s related to how different the first two songs are to the newest.)
It makes you think it'll be the same as the two but it's not because Fayrouz is meant to have humanity. She's human after all no?
ANYWAYS.
Basically:
Paradoxical shit of the Robots being more human than their creator who’s losing her humanity with the losses she’s had.
BONUS: Forgot to mention since I made this BEFORE Mors made the tweet out. The title of the series supports what I said heavily.
Qualia, according to wikipedia, "... are defined as individual instances of subjective, conscious experience."
While automata means (according to google) "... a moving mechanical device made in imitation of a human being." but also "...used in similes and comparisons to refer to a person who seems to act in a mechanical or unemotional way."
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tuiyla · 1 year
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might be in the minority here but i like leighton way better with alicia and i’m glad they brought her back BUT i agree it was terribly written and completely underwhelming. tatum was sloppily villainized at the last second so leighton could cleanly go back to alicia and like i generally hate cheating storylines but the writers wasted an opportunity to have leighton realizing she still has feelings for her ex whom her current partner trusted her to reconnect with. having that be her cliffhanger for the season was right there and they fumbled it 🙄 tbh it wasn’t even clear that leighton ended things with tatum like. where was the tension and drama? the guilty yearning and hurt feelings? we deserved a will-they-won’t-they that we felt conflicted about. 0/10 extremely boring execution.
Good timing cause I was just answering a similar ask as you sent this haha. To be clear, I'm very happy for those who like Leighton with Alicia and though I would have preferred for Leighton to move on I have no issue with them getting back together, save for the way in which it happened.
Omg I can't believe I've been ranting about this for two days and I haven't yet used the word villanized haha. So true she was randomly villanized after we were already shown that she was cool and nice, actually. I don't think I would have preferred a cheating storyline but I certainly would have preferred them choosing what they wanted to do with the chs and sticking with it, instead of this.
I took it as a breakup but yeah it wasn't clear. Not that I think Tatum needed to hear more to wanna leave Leighton lol. I still lament that Leighton blew up at her; can't help but think of that Quinntana piano scene. You know, where Santana is like "hey I think this girl needs help" and Quinn just goes "well you're just an insecure little BITCH who's jealous of me, what then 🤪" and you're like woah what? So anyway it's not at all like that but you get what I mean. The vibe.
More than boring I just find this execution insulting, all around. And it's insulting that people keep mansplaining what they were going for in the tags lol as if the show hadn't already spelled it out. I know what the were going for I just don't think it worked.
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logicalbookthief · 1 year
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For the ask game:
May I ask 4, 13 and 27 for the owl house?
4. Do you have a NoTP in your fandom? Are they a popular OTP?
Alador & Darius. I know it has the ex-childhood friends to enemies to lovers angle, but for me, Alador’s rushed “redemption” didn’t really hit for me, and I still he’s a big too much of a subpar dad / dude to be paired with Darius.
HOWEVER I love to view them as enemies turned reluctantly civil PTA rivals because they still can’t stand each other but their kids are friends so they have to play nice for their sake and they hate every minute of it. It is way funnier to me.
13. Unpopular opinion about XXX character?
Idk how unpopular it is, but I feel with the exception of episodes like Any Sport in a Storm and Labyrinth Runners, Willow was sidelined way too much this season :(
Obviously, they were pressed for time with the cancellation, but I feel as if we never exactly got a satisfactory conclusion to her arc? Her conflict with Amity in the aforementioned episode was fine, I guess, though it never really hit on the emotional beats I wanted it to? The conflict was centered around Amity treating Willow like she wasn’t capable due to her own misguided need to protect her-- the problem is, this was established long already, as early as Willow’s debut in I Was a Teenage Abomination, or at least by Wing It Like Witches.
However, I think the bones of a better conflict were there. When Willow said Amity just needed to get to know the new her and Gus immediately corrected her, “You mean, the real you?” That, I wanted more of that! Because Willow was always capable! Even when she struggled with her spells as a kid, that didn’t make her any less capable than her peers! And Amity’s instinct to compensate and overprotect her, while it was with good intentions, reminds you how witches without magic/struggle with magic/use an “inferior” type of magic aren’t taken seriously, which was the case with Eda & Hunter & Gus at other points in this season.
And I also think back to Follies at the Coven Day Parade, where Amity was braiding Willow’s hair and lamented how they missed this, and Willow looks down, kind of pensive, kind of sad? To me that expression was always hard to read, mostly because we don’t get too much of Willow’s pov to decipher. In this case, I would choose to interpret it as Willow not really missing how their relationship used to be, since although she treasures her memories of Amity when they were kids and super close, she maybe doesn’t miss the dynamic of her being the screw-up who Amity had to bail out and look out for? So if Labyrinth Runners had built on that more, or if we had gotten more of Willow’s pov in general, I’d be happier with her arc this season.
Okay, lol. This got too long, onto the next question!
27. Least shippable character?
Philip Wittebane. Not because he’s the villain, in fact I love him as a villain, his backstory is marinating in my brain at all times. However, he is a Puritan. Who canonically gets no bitches and murdered his brother over getting bitches. I rest my case.
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dossantosspirit · 1 year
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Top 100 songs of 2021
100. Yola – ‘Starlight’ 99. Cory Hanson – ‘Angeles’ 98. Lake Street Dive – ‘Hypotheticals’ 97. Durand Jones & The Indications – ‘Witchoo’ 96. King Gizzard & The Wizard Lizard – ‘Shanghai’ 95. Sleigh Bells – ‘Locust Laced’ 94. Doss – ‘Strawberry’93. Kings of Convenience – ‘Fever’ 92. Joy Crookes – ‘When You Were Mine’ 91. AJ Tracey – ‘West Ten’ (ft. Mabel) 90. Rhye – ‘Come In Closer’ 89. Half Waif- ‘Party’s Over’ 88. Julia Stone – ‘We All Have’ (ft. Matt Berninger) 87. Shame – ‘Alphabet’ 86. Nao – ‘Antidote’ (ft. Adekunle Gold) 85. Kanye West – ‘Off The Grid’ 84. Self Esteem – ‘You Forever’ 83. Brandi Carlile – ‘Right On Time’ 82. Claud – ‘In Or In-Between’ 81. Bicep – ‘Atlas’ 80. Easy Life – ‘Daydreams’ 79. Justin Bieber – ‘Peaches’ (ft. Daniel Caeser & Giveon) 78. Jane Weaver – ‘Solarised’ 77. James Blake – ‘Coming Back’ (ft. SZA) 76. Squid – ‘Narrator’ 75. Django Django – ‘Glowing In The Dark’ 74. Adult Mom – ‘Berlin’ 73. Valerie June – ‘Why The Bright Stars Glow’ 72. Biffy Clyro – ‘A Hunger In Your Haunt’ 71. Nas – ‘Death Row East’ 70. Elbow – ‘What Am I Without You’ 69. Laura Mvula – ‘Safe Passage’ 68. Iron Maiden – ‘The Writing On The Wall’ 67. Ghetts – ‘10000 Tears’ (ft. Ed Sheeran) 66. Sufjan Stevens & Angelo De Augustine – ‘Back To OZ’ 65. Amyl and The Sniffers – ‘Maggot’ 64. Faye Webster – ‘Better Distractions’ 63. You Me At Six – ‘Beautiful Way’ 62. Mannequin Pussy – ‘Control’ 61. Dave – ‘Clash’ (ft. Stormzy) 60. The Killers – ‘Quiet Town’ 59. St. Vincent – ‘The Melting Of The Sun’ 58. Tinashe – ‘Bouncin’57. Still Corners – ‘White Sands’ 56. Willow – ‘Transparent Soul’ (ft. Travis Barker) 55. Deafheaven – ‘Lament For Wasps’ 54. Vince Staples – ‘Are You With That?’ 53. Dawn Richard – ‘Bussifame’ 52. Floating Points – ‘Movement 1’ (with Pharoah Sanders & London Symphony Orchestra) 51. serpentwithfeet – ‘Sailor’s Superstition’ 50. girl in red – ‘Serotonin’ 49. Jungle – ‘Keep Moving’ 48. Lorde – ‘Solar Power’ 47. Poppy – ‘Bloom’ 46. Kacey Musgraves – ‘Justified’ 45. Goat Girl – ‘Sad Cowboy’ 44. CHVRCHES – ‘Asking For A Friend’ 43. Illuminati Hotties – ‘MMMOOOAAAAAYAYA’ 42. Summer Walker – ‘Ex For A Reason’ (ft. JT & City Girls) 41. Helado Negro – ‘Hometown Dream’ 40. For Those I Love – ‘I Have A Love’ 39. Clairo – ‘Amoeba’ 38. Ray BLK – ‘Games’ (ft. Giggs) 37. IDLES – ‘The Beachland Ballroom’ 36. BROCKHAMPTON – ‘Buzzcut’ (ft. Danny Brown) 35. Lana Del Rey – ‘White Dress’ 34. Arlo Parks – ‘Caroline’ 33. Self Esteem – ‘Prioritise Pleasure’ 32. Genesis Owusu – ‘Don’t Need You’ 31. Remi Wolf – ‘Sexy Villain’ 30. Low – ‘Days Like These’ 29. Doja Cat – ‘Kiss Me More’ (ft. SZA) 28. Pom Pom Squad – ‘Head Cheerleader’ 27. Wolf Alice – ‘How Can I Make It Ok?’ 26. The War On Drugs – ‘I Don’t Live Here Anymore’ 25. Adele – ‘Easy On Me’ 24. Julien Baker – ‘Hardline’ 23. Little Simz – ‘I Love You, I Hate You’ 22. Olivia Rodrigo – ‘Good 4 You’ 21. Mitski – ‘The Only Heartbreaker’ 20. Lucy Dacus – ‘Thumbs’ 19. The Weather Station – ‘Atlantic’ 18. Jazmine Sullivan – ‘Pick Up Your Feelings’ 17. Cassandra Jenkins – ‘Hard Drive’ 16. Wet Leg – Wet Dream 15. Dry Cleaning – ‘Scratchcard Lanyard’ 14. Billie Eilish – ‘Happier Than Ever’ 13. Silk Sonic – ‘Leave The Door Open’ 12. Turnstile – ‘Blackout’ 11. Nilüfer Yanya -Stabilise 10. Wolf Alice – ‘Smile’ 9. Tyler. The Creator – ‘Wusyaname’ 8. Snail Mail – ‘Valentine’ 7. Sharon Van Etten & Angel Olsen – ‘Like I Used To’ 6. Lil Nas X – ‘Montero (Call Me By Your Name)’ 5. Muna – ‘Silk Chiffon’ (ft. Phoebe Bridgers) 4. Caroline Polachek – ‘Bunny Is A Rider’ 3. Japanese Breakfast – ‘Be Sweet’ 2. Self Esteem – ‘I Do This All The Time’  1. Little Simz – ‘Introvert’
>>> Playlist on Spotify <<<
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radix-outpost · 1 year
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I’ve been thinking on and off about Castlevania, particularly Legends (the last original GameBoy installment that was infamously removed from the canon timeline). If I ever do some serious fan-timeline stuff, I’m seriously considering using Legends as the beginning of the main one, and plonking Lament of Innocence into a splinter timeline.
LoI is, mechanically, a fine game--but story-wise? It feels like one of those works where key points were to be set up in a companion novel, except no such novel exists. Leon’s emotional arc works, but everything else is disjointed (ex. the presentation of Joachim Armster vs. his actual significance to the plot, Mathias Cronqvist turning out to be the ultimate villain and Dracula ascendant whom we never see outside of the opening) and it introduces a number of elements which should’ve had huge implications for the entire series that were promptly forgotten about. Like, say, the fact that Sara Trantoul sacrificed herself to become the Vampire Killer and has technically fought alongside every Belmont and in-law since.
Legends, by contrast, is nice and simple and doesn’t drive me up the wall. Plus, the implication that Sonia and Alucard had a child arguably works better with the assertion made later on in the series that Dracula's own power is the only thing that can defeat him (if not permanently, at least for extended periods of time)--I prefer the irony and dramatic potential over “so the Whip’s Memory took the form of Richter and not the woman whose soul is entwined with the damn thing?”
IIRC, the only elements of LoI with any real bearing on future games are the Crimson and Ebony Stones, and it wouldn’t be hard to work those into a timeline which dumps LoI and keeps Legends.The man who would become Dracula finds the Ebony Stone, slowly loses his moral compass, tricks the holder of the Crimson Stone into disposing of themself, villain origin complete. Perhaps he started off as a Belmont-like holy warrior seeking to avenge the slaughter of his village at the hands of a vampire lord; his turn to despair and preexisting flaws drive him to embrace the dark power of the Ebony Stone and set him down a path more horrific than anyone could’ve imagined.
(...which is probably just Gabriel Belmont, thinking about it. :U Having not played the Lords of Shadow games, I’d like to take a very different approach.)
Of course, a splinter timeline that begins with LoI could be fun, too, provided you’re willing to pick up the slack storytelling-wise (sure woulda been nice to see Leon and Mathias interact as friends before everything goes to shit, grumble curse mutter...). It wouldn’t be too hard to magic Joachim back into relevance, either: Mathias resurrects him to act as one of his generals, which may or may not end with Joachim breaking free and harassing Leon on his own terms.
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schtroumpfcurieux · 2 years
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alright i guess now is as good as any of a time to do this
Smurf stories rated by how dark and/or fucked up they are when you think about it (Part 1)
only in the main line comics tho
Les Schtroumpfs noirs (The Black Smurfs/The Purple Smurfs) : 5/5
Imagine if you will: you're a smurf who lived a very easy peasy life so far; today you and the people in your village go to work, and your buddy ends up going alone a bit further away. When he comes back, he's... different. His skin is not blue anymore, he can't talk, doesn't recognize anyone, and he seems mean, almost evil. Your leader is immediately worried, and tells you that it's not the first time he sees this happens, and it's not good. Then you find out that by a bite, that... thing will turn you like him. Your leader knows there is an antidote, but can't remember it. As he tries many things, more and more people in your village get turned and join the group of infected. Finally, he finds the remedy, by pure luck, and when you go back to the village to prepare the remedy, you can notice that there's only ten of you left. Ten on almost a hundred. The remedy is prepared, and it works, but you are easily overwhelmed by the number of infected. You're 9, then 8, then 7, then 6, 5, 4, 3, 2, ... you get bitten, and as you turn, you see your leader alone, surrounded from every corners by the things you're about to become a part of. The reader sees Papa Smurf transform, and everything seems lost... until, by pure luck again, an explosion allows the remedy to fall on everyone in the village, saving the day.
So anyway the first smurf adventure is a zombie apocalypse that by all means ends bad, but luckily kid comic+first story armor makes it so that all the characters are saved. Zombie apocalypse scenario already gets points because they're very dark in nature, but here it's made even darker by the facts that 1) it reaches the worst outcome before luck ex machina, 2) in universe it's supposed to be the first time the smurfs deal with a very dangerous and distressing situation that affects them directly. actually it's the first time they have to deal with something bad happening to them. quite the first time.
Le Schtroumpf Volant (The Flying Smurf): 0/5
There isn't much plot in this one; a smurf wants to fly, and he tries different techniques. It's closer to a comedy short than an actual story, so there isn't really something dark or fucked up in it.
Le voleur de Schtroumpfs (The Smurfnapper): 3/5
In this story, Gargamel is introduced! While he is already a goofy villain, Gargamel is very much a big threat in this. Most of the story is spent seeing the smurfs trying to save one of them, who's been caught and will be put in snake venom at dawn (to be melted for a potion Gargamel needs to do in order to change metals in gold). Every time they're about to free the poor smurf, Gargamel comes back and so everyone has to quickly hide. Eventually, dawn comes, and Gargamel is about to put the smurf in the mixture when all the smurfs attack at once and flee.
Points for potion that asks you to kill a sentient living being to get rich, almost smurf melting, and for the characters, first time meeting Gargamel which for them must have been particularly distressing.
Le Schtroumpfissime (King Smurf): 2/5
A smurf makes false promises to get elected, then once in power he does nothing of it and becomes a dictator. Points for dictatorship and how sad it is that a 60s comic still hits with current politics.
Schtroumpfonnie en ut (Smurphony in C): 5/5 oh my god
Alright alright so. In this shirt story, the smurfs want to play a symphony. But one of them plays incredibly bad, so they kick him out of the band. The smurf goes in the forest to lament, and Gargamel hears him. He disguises himself as a fsiry and gives to the smurf a musical instrument that he says will always sound good. But it was a trap, as the instrument actually puts people who hear it in a deep sleep. The smurf learns the truth from Gargamel who followed him back to the village, and a chase follows. The smurf escapes, try different ways to wake up the others, with no success. He then decides to go to Gargamel's house to find an antidote. At one point Gargamel is in a position where if the smurf played the instrument, he'll get rid of him forever( deep sleep+falling from very high, you can guess what would happen), but he decides against it after remembering what Papa Smurf taught them. So the smurf finally gets to read about the instrument, and learns that no remedy has been found. Now sad and all alone after being tricked into causing the death eternal sleep of everyone in his village, the smurf lines them up, and takes out his trumpet to play them goodbye. But his first note is so off that it could wake up a dead, and guess what happens (btw it's literally the saying used in the story, wikipedia may say coma but the text says death). And so the smurf found the remedy, playing his music, and wakes up everyone. All is well that ends well, the smurfs play the symphony, the smurf included. Since he plays trumpet and plays off with any instruments he uses, we can easily guess it's Musician Smurf. So if you like his character and didn't know it, that's his backstory, putting everyone into a magical coma and finding the remedy by accident after he resigned himself to be alone forever.
Do I need to explain the rating.
I will stop on this one, because next story is the smurfette and i dont trust myself in keeping it short
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bisluthq · 6 months
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i feel like what happened is v straightforward, she and joe fell out of love and broke up, it probably happened over the course of a few months since ending something that longterm is complicated. then she got together with an old flame turned recent friend who she still liked and who liked her back, maybe there was overlap but we can’t know for sure and obviously they weren’t a right match for each other so it also ended. none of them are probably ever going to be friends but everyone involved has moved on, no one is throwing calvin-esque fits or lamenting to GQ reporters, we’re not mind readers obv and can’t say what anyone is feeling but as far as anyone call tell, everyone involved is fine. i think people want taylor to either be crying in her coffee cup or be some like deceptive love goddess who plays men like a fiddle when that’s just not reality. same with her exes, they want them all to be super villains or sad lovestruck guys weeping over their lost love despite all of them being either handsome, famous, rich or generally desirable in their own right.
100%
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depressed-sock · 4 years
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2nd Round is Characters from my story Ex: Villains Lament!!
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