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#fukuda hiroshi
anime-to-the-t · 7 months
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kuroko-no-cuties · 2 months
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1st years appreciaion #2
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uppuzs · 1 year
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@animangacreators challenge 16 → hanami challenge
↳ Pear Blossom: "lasting friendship" inseparable friends through the whole story
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honeyandyoghurt · 6 months
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Riko and Fukuda playing games together :D
Also a less edited version :)
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here is my knb, seirin stuff pack for the sims 4 if anyone wants them. I will make a proper doc with cc credits and all that later, this has been sitting in my drafts for too long and I keep tricking myself into thinking I’ll add more items or something but I need to not do that lol
But blanket credits for the base of the cardigan uniform, short sleeve uniform, and long sleeve uniform can be found at their respective links. I did not make those original meshes, I just tweaked them!! The zipped up boys’ and the boys’ opened jacket I made out of EA meshes. These aren’t perfect. There’s some issues with certain long socks with all the girls’ basically, but idk how to fix. And there’s some slight slight clipping with some of the skirts/jackets but nothing too jarring. I hope you enjoy!!!
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fourorfivemovements · 12 days
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Films Watched in 2024: 30. ゴジラ対メカゴジラ/ Gojira tai Mekagojira/Godzilla vs. Mechagodzilla (1974) - Dir. Jun Fukuda
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angelsdevils · 1 year
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SERIES
key:  ♡ sfw //  ☆ nsfw //  ♤ suggestive //  ☁ angst //🖤depression mentions
𝓚𝓲𝓻𝓲𝓼𝓪𝓴𝓲 𝓓𝓪𝓲𝓲𝓬𝓱𝓲
☆ Spider Web
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esonetwork · 11 days
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Godzilla vs Mechagodzilla | Episode 407
New Post has been published on https://esonetwork.com/godzilla-vs-mechagodzilla/
Godzilla vs Mechagodzilla | Episode 407
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Madeline Brumby and Shane Morton join Jim for a rousing discussion of a Kaiju film celebrating its 50th Anniversary – “Godzilla vs Mechagodzilla,” starring Masaaki Daimon, Kazuya Aoyama, Akihiko Hirata, Hiroshi Koizumi, Reiko Tajima, Hiromi Matsushita, Goro Mutsumi, Shin Kishida and directed byJun Fukuda. An alien race seeking to conquer Earth makes a giant robot based on Godzilla. And when the “Big Guy” finds out, trouble ensues. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
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prfm-multiverse · 8 months
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New work for Perfume! Please enjoy this trick as often as you like. We are looking forward to working with you from January onwards!
Moon MV Crew
Director : TAKCOM(CONNECTION) Assistant Director:倉光哲司 Tetsushi Kuramitsu Cinematographer:田嶌誠 Makoto Tajima (館岡事務所) 1st Assistant Cameraman:尾崎圭市 Keiichi Ozaki 2nd Assistant Cameraman:森田曜 Akira Morita 3rd Assistant Cameraman:宮崎新大 Arata Miyazaki
Key Grip:大江史也 Fumiya Oe,石井努 Tsutomu Ishii,岡田雅成 Masanari Okada,室山聖 Kiyoshi Muroyama
DIT:タキユウスケ Yusuke Taki(Kotetsu Inc.)
Lighting Director:前川賀世子 Kayoko Maekawa Lighting Chief Assistant:井上真宏 Masahiro Inoue Lighting Assistant:大谷力 Chikara Otani,工藤こずえ Kozue Kudo,樋口学 Satoru Higuchi,福田和宏 Kazuhiro Fukuda,藤井裕介 Yusuke Fujii,新田泰之 Yasuyuki Nitta,山崎達也 Tatsuya Yamazaki Production Designer:三ツ泉貴幸 Takayuki Mitsuizumi(STARBOY)
Transportaion:牧尾智史 Satoshi Makio Studio:角川大映スタジオ Studio Coordinator:山田隆久 Takashisa Yamada
Choreographer : MIKIKO (ELEVENPLAY) Choreography Assistant : SAYA, SHOKO, MAI (ELEVENPLAY)
Stylist:タケダトシオ Toshio Takeda(MILD inc.) Stylist Assistant:岡崎くるみ Kurumi Okazaki,藤田和哉 Kazuya Fujita Dressmaker:内藤智恵 Chie Naito,斎藤利保 Riho Saito Make-up : 大須賀昌子 Masako Osuga Hair : 福間友香 Tomoka Fukuma (VANITES)
Offline Editor : 前田径成 Michinari Maeda(CONNECTION) Colorist:芳賀修 Osamu Haga(Artone Film)
CG Production:Citro CG Director:竹山寛史 Hiroshi Takeyama,平川侑樹 Yuki Hirakawa
Post-Production:Khaki Compositor:水野 正毅 Masaki Mizuzo,川崎琴美 Kotomi Kawasaki,藤田智子 Tomoko Fujita Roto & paint : Taupe / Roudiez / Elephants Gate
Producer:松竹奈央 Nao Matsutake Production Manager:南水朋子 Tomko Nansui Production Assistant:橋本和佳奈 Wakana Hashimoto,足立芳洋 Yoshihiro Adachi,川久保開 Kai Kawakubo,日尾野穂乃香 Honoka Hibino,伊堂寺夏鈴 Karin Idouji,加賀美椋 Ryo Kagami Production : P.I.C.S.
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anime-to-the-t · 7 months
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kuroko-no-cuties · 3 months
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Some love for our gang of first years plz
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hellyeahdothack · 1 year
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Recording of LieN's live concert in celebration of the .hack 20th Anniversary. The concert covers songs from throughout .hack's history, from .hack//IMOQ through .hack//G.U. Last Recode.
There is also a talking segment between Hiroshi Matsuyama, Chikayo Fukuda, and Tomoyo Mitani.
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toloveawarlord · 2 years
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Ch. 2
♥ Pairing: Hajime Kokonoi x Koharu Shiratori
♥ Rating: 18+ Sexual Content; Gang Violence/Activities
♥ Timeline: Bonten
♥ OC summary: Koharu Shiratori becomes Kokonoi’s wife in an exchange between her father and the Bonten Executive. The lawyer is thrust into a position of power within the criminal organization.
♥ wc: 1.6k
♥ a.n: Chapter 2 is complete! I am really loving her and Koko's dynamic.
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"This dress suits you very well."
After a lengthy trip to his favorite clothing store and having a plethora of dresses brought for him to choose from, Koko settled on this: a wine-colored strapless dress that fit to her form exquisitely He slid his hand up her thigh, admiring how the shamefully high slit bared her soft skin. Koko wanted to show off his new wife to everyone.
"It would be advantageous to discuss what this business meeting will entail." Koharu wasn't disappointed with the choice of clothing. His tastes were sexy and sophisticated. But tonight, was about a business meeting, she needed to be as informed as possible.
"Still all business, I see. You can relax."
Crimson irises turned to him, slight irritation on her features. "I am relaxed."
God, she really was special. It had been years since he had anything make his blood pump. His colleagues entertained themselves nightly at their favorite, exclusive nightclub, where women and booze were readily available. Koko wasn't that interested, even if he went often. A man needed company. Now, his wife would provide new, thrilling stimulation.
Both mentally and physically.
"Hiroshi and Asuka Fukuda," Koko continued to caress her smooth thigh. She never pushed his hand away, which he took as a good sign. "They've been on our radar for a while but have refused to have a meeting. I can't go into the details on what we're after."
Understandable. It wasn't as though a marriage certificate made her a member of Bonten.
Koharu nodded her head, taking a moment to reassess. "Perhaps I should have asked what it is you want me to do in this meeting." As much as it pained her to be less informed, she had to accept her position. If he told her to simply sit there and look pretty, then she would.
"It's not ideal. I would have liked to have some time to prepare you, but the timing made that impossible." Koko would have also liked to do this alone, but the mention of his wife had gotten the meeting. He couldn't show up without her at his side. "Small talk will be important. I'm leaving it to you to lead on our relationship. I'm certain you understand how it can affect the deal. As for the business, I'll take care of everything."
The car rolled to a stop in front of the skyscraper. Elegant and exclusive, only limos and sleek sports cars were valeted around.
"Ah, yes. There is one more thing." Koko lifted her left hand, sliding on an exquisite ring. It wasn't large or gaudy, but the gold band and diamonds inlaid screamed expensive. "I do hope it's to your liking."
Koharu had never imagined herself with a wedding ring like other little girls. It glittered as the light hit it. A truly beautiful ring. Was she meant to say thank you? She wasn't well versed in flirting or being bashful, which had been a hindrance in her past relationships.
And he had a pretty, almost boyish smile on his face while he waited for her reply.
Koharu leaned forward, pressing her lips to his. She felt utterly ridiculous, heart pounding like a schoolgirl receiving her first kiss from the cutest boy in class. And she'd kissed plenty of times, but somehow, her movements were only awkward.
And she had the sudden urge to explain herself after the short kiss.
"We shouldn't kiss for the first time in front of them."
It surely wasn't the reaction he'd expected, but he didn't mind. This marked the first time she'd touched him, showing her willingness to be a wife, despite the circumstances. Koko traced his tongue over his lips, unsatisfied. "A little more practice, I think."
His arm snaked around her waist, but Koko was the one to slide closer, trapping the woman between himself and the door. He captured her lips, more fiercely than the chaste little kiss that she'd given him. It amused him that her reciprocation was much more confident than before.
Koharu was off balance, having to grip his arm in order to stay upright. His hold on her was gentlemanly, a stark contrast to the sinful way he commanded her lips.
Koko wasn't satisfied, but it was past time for them to be inside.
"You're going to need to fix your lipstick."
No one should be allowed to kiss like a god. Never once had Koharu ever had a kiss ebb through her whole body. She'd never met a man who could turn her own with only his lips. Koharu couldn't look in his direction, afraid he might see the way he'd affected her.
She needed to get her head together.
Both made themselves presentable before heading inside. The venue decorated extravagantly; money thrown around without a care to create another world within the large room. An exclusive part of the insanely rich and powerful. It should be surprising that some of these men and women were in the same room as many of the elites of the Tokyo underworld, but it wasn't.
"We were beginning to think you weren't going to show, Koko."
Koharu was greeted with a semi-circle of well-dressed men seemingly waiting for their arrival. She correctly assumed that they were the other executives of the infamous Bonten, a few of them having the tattoo visible on their body.
"You brought a thing this pretty with you? Not fair! You're going to share, right?" The pink haired man slid up beside her, no shame in his palm smacking against her ass and feeling her up so openly.
He must have expected her to blush and act shy, but ultimately let it happen. It was normal for men like them to do whatever they pleased. But Koharu was not that kind of girl.
She brushed his hand away, refraining from smacking at him and making a scene. "Do not put your hands on me again." Her gaze slid over the crowd, relieved that none were looking in their direction. It was possible they were too scared to actually make eye contact with any of these men.
The tension around her was palpable. All the other executives straightened, as if she'd struck them all. A typical reaction from powerful men.
"You should teach your bitch some manners, or we can do it for you." The one who spoke eyed her like a piece of meat. His violet eyes were narrowed, but his desire to lay his hands on her was clearly reflected in them.
He must be one of the Haitani brothers. Koharu wasn't well versed in the hierarchy of Bonten, but she grew up near Roppongi. Since there were two men with the same color of hair and eyes, it was safe to assume that they were the brothers she'd heard of.
"I can speak for myself, and unless your name appears on the marriage certificate, I suggest you keep your hands off me. It's bad for business to feel up someone's wife."
Stunned was an understatement. "Marriage?"
Koko decided he should step in before his new wife made the situation worse. What she said was true, but he also knew that her brash attitude would end up causing a scene. It would be bothersome if she pissed them off any further. "Yes. Koharu is now my wife, and therefore she belongs to me. That's that matters. The Fukuda's are here."
He escorted her away from them before any questions could be raised. "That was pretty brazen of you. I thought you were smarter than that." He would need to smooth over Rindou before the Haitani acted on his impulse to put her in her place.
"If the Fukuda's agreed to a meeting based on your marriage status, it stands to reason that if they witnessed your colleagues feeling me up, it could reflect poorly on you." Of course, Koharu hardly wanted them to be touching her regardless, but image was everything.
"As correct as you are, it was reckless. I expect you to be more respectful to them next time, even if you have to fake it." Koko couldn't argue with her logic. He imagined he'd have to put out plenty of fires over the course of the next few weeks. "Wife or not, if they take concerns to Mikey, I can't protect you from the commander's orders."
Mikey. She recognized the name but knew little about him.
Koharu slipped her hand into his as they approached the table. Many questions swirled around in her head, but she needed to focus on the task in front of her. Red stained lips pulled up in a tender smile as she bowed to the Fukuda's as Koko greeted them.
Drinks were ordered, and the introductions were made. Koharu chimed in, when necessary, but her gaze continuously flickered to Koko, mostly in an attempt to appear hopelessly in love. If talks of business had begun, she wasn't aware. Mr. Fukuda was a lovely, older gentleman who could likely talk one's ear off.
It was Mrs. Fukuda who put Koharu on edge. She spoke only to Koko, even when a question was directed to Koharu. It was as though she didn't exist. A problem that she hadn't been expecting to have to remedy.
It was clear that the conversation was turning sour. Indicated by the way Koko squeezed her hand under the table without looking in her direction.
This was the reason Koharu disliked being uninformed. A pressure to fix this swiftly had been thrown upon her with little time to come to any clear conclusion as to why Mrs. Fukuda was acting ill towards her.
At least, pressure was something that Koharu was used to. An opportunity would present itself if she paid close attention. Then, it would only be a matter of striking with poise and grace.
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byneddiedingo · 2 years
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The Man Who Left His Will on Film (Nagisa Oshima, 1970)
Cast: Kazuo Goto, Emiko Iwasaki, Sukio Fukuoka, Kenichi Fukuda, Hiroshi Isogai, Kazuo Hashimoto, Kazuya Horikoshi, Tomoyo Oshima. Screenplay: Nagisa Oshima, Tsutomu Tamura, Masato Hara, Mamoru Sasaki. Cinematography: Toichiro Narushima. Art direction: Shigemasa Toda. Film editing: Keiichi Uraoka. Music: Toru Takemitsu. Nagisa Oshima's The Man Who Left His Will on Film owes something to Michelangelo Antonio's Blow-Up (1966) in that both involve photography that tantalizes and hints at an unsolved (unsolvable?) mystery. But Oshima's film has political overtones, a kind of goodbye-to-all-that movie about the waning of student protests in Japan. The story it tells is about the quest of Motoki (Kazuo Goto) to find out why a young activist, Endo (Kazuya Horikoshi), committed suicide when he was being chased by police across a rooftop. Motoki tries to puzzle out Endo's motives by retracing the footage he left in the camera he was holding when he leaped (fell? was pushed?). But the film resists interpretation almost as much as the one Oshima made about it. Oshima is always surprising and enigmatic, and this is one of his more challenging works.
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its fun to imagine the different variations that the girls' uniforms at Seirin can have. Based on background characters in the show, these are the most common colors/styles. And then I added a little more variations, because i think its more fun if there's some of their personalities coming through
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fourorfivemovements · 14 days
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Films Watched in 2024: 28. 地球攻撃命令 ゴジラ対ガイガン/Chikyū Kōgeki Meirei Gojira Tai Gaigan/Godzilla vs. Gigan (1972) - Dir. Jun Fukuda
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