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#full disclosure: I haven't watched all of these shows
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Buck & Eddie: Season 7 - Is that Buck?
The debate over who Eddie’s talking to in this picture has begun but let's take a closer look shall we?
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There appears to be some debate over whether that's Buck in the picture with Eddie that TM (showrunner) released at dark o'clock last night/this morning (depending on your time zone) and it's all because of that ugly shirt he's wearing. Well, I took a screenshot of the shirt he wore at the end of 6x18 to test my theory and it was just like I remembered, HIDEOUS!
The shirt debate piqued my curiosity and I researched it to test my theory regarding Buck’s clothes that started in 6A and went into 6B after 6x4, 6x7, 6x11 and 6x18 aired.
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Full Disclosure: I had to access 6×18 to get this screenshot but I didn't want to because after Season 6 ended, I said I would never watch any of the episodes that aired after 6x13 again. I haven't, I didn't and I won't but I did fast-forward to the end of it so I wouldn't have to see anyone but Buck and I captured it to show the ugly shirt he wore to the hospital. It's HIDEOUS too.
Why is his shirt important?
Well, it's important because Buck’s wardrobe has drastically changed since season 5.
After I saw the pants he was wearing in 6x4, the shirt he wore at the end of 6x7, the outfit he had on in his coma dream in 6x11 and the shirt he wore at the end of 6x18, I wondered what happened to Buck’s wardrobe. I'm not sure why they keep putting him in these types of clothes, especially since Buck’s ALWAYS cared about his appearance. In the past, his clothes were expensive and they fit him nicely but in Season 6, most of them were ill fitting and a lot of times either his shirts were too little and/or his pants were ankle beaters or they were just not the kind of clothes he would wear.
In 6x4 he was wearing ankle beaters when he went to Hen and Karen's house.
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In 6x7 his shirt was too little when he went to go donate his sperm.
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In 6x11 he was wearing that awful imitation of Fred's outfit from the Scooby-Doo cartoon.
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Initially, I thought the size of Buck’s clothes had something to do with OS's muscular build since he definitely toned up and his muscles were huge at the beginning of Season 6. Then after I remembered how lackluster the season's opening emergency was (the 9 minute long blimp emergency 🙄), I thought maybe the show was low on money or something and they couldn't afford to give the wardrobe department a sufficient budget.
But now I believe there's more to it than that since it APPEARS TO BE INTENTIONAL. I don't know why and I'm not speculating but there's a reason Buck’s not dressing like he used to. It seems like the only time his clothes fit PROPERLY is when he's with Eddie🤪😜.
HELLO PAIR OF GRAY SWEATPANTS HE WORE JUST FOR EDDIE TO SHOW OFF HIS "FIREHOSE".
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HELLO RED AND BLACK SUIT HE WORE TO THE POKER GAME.
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We know the wardrobe department has the money it takes to properly clothe the main cast because all the other main characters' wardrobes didn't change so what gives?
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Anyway, my point is, IIRC, Eddie has never touched Bobby's shoulder like that but he has touched Buck’s (in 3x3). Is that Buck wearing that ugly ass shirt in the picture TM released from Season 7? Probably since he wore one in 6x18 and his clothes have been less than stellar for the last few months but who knows?
What is really happening with Buck’s clothes?
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fbfh · 1 year
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Francis Wilkerson crushing on (obsessing over) you hcs
wc: 1k
pairing: francis wilkerson x gn!babysitter!reader
warnings: (canon) obsessive behavior from francis but reader is into it (against their better judgement /hj), pinning against wall, begging, francis being pathetic for you /pos, reader is trying to be professional lol
summary: Francis knew his mom hired a new babysitter to look after his brothers, but he didn't expect you to be so... perfect. now he has an impossible to manage crush on you.
song rec: obsessed with you - the orion experience
a/n: oh look another obscure heartthrob there are no fics for!! literally how did we get the scene of hal telling the boys what their relationships will be like and that Francis canonically has that gene and have no one simp loudly for him. yes I know this show went off the air years ago and I don't care. also full disclosure, I haven't watched much malcolm in the middle but I think I have a pretty good grasp on the characters let me know if anyone's ooc lmao
@yesv01
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Okay starting off strong 
The scene
The Scene?????
Are you fucking kidding me???
So we know he's a bit of a trouble maker 
That's putting it lightly 
But the fact is Francis is not afraid to get his hands dirty 
He is not at all afraid to get fucking messy
And you know having Lois as his mom is more than enough reason for him to be straight up feral
As Hal said, the men in their family have a habit that makes them a little unstable (and very desperate) in relationships 
It's giving greek tragedy curse 
So if you've ever wanted a hot slightly unhinged obsessive pathetic hot mess boyfriend 
Francis is the one for you 
Okay maybe boyfriend isn't quite the right word 
He’s not “technically” your boyfriend yet
But he’s hellbent on getting there eventually
He just has to warm you up a little first
Prove that he would be such a good boyfriend that you couldn’t say no
He just has to really plead his case, tell you how he feels
He figures if he’s up front and honest, lays his cards on the table
If he tells you he’s fallen for you, all the amazing traits he admires about you and that he thinks you could have some great chemistry
That he’d really love to get to know you better 
That he has a good shot at you agreeing to go on a date with him
It’s a solid plan
So he’s not sure how he ends up literally begging you on his knees, arms around your waist and kissing your stomach after getting rejected a dozen times in like two days
He thinks of something smart but every time he opens his mouth something erratic (and probably a red flag) comes out
He didn’t see this coming
No one did except Hal and Lois
Hal should start offering relationship tarot readings because in that minute and a half speech to his kids, he not only predicted Malcolm's first relationship 
But Francis's too
He's hooked up before, had flings here and there 
But he's never really liked anyone 
Until he sees you, the new babysitter Lois hired 
You're so sweet 
You're responsible, make good grades, and actually have a modicum of common sense 
Lois is hoping you're just what her boys need
Francis is often out of the house doing god knows what 
One of the reasons Lois hired you to begin with 
So it's a little while before Francis actually meets you 
But when he does?? 
Holy hell brace yourself 
When Francis sees you it changes his fucking brain chemistry 
He grabs his brothers and is like "That's the babysitter???"
"Yeah??"
"So you just forgot to mention how hot they are???" 
They did not expect this kind of reaction from him
He pays Dewey five bucks to sneak into your bag and see he can find out what body spray or lip gloss or cologne you use 
Dewey somehow manages to get in and out of your bag without you noticing
“What’s it called?” Francis asks, needing to satisfy the burning urge to know what you smell like up close
“Twilight… twilight something.” Dewey says, trying to remember. “I think it was… twilight sedation. Yeah, that’s it.” 
Francis looks over at you
“Twilight sedation…” he says dreamily
It’s twilight forest, but who’s counting
Francis needs to be around you as much as possible
Being home more than usual won’t be a problem, he thinks
He’s not responsible enough for Lois to let him watch his brothers unsupervised without utter chaos anyway, so it’s not like you’ll stop coming over
So now when you’re babysitting his brothers
When you’re making mac and cheese or helping them with their homework
He’ll find little moments to steal you away
Every time he fully intends to have a conversation with you 
Banter, build a rapport, get to know you better
And every time he ends up shamelessly coming onto you
And usually ends with him pinning you to a wall begging you to let him kiss you
Just once
Please, just once, just one time
And every time you manage to slip away and go back to what you were doing
Helping his brothers with video game levels and homework 
And every time, it leaves him wanting you more and more and more
You think he’s just messing with you at first
But you can’t deny the sincerity of his face and voice and body language
He’s burning for you
Aching for you
And it’s a little overwhelming to say the least
Especially with how out of the blue it is
You want to just have a normal conversation but always end up with him much closer to you than you expect
So you panic and slip away
And so begins the enticing game of cat and mouse between you that drives Francis even crazier for you than he thought was possible
Every time he promises himself he’ll play it cool, just be normal around you
And every time he ends up pinning you against the kitchen counter telling you what a good boyfriend he’ll be
Please just let him prove it
The logical part of your brain knows these should probably be red flags 
But a smaller part of you wants to see
The logical part of your brain also knows that you absolutely should not date the son of the woman you’re babysitting for 
Especially since (aside from Francis) this is the chillest cushiest babysitting job you’ve ever had
Lois was right, you’re exactly what her boys need
And since it’s impossible to get a babysitter, much less keep one, she’s paying you really well for this
So yeah
Dating her son would be a huge conflict of interest
You can’t
You absolutely cannot
But the one thing you failed to take into consideration is that you lowkey have horrible taste in men
So this thing building between you and Francis is really just a matter of time 
Then things are really going to get crazy
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mickimagnum · 4 months
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Devin's Dude Ranch: Episode Six
*the episode opens with a shot of Echo Valley Ranch at night. Crickets can be heard singing and there's an owl hooting off in the distance somewhere.*
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*the contestants are sitting around the living room, engaged in various activities, oblivious to what's about to happen*
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*suddenly, the door to Devin's room swings open and she exits. she makes her way to the living room.*
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*she stops in front of the fire place. confused, everyone stops what they're doing and turn their attention to her. she can tell they're nervous, so she smiles at them reassuringly*
Devin: "Good evening, fellas. I have an announcement to make. Earlier I received a note instructing me to pick two of you for a date. Tonight."
*the guys shift in their seats and lean closer*
Devin (continues): "And I've decided to pick two people I haven't gotten to spend a lot of time with. So, with that being said. If you would be so kind, I would like for...
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Devin (continues): "Stan and..."
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*Stan smiles up at Devin and nods*
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Devin (continues): "Milo to join me tonight."
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*Milo beams at her from across the room, barely able to contain his excitement*
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Devin: "Alright, you two. Go put on something warm and meet me outside in the back pasture in twenty minutes."
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*after a time lapse, the next scene shows a sped-up shot of Stan and Milo approaching Devin outside. She's standing in front of a makeshift movie screen*
Devin (cheerfully): "Hi guys! I thought we'd watch a movie tonight. Have some popcorn, chat. That kind of thing. What do you think?"
*Milo steps forward and nearly trips over his feet*
Milo: "That sounds amazing!"
Devin: "Easy there, cowboy."
*Stan smiles apologetically at Devin, unassumingly on Milo's behalf before speaking up:*
Stan: "Count me in."
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*the three take their seats on the crates opposite the screen*
Stan: "Thanks so much for picking us to come out with you tonight. I'm just happy to get more time with you, and the fewer guys that are around the better."
*Devin chuckles*
Devin: "I can image. I'm sure this is hard for you all. Especially as things progress."
Stan: "It hasn't gotten any easier. But, you're worth puttin' up with all the others for, Devin. 'Least till I run 'em off."
*Milo scoffs*
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Devin: "That's very sweet of you to say, Stan. Unless you're Milo..."
*Milo grunts in agreement but doesn't interrupt*
Devin (continues): "So, tell me. What are you looking for in your next relationship?"
Stan: "We're just divin' right in?"
*Devin smiles*
Devin: "That's what the show's about, they tell me."
*Stan shrugs*
Stan: "Fair enough. I want an equal partner. Someone I can rely on when the chips are down just as much as she can rely on me. A lover. A friend. Someone to raise a family with. And grow old with. That unconditional love type of bond that will survive a hundred lifetimes and countless battle scars. You know, I've been married twice now. Lost my first wife to leukemia. And my second one, well, turns out she didn't care for me much. So, I'm hoping what they say is true; 'third time's a charm.' and all."
*Devin sits back, visibly moved by his answer*
Devin: "Thank you for being so genuine, Stan. That means a lot. I'm sorry to hear about your first wife. And, well, all of it. You deserve better than that and I hope you find what you're looking for."
*Stan smiles at her*
Stan: "Thank you, Devin. I appreciate it."
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*Devin then turns to Milo*
Devin: "What about you, Milo? What are you looking for in your next relationship?"
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Milo: "Well, full disclosure, I haven't been in a 'relationship' since high school. And she shattered my heart into a million pieces, so it didn't end well. But, what I learned from that experience is that I want to be with someone who wants the same things out of life. If they're not going to support my dreams it's not going to work and vice versa, you know? And everything else Stan said sounds about right too."
Devin: "Okay. Thank you for sharing. I appreciate your candidness."
*Milo grins at Devin*
Milo: "You're most welcome."
*Stan can be heard grumbling under his breath just off camera. something about "stealing his answer."*
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*Devin returns her attention back to Stan*
Devin: "Okay, here's a fun question. Since we're getting ready to watch a movie, what's your favorite genre?"
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Stan: "Easy. Western. But especially westerns mixed with sci-fi. I love both, honestly."
Devin: "That is the most you answer I've ever heard."
*Stan chuckles*
Stan: "What about you, missy?"
Devin: "Oh, I'm a horror fan. 100%"
Stan: "What, you like all the blood, guts, and stuff?"
Devin: "No. I'm more into the creepy, supernatural stuff. The kind that makes you question whether or not it's really happening."
Stan: "Oh, yeah. I like those. I can't stand the gore-fests, though."
Devin: "I'm not a big fan of them either. It feels cheap."
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*Devin turns to Milo again*
Devin: "What about you?"
Milo: "You're going to laugh."
*Devin and Stan speak up at the same time:*
Stan: "Probably."
Devin: "We won't."
*Milo sighs and stares at the ground before muttering:*
Milo: "Musicals."
Stan: "Did the boy just say musicals?"
Devin: "He did."
Milo: "Look, I'm a musician okay? I enjoy the music. The singing. The dancing. They almost always have a happy ending. What's not to love?"
Stan: "The fact that they're terrible."
*Devin pinches her nose to try to stop the snort laugh that escapes anyway*
*after choking it back she says:*
Devin: "There's nothing wrong with that, Milo. Let's, uh, watch our movie."
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*the film begins to roll*
Stan: "What movie is it?"
Devin: "Hamilton."
*Stan lets out a whimper and Milo gasps in excitement*
*Devin giggles*
Devin: "I'm totally messing with you, dude."
*Stan sighs with relief and Milo looks deflated*
Devin: "It's Saw X."
*They both look at her in horror*
*She cackles this time*
Devin: "Calm down. It's College Cram."
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*the group enjoy cheddar popcorn as they watch the movie*
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*when the movie is over, Devin turns to Milo*
Devin: "Milo, I had fun with you tonight. Thanks for hanging out with me."
Milo: "Anytime. And I mean that."
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*Devin then turns to Stan*
Devin: "Stan, you are always entertaining to be around, but I really appreciate you opening up to me tonight."
*Stan looks both surprised and pleased*
Stan: "It was my pleasure. I look forward to our next time together."
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Devin: "Alright, fellas. It's time to head back in. I'm cold and I don't know about you, but my bed is calling my name."
*at that, the three get to their feet and prepare to say their good nights*
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*Stan pulls Devin into a hug and after a few beats they separate and he heads back toward the house*
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Stan, in diary room: "Tonight felt good. It felt good to get more time with Devin, especially with less competition around. And it felt good to get my history off my chest. She's a good gal. Women like her are rare. I knew already liked her, but tonight makes me want to fight for her even harder now."
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*Milo hugs Devin, but as she pulls away, he reaches up, cradles her face, and plants a kiss on her mouth. she is clearly caught by surprise and doesn't really move to kiss him back. after a moment he pulls away, smiles down at her and then turns and walks back toward the house. she's left standing there, confused.*
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Milo, in diary room: "Yeah, tonight was awesome. I knew I had to get out of my head and be bold if I was going to make an impression on Devin. So, I kissed her," *laughs nervously in recollection* "I've never done anything like that," *stands there a moment, thinking back and then his face falls* "Oh, Watcher. What have I done?"
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Devin, in diary room: "Tonight was...interesting. I mean, I really enjoyed hanging out with Stan and Milo. And I felt Stan opening up to me, but I'm still don't really feel a romantic connection. There hasn't been that jolt like I've felt with some of the other guys. Which I hate because I really like him as a person.
And then there's, Milo. What was going on with him tonight? There was this level of immaturity happening that I didn't see before and it kind of turned me off to be honest. And the way he kissed me....it was just odd. I'm honestly just really confused about the whole thing."
Milo submitted by @belsasim James "Stan" submitted by @natolesims
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canonicallyanxious · 1 year
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some assorted gay chicken show thoughts:
(i put a cut bc this got so stupid long i'm so sorry lol)
i think Earth has a really tough task with this role but imo he is totally nailing the restrained longing of it all and the undercurrent of wistful regret for lost opportunities in everything he says and does. the way he's not necessarily unhappy with his lot in life but doesn't think there's any value in it or what he provides for his community. the way he's resigned himself to loneliness but still can't help but want something more in a part deep inside of him (the shot of him looking at the moon in ep 1... I Am Thinking). i think it's really easy to see how bold and open Wen is with his feelings and be swept up in that bc the way Jim expresses his attraction is a lot more subtle but I think Earth does an amazing job of conveying that longing through the tiny shifts in his microexpressions, the way he looks at Wen when he thinks no one is looking (it KILLS me his expression when he sees how gentle and kind Wen is to his cat), the way he orients himself around Wen without thinking - it seems like he always has to consciously pull himself away in scenes like when he's dropping Wen off at the main street or at the end of ep 2 when Wen almost kisses him and i like the way Earth carries himself in scenes like that, he makes it easy to buy into
i really like the more meandering conversations that establish characterization and relationship dynamics. one example that comes to mind is when Jim and Wen are talking about the DVD. Full disclosure I'm not familiar with the movie referenced but judging from the title and the cover and the way Jim described it as "classic" I'm guessing it's some sort of romance. But then, "i haven't watched it in a long time. The disc is probably damaged." and then, when Wen says he can stream it if he wants, he says "that's okay, i don't want to watch it anymore." i like the way this dialogue hints at his history with love and ideals. "I don't want to watch it anymore", implying that he did at some point in his life want to watch it. The disc is probably damaged, but he can't bring himself to check to be sure. it's better to leave it alone and in the past. but in the past it was something he wanted to watch, an ideal he wanted to believe in; what changed? (who hurt u uncle jim i just want 2 talk)
the contrast between day and night life in this show ugh ugh ugh. the intimacy and vibrancy of the night, but also how lonely it sometimes can be; how harsh and uninviting the reality of daytime can be, but also how chatty and bustling. it's getting late and i'm sure way smarter people have already said much smarter things about it but just know this is a theme that always gets me and it is getting me now so fuckin hard.
and again i'm sure much more intelligent things have already been said about the relationship between Jim and Li Ming but I am fr LOVING it so far, not least of all because it reminds me so viscerally of my own teenage relationship with my parental figures skdjfnskdjfnskdjf but also the conflict between them just feels so well drawn and realistic, the way Jim is just trying to do what's best for Li Ming but doesn't know how to show that, the way Li Ming lashes out when at the end of the day all he really wants is for Uncle Jim to understand his point of view. it's some good shit u know
i do think imagining this whole situation from Li Ming's perspective is incredibly funny. like imagine it's one in the morning and you are in your room just minding your own business when a completely wasted man you've never met before wanders into your room, doesn't say a single word to you, and then when your emotionally distant uncle ushers him out he doesn't say anything to explain either he's just like "k sorry bye" and yeets himself out of there to go have shockingly tender sex with a man whose name neither of you know. and then like a month later you come into work only to find said drunk man is now your COWORKER at your UNCLE'S RESTAURANT. Li Ming doesn't get paid enough to deal with this shit. Uncle Jim wants us to think he has his life together so bad but he's just as messy of a bitch as anyone else on this show bless his heart
i'm really into the progression of the last part of ep 2, the subtle shift of the power dynamic, the way Wen so casually paying off the couple flows into Jim watching him work and understanding that they come from vastly different worlds flows into Jim telling Wen he's not fit to be anyone's home. and yet he still wants this closeness, as much as he tries to deny it; he made the choice to buy the second beer at the convenience store, he made the choice to offer it to Wen, he made the choice to let Wen rest on his shoulder if only for a little while. unstoppable force (Jim's yearning for closeness borne from a very deep loneliness) v immovable object (his abysmally low esteem of himself and his life)
as well i'm a huge hoe for glass metaphors so you know when Jim let himself want closeness with Wen by buying the beer only to come back and see him behind the window (like yes there is jealousy in that scene of the man Wen was talking to but there's also a distinct sense of never actually being able to reach Wen in his world; the reality is he stands behind the glass) a bitch was completely weak for it. it's me i'm bitch
obviously i love everything about the conversation at the end of ep 2 (a bitch is weak for a person as a home!!!) but something that especially interests me about it is what it tells us about Wen's relationship with Alan and the way he feels when he comes back to their apartment. i'm gonna be honest at this point i'm very confused about what's up with that whole clusterfuck lol but the implication that the place he lives in doesn't make him feel any of the things he described that he wanted from a home... home where someone waits for me, home where all my tiredness is gone and i have peace of mind, home that's more than just a place to sleep... how much he yearns for it that he's willing to pursue it with a man he only recently met... it paints a picture of a very lonely person and it does make me feel for him (even if I think it's really bizarre how completely casual he's being about cheating on his presumably long term partner not just with himself but with his friend who clearly knows the both of them skdjfnsdbfskdjfnsdjkfsn)
what i like most about this show so far is how at the core of it everyone just wants someone to see them and understand them. this, the aching loneliness everyone feels but in such different ways, is the driving force behind so much of the conflict and the drama and the interactions between characters. tonally it's exactly my kind of shit, i'm really looking forward to seeing how it builds as the story continues
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chenfordspiral · 3 months
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What are your favourite episodes? One per season!
Oh, I had this coming and now I regret sending you that ask because this was bloody difficult. *sigh*
Let's give this a try (I'm sorry for the rambling that is to follow). Full disclosure, though, if you hadn't limited me to one episode per season, this list would look very different 😂 (and would definitely have broken my brain even more than this already has)
season 1 - Plain Clothes Day Good grief, we're off to a brilliant start (why did I do this?!?!) Honestly, I think I love specific scenes more than an entire episode. If I had to choose, though, I might go with 1x11. Or 1x14? 1x20? You see my problem? I cannot make a decision for the life of me. Ugh. I'm gonna go with 1x14 and live with it. Simply because, well, Tim in plain clothes? Yum. Tim refusing to let Lucy wash out and then even complimenting her?! Yum. Lucy being a badass even after she'd initially doubted herself? Yum, love to see it. And let's not forget Lucy's sass at the very end when she hands him her evaluation of him. God, I love them.
season 2 - Day of Death I think it's obvious that I'm going to go with 2x11 here. I adore everything about this episode. Acting, directing, cinematography, music (or lack thereof), all of it. It's simply spectacular, and even though it's a hard episode to watch, I could rewatch it all day. It's absolutely captivating, especially that whole sequence of them searching for Lucy, Tim finding the ring and digging her out of the fucking ground with his bare hands, to the almost absolute silence as we all wait for Lucy to come back. I mean, hands down one of my all time favorite episodes of the show. It can hardly be topped.
season 3 - Man of Honor Overall favorite episode this season is probably.. mh, 3x10. We get Lucy and Jackson riding together and saving that little girl (and then Jackson gives her that necklace?! Kill me, it's so damn sweet). We get some awesome Tim and Angela bestie content. There's just so much to love about this episode and I haven't rewatched it nearly enough.
season 4 - Life and Death You know, season 4 is hard (duh, all seasons are). I have my issues with it, even though I obviously love the Chenford content we got, but it also came with certain love interests that I'd like to give a firm kick in the butt and send to the moon. But I digress. I'm going to have to say 4x01. Aside from the Chenford hug (still not over it) and how Tim so willingly just invited Lucy to stay with him, it's the team spirit of the episode that I love. And I think we all do.
season 5 - Death Notice / Under Siege Season 5 is bloody difficult, okay? This is legitimately breaking my brain. I go back and forth between 5x12 and 5x22 at the moment, which I both love for different reasons. 5x12 because there's so much Chenford goodness, 5x22 because it's just an overall awesome episode that just screams "team" where everyone comes together. I think those kind of episodes will always be my favorite. But honestly, the answer to "what's your fave s5 ep" would probably change every other day. I mean, we all saw the season, right? I could list all 22 episodes with an exception here or there (hi 5x04, I'm looking at you; also not particularly fond of 5x20 - sorry).
And, look. Here's the thing: even when I like an episode for the Chenford content, there's often something that bugs me about it (*cough* Nolan *cough*), so it can't be my favorite episode overall. Like 4x22, for example. It would make my list for favorite Chenford episodes, but not the one for favorite episodes in general. Which is why making this list was so damn difficult.
Anyway. Why am I still rambling?
Anyone feel free to send more questions! My inbox is always open :)
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marmie-noir · 2 months
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Stubborn
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Full disclosure, I haven't even finished Tulsa King yet but this man with his .5 seconds of screen time did this to me. Life is a cruel, cruel mistress istg.
Enjoy ;)
All in all I liked working at the Bred-2-Buck. The next few weeks went by and I spent a lot of time there, being new to town and needing the money to get a place. Mitch was, as expected, lovely. He was quite a lot but when he spoke it was always interesting. 
I made enough the first night to stay at a motel but had ended up in the spare room at Mitch’s place. Didn’t want me to waste my money, he said, and I appreciated being in a bed that I didn’t have to fear bedbugs from. Or weird shower fungus, motel bathrooms are really a hit or miss. Plus, while his place a little bare of personal items in some areas, his home was nice. Big enough we were tripping over one another, and I was rather fond of his father. The old man loved himself some sports and news, so it wasn’t odd to find him parked on the overstuffed chair, sipping a beer at any time and watching the large tv.  
Today I showed up an hour before my shift, classifieds in hand and a few to go coffees in the other. I passed one one to Mitch’s father, who I now affectionately called Pops, and Mitch before plopping next to the old man and flipping through the for rent section. 
“You know I make coffee, right?” “Folgers.” I said with no lack of distaste, looking up at Mitch before playfully edging his cup towards him. He didn’t look amused but did take the cup anyway, lifting it to his lips without further complaint. It was frustrating how small the cup looked in his hand versus mine. Narrowing my eyes slightly I made myself focus back at the paper before me. He leaned on the bar on the opposite side, glancing down at what I was doing. “Whattcha got there, darlin?” “Looking for a place to rent.” I said, setting my cup down and blindly reaching for my pen, circling a few places that sounded like I could afford them and weren’t in horrible neighborhoods. Not that I was super familiar. “Can’t take up your spare room forever, sure you are tired of me.” I murmured, distracted with my task. I didn’t see the way Pops glanced at Mitch, sending him a stern look. Mitch cleared his throat, snatching the paper from before me, making me huff at him with a confused crease between my brows. He looked over the circled items before looking at me under his brows, looking rather unimpressed. “Darlin’, these are bad neighborhoods.” “Well, if my boss would give me a raise I could afford that mansion I’ve had my eye on.” I sassed, rolling my eyes and reaching to snatch the paper back. He was faster, my fingertips just brushing the thin paper. Mitch rolled it up, shaking his head at me as he bopped me on mine before tucking it into his back pocket. “You are staying until we can get you somewhere safe. No point in putting yourself in a bad situation.” He said, a tone of finality to his voice, making sure that paper was firmly in place so I couldn’t snatch it back. I huffed, resting my arms on the bar as I looked up at him with a frown, really fighting the urge to pout. “Mitch.” “Sunny.” The southern drawl of my name leaving his lips made me finally give into my pout, looking up at him. “You are a good girl.” Pops said, surprising me from my childish reaction. His heavy hand landed on my shoulder, patting for a moment before refocusing on the tv playing some sort of sports rerun above the mirror backing of the bar, sipping on the coffee I brought him. I pressed my lips together, looking at Mitch who dared to look a little smug. I narrowed my eyes at him, sticking out my tongue, which only made him grin and shake his head. “Stuck with ya now, darlin’.” “Till I can find a nice place, cowboy.” “Mhm.” He said, pushing off the bar and disappearing into the back. I was not getting that newspaper back. 
Read more Sunny and Mitch here
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number5theboy · 2 years
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you said in a previous ask that if s2 had built on s1 better than the show would have been better. have you ever posted what you think needed to be different in s2? if not would you be willing to?
Oof. So much. This is not like. a full plan of how I would've done s2 differently, but it's just some character things I would've done differently for the siblings. Don't take this too seriously, it's just me spitballing, and this isn't a full re-write, it should have more structure to be that.
But also, overall ground rules.
no amnesia
no romance
no paradox psychosis
no infinite switchboard
no Handler
Viktor does not cause the apocalypse. Diego does.
Let me elaborate by just going through the siblings and where I would've taken them to build on s1.
Luther & Viktor: Putting these two together because that's what I would've done. Keep them together. Luther was holding him going into the portal, I think it would've been really interesting to have these two end up together in the 60s. Viktor should've been unconscious when they arrived (for like. the first episode) because then Luther would have had to make the choice to either protect him or leave him, and the choice to keep him close, the only familiar person around, someone he just betrayed and who just tried to kill him. Someone who ended the world. It would've been interesting to see them work through everything instead of Luther's character development happening off-screen and his apology to Viktor losing meaning because Viktor did not remember anything, they should've worked things out together. Luther gets the time to reflect on his actions and Viktor wakes up to Luther, despite everything, caring for him. This should at some point evolve into a 'Viktor develops his powers'-montage where they use Luther's near-invincibility, he can be tossed around without hurting that much.
Klaus & Ben: Lose the cult, keep the Dave. I haven't thought that one through much, I just hated the cult storyline that went nowhere, but I did really like him trying to save Dave, it was a good storyline. I also think he should've developed his powers more there, because Klaus was sober through his stay in the 60s, so ghosts would have bothered him more, and he should've worked to keep them under control. I keep oscillating between 'this is how Reginald factors into the story, Klaus goes to him for help' and 'no way Klaus and Ben would go to Reginald, Ben becomes an impromptu teacher and that's how their relationship deteriorates'. This one needs workshopping, but I feel like trying to save Dave from dying + becoming more familiar with death as two cornerstones of Klaus' arc would be super fun to explore. Also he doesn't keep Ben away from everyone else, I reckon, but I would have to actually figure out how the season would go to figure out how and why. Something about Klaus getting better at controlling his powers and thus summoning Ben, him having the possibility to interact with the world for the first time in decades and wanting his independence but not being able to get it because he's been dead this entire time, he can never be away from Klaus...it'd be interesting.
Allison: Full disclosure, I really do love Ray, but I said no romances, so. I think it was a missed opportunity to not double down on Allison and sisterhood after s1 and have her form a meaningful relationship with Odessa and the other black women at the salon she worked at. Have her throw herself into community organising and resistance and build other women up after a lifetime of using her powers for selfish reasons. Have it hurt her too, because it makes her think about her daughter and how she will never be able to watch her grow into a strong woman, but at least she can try to build a better world for all of them, but especially for her. And there's the thing with the civil rights plotline either way, I just don't think that TUA as a show does not have the depth or the intelligence to do justice to this real movement, it will always kind of feel like a prop, so I don't think there truly is a way to do it justice, or if there is, someone please tell me. I do think they should've let her be angry at Viktor in s2 already, none of that forgive and forget crap, she was seriously injured, almost lost her life and then was thrust into an environment hostile to her mere existence as a black person, she should've been at least resentful by that point. I would've loved to see a confrontation between her and Viktor, she should've been allowed to express her hurt and it should've taken time for them to be buddy-buddy again. So at some point her storyline should flow into that of Luther and Viktor, but yeah. It'd need some more fleshing out but this is the general idea of where she'd start.
Diego: Alrighty. Instead of playing off Diego's hero complex and obsession with saving JFK as a joke, I think the show should've played it straight. Let him cut off Lee Harvey Oswald's trigger finger. Let him use his ability to deflect bullets to foil and attempts of assassination on the president and save the life of John Fitzgerald Kennedy. But not enough that they don't notice that there has been an attempt on the president's life. The FBI find a way to blame the Russians for this. Boom. Nuclear Armageddon. There's the apocalypse for the season. I wish s2 would have explored Diego's deep-seated need to prove himself, to leave his mark on history as someone who rights wrongs, who saves lives, more seriously, because him being a vigilante, rejecting his father but still trying to be a hero like he raised them to, was so integral to who he was in s1 and I wish they'd explored this in more depth. Also the story beat of trying to do something right that then has massive bad consequences would be on par for this show, I think it would have been really cool to explore. Especially since one of the main plot threads in that season would have been to stop Diego from fulfilling the destiny he set out for himself, make him defy that hero complex, which leads me to
Five: By god, they should have let him orchestrate the JFK assassination like he deserved to. Instead of pointlessly chasing after the apocalypse for a second time in a row and getting world's lamest made-up disease for no reason, they should've made it that he tries to figure out what causes the apocalypse this time around, only to be interrupted by AJ, who wants to recruit him. The thing is that someone keeps foiling the assassination of JFK and no matter how many snipers they sent there to take care of it, nothing helps (as we find out later, the certain someone responsible has bullet-redirecting abilities). And since there is no infinite switchboard in this, someone has to solve this the old way and figure out a foolproof way to kill the president. And so the Commission comes crawling back to Five, who realises that the assassination must happen to avert the apocalypse. So instead of making a deal to kill the Commission board in exchange for going back to 2019, he promises the orchestration of the JFK assassination - we get him trying to plan to foil what he doesn't know is his own brother, but once he does know, that throws another spanner into the works, because he doesn't want to kill Diego. We could have had some really good character exploration similar to the comics where he despises that the Commission has roped him back in, that he keeps having to do things he despises to have a chance at a normal life, and it would've made for some excellent interpersonal drama between him and Diego. I don't even know how this would resolve except for the fact that, you know, JFK bites it. Maybe Five ropes in his other siblings, or his old self. Maybe Reginald's real reason for unadopting them is that he wanted Kennedy alive, and they're the ones who killed him. I just think this would've been a much more interesting exploration of both Diego and Five.
And this is all just spitballing. This is not really a coherent re-write or adjustment. It doesn't take into account that there definitely should be other characters in this. I really did love Elliott, and Lila is a great addition to the cast and should be crow-barred into this somehow. How do all of these storylines converge? How much, if even, should Reginald factor into this? But those are the first ideas that I have to make s2 more coherent with the themes of s1.
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fantastic-nonsense · 1 year
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As an expert on Six of Crows, do you recommend reading Shadow and Bone first? Six of Crows sounds really good but I don't think I'll enjoy Shadow of Bones but idk if I'll miss a lot if I just jump right into the sequel series
All I can tell you is that I read the Six of Crows duology last summer with only the bare minimum knowledge of the Shadow and Bone trilogy that I was given while watching the first season of the show and I didn't feel like I missed a thing. Actually my full disclosure is that I still haven't read the SaB trilogy nearly a year later: I've skimmed bits and pieces of both Siege and Storm and Ruin and Rising, but otherwise most of what I know about the trilogy comes from the show and fic.
There's very little connection between the two series besides them taking place in the same universe: there are some vague references to the events of the SaB trilogy you might not get and a couple of characters who cameo near the end of the duology that you might go "Why do I feel like these guys are supposed to be important?", but the duology absolutely stands on its own as a series. Everything you need to know is explained in those books. So go forth, read the SoC duology, and enjoy!
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quordleona03 · 4 days
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I have never had to make a seder for Passover, and I haven't attended more than two seders in my life: I am by upbringing and heritage a Gentile.
I have, however, with assistance, made a Reform seder for Passover in New York City, in Sidney Freedman's West Side home, those present a nice assortment of nuts and fruits.
And I was not able to use the orange on the seder plate, because this seder for Passover takes place on 8th April 1963, which is thirty years too early for Susannah Heschel's inspired addition. Sidney Freedman in my story is sixty years old in 1963: it's just possible he lived long enough to add an orange to his seder plate on Passover - because, after he came back from Korea, he and his lover decided this was the night they would welcome the stranger and feed the famished within their gates.
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Sidney Freedman, 1963
In research for this one chapter, I read a lot of haggadot, and looked in particular for a Reform Haggadah that was old enough to have been the one Sidney and his lover would have had multiple copies of in the 1960s. (I went with the 1923 Union Haggadah - the revised edition is still available.)
I looked up endless Sephardic recipes for Passover. Most of them don't actually show up in the story, except for dafina.
And not exactly for research, but for the story: I watched a whole lot of Passover episodes. I listened to Six13 on Youtube. I read Herman Wouk's novel Marjorie Morningstar, which I cannot honestly recommend, and Georgia Hunter's novel We Were the Lucky Ones, which was great. (Full disclosure: I could not actually finish Wouk's novel. I'd got it out of the library for the seder chapter, and I skim-read the rest of it.) I was trying to think my way into how to write the seder chapter I'd planned for All We Know when I had realised with the thoughtless cheerfulness of the pre-first-draft writer that the date of Passover in 1963 fitted very neatly into the timeline of my story, and fitted too my thoughts about Hawkeye Pierce being Jewish and non-practicing.
I know this is going to sound weird, but the moment when things clicked with me and I thought "I can write this" was when I was attending my local Transgender Memorial Day reading of the names, as a hench of the Order of Perpetual Indulgence. As a cis lesbian, I didn't have anything to contribute, except to stand there in my henching robes and bear witness, and what I thought was (forgive me if this sound awfully Gentile): There are some things that are important to do, and we do them every year, because we need to remember, to publicly bear witness, to tell the story. To outsiders this may look silly, but we are not doing it for them but for us: we share our stories, we remember our history, we ensure our past is not forgotten. When I - as I thought then - finished writing Sins and Virtues in 2006, "Jewish Hawkeye Pierce" wasn't a fannish concept. (Alan Alda talking about how Passover is his favourite holiday is probably the origin.) But as I was thinking through the story I meant to write, of the year July 1962 to July 1963, the more I felt "Hawkeye is Jewish" would work for the story. What had not occurred to me as I finished writing the short chapters of February and the long, long chapters of March, and began - last November - to think about Hawkeye and Mulcahy going to the seder for Passover that Sidney Freedman is making - a sober seder for his friends - was how gormlessly little I knew.
So I did what you have to: I wrote the shitty first draft. And then I rewrote it. And then I asked a friend if she would sanity-check it for me, and she said no, because British seders are different from East Coast Reform seders, and she referred me on to another friend, who very generously read the chapter and sent me multiple line-edits and suggestions and saved me from at least three major howlers and I am endlessly grateful to him. (Thank you, Rich.)
(My demonic proofreader also gave it her usual seeing-to, which was as consistently helpful as ever. )
So there it is: Hawkeye Pierce's Pesach, 1963, the latest chapter of All We Know.
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thirddoctor · 1 year
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I saw your recent reblog about Sherlock, and your tags, and as someone who always loves seeing what you have to say about things, I am curious as to your actual thoughts on Hbomberguy's video - like do you not like the video itself or do you just not like the resulting discourse (and what WAS the resulting discourse, anyway?)
Full disclosure, I haven't seen the whole video, just the bits that address Doctor Who, so I was mainly talking about it from that perspective, because I felt his take on Twelve's era was just... not very good. I have no idea whether the Sherlock parts are an accurate or unfair critique of the show - probably a mix. But the way people frequently take popular video essays like that one and old half-remembered fan perceptions as gospel truth rather than forming their own opinions always irks me. I'm not even immune to it myself - I'm sure there are pieces of media I have a very inaccurate view of because of the misconceptions and bad takes I've absorbed from other people - but I think it's always a good idea to keep an open mind. One of my issues with that video is people just kinda post it as a gotcha proving Sherlock/Moffat suck without actually engaging with the material themselves in a meaningful way. They're just regurgitating someone else's opinion about a show they probably haven't watched since they were 15 or maybe never even watched at all. Again, I see this more in DW spaces because I'm not in the Sherlock fandom, but it can be very frustrating, especially if they dismiss more nuanced views simply because The Internet Already Decided It Was Bad.
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juniperhillpatient · 1 year
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Zuko Alone Re-Watch
This is one of my favorite episodes in the entire series & I DO have a lot of thoughts on it but I also feel like it is one of the most heavily discussed episodes in the series. So, I'm struggling with having anything NEW to say about it, ya know? Also, full disclosure, this is yet another re-watch post made after a few glasses of wine. I'm blaming Thanksgiving leftovers. (ETA: after typing most of this last night I’ve come back to finish the post now on my phone sober & bored at work)
Anyway, ZUZU IS ON HIS OWN! When 'Midnights' dropped I kept saying "You're on Your Own Kid" was a Zuko™ song but I somehow just now realized that he even has a whole episode about it. Agni, I can't believe Miss Swift is such an Avatar fan. She seriously has more songs about the characters by the day!
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Zuko, hon, seeing flashbacks of your mom as you almost pass out from hunger & heat is sooo normal, baby boy you're doing *great* king. ♫ I know that you got mommy issuessss.🎶
Zuko dealing with those earth kingdom national guard jerks was a whole ass mood. Look, you've either worked with the public or you haven't. If you have, you understand why Zuko's repetitive, deadpan "no" responses to these jerks were so funny. Also deadpan humor Zuko you’re so special to me <3
FLASHBACK TIME!!! Azula threw rocks (or at the very least bread or something) at the turtle ducks & that's mean but not that surprising from a little kid in her environment. Azula & Ty Lee's prank on Mai & Zuko was pretty mean but also exactly what middle schoolers with fire powers would do. Azula, Ty Lee, Mai & Zuko were clearly childhood friends even if there was a lot of toxicity in the dynamic between the four of them. And honestly, I just can't get over how well-written this show is & how well it develops & explores both its protagonists AND its antagonists.
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I think that this episode is really interesting in the way that it explores the imperialist culture within the Fire Family. Literally, this show is just SO fucking good, I'll start eating drywall if I get too excited or think too hard about it. Because it's spent so much time - & will spend so much more time - exploring the impact of the war & how horrific it is for all the nations being colonized & attacked. And it ALSO spends time exploring the royal family & the individuals involved & WHY they are the way they are. When Ursa, Zuko, & Azula get news from Iroh joking about "burning Ba Sing Se to the ground'" they LAUGH! This is the goal that is supported & made as propaganda for the Fire Nation, especially the royal family. It's fascinating & horrifying all at once.
The flashbacks are (in my opinion) where the real meat of the episode is, but the present day is interesting too. Zuko learns some important lessons from the family that takes him in & I think the most important takeaway is that the earth kingdom has some kind people who are being hurt by the war & the Fire Nation. It was important for him to feel that hate in the end when Lee wouldn’t even accept his gift of the knife.
I also think that this is (despite literally being an episode about Zuko I’m sorry guys I’ve never denied that I have an Azula centric view lmao) a really good Azula episode. We learn a lot about what Azula’s childhood was like & the dynamic where Ursa treats Azula with disdain & dislike giving Ozai the perfect opportunity to mold Azula into the perfect little weaponized prodigy he wants.
A dissertation could easily be written about this episode but it’s already been talked about SO much so I’ll cut this review mostly short & leave y’all with my biggest takeaway which is that Zuko & Azula actually showed signs of friendship & camaraderie (playing together & laughing right before learning Lu Ten had died, Azula taking Zuko’s hand & dragging him off to spy) even if they were also forced to see each other as rivals because of Ozai & Ursa’s favoritism. It’s so important to understand this to appreciate the show & the character dynamics at play, because Zuko & Azula are so much more than just rivals who hate each other, a hero & a villain. It’s much more complicated & interesting than that.
Also worth noting that the flashback with Zuko & Azula playing together & then learning Lu Ten has died comes right before Lee learns that his brother has died. That’s just good writing.
Iconic Behavior points: Zuko gets 100 for his actions in the present trying to protect Lee & his family. Ursa really should get some for killing Azulon but I’m still so fucking mad at her for how she acts toward Azula… ugh, fine I have to be fair, 10 points. Azula & Ty Lee each get 100 points for the prank on Mai & Zuko. Azula gets 500 points for saving Zuko’s life as a child & having her creepy villain kid sing song moment. I’m on my phone so I’m not adding up the points for the season so far .
Anyway that was an iconic episode & I could say more about it but pretty much every scene is worth it’s own essay (except the stupid doll burning scene, more than enough has been said on that lol) so that’s all I have for now!
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burr-ell · 1 year
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Honestly, imodna would be a good ship if the shippers/stans weren’t so damn insufferable. I also hate how they act like they are already canon and you can’t ship Imogen or Laudna with anyone else in the group. People got so mad when the conversation in the dust storm happened with Ashton and Laudna because people thought they were flirting. Or when on the first episode of 4 sided dive Marisha asked Robbie if Dorian’s crush was on Imogen, people got so mad at that! I also hate that they call them lesbians when THEY HAVE BOTH EXPRESSED HAVING FEELINGS FOR BOYS! Why can’t they be bi? Or Pan? I also hate how people read into Laura’s micro expressions/ movements, like last episode with the whole leaning shit “oh what was that lean Laura?!! Imogen wanted to kiss Laudna because look at Laura’s lean!” I dread the day that Imogen or Laudna fall in love with someone that’s not each other(especially if that person is a man.) because Marisha and Laura will harassed and hated because they didn’t give the people what they wanted.
oof. that's some frustration you really needed to vent, nonnie, and honestly i get it. full disclosure—my mutuals who are into imo/dna are all lovely, and none of them engage in this behavior. if imo/dna becomes canon, i'll be happy for (and potentially even happy with) fans like that. but enough shippers are doing things like this that it's becoming more and more of a source of frustration and friction as the campaign goes on.
i think a lot of fandom—in general, not just cr—still doesn't want to acknowledge that at the end of the day, they are looking at things like shippers, with a particular kind of confirmation bias. it doesn't make them necessarily wrong or right, but as easy as it can be to get swept up in it, i think it's important to take a step back every once in awhile and re-evaluate.
now admittedly, generally speaking, it takes a lot for me to get really invested in a ship; i usually only have one or two per fandom, even fandoms with tons of characters. i'm generally pretty passive about most ships if it's not the otp; like, vax/leth and pike/lan, for example, didn't need to be romantic endgame for me to enjoy CR1 (and honestly might have been more interesting to me if they hadn't), but perc/ahlia absolutely made the show for me and i honestly think them being together actively strengthens the narrative as a whole.
i say all that to say that for the most part, i very much consider myself to be along for the ride with respect to most relationships in most fandoms. if such-and-such pairing happens, great; if they don't, okay. and with CR in particular, it's such a long-form medium that i know going in that any romance is going to take a while, and most of them probably won't just reach out and grab me.
and as such, it absolutely baffles me to have seen shippers insisting, from the moment the characters first appeared in episode 1, that not only are imogen and laudna canon endgame, they're basically already together and just haven't admitted it yet. i feel this way about dor/ym and callow/moore as well—i saw a post making the rounds that claimed that all three of those ships are "not canon YET but let's be real" and like...why would you set yourself up for disappointment like that? because yeah! all three of those ships could be endgame! but they could also not be endgame. we're less than 40 episodes into a campaign that'll probably run well into the 100s.
i also fully agree with you re: the microexpressions and the cherrypicking, and i feel like a microcosm of this issue can be found in a conversation imogen has with orym early on—shippers latched onto the fact that imogen compares laudna's thoughts to music, something that finally brought her peace after the chaos of the world around her, and completely ignored the part immediately after where imogen says that the rest of the party also feels like that to her. i didn't even know that imogen said that about the whole party until i watched the episode, and to me it's an example of how shippers tend to warp canon interactions to suit a particular narrative in such a way that they become almost entirely divorced from their context.
and from the outside looking in, what confuses me about this sort of thing is like...didn't y'all already go through this? because if my understanding is correct, c2 ship discourse was full to the brim with beau/jes and wido/jest fans dissecting "laura's microexpressions" to prove that jester was for sure in love with our fave, really you guys we swear...and then not only was that not true, but jester also didn't even know about beau or caleb's feelings to acknowledge them at all, and from the actual words that came out of laura's mouth in various OOC moments like on TM, laura just...really really wanted to romance her husband's character in her dnd game and like, that's it. there was never going to be another romantic option for jester as long as fjord was on the table, and that was something that shippers always should have been taking into account.
laudna and imogen are canonically deeply important to each other. they love and appreciate each other very much. that love and appreciation could turn into a lovely romance with a great dynamic, and i certainly don't blame people for being invested in it. but it also could not be romantic endgame, and they remain friends or even get with other people. and as you said, fandom can and will turn nasty about their ships being sunk; we've already seen it happen. there's a certain smug, entitled undercurrent from that particular corner that i have very little patience with, and while i think there's something to be said for deciding to enjoy things in spite of the fandom and just be a cranky old curmudgeon shooing the wank out with a broom, i also understand the response of just "...aight, imma head out".
#the 'laura's microexpressions' thing is also why i really don't care for glasses!imogen#it's obviously not a bad thing in a vacuum but there's a tendency toward overriding specifically laura's choices and saying 'i know better'#such that even something as innocuous as glasses can be representative of a larger more frustrating problem#honestly i wonder if laura will even DO a romance this time around after two campaigns of her characters being reduced to:#a) the men in her life and then b) who she'll end up with#bc imogen has some strong vibes of like. arent u tired of being nice? don't u just wanna lose it?#like imogen reminds me very strongly of vex but specifically of the ways in which vex couldn't be unpleasant or unappealing#(mostly because vex puts up fronts to mask her flaws specifically from the party)#(while imogen is more trying to hide her actual powers and what they can do)#and i think some of that naturally comes from being a woman in geek culture on the internet as well as a woman in voice acting#but i feel like it might also come from her characters being constantly put under a microscope#and constantly told what they should and shouldn't do#and the second they make choices that make another better-liked character upset they're terrible people#like she's obviously a grown adult 40 year old woman but the constant scrutiny of your dnd choices has gotta wear on you a little bit#and yeah i didn't touch on this in the ask but. it has been 0 days since fandom did a bi-erasure#(the thing about having only 1 or 2 ships per fandom reminded me that out of all the dc comics ships i literally only care about dickkory)#(clois also has rights on account of dc can snort my taint and let two adults be happily married)#(i've had convos with friends who ship bbrae who are like 'but why would dickkory shippers dislike bbrae? they dont threaten you')#(idk man some of em just don't dig the vibe!)#cr discourse#cr wank#critical role#asks
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mtridactyla · 8 months
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image description: an ask from @netisinfin8ty reading "hey, I know you haven't talked about Spider-Man much, but how do you feel about Across the Spider-Verse coming out soon?" end description.
this took me literal months and for that i am so sorry but i wanted to wait until i'd seen it to give thoughts beyond "looks pretty and miguel is there" so!!! we're doing it now
also before i get into it: in the interest of full disclosure, spiderman 2099 is the only spiderman comics i actually read. my brother hates him so i started reading his comics out of spite at like 14 and then never looked back. so i can't really talk about the changes made to other characters beyond visual choices, because i simply do not know enough!
overall, my feelings are overwhelmingly positive! it's a gorgeous movie, the character design changes are all absolutely wonderful. my two main qualms with the movie are regarding miguel's characterization, and the extended sequences of flashing lights.
extended sequences of flashing lights for obvious reasons. i have photosensitive migraines and although i have mostly managed to keep from triggering one (watching in a brightly lit room with low brightness and a saturation filter on my screen) but like. it's not ideal. and i feel like the movie could still be gorgeous without being dangerously inaccessible.
as for miguel. i have been making stream of consciousness posts about this for the last day but im going to try to get this like. readable. and also all in one place.
justin thompson hates miguel and it shows. i was not expecting a 1:1 adaptation, that's just not realistic, but the way he turned out... is not good. making him both darker skinned and angrier and more violent is just racist. miguel is a victim of abuse and i just cannot believe that he would send gwen back to her dad without a second thought. that + the insistence that miguel isn't a "real" spiderman, with the injection of spider... Something, and the technological webs instead of bio ones is just a lesson in character assassination.
if i don't stop now i will literally never shut up, so i'm stopping now. like i said! mostly good. i've watched it three times i will definitely watch it again. but i'm not happy with the way miguel was treated.
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bronanlynch · 7 months
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extremely funny to me that most of this is like. yeah I'm still into the same stuff as I was last week. except I watched an entire anime don't worry about it
listening (podcasts): my usual slate of podcasts this week. still enjoying the Great Gundam Project episodes on Wing, love to hear them talk about the ways in which the ending becomes thematically incoherent because I too was uhhhh not sure how to feel about the ending of Wing
the AMCA bonus episode on their Starcruiser experience was also excellent. I'm glad they're glad they went but I think it sounds kind of miserable and like I would have hated it if hypothetically I had gone to D*sney while it was open
as usual shout out to Palisade. I'm so excited for the new Kesh princess and also I love every time we see my beloved double agent poster child Elle Evensong
also, there was a new Media Club Plus this week, and I love to hear Keith (generally disinterested in fictional romance) discover that Kurapika & Leorio are in love
listening (music): still on my Three Days Grace kick. shout out to Animal I Have Become. AMV song of all time. no AMVs to rec here because once again the lack of a Fire Emblem 3 Houses anime means there's no Dimitri AMV to that song
reading: my only reading this week was my two before-bed books, Rule of Wolves and Water Outlaws. Rule of Wolves continues to be fine I guess. today I want to complain about how this is yet another example of a fantasy world that draws from real history & has societal/governmental systems based on patrilineal inheritance and the importance of passing on your position & wealth to your biological offspring that acts like homophobia magically does not exist. there's inexplicably one (1) married lesbian couple. like. as if the author forgot to incorporate queer people into the worldbuilding and then just slapped some lesbian side characters in there without thinking about what it would be like for them in that world. got some Skyrim "you the player character can get gay married but literally no one else can" energy going on
Water Outlaws, on the other hand, continues to fucking rule. there's a politician who fucking sucks, and a lady scientist being coerced into doing unethical science-magic, and also so many women who do crime & fight with so many different cool weapons
watching: forgot to talk about the Ahsoka show last week. this is because it continues to not be a very well-made television show. at time of writing, I haven't seen the finale yet
rewatched a couple more episodes of Hunter x Hunter to keep up with Media Club Plus. really solidifying my Kurapika bias this time around <3
and now for the main thing I watched this week, the entirety of Mobile Suit Gundam 0079 (for full disclosure I had previously watched the first 11ish episodes last summer before getting distracted by LoGH, and then restarted it last week to watch from the beginning with my roommate). truly it is a fucking delight to watch something that's had so much influence on so many other stories that I'm into and find out that it's also really enjoyable on its own merits as well as being extremely cool to find out where so many genre staples come from. I love the weird synth beeps in the soundtrack, I love when the animation gets super stylized and you can see the pencil shading, I love the gorgeous painted backgrounds. I was already starting to become a Cares About Mobile Suit Designs guy after GWitch/getting into gunpla but now I fully am that kind of guy because there are some incredibly fun designs in there (shout out to the Mad Angler, the coolest fucked up whale submarine I've seen in my life). I love the White Base crew and I love all the bits about how they're being exploited by the military even though they're traumatized teenagers being forced into perpetuating the horrors of war. I love when characters in Gundam just straight-up say the themes of Gundam.
ok now that I'm done gushing. I do have mixed feelings about the last ten or so episodes. (I know the pacing gets a bit wonky because the show got cancelled, that's not what I'm talking about) the thing is, is that I really want to like the Newtype stuff. I think it fucking rules that Amuro is neurodivergent in a way that's seen as useful/profitable and therefore the military is exploiting him even harder (it sucks for Amuro obviously but like, it rules for me, the guy who likes to explore that sort of theme). however. I don't think it's necessarily a great look to have some people start to develop special abilities that make them far more powerful than ordinary humans & refer to them as more advanced/the next step for humanity in the same story where the antagonists are fascists who repeatedly invoke Nietzschean ubermensch rhetoric like. it's kind of the flipside of how oppression allegories are so often deeply flawed because they give the prejudice a basis in the objective truths of the world (legitimizing the justification for the oppression by making the oppressed group dangerous in some way, i.e. the fire powers in Promare). here it's kind of a reverse of that, in that the Newtypes are framed as superhuman rather than subhuman, but that lines up with the fascist rhetoric and makes it based in the factual reality of the worldbuilding in a way that I personally am not super comfortable with. anyway.
like I am gonna watch more UC so I'm curious to see where any of this goes and I'm sure my analysis will develop as I see more but. my initial reaction is. hmm don't love that
playing: continuing to play Ace Attorney 5. 5-4 is still fun so far! however I am a little disappointed that I only got to play as Apollo for such a short time. that's my boy and I miss him already :(
making: no pictures this week but we made chicken florentine from this recipe (with added mushrooms). sorry for being basic but butter/garlic/herbs/white wine is a good flavor combo that makes your kitchen smell very good
drinking: for once something slightly less blatantly seasonal, Pumphouse's Crafty Radler (blood orange & peach flavor). which fucks. often I find peach-flavored drinks don't have enough peach because peach is kind of a more delicate flavor. this nailed it, the peach and the blood orange both come through really nicely
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in non-alcoholic drinks, shout out to mulled cider and also mulling spices in general. godtier spice combination
writing: most of my writing was for a zine fic so I can't talk about it yet. also I've been editing t4t yurivain but uhhhh less than I meant to because I can't edit and watch anime at the same time
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blue-slxt · 7 months
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I'm on the last season of riverdale Blue! This is gonna be awkward if you haven't seen it, but seeming you fill us in about yourself, I feel it's only fair that I tell you about what I be binging or whatever.
I remember when it first came out and I was in middle school, and all the girls would rave on about it, including my friends. I didn't have any interest whatsoever for it back then, but I was a bit slower then other teens, never looking to grow up too fast or finding interest in these teen drama series 😂 But I'm older now and I actually like the series, it's not bad.
No one asked! But. My favourite is definitely Jughead honestly. Archie andrews might be good looking sure, but there's a lot about his characters mentality that just turns me off 😂 Throughout the seasons I get hot and cold with Veronica honestly. And I fucking love Betty. Everytime! She calls someone "Bitch" I gotta laugh. I don't know what series I'll be moving onto next.
I always be rewatching the same movies or shows and I think most ppl can relate.
So if you have any series or movies you can recommend. I like all kinds of movies/series. From biographies to rom-coms to animated and cartoons, fantasy.
Aw love thanks for sharing! Truthfully, I’ve never fully sat down and watched Riverdale but I’ve seen bits and pieces of it here and there. Truthfully, if I were to watch it, it would probably only be for Jughead because Cole Sprouse is 😍😍😍
As far as recommending more shows/movies I’m so honored that you would ask me🥹
Death Note is an anime that I will probably recommend to people until the day I die. It was my first real anime and I have to tattooed on me for a reason. The story is so unique and interesting and dark and amazing. It’s nearly perfect in my opinion. Definitely worth checking out.
Fullmetal Alchemist Brotherhood is another amazing anime. It’s actually my favorite. It’s one of the most well-written shows I’ve ever seen.
Someone Great is a Netflix movie that I really adore. Full disclosure, the dialogue can be a bit cringey at times, but the heart that the movie has is incredible. And it made me sob like a baby the first time I watched it so maybe have tissues nearby lol
Pretty much anything by Mike Flanagan. But specifically, his Netflix series. The Haunting of Hill House, The Haunting of Bly Manor, and Midnight Mass are all favorites of mine. They’re all dark, but the themes and characters are so well done I’m obsessed.
Arcane is a great show I just recently got into. (Shoutout to @teyamsatan for putting me on because oh my god 😍) the animation is phenomenal and there’s so many well-written characters and it’s legitimately unlike anything I’ve ever seen before. I love it.
Black Mirror is great if you’re looking to get mind fucked lol. My only advice though is to skip the very first episode. (Just trust me on this). You can go back and watch it later if you want, but do yourself a favor and don’t start there. It’s an anthology series so you won’t miss anything. But it’s all dark, dystopian, technology, craziness.
If you like documentaries/true crime stuff, Making a Murderer on Netflix is absolutely bonkers and you should definitely give it a look. The case is wild from beginning to end and it had me legitimately yelling at my tv the first time I watched it.
Let me know if there’s more recommendations you want! 😘
And if you check any of these out, let me know what you think of them!
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nuclearforest · 1 year
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May I request our boy Pip on the list ask?
I love my boy Pip. He deserved better. Anyway, ty for dropping the ask, Rotten!! Time to think about things I haven't really bothered to in a while lol.
1: sexuality headcanon
Summed up by the phrase "I'm not gay, but 20 bucks is 20 bucks." And I don't mean that in the offensive sense. Pip is largely straight, but has definitely questioned himself and engaged in some intimate acts with men. Just to give it a shot while he was young and staring death in the face.
Maybe the best term is straight but homoflexible. Like he is attracted to women, but under the right set of circumstances he wouldn't turn a man down even if he wouldn't usually pursue it. And all things considered, for as rare as it is, Pip is pretty comfortable with it.
If anything, one of the things keeping him from being any more interested in men is all the time he spends with the rest of the Geese. Camp is a bit too rough and fighting with and losing men like your brothers creates quite a bit of emotional scar tissue.
2: otp
SerPip. They deserved so many good things and I start sobbing every time I have to watch Pip's death. At least they have each other for company forever, though. 'Til death do they part is no match for a determined little vampire, apparently!
3: brotp
Canon-wise I dunno if we really saw Pip's interactions with the rest of the Hellsing cast to really say he'd be bros with anybody (even between Iscariot and Mill!) But I think he'd probably be pretty cool bros with Integra. Similar ages and leaderly roles in their respective groups. It's easy to see them kicking back to have a cigar together and chat at least once. Teggy desperately needs more friends and socialization outside of work, too, and so in that respect Pip would be healthy for her.
But that said non-canon wise it's gotta be Pip and Barrett. Like, they're at the right age to wingman for each other and they have absolutely iconic chemistry as friends. We need to see more of them. Pretty pls. (I mean I could theoretically also write some but I am far more inclined to write uncle Pip to Barrett's kids because That is also rich with possibility...)
4: notp
Honestly I don't give a shit who ships what or how relationships between other characters are explored. And like, I think there are plenty of chances to explore Pip as a comrade and friend to many folks of the cast. But if we're talking about romantic shipping, I don't think I could ever see Pip with Alucard or Walter. And TBF I haven't seen it, but it also seems like a crack thing with relatively little canon support (until somebody kicks down my door and informs me otherwise).
5: first headcanon that pops into my head
Dude is surprisingly good at holding a home together. Like he keeps the place clean enough, knows how to cook basic things, and probably bothers to at least half-ass making his bed every morning. There's something about the civility to be savored at home before going back out to work, you know? He lives like a dog the rest of the time so he may as well live like a man while it suits him.
6: favorite line from this character
Full disclosure I do not really bond closely with lines or specific phrases. So it's hard to remember and I had to go back and listen to a bunch of stuff lmao.
But pip's little monolog to to Seras before Zorin shows up where he's talking about London and how nice and normal people were just kinda gets me. It's not quite the same as a love letter to the mundane life, but he's one of the few folks in hellsing really showing off some humanity there. So I really like that one, as often as I forget about it lol.
7: one way in which I relate to this character
Honestly Pip seems like the kinda guy to roll with the punches and that's how I like to think I am too. Like, he's adaptable: learns the supernatural is real (ok), decides he wants a vampire gf (brave man), and still manages to stand for his core beliefs at the end of the day. I like to think I'm the same in that sense, where I can adapt until I have something worth standing up for.
8: thing that gives me second hand embarrassment about this character
I dont think anything canon pip would do could ever give me second hand embarrassment. But also consider he can't really rub one out in privacy after being made into a familiar. And he's stuck in his uniform unless he needs to change. Seras can't just imagine him in other clothes, right????
Moreover why do any vampire ghouls keep their clothes???? Why are they not naked???? Is Alucard just one giant closet?????
9: cinnamon roll or problematic fave?
CINNAMON ROLL (and I will fight for this)
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