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#fun fact: it didn't
starrystevie · 4 months
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eddie isn't sure when steve becomes a synonym for safe. isn't sure how someone he actively avoided in crowded hallways morphs into a pair of eyes he seeks out when things are too much. isn't sure what it is about steve harrington that has him gravitating towards a once was king. it just suddenly is.
steve's a steady hand on his shoulder, a gentle nudge with the toe of his shoe to get him up and moving. he's a barely there smile reassuring him that things are okay, will be okay, could be okay if they keep trying to get to whatever okay could be.
steve's there for all of them, he always has been. he's the one that every single one of their ragtag bunch runs to in their own ways because steve's strong in his own way and can take away bits of their pain and fear and hide it behind his armor so it can't hurt them anymore.
but he's different for eddie. he's more quiet, more sturdy. what would be smiles for el and a crass joke for dustin and a carefully crafted hug for robin is soft silence for eddie. maybe it's because he's the tiniest bit younger than eddie, maybe it's because he's newer, maybe it's because he put eddie back together with strong hands and an even stronger will and saw the quivering underbelly that he hides away from everyone with wide grins and overwhelming flair.
everyone except steve, apparently.
whatever it is, eddie searches for it with every chance he can. he slides closer to steve when crowds get too loud looking between their feet to make sure he isn't too close but can still feel the heat radiating off of his bare arms. he looks up to see steve's eyes on him when eddie's gone quiet, throwing him a small smile and hoping it catches. he holds onto steve's quiet acceptance of a shitty mixtape in the car when eddie needs loud, needs angry, because he feels loud, feels angry.
but then it changes.
whatever they used to be isn't a factor anymore. whatever they used to be starts to bleed into steve's fingertips against bare skin, feeling his heartbeat through paper thin veins like he's trying to remind himself that eddie made it. that he himself made sure that eddie made it.
eddie does know when that change happens, though. knows when they go from never touching to always touching. knows when it changes from the steve and eddie that are two separate thoughts to the steveandeddie that can only ever be said within the same breath.
it's just that he was so tired and steve was sitting on his ratty little twin bed in his ratty big city apartment and steve was safe. steve meant safe. steve was the hands that held him together in a nightmare world and the air in his lungs when he couldn't breathe on his own.
so it all seemed to make sense for him to crawl onto the bed, rucking up the well worn quilt that he stole from wayne under his bony knees, and settle his head onto the legs that carried him out of the upside down into a world where steve was a security blanket in and of himself.
and as eddie stared up at the ceiling with his curls draped over steve's lap, he felt when it all clicked. felt the thighs he was laying on tense and then fall, felt the hand holding crumpled magazine pages come to rest gently on his chest, palm covering his racing heart. but most of all he felt when steve looked at him, gaze landing on his face and covering him like a balm over a burn.
he looked back, because eddie always looks when steve needs him, and quickly realized he was steve's safe, too. eddie might not be sure when steve becomes a synonym for safe, but that doesn't matter. not anymore. not when eddie can be that for him, too. not when he can learn what steve needs and when he needs it. he's a joke when steve's mind starts spiraling. he's the loud of a shitty mixtape to make him smile as he sings off key when they drive. he's a hand in his hair, pulling him in to rest against his chest when there's bats and russian doctors and max's broken body clouding his vision.
eddie still crawls into his lap when he feels that bone tiredness pulling at his limbs. steve still shoves his face into eddie's chest when he has to clear away the ghosts hiding in his eyes. they still let their fingertips brush over pulse points when they need little reminders. and when they need to be wrapped up by each other, held together with hands that are gentle and unspoken promises, eddie knows they'll both go with open arms.
because they make each other feel loved, make each other feel real, make each other feel safe.
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qiinamii · 7 months
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we'll do fine.
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lazylittledragon · 2 months
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so how about that durge
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zosanbrainrot · 2 months
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I'm not just cooking, i'm baking a whole ass CAKE
not 100% happy with the design but I wanted to get it out of my system, I went for darker and more muted colors for Zoro while still utilizing the usual elemnts of his outfit like the sash and the haramaki. also the color palette for the full outfit turned out very tasty, like it makes me think of chocolate and sweets. not sure about the use of haramaki though, I feel like it makes the proportions a bit awkward when everything else is dark, but it does make the shirt fold nicely so I may keep it in the end
now that I'm further into WCI I think I should add a suit version as well for the wedding bit hmmm
My idea for this is after coming to Big Mom's territory and fighting her commanders they get to the Germa carriage just like in canon. Zoro watches Sanji fight Luffy, restraining himself from interfering. He respects Luffy's decision to not fight Sanji back, but the moment Luffy gets knocked down it's Zoro's turn to try and bring the cook around and he's not gonna hold back
a very tense fight ensues
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5weekdays · 1 year
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one time i thought it would be funny to make a fakemon region based on a generic american suburb but i only got as far as american meowth
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this thing has me in stitches every time i look at it. i can never top this
🏳️‍⚧️ THIS POST HAS COME OUT AS TRANS! 🏳️‍⚧️
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cowardlykrow · 2 months
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The other one’s name is Wilhelmina
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confessedlyfannish · 23 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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dragondawdles · 27 days
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did a piece in the LU server's gift exchange ! something of survival and reunions and smug little shadowguys
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mayasaura · 1 year
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I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.
It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.
Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.
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obsidianbit · 7 months
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I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans
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catocappuccino · 5 months
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Hehe
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When I rewatched all the episodes last year, I deciced that frycook was my favorite episode... but I'm starting to think that game slave 2 is. I think about it ALL the time. I'd say not a day has gone by that I haven't thought about gaz stalking and terrorizing iggins - that may be exaggerating - but only a little.
Also Iggins is so fucking terrible and I love him so much. There is no iggins content and I have to make it myself :'D I kind of wanted this drawing to be prettier but I ran out of gas tonight and got impatient. I hope you like it anyway :)
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apomaro-mellow · 8 months
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Wrong Number 1
Eddie kept up a texting chain with Steve while making himself a breakfast of coffee and cereal. He hadn't felt like this in a long time. Not since, well, when he thought of it when he was a teenager up all night in chat rooms and forums. When you found someone who you just clicked with.
[11:30] Any advice on how to fry an egg with a perfectly runny yolk?
(11:32) You like runny yolks??? 🤢 (11:33) It's scrambled or nothing for me (11:33) Cant help ya even if I wanted to
[11:35] I just want an egg on my avo toast
Normally Robin fried the eggs for breakfast. Her yolks were always perfect. But unlike Steve, she'd actually scored last night and was still with whoever she'd gone home with last night.
Eddie couldn't help but roll his eyes at the cliche. A guy who jogged and then came back home for some avocado toast with an egg on top? He just had to let his stance be known.
(11:35) Next ur gonna tell me bout your acai smoothie bowl rite? (11:36) Avo toast? Really???
Steve realized how he was coming off and had to quickly amend it.
[11:38] It's not what you think! We only got the avocados to make some guac the other day. There was one left and I wanted to use it before it went bad. And I'm all guac'd out. Hence the toast.
(11:39) At least you didn't use the avocado to make like ice cream or some shit
Finished with his own, normal, regular, average citizen breakfast, Eddie cleared his place and started to actually get ready for the day. His shift went from 2 to 10 tonight, so he needed to prepare for the long haul.
While brushing his teeth, getting dressed, and making something for his lunch later, he and Steve kept up the texts. Through their conversation he found out Steve's favorite ice cream (peanut butter), that he could cook eggs just about any way except sunny side up, and that he lived with a roommate named Robin.
Eddie got to his place of work and in a place like that you need to have some semblance of focus and attention, so he told Steve he had to get to work. He realized he was basically saying 'busy now, text you later?' to a stranger he'd only started talking to last night. Steve was completely in his rights to end the conversation there.
He could've ended it at any time really. What obligation did he have to keep on talking to him?
[2:01] Okay. Talk to you later
Steve stared at the message, already in the middle of agonizing over it when Robin finally came through the door of their apartment.
"Good afternoon. I wanna feel offended that I didn't get any texts or calls asking if I'm okay but I'm gonna choose to think it means you trust me and are a great judge of character."
For the first time in a while, Steve checked the time and actually realized how long it had been.
"Shit, Robs, I'm sorry." It had been over 12 hours and he hadn't checked in on her. All because he'd been texting a random number. "So you had a good time?"
Steve had been sitting on the couch and Robin plopped right down, laying her head in his lap.
"It was magical. Like something out of a movie."
"Aren't you glad I made you go and talk to her?", Steve smiled smug.
Robin smushed his face with her hands with a groan. "Don't look at me like that. You were right, okay? Me and her hit it off like, like uh, one of your sports metaphors."
"Robin you were in a soccer league just last year, stop acting like you don't know sports."
"Anyway, something grand must've kept your attention off me. Things go well with that girl you were talking to?"
"Umm, yeah."
Robin sat up, eyes narrowing. "And you came back here with her? Gross! Steve! Did you do it on the couch?!" She shot up immediately.
"I didn't", Steve rolled his eyes.
It was one of their main rules. No sex in the common areas of the apartment. Steve wasn't gonna tell her about the wrong number given to him. And he especially wasn't going to tell her he kept talking to it. The following lecture would have been unbearable.
"She gave me her number and we've just been texting back and forth."
Robin slowly sat back down on the couch. "Just texting? That's all you did?"
"That's all."
"Wow. You usually move faster than that."
"Well, I want something a little more this time. But enough about my snail pace romance. Let's talk about you and that girl, what was her name?"
He and Robin sat a long while, talking about her night, eventually going out for lunch together too. Not-Misty had said they were at work, but Steve couldn't help himself when he saw that Robin had ordered a burger with avocado on it and Steve had gotten a taco salad that came with, you guessed it, avocado.
[3:14] image.jpeg [314] Okay me and Robin might have a problem. But I swear it's not on purpose!
"Did you just send a picture of our lunch to someone?", Robin asked.
"Yeah to uh, to Misty. We were talking about avocados earlier and I figured she'd get a kick out of it."
Robin smiled through her chewing. She teased but she was glad that her friend had made a connection last night.
Meanwhile, Eddie saw the message, but didn't have a chance to reply, even on his lunch break. Through all the texting, he had forgotten to charge his phone, so it was on the plug and he was leaving it alone for now while he talked to his co-worker, Grant. He went through the rest of his shift, thinking about Steve.
What did he look like? How old was he? Where did he live?
He got off and made his way back home, stopping off somewhere to get dinner. It was a sandwich shop and he honestly contemplated getting avocado on his just to see Steve's reaction but he resisted.
'I can't be that down bad that I'm overthinking food now', he thought to himself.
When he got back home, he turned the tv on and took out his phone to reply to Steve right away.
(10:31) Back at home now (10:32) Work was crazy (10:34) And the 1st step to recovery is admitting u have a problem (10:36) But thru hard work we can get you addicted to a sensible veggie (10:37) Like broccoli
He thought since he kept Steve waiting for so long it might take some time for a reply to come, but his phone pinged almost immediately.
[10:39] First of all, avocado is a fruit. Second, I eat plenty of other vegetables. And third, what happened at work?
(10:41) It may be a fruit but I dont want it in my smoothie (10:42) And some guy came in and started throwing axes at the wall
Sunday evenings were usually more relaxed. It was why Eddie typically didn't work Friday or Saturday nights unless he needed some extra cash or they needed someone on deck.
[10:44] Hold the duck up someone was throwing axes!! [10:44] *duck [10:45] *FUCK
Eddie snickered through his eating and had to take a moment to swallow before something came up. He always enjoyed telling people what he did for a living.
(10:46) Cool your jets man (10:47) I work at an axe throwing range (10:48) The problem with this dude was he didn't have an appointment (10:48) Just came in and started throwing an axe at the wall
[10:50] Are you okay? That sounds dangerous
(10:50) My uncle handled it (10:51) Eventually the dude left
[10:52] Oh wow. Well I'm glad you're okay. Axe throwing tho. What an interesting job for someone of your age? 🤷
Steve was lying in bed and he buried his face into his pillow as he sent it with the shrug emoji. It was so transparent, he knew it. But he needed to have a better idea of who he was talking to. That way when Robin did eventually find out, he'd be able to tell her something, anything.
(10:53) Smooth (10:53) I'll tell you mine if you tell me yours
Eddie knew now was the time to be cautious. But he was also curious as to how much Steve would tell him and just what he wanted to know. He wasn't disappointed.
[10:54] Male, 23, 5'11
It was like the bare minimum of information and yet Eddie was already aggressively tamping down any hope that he might have a chance. Without his permission, hope bubbled up anyway
(10:55) Male, 24 going on 25, also 5'11
Steve stared at the text with the mystery person, mystery man's information. It seemed like so little and yet so much. He still hadn't an idea of what he looked like. But now he could at least get a general silhouette.
(10:56) Ur not one of those guys who lies about his height are you?
[10:57] Robin says my hair gives me two inches but she has no idea what she's talking about.
Eddie was thinking about how Steve must wear his hair. It could be in a sizeable pompadour, or maybe a nice afro. Maybe it was in a bun all the time? That was not what he typed out however.
(10:59) You know what they say (10:59) It's not the size but what u do with it
Okay this was it. This was where Steve stopped texting him. You can't just say that to guys you don't know-ping!
Eddie bit his lip and only had one eye open as he looked at Steve reply, preparing for the worst.
[11:01] Oh I know how to use my inches
Eddie dropped his phone onto the table and had to get up and pace, touch his face, his hair, throwing his hands in the air. Was this flirting? This felt like flirting. He wished he knew for sure. Maybe it was the lack of emoji. Had Steve put a winking face, he'd know for certain. Eddie leaned against his fridge, staring at his phone, sitting innocently on the table.
On the other side, Steve was burying his face into his pillow, pretending he didn't just say that. Would it come off as playful? As flirty? As casual? Should he have sent a wink? The seconds ticked and it felt too late. Like coughing after saying something awkward.
God, he was so desperate. Why was he even still texting? He had work in the morning. He should start preparing for bed so he had any hope of getting up on time. Steve pushed off the bed and went to his closet when he heard the notification sound and instantly returned.
(11:05) Let's get out the measuring tape (11:05) image.jpeg
Steve felt his heart skip a beat. The picture attached was of the very top of mystery man's head. He was holding up a lock of long, curly hair into the air. Steve studied the picture like he was getting paid to do it. He couldn't see any lower than the bangs on his forehead but there was still plenty to see.
The rings on his fingers for one, how his curls went this way and that. Steve quickly saved it and then replied with a similar pose, holding some hair by the fingers as far as it would go above his head.
[11:07] image.jpeg [11:08] I think you have me beat
They texted for about an hour more before Steve finally decided to be an adult and put himself to sleep, bidding mystery man good night.
Part 3
Fun fact, years ago I worked at an axe throwing place and yes, what happened to Eddie did in fact happen to me! On like my first week too I think
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autoraton · 10 months
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as the tree, so the fruit
commissions are open!
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gothfrog · 1 year
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it’s hard for me to put into words how much mob psycho 100 has influenced my life for the better :’) I’m really glad it exists.
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florencewellch · 10 months
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Happy birthday to country music
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