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kochei0 · 2 months

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I turn to Ares.

Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK

⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon

#greek mythology #ares #athena #greek gods #dont get me wrong it aint athena slander but it sure is ares praise #on some level at least #man justly accused of bad things deserves some mid praise more at 11 #thank you romi for helping me with words though i duly noted you insisted on ares not being cautious rather than him not being careful #romi be like “i want him to care” and honestly good you should say it #also EPIC led to this and i just..... i want to draw some animatics man i just need infinite time now #my long lost love for greek myths just will never stop coming and they dont stop coming and they dont stop coming #i want some vulture design in here for ares but not sure about this one #kochei doodles

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gibbearish · 6 months

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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

#yes i want things to be free like ??? that is not a weird desire #'but but it costs money to keep up' ok and? how is that my problem #the government has plenty of murder dollars they could reallocate a few to make internet services universal if they wanted #also these companies were perfectly capable of supporting themselves before the internet got drowned with ads so ¯\_(ツ)_/¯#edit: muting notifs on this post bc new additions have kind of petered out #so no one feel bad about adding something someone else has said‚ it is not bothering me im just trying to keep my #notifs page cleanish lol #also since i saw some people are being redirected to read my tags: firstly hiiiiii this is a special secret message for you:3 #secondly i have learned since making this that the reason they were able to support themselves previously was because #of investors bankrolling everything #and theyre now finally realizing that theyre never going to actually make a profit and arent as willing to invest #however thats just a minor correction and doesnt change my overall point #once again. so many murder dollars #so thats why im just adding it here in the tags rather than making an actual correction #anyways . love yall 💕#origibberish #bigger gibbers

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iamanartichoke · 9 months

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I don't know who needs to hear this, but as a creator -

I am fine with "the audience" -

downloading my fics

printing my fics

copy/pasting or screenshotting my fics

sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3

making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss

doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc

I am not fine with "the audience"

doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity

feeding my work into ai for any reason whatsoever

Save the fandom things. Preserve the fandom things. Respect the fandom things.

Enjoy the fandom things.

#fanfic #ao3 #archive of our own #fandom things #tumblr things #i may have said this at some point #i'm sure i have #but whatever - just in case #i don't say this with the presumption that i'm so amazing and people are clamoring to save my fics #but just if anyone is so inclined that's all #ftr i don't intend on ever removing my fics from ao3 or deleting fandom things from this blog #i've always shared my fandom things with the intent of keeping them shared bc that's the whole point of posting #but the fandom atmosphere and ao3 constantly being under attack who knows what can happen #not that this applies to anyone but should all else fail you can also reach out to me and i will personally give you a copy #at least of fics bc i save everything #not so much the tumblr things but this is a good reminder to myself that i should do that for the things i care about #that i've made or done and only posted here #anyway sorry i have now used up my quota of the putting words into sentences doing for today #i have plans to stare into the void now

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chittychittyyangyang · 1 year

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Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.

This is fine to reblog. People who film strangers should be shamed if nothing else.

#ccyy talks #sorry for posting this here but I'm pissed and this shit really needs to stop #For all I know he recorded me too cause I'm young and look healthy but got to go back next #Sorry about your cough buddy but the way things work I was a more immediate emergency #1k #5k #10k #30k #this post clearly has a life of its own now #and in case someone wants to know some clarifications for common points #people in a position of authority/actively hurting someone with the intent to protect/help the person is fine #so cops doctors nurses mental health workers and educators (to name a few) who actively are abusing their power and authority? free game #this post was filming random ass people for Content(tm)#random ass people more so those in distress aren't your content and you do not know the harm you can do to someone by posting that shit #50k

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inkskinned · 10 months

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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME #there is no replacement here bc i am not filling a position. i am just writing #and the writing is what i need to be doing #writeblr #this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to #edited for the typo wrote it and then was late to a meeting lol #i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means #i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong #i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse #i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO #i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness #and i would still be writing pretentious angsty poetry about it #im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us #i'm saying. you could take away our jobs and we could go hungry and we could suffer #and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work #even if it means being miserable #but i will not give up this thing. for the whole world.

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stil-lindigo · 7 months

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the fox god.

a comic about a trickster.

--

creative notes:

–

all my other comics

store

#cw: emotional abuse #cw: gaslighting #cw: animal death #charity - a god whose name was only ever meant to be ironic #i love playing with the concept of religion like this #im not religious at all but i did go to a christian school for twelve years #and i remember learning about the story of abraham. who long story short gets told by god to kill his son to prove his love for god.#and at the veeeery last minute god goes sike! this was a test to see if you'd do it! here's a lamb to slaughter instead #but the whole concept of that exchange in and of itself is so #anyway #one thing i meant to include in the creative notes but i ran out of room for is that charity never calls cunning by his name.#it's just “fox”. which was a small touch to indicate that he never acknowledged cunning's identity outside of being something exploitable.#but for all charity's hidden disdain for cunning #he still stole all his strengths and coveted them. he became known as the fox god.#so maybe some part of cunning survived. despite everything.#“give me your heart.”#“my god. it had always been yours.”#comic art #hearteaters #stillindigo art #stillindigo comics #one more comic to go until im finished with this collection!!

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romijuli · 1 year

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It’s not that I don’t LIKE the Fandom Popular Pairings, it’s that I find the assumption that everyone ships them and the general all-consuming nature of said pairings to be kinda exhausting,

#the funny thing about me getting into pro////////seka is that i can FINALLY articulate this #because it somehow feels worse than in any other fandom I’ve been into #that said I’ve been thinking about this for a while #also hi. if you’re here to throw some ‘have some originality’ comment please don’t that’s not the fucking point.#it’s not ‘they suck because they’re unoriginal’ it’s ‘it’s very frustrating to feel mildly positive to neutral #about a ship everyone keeps shoving down your throat’#people can be like this with any and all ships. it’s just that the popular ones tend to have this attitude be totally inescapable

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aeide-thea · 1 year

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on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance

#it's such an ugly word but like. self-pleasure is good‚ actually #it's good to know yourself and what you like and lovingly treat yourself to it!#like similarly 'meretricious' is extremely tempting if you ignore the underlying metaphor #but. hard to.#language #and quite frankly i think people who whip out 'masturbatory' in this sneering sort of way #are leveraging‚ if we're honest with ourselves‚ a particular framing of it as a gross thing that boys do #because like. when have you ever heard a *woman's* self-indulgent art described as masturbatory #like don't get me wrong we absolutely still dismiss it! but we dismiss it in other ways #that are usually about how embarrassing her *yearning* is #and so even our sneering is reinforcing an idea that men Act whereas women Feel #anyway this was prompted by some things but i shoved it in the queue so now i forget what lol #so here you are getting some contextless thoughts on the use of 'masturbatory' as sneering dismissive assessment!#just what you were hoping for i'm sure :)

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uncanny-tranny · 5 months

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This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

#politics #i don't know much about são paulo banning marketing billboards but on paper i want that here in the USA #as a motorist it at best just makes me more anxious driving in those larger cities because i want to FOCUS ON THE ROAD #and passing 5000 billboards per mile isn't helping actually!#i've gotten good at filtering that out of my FOV but it's still fucking exhausting lol #i especially hate those modern electric billboards. despise them actually #i am aware that advertising is a critical aspect to business management in some cases...#...but it shouldn't risk the safety of the populous for you to advertise to them and i see things like billboards as risking safety...#...i feel similarly about online advertising in that so much of it risks internet user's safety...#...such as flashing ads online which risk triggering epileptic seizures in light/photo-sensitive folks #distracted driving (texting): NO >:( || distracted driving (being advertised to): YAYYYY :D #i've been driving on my own for a few years now and i've been thinking about this for ENTIRELY too long

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egophiliac · 2 months

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CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

#art #twisted wonderland #twisted wonderland spoilers #twisted wonderland episode 7 spoilers #twisted wonderland book 7 spoilers #(these will be relevant in a moment)#this isn't going to happen. but WHAT IF.#anyway i didn't get him (damnit birdman come home) so i had to look up his story #and let me tell you friends my findings were SHOCKING #crowley canonically likes vegetables which means that the crowley is revaan theory = BUSTED #crowley is sailor venus = CONFIRMED #(i know 'whip of love' is a saying but that's where my mind always goes)#DISCLAIMER: this is (mostly) a joke please continue to hold whatever theories and headcanons you want #but look. c'mon. look over here at this whiteboard i've covered in red yarn.#revaan being a picky eater has come up multiple times and there is an entire whole bit about how much he hated jerky and refused to eat it #and now they've made a point of talking about how crowley will eat almost anything and loOoOoves wild game meat especially #it's SO stupid but i can't help but read way too much into it #(this is tumblr if you don't want to see incredibly stupid overanalysis of anime guys then why are you HERE)#and i gotta hold on to something because otherwise whenever malleus and crowley are onscreen together i just keep going 'same hair color...#unless this is like. some kind of deep cover thing.#lilia doesn't recognize him because he saw him eat a green bean once and revaan would NEVER #crowley's secret is safe for another day #(serious hat on: i do think they're probably connected in some way)#(but there's something deeper going on that we're just not clued into yet that will hopefully explain things)#man forget revaan what if crowley whips off his mask and it turns out he was meleanor this whole time #wait hold on meleanor loves jerky. IT ALL FITS...

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chimaeraonwards · 9 months

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no ai generated content will ever compare to the absolutely cartoonishly evil plot to cut down trees to prevent workers from striking to get livable wage.

#tree law #sag strike #wga strike #also also it can be hard to admit but the US does set some industry standards so although im on the other side of the world its concerning!!#if bigwigs at US companies are screwing out their own workers what would this mean for those producing content in other countries?#what about our own local production companies that model american production houses?#oh we cant pay you a living wage cause thats industry standard. dont believe me? here is what a writer at X USA company at X TV show earns #also if you “cant afford” to pay your creatives a living wage then maybe you shouldnt be in charge #so yeah #i think this whole strike thing will affect more than just the US #just fucking pay your creatives

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solarpunkani · 1 year

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You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.

Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?

When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.

'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.

Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.

So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.

#solarpunk #out of queue #ani rambles #honestly in my opinion if the younger me saw posts saying shit like 'the aesthetic part of solarpunk is stupid and unimportant'#that would have chased me away more than anything.#A movement like this? the last thing we want is to chase people away! We want people to get excited!#We want people to get on board eagerly and wholeheartedly!#Yes I'm sure some people got into solarpunk praxis-first aesthetic-later (or maybe even aesthetic-never)#But that's no reason to deride the people who got in here aesthetic-first praxis-later #solarpunk is beautiful BECAUSE there's so many ways to learn about it and visualize it #anyways everyone get hype about solarpunk aesthetic week a month from now!!!#honestly might delete later who knows

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corvidcall · 2 years

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None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)