“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets.
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
Insane to me that certain comic book creators who shall not be named dismissed Jonathan Harker as a "milk sop" and a boring character. White-haired avenger with ambiguously vampiric superstrength Jonathan Harker. Most violent and unhinged member of the vampire hunters Jonathan Harker. Ran at Dracula with a kukri knife without skipping a beat and then tried to climb out of a window to pursue him Jonathan Harker. "Like a living flame" Jonathan Harker. Calls his bond with his wife "the holiest love" and determines that if she becomes a vampire, even if Dracula calls her to his side, "she shall not go into that dark night alone" Jonathan Harker. You know. That one.
somehow i ended up on horrid henry twitter after years of forgetting it existed and i remembered how messed up his home life is. true british suburban horror
The JLA members are having a tough time communicating with the Young Justice team. None of them can really understand what it's like to be a teen hero which leads to most conversations turning into arguments. They're at their wits end when Phantom comes back from a long term mission.
Danny comes back from a year long mission to find himself put in charge of mentoring the next generation of heroes. And here he thought he would finally be able to take a break.
Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.