#i have a job but i need a new one -_- | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Women make up for the other 50% of Tumblr’s audience.

#i have a job but i need a new one -_-

somegrumpynerd · 3 months

Text

When you find out years later that you accidentally named one of your henchmen

Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.

#UTDR #UTMV #My Art #Truce au #Killer Sans #Nightmare Sans #Remember when I said I wouldn't have that comic done? Sike I finished it earlier #Anyway you ever accidentally name a guy and don't realise until years later when he brings it up #Killer loves it because he feels special for getting his own name that's not just his au #(and also because he wants to be Nightmare's favourite and this is his evidence)#Nightmare hates this. He did NOT mean to name his henchman like a pet he feels awful #Maybe down the road Dream can convince him how much Killer loves it and he'll let it go #Killer absolutely hates being called sans he doesn't want to think about his old life #So the new job and name were kind of just what he needed at the start #Anyway I'm rambling. I just thought it was interesting Killer was one of the few to not be named for his au #And given the name it might be something Nightmare had a hand in #He also helped him find his signature look with the inverted clothes colours but we'll get to that another time this is already too long

375 notes · View notes

the-badger-mole · 2 months

Note

Love how you shamelessly hate Aang—I mean this totally as a compliment by the way! I’m so tired of seeing “I ship Zutara but I LOOOOVE Aang he’s a cinnamon roll baby!!!” and “you can like Zutara and also like Aang” and “it’s the WRITING that’s bad not Aang!” takes…ugh. Please. He’s a cartoon character and I don’t like him. That isn’t a crime. He’s boring at best and an entitled borderline abusive little shit at worst. I don’t like him! It’s so refreshing to read your blog, I don’t understand this fandom’s obsession with acting like he’s a real child we have to coddle

I don't understand it either. Then again, I will go to the mat to defend some pretty controversial characters, so who am I to judge (justice for Mr. Collins!) ? I don't mind that other people like him -some of my favorite people in the fandom like him- as long as they don't come after me for not liking him.

But yeah, the defense of him boiling down to "bad writing" always felt off. To me, bad writing is when the character suddenly takes actions that seem to come out of nowhere. Aang's actions in the back half of ATLA and into the comics and LoK track. They track very well with who he was even in the first season. Yes, he got worse as the series progressed, but the seeds were always there. I guess, if you want to make an argument for it being bad writing, you could talk about how his bad traits in the first half seemed to be setting up a growth arc that was abandoned in the second half. There's an argument to be made there, but it's not an argument that Aang's worst traits were OOC for him. I am not shocked at the kind of family Aang ended up having. I'm not shocked at how Kataang the couple turned out. I'm only shocked that Bryke managed to be that honest about Aang without realizing how awful he was.

#atla #anti aang #anti kataang #okay i feel the need to explain myself with mr. collins #is he the best character?#no #does he seem like a joyless drip?#yes #but in his defense he just started a new job and his livelihood depended on him kissing his rich boss' silk clad bottom #his drippiness is job security #am i glad lizzie turned him down?#ABSOLUTELY!#but him wanting to marry one of the bennet girls was an act of kindness that i don't think gets the credit it deserves #he was trying to make sure his cousins wouldn't have to face a life of poverty and insecurity after their father died #that was mad decent of him!#i will die on that hill

63 notes · View notes

alexotls · 1 month

Text

job search is going well

#i have a job but i need a new one -_-#grab that toothbrush dattebayo

64 notes · View notes

possamble · 1 month

Note

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

#asks #she could easily be interpreted as distant or neglectful after Donato's death too #with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect #and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive #but there's nothing that suggests she remained a loving parent afterwards #I just think that like... parental relationships are so complicated in dungeon meshi #you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent #and i think it'd be more compelling if Marcille's mother was a little like that too #not a totally and easily dismissable deadbeat #but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment #and regrets it deeply #and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear #and a little resentment from Marcille's side that she hasn't really properly processed #I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just #immediately arrives in Melini #and its awkward for a bit but they do finally have a heart to heart and air it all out #and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille #on account of the crimes and all #marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down #'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood #but i think its what her mother would believe and what marcille needs to hear #and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately #it expects the audience to do their own critical thinking #and know that its not trying to make sweeping universal statements in every instance #marcilleposting #marcille donato #junoposting

61 notes · View notes

tasmagor · 9 days

Text

Little self portrait to update my portfolio with…

#having to get a new job…well it’s tiresome.#but I guess I need one to ‘live’

30 notes · View notes

carpe-mamilia · 8 months

Text

Nathan: What are some of your favourite Captain moments over the series?

Ben: Well obvi- I think, yeah, definitely the Havers episode, because it was really nice to be... again, it felt indulgent at the time, but actually we were able to kind of put enough story around it to make it sit. But it was a kind of little glimpse, and, um, my friend Pete, who played Havers, did it so well -

Mat: Yeah.

Ben: - that it was so delightful to do those scenes because it felt that we were going into territory that you just look behind the curtain a little bit, and it's like "ohhh that's who he is!"

Nathan: Yeah.

Ben: And - but that's all you need, you just need to see who he is. So you kind of, every time you see him after that, you know that this is a man who has so much, ah, pain and suffering going on under the surface. And we all do.

Nathan: And we love him more for it!

Ben: We're all - every single character, everybody you meet in your life has stuff going on you don't know about.

Nathan: Absolutely.

Ben: And so it's kind of just humanising the character, to a point. But I love those scenes because they had to be quick, they had to be on the money, but it had to get across all of this emotion that wasn't allowed to come out. And, um, lovely to be able to play that, as part of that character, yeah.

(Inside Ghosts, 'Gone Gone')

#bbc ghosts #ben willbond #I was listening to old episodes of Inside Ghosts to tide me over until the new ones come out and I thought this was nice #also this is slightly funny to me because here and elsewhere in the ep he's talking about the need to balance the time spent on scenes #so that all the characters get served by the narrative #now I guess the Captain's flashbacks are a) very tightly focussed on him with no interaction or even observation by the others #and b) in quite a different tone to the light silliness of everything else going on #so I can really see why he wanted the writing to be as lean as possible; and they all did an amazing job #but come on #I'd have watched 2 hours of that story lol

57 notes · View notes

Last Seen Blogs

coxuwugenata

Untitled

rayemilysworld

Dreamer

coxuwugenata

Untitled

coxuwugenata

Untitled

into-the-fandom-multiverse

a meme for every occasion