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#i just needed to express some of this
lo-fi-charming · 3 months
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so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly
all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it
to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.
i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP
i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!
i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that
but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?
i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!
it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way
and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny
obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time
i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts
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ewwww-what · 18 days
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Nobody is as excited about the preview as I am. I have paragraphs.
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tubbytarchia · 5 months
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Sorry, last one, swear!! I'll try and finish this by the 10th and then I will leave you all alone. I'm experiencing some long missed joy in creating this, please forgive my impatient excitement
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measuringbliss · 2 years
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People are acting so weird and possessive of Markiplier for the whole OnlyFans situation. He's an adult. He's an adult who's been a celebrity for years. He knows people thirst on him. That's why he had this idea in the first place. He's not some naive kid you must protect. He's not some innocent soul that the evil sluts of Tumblr and Twitter will corrupt. He knows the Internet, he knows his fans and he knows his job.
He's an adult and he can make his own choices.
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turbo-tsundere · 1 year
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Kokichisake-onna
*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”
Also here’s a random selection of derpy concept doodles for this comic :)
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Thank you byeeeeee
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julicity · 1 year
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... Eh?
x OVERBLOT x
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wolflover2426 · 6 months
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Just a thought but what would a Cat Walker but it’s Ladybug act or what facet of Marinette’s character will center on that?
I feel like Marinette has a healthy balance of herself as Ladybug and vice versa so I’m wondering just what facet of her character would bring life to create a Cat Walker version of a Ladybug hero.
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zivazivc · 2 months
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For those of you wondering about Les's mysterious younger sibling. It's Hed, he's the little brother.
They share a mom who was a rock troll. Les's dad is funk, and Hed's dad is rock, but he lived in Vibe City since very young so he's also basically mixed genre like his bro.
In the second pic he's singing/rapping Tastes Just Like Chicken by Scatterbrain. I feel like this is the kind of music he would make when younger.
and bonus: meet the nominees for the worst parents award
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lotus-pear · 3 months
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bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.
#i hate when ppl make him out to be a sadistic villain with no remorse. like did we read the same manga 💀#but at the same time he is NOT crying abt all the ppl he sent to the grave. he sleeps just fine at night knowing he committed atrocities#yes he feels remorse? but he isn't like kunikida to weep at someone's grave for failing to save them#and then we have his emotions themselves#dazai isn't emotionless. far from it. he has difficulty expressing affection but yk he finds someone endearing when he trusts them#trust is very important to dazai and is one of the aspects of human emotion that he can fully grasp#but like everything else is in a hazy gray area that he does not feel like exploring. he feels alienated from his humanity bc of this#AUUUGHH can someone help me with character analysis PLEASE#I WASNT PAYING ATTENTION TO THIS MF UNTIL RECENTLY SO I MISSED OUT ON A LOT OF IMPORTANT DETAILS#see i would go and reread a few light novels but like i don't have time for that#and this is for dazai specifically. i am very well versed on his relationships w other charcaters#but just like asigiri himself said: it's very difficult to write dazai and write him WELL#so yeaaa i have a lot of smart ppl following me pls help#bsd#ALSO MY FRIEND STILL HAS NO LONGER HUMAN UUUUGHHHHHH I NEED THAT BACK BC I TABBED IT A SHIT TON#FOR LIKE CONNECTIONS TO YOZO AND BSD DAZAI AND WHERE ASIGIRI DREW INSPIRATION FROM YOZOS CHARACTER FOR DAZAI#THAT WOULD BE SUCH A VALUABLE FUCKING RESOURCE BC I DID SOME ANNOTATIONS IN THEM TOO BUT MY BOOK IS ANOTHER FUCKING STATE#I HATE IT HERE FML
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oneluckydragon · 8 months
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We'd both been so excited for it-- to change, to grow stronger, to pass another life-changing milestone on our adventure together. But after I evolved, it took weeks before Sora could even bring herself to look me in the eyes. It went unsaid between us, poisoning our hearts like a cold, bitter curse and haunting every intake of breath. Although, the worst of it all... was that even without words, we both knew why it hurt so much.
Like some sick joke, I had become the spitting image of him.
Ya'll know that feeling when you [Hero] try to evolve into a Leafeon to be closer in spirit to the best friend you lost [Grovyle] because you miss him so much it physically aches, but instead you end up looking like the guy you trusted/adored that betrayed/tried to kill you and your girlfriend? Cause damn it hurts.
Anyways ever since I replayed EOS and evolved at Luminous Spring I've had thoughts about what Sora's reaction would be to Echo's evolution into Umbreon. And lemme tell you that it's an emotional roller coaster. To say that Sora has complicated feelings about Dusknoir is an understatement, and Echo isn't so happy about it either since she had put her faith in him. They've got a lot of trauma to heal.
But to add to that, I like to write about my girls in my spare time when I'm not drawing cause it's fun, so maybe I'll post some little blurbs sometime if anyone is interested?? Hm. Yeah might do that eventually, we'll have to see.
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cerealmonster15 · 2 months
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five stages of adeuce ft the trials and tribulations of ace trappola
#twisted wonderland#twst#adeuce#ace trappola#deuce spade#cereal tries to draw#ummmm. teehee.#jumpscare i spent more than an hour on something#i still. absolutely rushed thru but i mean i did some of it yesterday and some today#for SEVERAL hours#but i am so very busy and have a lot i need to do so i had to just#GET IT OUTTA MY SYSTEM one less thing to think about#but listen listen to me i love adeuce i love them so much theyre one of my og twst ships#and i love their ride or die bestie bond with yuu and grim it's SOOOO CUTE#i also love first year squad and i love basketball brothers and i love heartslabyul family#deuce is eating an egg in that first panel btw. sorry i dont know how to draw. well anything but especially silverware#and also hands. oh god. bu it's OKAY i dont HAVE TO make things PRETTY im . trying new things here.#IM TRYING I AM LEARNING IM EXPRESSING MYSELF VIA. IDK BLORBO SILLIES#ok that's enough going thru it in the tags i love my silly sons i hope u love them too#bc i need more adeuce FOREVER !!!!!!!!!!#directly inject heartslabyul content into my brain please theyre my favorites forever and ever and ever#[smash bros voice] NO CONTEST#ace and deuce have such a funny relationship. like why are you like that LOL kjdfldsjfkls#ace writing a Get Out Of My School letter to juice. real 2 me. i made that joke for jamil/azul once#but it's true for anyone at nrc i think actually. ok that's ENOUGH i need to go to BED GOODBYE!!!!!!!!!!!!!!!!!!!!!!!!#also i was gonna use text tool to also type the dialogue but it looked weird n out of place w/my sloppy drawing so i had to freehand AGAIN#SORRY!!!!!!!!!!!!!!!!!!!!!!!!!!!
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lord-squiggletits · 4 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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pepperpixel · 1 year
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Some inside job art! Mostly just trying to figure out how to draw these two
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I think it would be funny if in season 2 it becomes a running gag of Vox sending spies to the hotel who just end up captured into the net of found family and friendship and become part of the clientele and Vox doesn’t get why he keeps losing contact with them (and assumes Alastor probably killed them) until one day Charlie comes to personally thank him for bringing her so many souls for rehabilitation and for believing in her cause and Vox just. Doesn’t know what is happening. And short circuits.
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unexpectedbrickattack · 6 months
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Pizzano being deviously devious on 11? Make. That man. BIG. >:]
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Devious Round Man
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grendelsmilf · 5 months
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thinking about how many times i’ve wanted to bring in “low brow” sources in my academic writing, and how such a mode of critique is so fundamentally foreign to the institutions in which i’ve been embedded that i never even considered it a possibility. i once wrote about how beowulf echoes in tolkien’s fiction (primarily using the hobbit to argue that both narratives employ rings) back in high school, but that was an exception because my history teacher was a massive nerd, and tolkien was a well-respected medievalist so the topic didn’t seem far-fetched regardless. but that has very much been an exception for me. i know that film and media studies exploring television, genre fiction, even memes and fandom culture, that there are spheres dedicated to analyzing these “low brow” works of art and social phenomena. but as a comparatist and shakespearean, my area has always been relegated to quote-unquote “high brow,” despite my abiding interest in many “low brow” mediums and artworks.
ANYWAY. this preamble was all to say: how would you guys feel about participating in a zine where we would compile a bunch of essays each exploring a topic through comparing a piece of “high brow” art to “low brow” art? for example, if i expanded on my post using satan and sin in paradise lost to discuss akio and anthy’s roles in utena, or using 19/20th c. existentialist philosophy as a framework through which to discuss adventure time. you could also take a theoretical approach to an internet phenomenon, such as exploring character criticism from a fandom perspective. (these are all ideas for essays i would write if i had the time, so obviously these examples are just templates, not workable suggestions.) this would obviously take a long time to compile and there would be no fixed deadline (i have way too much on my plate at the moment for that anyway), this idea literally just came to me because i was thinking about how fun it could be to work on an online collaborative zine, and how the broader topic could best reflect the discourse of the internet as a collaborative and (ideally) egalitarian realm (for media as well as people). mutuals (or nonmutuals) who are interested, dm me with a description of what you want to write about, and i’ll get back to you with the logistics once i have more of a sense of whether or not this is actually going to happen, and if so, how.
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