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#i love being normal about media
giveemgreef · 25 days
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on a certain level. for me. being a fan of an nhl team is not about being a fan of good hockey. it's about, fundamentally, being deeply obsessed with a specific group of coworkers in a hockey themed work environment
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ndrwlls · 1 month
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assorted tma sketches/wips i did last night in a daze
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shorthaltsjester · 9 months
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i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:
selfishness ≠ a lack of kindness 
selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves. 
in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's). 
it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party. 
you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.
as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.
the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.
as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).
all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:
“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”
would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!
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p4nishers · 7 months
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i'm thinking about the moonlight kiss and crying. tears are running down my fucking face bc we CAN have that. we can have just a moonlight kiss between two queer people, something that is sweet and gentle and not rushed and we can fucking have that and it can be beautiful and it is beautiful and fuck me we deserved that kiss so much i'm so grateful for it
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psych0ruinz · 2 months
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watching twd and sometimes a scene happens and ur like i need to jerk it so hard i feel like im dying
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awwkie-dot-jar · 4 months
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Just wanted to share my clean-up/reconstruction of the poster appearing in the chase scene at the end of the pilot! :D
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Shrike covered part of it in every frame it's on screen and there were graffiti over it, which made it even harder to see. This is what it looked like in the episode:
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I highlighted the shapes because I think it's safe to assume these are the primaries. We see "Primary Red" being mentioned in the news segrment so I am assuming that's them, and that the other two are named Primary Yellow and Primary Blue.
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We know they have something to do with L.A.W. from the shapes alone (maybe the founders? Or maybe it's the title given to the head of each of the three departments?). But I think it's interesting that Scratch refers to them like they are gods almost.
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And it's even more interesting that there are several graffitis in the Oberon station (end of ep.1) calling them liars.
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Edit: link to an update to this post
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kuja-kujaku · 2 months
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lmao I’m not even 32 yet and someone asked me when I’m going to start coloring my grey hair. never, actually, it’s a condition. it’s called Pretty Boy Disease and it’s terminal. it just gets worse as I get older, I just keep getting more and more grey hairs until I’m so hot people can’t stand to look at me. make sure it’s an open-casket funeral, don’t put me in the ground without getting a good eyeful bc I worked hard for these sultry little grey binches.
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agentravensong · 1 year
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was just reading about the history of physics for my postmodern literature class (don't ask), and the first chapter of this book called "the quantum moment" talks about how issac newton's work led to a fundamental shift in how most people of his time saw and related to the world, allowing them to understand it as an ordered system where everything that happens is caused by forces that obey unified and consistent laws, with those underlying laws being something people could learn and grasp rather than chalking it up to the world working in "mysterious ways"
and my rotted, poisoned brain went, oh. that's why they gave rosencrantz those newton moments in the movie version of r&g are dead*. to coincide with his and guil's dawning realization that they live in a world where fate is (seemingly) fixed, and their attempts to figure out their world's rules and limits.
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i could throw screenshots from the script of the play here to draw the comparison, from any of guil's monologues where he philosophizes and tries to make sense of the situation/setting they've found themselves in, but i need to be getting to bed. y'all get it though, right?
*while the apple falling on ros's end is arguably the only direct newton moment, i'm also lumping in some of his inventions, because of this bit from the same chapter of the book:
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always-a-joyful-note · 5 months
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Revue Starlight is just ORV but what if it was theatre instead and what if we told you that a tragedy can always be rewritten? What if the end of the story, the end of the play, your defeat onstage - what if all that doesn't mean everything is over because you can always make a new play, always become better, always rebuild the stage and stand on it again? What if there WAS death but what if rebirth was also possible?
What if this tragic tale that always ends the same had new actors, you know? How would they play it? How would they spin the story a different way? Will they try to outshine the past, outshine others? Or will they find their own unique brilliance instead and join the stars that shine in the night sky?
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arty-cakes · 1 year
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Mad and angry at how these two joke side characters try so hard to be heteronormative but they really aren't and that's where most of their misery comes from. not all of it but most of it, like it very much keeps them in the cycle, because they seem desperate to find a happy storybook ending and this is how they think they'll find it, by trying to be like the same characters that found that happiness. its never addressed but also painfully obvious with how much they don't fit in with the other npcs dear god these characters are queer coded to hell i could write an essay (i accidentally did)
its not even like bretta and zote are straight cis characters these two are bi and aro canonically but its more to do with the gender roles they're trying to replicate, and failing. they suck at it. he is not this emotionally stoic resilient lone knight he is in fact continuously fighting his emotional pain and if you give him the right attention he will stay forever. he'll get angry that you saved him or that he needed your help because YOU dont fit in his story. she's not a forgiving accepting loving damsel in distress she can take care of herself great and will also drop you like a hat if she sees even one flaw in you. because then YOU dont fit her story either. they care so much about their stories because they reinforce the identity they think they're supposed to have but they're also so disconnected with themselves BECAUSE of these gender roles that they dont realize it makes them miserable
the biggest cause for this is that they are lonely isolated individuals and dont understand or know enough about real people so they have to go off their storybooks and it only keeps them alone. its like you have to be stubborn about saving them and staying by their side so they can get that chance to change and thats exactly what the knight does. its stubborn as hell it will save them again and again and it will fight their dumbass crushes as many times as it takes to make them realize what they're doing is painful. and bretta gets that chance, she leaves the town that isolated her and goes to find something better, most importantly she gets experience. zote gets to stay alive, which is the best thing you can do for him. because now he might get to face his pain, whereas in death he never gets to overcome it, just escape it
its also very funny that when the game pushes them together in this fake relationship its purposely depicted as completely ridiculous and an obvious parody and you also have the chance to beat it to the ground multiple times. whereas the two more meaningful love stories that you get to help happen are mlm and wlw and completely unapologetic about it this game is GAY
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eenochian · 8 months
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it’s very funny how this fandom suddenly cares so much about sensitivity, meanwhile no one was up in arms about folks calling valeria shit like “cartel mommy” and simping for her. and, if you point this out, you get told that it’s “less important” or incomparable. way to tell victims of cartel violence that they don’t matter. y’all can’t preach about sensitivity and mindfulness while doing the exact opposite of that.
sensitivity is something that needed to be brought up a long time ago. people need to be mindful about the content they’re engaging with and producing. COD and its characters are based on very real issues and very real situations, mindfulness is needed for every single character.
seeing this only be brought up in the context of makarov and graves is honestly so, so frustrating. they’re not the only problematic characters that you need to consider when making content. western militaries like the US and UK are incredibly controversial and have devastated vulnerable people and their countries. price, ghost, soap, gaz— any member of the military, especially the special forces, is problematic. they’re not good people and should not be treated like saints, nor should they be idolized for what they do.
that all being said, the concepts of “be mindful and sensitive when making content” and “let people enjoy problematic media” can absolutely, 100%, co-exist. art is not meant to be a paradigm of moral goodness, it has always been a medium for people to explore things that are considered "taboo" in a safe space. there's a reason why "dead dove: do not eat" exists as a genre – with proper warning and precautions put in place, people can explore darker topics. for some, it's morbid interest. for others, it's a way of coping with trauma and experiences they've had in real life.
i want to repeat this just to make it very clear: be mindful and sensitive with the content you're producing. do not romanticize topics that should not be painted in a good light. don't minimize the impact of characters' actions or act like people are in the wrong for being uncomfortable with them. in this fandom especially, people treat atrocities like jokes because we're becoming desensitized to them. it's up to every individual to ensure that they don't forget how impactful a lot of this stuff is in real life. war is not a joke. terrorism is not a joke. people dying is not a joke. do not romanticize any of these things in your content, even if you're exploring the different sides of the people behind these things.
humanize the characters all you want. horrible people are still people, after all. humans are not one-dimensional beings. humanize them, but do not romanticize them.
be kind to victims, be sensitive, and be mindful about what you engage with. no one is perfect, no thing is perfect, but we can always do better. we need to approach every topic through this lens instead of picking and choosing who to support. everyone is deserving of it, everyone is entitled to basic respect. we don't need to compete and argue over who has it worse, we just need to be better across the board. support real victims. don't let media warp your perceptions of reality. be conscious of the content you make and consume.
#call of duty#cod#cod mw2#mw2#modern warfare#putting it in very clear words because i'm scared people may misinterpret what i'm saying:#for the love of god— LISTEN when people tell you that you're doing something wrong.#especially if these are victims or people knowledgeable of the topics you're portraying.#do your research. learn about the things you're writing or reading about.#do not portray bad people or harmful things in a positive light.#it's completely possible to “simp” for villains without disregarding or defending their actions. these characters are fictional.#it's better to get your rocks off to a set of pixels modeled after a normal person than a REAL person that does harm.#but be cognizant of what you're looking at when you do.#if you can support real victims— please do.#donate to ukraine. educate yourself on the war. learn about the harsh reality of cartels. study the impact of colonization and racism.#not only is it good to be informed of things in the real world— but it allows you to better understand these topics in the media.#i'm FAR from perfect. i'm not immune to doing wrong. i'm no exception to this criticism.#also wanted to throw this into the post but i may make another to address this specifically:#it is VERY telling that this fandom only started talking about sensitivity once (predominantly) white folks started being impacted by it.#no one cared about valeria being called “cartel mommy” or the cartel being romanticized.#graves gets criticized for being racist. but even he's often given a “pass” by the fandom.
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horsemage · 7 days
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I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂
#welcome to another Mick Airs Out Their Grievances and by god is it a VERY long one#prob best if u don't expand the tags#am I being maybe a bit meaner about this than I would be for any other movie? maybe but pac rim is one of my favorite movies of all time#so I think I get a pass on this one.#one of the groups on campus is hosting movie nights & I went to this one bc I've only ever watched pac rim on my laptop and wanted to watch#it on a larger screen. yay yippee I love this movie!#there r maybe 10-ish of us in this room and a three person friend group is sitting on the couch one of whom has seen the movie and two who#have not. okay so far so normal.#and then the movie starts and they won't! stop! fucking! commentating! the whole fucking movie!!! I don't have a problem with doing that#when I'm in just my friend group because I know that I can tell my friend to stop talking or pause the movie or whatnot but not when I'm in#a large group w people I'm not good friends with ffs#and the comments aren't even funny or anything they're all oh this is JUST like in iron widow!! oh they're SO gay and autistic!!! and#they're talking so loud about this that it completely drowns out the movie audio which has already been turned up a few times#like. be considerate!! some of us want to yknow actually listen to what's going on and not whatever bullshit you're saying#I nearly walked out three or four times before I actually wound up doing so#I may have been a bit of a bitch at the end but I don't care. I got up to leave because this was not an enjoyable environment and one of#them offered to turn the movie down if it was too loud. this caught me a bit off guard since I expected them to still be so wrapped up in#their convo and. well. I may have said 'it's not the movie that's too loud' before closing the door#this also reminds me a lot about my issues with online shipping culture and it bleeding through into how we interact with media irl#this is probably heavily influenced by my aromanticism but I'm so sick of people constantly reading romantic relationships into everything#AND placing more importance on those relationships than any other form. I don't mind romance in media. I think if done right it has great#emotional impact on a story but when a movie is running and when other people who may not want to hear it are in the room watching it too#is not the time to be loudly saying 'he's autistic!' 'they're in love!' 'she has a crush on him!'#I have my own interpretations of the movie some of which agree with what they said and some of which don't but that's beside the point of#knowing how to coexist politely in public#anyway. I think they were awful and annoying and they ruined my night out.#I think I'm just so incredibly mad about this because I love the movie and I was looking forward to watching it in a group of people who#found it cool as well while still having some modicum of politeness#I almost wish I had been meaner but that's the extreme annoyance talking I think#hater hour over love u guys bye
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mattodore · 15 days
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people you'd like to get to know better
tagged by @missatan and @andrwminward <3 blowing both of you kisses
last song: watermelon by john + jane q. public. lyrics are genius.
favorite color: red <3
currently watching: red dwarf! british sci-fi comedy sitcom from the 80s/90s. very funny. huge hit with me and lister is my ultimate babyguy. i'm on season seven atm.
sweet/savory/spicy: savory. i don't like anything too sugary and spice is okay but savory is just better sawrry.
relationship status: single
current obsession: the passenger (2023) directed by carter smith. not kidding when i say that in the last two weeks i've watched this movie almost every single day—sometimes multiple times in a day. watch it.
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last thing you googled: a russian character from a comic that someone said matthias looked like 😭
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toasty-owl-arts · 1 year
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the hyperfixations are COLLIDING
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ravenwolfie97 · 13 days
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all pokemon games are good but they are not all equally as good
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#pokemon#as a person who has played pretty much every main pkmn game in some capacity#i can find things in them that are worth praise#but like obviously they can't all be the same level of good. there are so many factors to a pkmn game to be balanced#some have a great region. some have a great story. some have just a solid gameplay experience. all of them have great music lol#i could even play devil's advocate and praise bdsp for being a truly faithful remake and pretty incredible for a studio first Real game#but mainly i keep thinking like. everyone has shat on the new pkmn games ever since gen 5 especially#but then over time people are like Huh they aren't so bad after all#like once you get out of the gamehate wormhole generated by inflammatory social media posting you can appreciate a thing more#and there may still be people out there who think red/blue are the best ones. and y'know they have a point#even though objectively those games were littered with bugs to the point where some normal mechanics were not correct#and things just got more complicated and sophisticated with abilities and new types and better moves and stuff#the original games are absolute Miracles to have been made at all and for what they're worth they were Revolutionary#it was a simpler time but the ideas put forth were still pretty complex. especially considering this was the First One#this is the foundation all pokemon games thereafter rose from. and it's a pretty solid foundation despite all the hardships#anyway. i love pokemon. and i love that even after all this time - over 25 years - its spirit from back in 96 still remains in some form#it may not be about catching em all anymore. because physically that's really hard to do with over 1000 guys now#but it's still about finding joy in following a dream of adventure with a bunch of cool animal friends#and sometimes you save the world a little bit. that's p cool
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ibrokeeverything · 1 year
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I love so much that echo isn't forgotten about. You feel his absence from the very beginning and it's a focus throughout the entire episode. I've seen many a lesser show sweep this kind of thing under the rug and pretend it never happened, and it makes me so happy to see people hurting and feeling that absence. A part of their family is gone and they need time to process. Idk it just means a lot to me 🤧
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