one of the things that I think is so beautiful and compelling and unexpected and FUNNY about boys in fiction (in real life too but we have more examples to see it in fiction) is that not only can they be fragmented and compartmentalized little creatures it’s that until they become men they pretty much inherently ARE. they can be so Beautiful and trustworthy and capable in one area of their lives and then such a complete disaster in others and of course this is true of all human beings but I feel like we fail to see this about boys especially because when we see one good or beautiful quality in them we extrapolate that to every area of their lives instantly in a way that the boy, real or fictional, hasn’t actually achieved yet. They can love their families and be completely unready for romance. They can be generous and deft with some people in their lives, their teammates maybe or even, say, the neighborhood kid who needs help, and sullen immature little assholes in other areas, where they’re more afraid or unsure or even just where they haven’t learned what to do just yet. We overreact to their good qualities sometimes, quick to label a boy who cooks or shoulders some amount of domestic responsibility as a cinnamon roll, in a way that downplays and minimizes both their humanity and the necessity of them going on a journey of growing up. And I get why we do that because those qualities alone, those of a domestic or compassionate nature, are so rare to see in boys and we WANT to see them and we love to see them. But it’s important for them as much as us to ask ourselves the question: what is a man? And the answer is: a boy whom suffering has tempered and refined, that has taken together all these disparate pieces of bravery and goodness and cowardice and laziness and welded together into one unified whole. And so that journey into adulthood and manhood is one we have to care about for them the most if we care about them at all.
15 notes
·
View notes
every now and then i remember the time a few years ago, when sdmi fandom first had its revival thanks to netflix, when a wildly popular sdmi blog run by an anti said the words 'perfectly good Black woman' in reference to why you should ship [man you could easily read as white, whose arc she was fridged for] with her instead of [hatesink character whose race is ambiguous due to being a furry, but has a BLISTERINGLY antiblack narrative under a thin layer of fantasy racism, with a fun side of homophobia and holocaust denial the latter of which is directly invoked in the post], which got hundreds of notes, and i grimace my face through the back of my head all over again lmao
26 notes
·
View notes
I like to imagine Ryoken still frequents Kolter's truck after everything that happened. Not in like a cute "Now that the war is over, we can all just sit back and enjoy a meal together :)" No. Ryoken will walk up and order a hotdog with no mustard, and Yusaku will meet his eyes, take out a paper bag, and maintain eyecontact as he pours half a bottle of mustard in there and nothing else. Then Ryoken takes it, pays fifty dollars, say "Thanks! See you next week!" and he genuinely means it.
45 notes
·
View notes
bruh, the faces billy made when him and homie met i--
casual surprise and then--what the fuck is that face???
MY DEAR BOI, WHY DO YOU LOOK SO THREATENED BY THE MERE PRESENCE OF THIS MAN YOU JUST MET HIM I--
i mean i get it, he's hot butt~
and now he's lulled you into a false sense of security with his charm and "good" nature... oh dear. billy bean, you sad, stupid, pathetic little kitten<3
11 notes
·
View notes
fun thing that folks really apparently don’t want to acknowledge if we’re discussing canon Jiang Cheng and the thing I think people are truly failing to grasp in regards to fans of his and why they care about him. His actions throughout the story repeatedly, over and over again, belied his words. Yes, he has a harsh exterior that is used as an armor against this world that repeatedly took everything from him. He uses words as a weapon at times, but his actions say everything his words don’t.
Additionally, he fucks up. He doesn’t always do the right thing, but that’s the thing about MDZS, not a damn one of these characters were in the right 100% of the time. But he cares and he works hard to do what is right by his sect and his family and yes, at times, those two groups come in conflict and he makes tough decisions because of that, but regardless he still repeatedly shows his love.
And it may take an additional time through the story to see that, but the narrative supports that fact time and time again despite the fact that Wei Wuxian as the protagonist doesn’t see it (but their struggles in communicating and understanding one another’s actions and intentions is a whole different discussion).
And that’s not even mentioning the whole plethora of cultural context that is being ignored, but again. different discussion.
65 notes
·
View notes
i was so excited abt gomens s2 and i did really enjoy it when the hype was still there especially because i was afraid to think something as good as gomens was bad but s1 is so much fucking better than s2 and s2 has a LOT of issues. and the fanbase somehow has gotten even more infuriating than they were in 2019. the vehement denial of aziraphale and crowley being queer or gay is so infuriating and upsetting to me as a queer nonbinary person. neil gaiman is a fucking cunt and i hate that good omens fans are too blind to acknowledge the issues with him and the new season.
3 notes
·
View notes