#i love gradient meshes actually

[windenbro]

🌊 LUV2SWIM ☀️

I could not have expected to enjoy the Poolside Splash kit as much as I did. As soon as I got my hands on it I knew I wanted to take it even further. Of course the speedos needed a bulge on them, but I actually loved the whole vibe and theme and decided I wanted to do my own spin on the whole thing. I had originally planned to put this off for a week since I’m going on vacation next week and didn’t think I’d have time, but inspiration hit like a truck and I just couldn’t sleep until I finished this.

Luv2Swim is 9 items from the kit all edited & recolored in a new palette I created just for this very creatively called…SPLASH. I’ve got to have my neutrals so you’ll see some of that as well as a selection of brighter shades and pastels. Something for everybody I hope! Also made a selection of 15 prints I really loved to use here. Some of them you will have seen on some previous items and some are brand new finds.

If you’re curious about what you’ll get, here’s a breakdown.

4 speedos: Personally I was really only a fan of the one speedo shape, however I’m so glad we got as many as we did. If course 2 of them are flagged feminine but I swapped that over for these items. Added a bulge to all of them of course. Also one of them seemed to be completely missing a specular map so I learned how to make one and added that too. You’ll get all the original EA swatches as well as a second package in SPLASH + prints.

2 trunks: I’ll be honest I didn’t do much with these. The shorter trunks got a very minor mesh edit to make em a lil fuller in the front but the longer ones got nothing really lol. That said they both come in the same solids/prints swatches as mentioned before, as well as 14 “extras”, that is a few cute gradients and color blocked styles as well. Also added a specular to the shorter trunks because…trunks should be shiny!! I didn’t add specular to the longer trunks as..frankly the kinda read more as sweatpants to me and sweat pants should absolutely NOT be shiny. (Also the longer shorts are literally just me taking the exact item from EA and making it BGC..that was an accident but..oh well you’re welcome!)

2 tops: Thank tank top is absolutely my favorite in the game now by far! I loved that open shirt too we always need more of those! Just recolored these in 20 solids each and added a bit of shiny to the open shirt cause I feel like it should be kinda silky looking no?

1 sandal: The shoes EA have been making lately have been so good, but these are absolutely my new faves!! That chunky ass sole is just…chefs kiss! This was recolored in SPLASH colors as well as 15 prints across the strap and a handful of color blocked swatches (the same ones the trunks came in)

Again everything is BGC and has all maps but LODs are…well..nothing is particularly high poly so it’ll be fine I promise (I mean it’s mostly speedos so that’s like... no poly lol)

Anyway I hope you guys enjoy!

📂 SFS

#ts4cc #the sims 4 #poolside splash #ts4 male cc #windenbro #bro #dropping cc at like 4:30 am so i can finally go the fuck to SLEEP

[nectar-cellar]

Cold Shoulder Dress - 2 Versions

I made an off-the-shoulder midi dress in two variations. One is a classic formal dress, and one is a more casual knitted version with long sleeves.

Details:

Everyday, Formal, Career, Maternity (has prego morphs!)

3 recolourable channels: the shoulder area, and a gradient for the top and bottom of the dress.

Poly count: around 4000 poly.

UV mapping is not great so I suggest solid colors and vertical patterns only. Pattern stretching is really bad on the knitted version... sorry.

The shoulder area will look weird with poses and animations where the arms are raised up high or moving a lot. Also the chest area can look bulky on sims with larger busts.

Credits:

The top half of the mesh is from the Love Paradise dress by Anubis, and the lower half of the dress is from that Showtime EP dress, you know the one. Frankenmeshed together by me.

The texture on the formal dress was actually from this dress by Rusty Nail just chopped up and repurposed, and the texture on the knitted version was made by me using Anubis and EA textures and a stock fabric image I found on Google.

Download: simfileshare / mega

#the sims 3 #ts3 #s3cc #ts3cc #dl: cas

[ryanyflags]

Flag Making Tutorial

This will be a more technical step-by-step tutorial on how I make my flags (also a long post because I wanted to be thorough, plus I love flags lol).

The program I use is Inkscape, a free vector (.svg) editor program for pc.

I have templates set up, so the actual flag making process is pretty easy/quick.

Hotkeys/Locations/Other Reference

I'll be mentioning these options, so I thought to put them here all in one list. (They list the keyboard shortcuts first)

Snapping: magnet symbol (top right of screen), or under the adjacent arrow ◀️ symbol.

Document properties: shift+ctrl+D, or under the file menu (top left corner of screen). Display (1st tab) Guides (2nd tab) Grids (3rd tab)

Fill and Stroke: shift+ctrl+F, or under object (top of screen).

Layers and Objects: ctrl+shift+L, or under object (top of screen).

Align and Distribute: ctrl+shift+A, or under object (top of screen).

Import (Images): ctrl+i, under the file menu, or by dragging into the Inkscape window.

Save As: ctrl+shift+S, or under the file menu.

Export: shift+ctrl+E, or under the file menu.

Selector Tool: S, or cursor symbol (left side of screen). Click, or click and drag around the objects, to select them.

Locking a selection: lock symbol between the width and height boxes at the top of the screen.

Transform Selections: the width/height and x y position can be changed by typing in the X,Y,W,H boxes (near top middle of screen), or by dragging the corners/edges (resize) and inside the object (move).

Duplicate: ctrl+D.

Delete: delete key, or right click on the object.

Node Tool: N, or below the selector tool (left side of screen).

Rectangle Tool: R, or square symbol (left side of screen).

Pen Tool: B, or pen symbol (left side of screen).

Gradient Tool: G, gradient square symbol (left side of screen).

Mesh Tool: swirly square symbol (left side of screen).

Dropper Tool: D, or dropper symbol (left side of screen).

Undo: ctrl+Z.

Redo: ctrl+Y.

Creating the Template

Download Inkscape and open it, under the Time to Draw tab, click New Document.

First, snapping needs to be enabled, and under advanced mode enable grids and guide lines snapping. (This is crucial for making the stripes equally sized, spaced, and the overall flag in the right ratio.)

I'll be making a template with a 2:3 flag ratio.

Open document properties. (I like to move these types of windows to the right side.)

Under display, set the width to 42px and height to 28px.

Under guides, just click create guides around the current page.

Under grids, make sure rectangular grid is selected, and click new. (Grid units should be in px.) For the major grid line every option, change it to 2. (I also prefer to change the minor grid line color to be transparent.)

That's pretty much it, your template is done :D ! Just save it wherever you want. I like putting it in an easy-to-access flag folder, as it is needed to open it every time to make new flags.

You can use a different width / height / grid size / flag ratio if you want, these are just the numbers I'm comfortable with / used to.

Also, since this is a vector, the image can be infinitely big or small without any quality loss, so the small dimensions above don't actually translate to a low res image.

Creating the Flag

(I'll be using the rainbow flag to demonstrate.)

Start by having the template open.

You can import images (like .png/.jpg files) to color pick / reference if you want. Said images can be transformed (resized/moved) by selecting and transforming them using the options mentioned in reference. (This is optional, they should just be off to the side so they don't get in the way.)

To create the stripes, use the rectangle tool. Click and drag from one grid corner, to a lower grid corner.

While the rectangle is selected, use the dropper tool to pick a color from a imported image. You can also use the fill and stroke (shown on right) tab to create your own colors / edit colors / etc.

You can make these stripes however you want, they just need to all be equally sized. (They don't have to all have the same height, if you intentionally want that (like the demisexual flag for example).)

Then select all the stripes and transform them so that they fit the page.

All that's left is to save/export it.

To export it, use the export tab, under single file, page, adjust the width and height (in px) to however high res you want your image to be. (I usually do 3000 by 2000.)

Type in the desired file name in the box next to the folder symbol, use the folder symbol to choose its export location (which can also be used to determine the file name and save/export it), the adjacent drop-down-menu to select what to save it as (,png, .jpg, .svg, etc.), and the gear symbol to adjust other settings (I leave it as default, with antialias turned off (set to 0)).

And done, you've made a flag :D 🏳️‍🌈

Extra Notes

Layers and Objects: a menu that can be used to manage objects. Like their layering position (whether they are above or below another object), and other options can also be done here instead of with keyboard shortcuts.

Vertically striped flags: it's very similar to above. You would just make the rectangles taller rather than wider.

Wavy stripes: first use the pen tool to create zigzags. (The pen tool works like a outline, so just click along the grid corners, and join the line at the end. The fill and stroke menu can be used to make it a solid colored shape, and remove/add outlines). The steepness/frequency of the zigzags is up to personal preference, they just need to extend off the page a bit. To create equally sized wavy stripes, have the all side lengths (highlighted in red) be equal except (depending on how you draw your zigzags) the first or last wave, which should have half the side length of the others.

Select everything, and with the node tool, select all the zigzag nodes (the corners don't need to be selected), and click make selected nodes smooth (half circle with point in middle symbol, at top of screen). (It'll likely look like it has weird lines in-between the waves, see glitch section at the end for how to fix that.)

Then resize it all to the height of the canvas. And done :)

This can of course be vertical too.

Gradients: You can use the fill and stroke dialogue, gradient tool, or mesh tool to do this.

To create the gradient, select the object, click the linear gradient symbol (gradient box) under fill and stroke. Or dragging / double clicking with the gradient/mesh tools. (The mesh tool is what I used to create the square gradient.)

To change the colors, click on the arrows or circles under fill and stroke, or by clicking the points on the shape, to select the nodes. Then use fill and stroke to change the colors.

To create new colors/stops, click on the plus+ symbol under stops (under fill and stroke), or double click on the gradient. Edit the new colors in fill and stroke again.

To change the location of stops, use stop offset under fill and stroke, or drag the nodes on the gradient. You can also move the end points on the object to make the gradient slanted or vertical.

Symbols: I make my own when I can (like the demi- triangle can be drawn with the pen tool, and resized to the correct proportions). When the symbol is too complicated, I import a .svg of it. Wikimedia commons is a great resource, and the popular twemoji comes in .svg format too. You could also edit it on over the .png in a rastor program if need be.

The align and distribute tab can be used to center symbols (or any other selected object). Select page for the relative to option, and use the symbols underneath to center/align it however you want. (You can also use different relative to options, like last selected, if you want to align it to an object instead.)

Deleting imported reference images: you can do this before saving it as a .svg, if you don't want to keep them / want to clean up the .svg file.

Antialiasing: an option that blurs things basically. A image with antialiasing off will be sharp pixels, while a image with antialiasing on will have transition colors between the main colors.

Below is an example. The left side is without antialiasing, and the right side is with antialiasing.

I can see why it might be preferable to have it on (like for diagonal shapes), but antialiasing can make recoloring .png (not .svg) files hard. The extra different colors messes with fill tools. I also think it looks cleaner without, so I prefer it off.

Exporting glitch: sometimes an exported image will have a thin line between the stripes, despite the fact the stripes are perfectly next to each other. (This seems to not just be a problem with Inkscape, but with vectors in general.)

Below is a zoomed in example of what it'd look like. The left side shows the stripes are all next to each other, but the right image has a transparent line in-between the stripes.

This can be fixed a number of ways.

You could select all the objects, and duplicate them twice.

Or overlap them. The stripes will still be the same size when overlapped, but they will technically be behind each other, so there will be no gap.

With all the different stuff mentioned, you can basically think of them as building blocks with the grid as reference. They can all be mixed and matched together.

I didn't mention all the options, just because there's that many different things you can do in Inkscape. I'd encourage you to play around with all the different options/tools yourself.

There's also some great Inkscape guides on YouTube, it's where I learned how to do a lot of this from (even if they're not for flags specifically, the concepts in those videos can be applied to flags).

Here's an overly elaborate flag I made, just to demonstrate some (but not all) of the things that can be done.

Anyways what a long post haha. But maybe this will be helpful for anyone interested in making (pride) flags.

#ryanyflags #flag making tutorial #pride flag #tutorial #vexillology #flags are fun!

[wazzappp]

I am a woman of weak will with no excuse for this @moosemonstrous thank you for being my most trusted enabler advisor and @cicada-candy thank you for your encouragement <3

WOE. GHOST RIDER MAGICAL GIRL AU HELLFIRE GALA FITS BE UPON YE.

Ok so the first genre is High fashion/Familiar themed!

Robbie is in something edgy and asymmetrical. Lots of variations in texture with solid, glitter and mesh areas. A fun grungy makeup style that I thought would suit him well. The more solid areas have a snakeskin texture that I'm not sure came through in the image export sorry lol. Delicate silver pieces help to balance out the harshness of the general aesthetic of the dress. Overall tried to mimic the slithering motion of a snake with the twisting pattern of his dress materials and made it a little more obvious with the snake bracelet.

Danny's focuses on layered sheer materials. Lots of feather and wing embroidery to connect him to his familiar. Nice silver chain around the waist to give the dress some shape and structure and help separate the top and bottom areas. Leg slit to create some interest so things aren't too symmetrical and boring (also you have moose to thank for the boob window lmao). A fun little wing pendant for the back detail ties it together pretty well I think.

JOHNNYYYYYYYYYY pulled a LOT of Avril Lavigne vibes and I'm honestly not sure why. I guess I just really wanted to see in some 'trashy' Y2K fashion (trashy in quotation marks cause I think it's COOL actually) and she's the first person that came into mind. Fur at the top of the dress contrasts with the shiny/glitter material on the rest of it. White tips on the ends of his boots and gloves because of Zaradogs lil sock feet <3. A fun ponytail with some black chain necklaces finishes everything pretty well.

FRANK. DIFFICULT AS ALWAYS. HAD to include fur I had to connect him to Cat-stle somehow. Other than that his look is very Matrix inspired. Very slick and fairly practical. SPIKY ass boots and a fun laceup back add some detail to the otherwise very simple fit. Some mesh areas on the jacket also include just a little bit of variation in texture.

BALLROOM LOOKS!! We getting FANCY.

Something light and fun for Robbie with LOTS of gradient chiffon. A more solid waist wrap to help eccentuate a more solid shape for the more drifting ends of the dress. I'm a sucker for sheer sleeves brother I have no excuse.

EEEEEE PRINCESS DANNY COMING THROUGH!! I LOVE how this one came out! Fun off the shoulder moment with gloves to make sure his arms don't look too plain. Faux silver corset that dissolves into layers of sheer glittery material to form a full length ballgown with lots of nice volume.

JOHNNY YOU GAVE ME TROUBLE. Wanted to include lots of geometric shapes (moose and I looked at QUITE A FEW reference images) so I was able to fit that in with the tessellation patterns on the sleeves and mesh sides, as well as the triangular shape of the top area of the dress. Tried not to overdo the gold glitter by limiting it to a strip down the middle with longer black panels on the sides.

Frank with a VERY classic look I'm a sucker for a square top. He's also got the fun mesh sleeves, this time with some lace patterns. Layered skirt with a bit of volume and glitter ends (I'm a SUCKER for glitter ends). Vibrant red top to show off his signature color with some ribbing to mimic a corset.

AFTER PARTY DRESSES. Fuckin. Euphoria lookin ass dresses. Idk man I just love these kinds of dresses and thought I would go ham at the end for one final nonsense fun look.

#Ive got no excuse brother #ok now to move on to fighting styles #playing dress up with them was a special kind of fun though for fucking real #I love going dress shopping so this was a blast for me #JEEZ did it ever take me a while though lmao #ghost rider magical girl au #ghost rider #my art #sketch #robbie reyes #danny ketch #johnny blaze #frank castle #woe. main tag be upon ye. fuck you #alright time to go to bed lmfao

[the-nation-of-today]

50 Follower Special Surprise

Hihi besties, so I've officially hit 50 followers which may not seem like much but the fact that there's 50 of you that listen to my insanity is wild so first off, thank you all!!

Second, I promised a surprise, and I am following through. So for those of you who don't know, hi I am currently studying fashion. I have been for the past four years, and in my studies, one thing we've learned is how to do flat sketches. I found that I loved doing these, so sometimes I do them on my own for various ideas I have. One of these ideas that had come to me was to make gown concepts based on all of the BVB albums and eventually the EPs, so, that's what this is. You can view the full collection below, and under the cut are close ups of each gown and some insight into my thought process for each, enjoy!

First up is We Stitch/Re-Stitch These Wounds. Since these albums are companions to each other, I wanted to make one gown that combined aspects of both. Fun fact this was actually one of the last gowns I conceived because oh boy did I struggle with the silhouette on it. Anyway, to the gown itself, the most obvious motif is the lacing calling back to the idea of stitches, featured on the side panels, the neck, and on the corset belt. Then, on the detachable cape and matching choker are embellishments made to look like eyes, which relates to the eye motif found on the original We Stitch cover. The colors are then picked from the Re-Stitch cover, since by the point I did this gown I had already done quite a bit of black and wanted to go in a different direction.

Next is Set The World On Fire, or as I have lovingly dubbed this gown, Set My Computer On Fire because Adobe Illustrator crashed a grand total of three times while figuring out this gradient. Now my ORIGINAL plan for this one was to have the entire gown be one gradient from black at the top to fire colors at the bottom (think Katniss' Mockingjay dress but like mid-transformation). Illustrator uh... did not like that because each of those wing shapes is separate and complicated, hence the crashing. Instead, each wing shape has the fire-colored gradient which I ended up liking better. Obviously the wings are a reference to both Fallen Angels (obviously) and The Legacy ("on leather wings"). Then, the sort of tattered belt and choker are there to be callbacks to the acrylic paint the band wore on their bodies during this era.

Next is my beloved Wretched And Divine. For this one, I didn't take inspiration from the album cover so much as I did the Wild Ones' outfits, particularly the Prophet (to the surprise of no one). In those outfits you obviously see use of mainly black with a lot of asymmetrical elements. The collar of the gown, for example, references the collar of the Prophet vest in the In The End MV. The armpiece, on the other hand, is a twofold reference. It references both the strips hanging off of his belt in the In The End MV but it also references the feather armband Andy wore during I believe it was Download 2012 if I'm not mistaken. This one was very fun to play with the various elements and just kinda go nuts.

Next is Black Veil Brides from 2014. I will be the first to admit I struggled heavily with this one. I feel like this album is one of their most stripped back, so I was struggling on how to represent the different aspects. I eventually turned to the album cover again for inspiration. The tired skirt is a reference to the rubble pile that the gargoyle stands on, while the mesh sleeves and chest are reminiscent of the skyscraper ruins in the background, using a large, square mesh to evoke that building skeleton look. Finally, the silver belt with the circle clasp is a reference to the eclipse happening on the cover, and the color scheme is evoking the album's grayscale.

Next we have bestie beloved Vale. Now stick with me, this is the most conceptual of all the gowns. So with Vale, whenever I listen to it, I always get two kinda ideas from it: the idea of feeling like a ghost and the imagery of being chained down to something. It’s hard to translate into 2D but if it were real, it would be made of some really light and flowy fabric (something like a semi-sheer chiffon for anyone else who knows fabric) and each layer of fabric is a different color from the album cover (you can see it at the bottom there as well as on the open sleeves). This is where that "ghost" idea comes in, that weightlessness. Then, being weighed down is represented by the chain belt, with the sleeves are connected in the back to that top chain detail on the collar and I imagine there would be chains back there too. Essentially, I wanted to play with those dualities of feeling like you're floating away while still being chained down by something.

Finally for the full albums is The Phantom Tomorrow. This was actually the first gown that I made in this mini collection because I had such a clear idea of what I wanted since TPT has some of the most obvious visual motifs in the form of the scarlet cross. This gown is actually two parts, the gown itself and the cape/collar. The silhouette is based off of both the girl's dress in the TPT music videos and of Andy's jacket in the Scarlet Cross MV. You then obviously have the motif of the cross cutting through the center of the gown. The cape is then a result of me wanting to allude to the idea of wings (because of the Blackbird) without wanting to do something obvious like feathers. Then, of course, I needed to incorporate Andy's slutty priest collar as a crucial element. Finally, the rosary belt was added to both break up the red and to add a little extra blasphemy because we can always do with more (sweet) blasphemy (Get it??? Wrong album I know but I had to)

Now, onto the EPs. So I actually did not do these at the same time as the albums. I did the albums in October 2022, before The Mourning came out. Once I finished those, I didn't really have any ideas for the EPs so I just let them be. Then in March of this year, I had basically an epiphany about them, like I got out of bed specifically to do a janky sketch so I wouldn't forget my ideas. So, here they are.

First off is, of course, Rebels. Since this is Rebels, I wanted it to look different from every other gown so far, hence the silhouette. The asymmetrical skirt and sleeve allude to going against the grain and not being perfect (y’know, rebelling). The damask pattern on the top of the skirt and sleeve comes from the Coffin video, the women with the candles wear veils that look like they have a sort of damask (tbh, couldn’t tell exactly but they’re Ornate). The center panel of the bodice also has a distinct coffin shape, while the slashed stripes across the bodice reference the chest paint they all wear in that video, it’s sorta striped and almost looks like a ribcage. Hard to tell on here, but it would be almost sliced open with like a peekaboo black fabric beneath it. The colors of the rest of the bodice are then color picked from the jacket on the EP cover. Finally, the chain details come from the chains on the EP cover, and the upside down cross allude to both the crosses in the Coffin video and the fact that Unholy is a song on there, y’know the upside down cross being the opposite of a right side up one.

Next up is The Night, aka the first one I had an epiphany on in regards to this set. The purple comes from the EP cover and the videos, obviously. The chains are a part of Andy’s outfits in both MVs, which is also where the crosses on the hem come from, both are on his jacket in both videos. The neck piece is a callback to the streaky paint/makeup Andy has on, and then the X on the bodice is a reference to Lonny’s makeup since it was his first record with the band, I wanted to ensure there was a reference to him. I wanted the X to be a little sharp and almost look painted on. This whole EP has always sounded very sharp to me, so I wanted to channel that in this gown. Kinda just went with the vibes on this one, ended up with this gothic armor sort of look for the neck piece, but it slaps so we're sticking with it.

And last but certainly not least, The Mourning. I wanted this to be a very big and ornate gown, almost looking heavy. The color scheme, obviously, adheres to the grayscale of both the cover and music videos. The skirt is made to look like panels or pieces of a stained glass window, referencing the rose window in the Saviour II video. The neckline is a modified sweetheart, with the two extrusions made to look like devil horns (cause, Devil, get it). Then the sleeves are twofold- they are reminiscent of angel wings (both Better Angels and the angel on the EP cover) and they represent Saviour II because they’re meant to be big and sweeping, like the song is. Finally, the studs are taken directly from Andy’s jacket in the Saviour II video

And that's it! I hope you guys enjoyed these. I am very proud of how these all came out, definitely one of my biggest projects to date but one that I'll always love!

#black veil brides #bvb #black veil army #bvb army #we stitch these wounds #re stitch these wounds #set the world on fire #wretched and divine #black veil brides 2014 #vale #the phantom tomorrow #rebels #the night #the mourning #maeve.png #this is my first time sharing my designs to a wider audience so be kind to them #i put a lot of effort into these so

[rad-roche]

today was my birthday!! ( ᐛ )و the ceaseless march of time never stops, but that’s not what i’m here to talk about, i got gifted a copy of realistic paint studio by my family! and i thought i’d share my thoughts here

all the fun of oil painting without the carcinogenic terrors of cadmium yellow!

so i’m coming at this from somebody who

primarily uses, and will continue to use, clip studio paint

has never actually used oil paints in any significant way

absolutely TANKED high school art classes back in the day. i mean bombed. i mean nosedive. sub f tier. my teacher pulled me aside and said i should give up on art school to save the place for ‘somebody who actually has talent, you will never be good’ tier. i kept at it anyway but all that to say that there’s a classical, ‘right’ way to do these sorts of things and i’m actually not sure what that is because i’m self-taught, so if you’re in the same boat this overview might be of use to you

right out the gate this thing costs £30, if you want the ‘vip’ set (which is only £5 more than the ‘base’ set and comes with extra tools so i’d just go for it). upfront i will say, clip studio paint often goes on sale for £25 and has a wealth of tools available to it. if you have a choice, without a doubt, pick up csp. the free asset store alone is unbelievable. this thing is robust but only in certain aspects, think of it more as a very, very advanced toy

realistic paint studio has a fun feature going for it, tutorials! you know those old bob ross paintalongs? almost every tool has a reference picture and a guide that teaches you how to use it, especially for the more difficult ones like watercolours

a couple i did

the pros:

the engine that handles paint and mixing is unbelievable. it is absolutely incredible. i’ve used a lot of art programs in my time (GIMP, photoshop, krita, csp, and whatever weird little novelties i’ve found floating around like alchemy, etc) and rps feels buttery smooth. unmatched

every brush you can use comes with a demonstration of how you can use it and for what purpose

far closer to traditional mediums as far as colour and general ‘feel’ goes so if you’re looking to make the jump from traditional to drawing tablet this is a great middle ground while you get used to it

supports tilt (but very usable without it, and i’m saying that as someone who doesn’t use a tilt tablet)

buttery smooth. i’m listing it again. i cannot stress this enough

the cons:

if you’re coming to this program from photoshop/csp the QoL features you are used to are gone. the transform tool is manageable but there is no mesh transform or perspective warp. no layer modes. no multiply, no overlay, no dodge, no hue sliders, no cropping, no gradient maps, no liquify. they were not kidding when they said ‘realistic’, if you make a mistake you have to rawdog it and paint over it.

the ui is not a traditional art program ui. you click toolboxes which bring up brushes, and you select from that set, then the box drifts off-screen. you’re either going to love this or hate it. you can assign certain brushes to hotkeys under the favouriting system, but that’s very limited so expect to see that little toolbox a lot

the export feature is clunky. most apps let you export from the file menu but you have to save your work, quit, retreat to the general app management area and export from there. there is a method of exporting in the file itself, but it only lets you set up these little postable scenes. it’s cute, but this isn’t intuitive. also, and this is a real nitpick, a lot of the pre-rendered scenes offered hide the very bottom of the canvas, where your signature traditionally goes

my general thoughts are that this is a cool, interesting piece of kit! it feels a little too janky to use consistently, especially if you need a quick and easy user experience for commissions or the like, but it’s the best at what it sets out to do. certainly ‘limited’, but i wouldn’t count that as a flaw, it isn’t like you can slap a multiply layer over a real charcoal drawing and call it done. i’d argue that if you want to improve, and you want to improve very quickly at that, you’re going to struggle to find a better digital medium to work in. you won’t be tempted to use shortcuts because they’ve been slapped out of your hands. you can’t liquify tool your way out of this one, me. i’m looking forward to sharing more studies and, when i think i’ve got a half-decent handle on it, lavishly painted sad old men

#rochedotpng #fun and interesting program! i've been having a great time with it #overall a mixed bag but what's in that bag is very very impressive

[journeyman-tier-fibercraft]

Row 70 on doily 10 has me jumping from my 22 inch cable to my 50 inch cable. I'm up to 560 stitches per row and they were Packed onto my 22 inch cable.

The rest of the chart has the rows actually getting a bit shorter but they involve mesh compared to the last 10 rows that have mostly been stockinette with some increases, but something something slow and steady wins the doily.

I am once again extremely happy with the gradient. This yarn may be a pain to get used to but it's so worth it for the lovely colours and stitch definition.

Doily 10 | Pattern Rav Charts | Yarn Rav

#knitting #knitblr #lace rot #lace knitting #wip #project: doily 10 #i finally could knit again and now we're having another cold snap. existential dread. #it's not as bad as the last one so i'm only in mild pain all the time but also spring is the WORST season #I kinda fell out of love with this pattern for a while but I think i'm back to loving it. It looks kinda like a snowflake rn

[god-mouths]

two.

2. 5 favourites of your own work? putting under a read more for convenience :]

this ask actually came at a spectacular time as i just unearthed the motherlode of old art of mine from 2019-2020.

i'm counting all the old ones as one because i love cheating

1a. Max's extended backstory used to be very, very different. I wasn't willing to let go of him as a character yet, so instead i just like elongated his story as a whole. the two characters behind him here are Lana (blue) and Ashoka (grey). The piece takes place during the focal point of the destruction of the universe ^^ 1b. this ones just always been a favorite! i like how i did the blood 1c. I really like how i drew rhea here, specifically the smile and the gradient on the horns :]

kay now on to the more contemporary pieces!

2. this is a piece i did for artfight 2021, @/13crowsinatree 's oc, Nikola! I just love the colors and how i used traffic signs as pupils

3. another piece from 2021, i really love how i did the lineless and the shadows here, although i wish i did a little better on the mouth. it's fanart for Inside Job, which i kind of have conflicted feelings about the second season like. idk. they leaned far too much into some things and also ron looks too much like her brother it was weird.

4. also from 2021, pretty obviois its a favorite as its my current header . it was a sketch that i cleaned up (which i rarely ever did back then and still dont really do now), i just love the way the lineart meshes with the colors, and how i drew bear here!

5. 2022! the expressions, how i drew the side profiles, the colors, and the hands!! i really really like how it came out. the mouths also. basically i just love everything about this piece mwah mwah mwah

old extra joke sketch from 2019-2020 VVV

this joke is from one of my absolute favorite mspfas i read that i would go back and try to find the original of but mspfa is completely offline so i cant

#asks #yaaay ^^ #should i tag my ocs. um. meh. #ocs #there #others ocs #long post #flashing

[zebrafiz]

hey I’m sorry if this is a dumb question but how did you edit this post? https://uh0htaj.tumblr.com/post/691810414070218752/zebrafiz-step-into-jades-closet-with-this it’s really cute and i love it

hi! that’s not a dumb question at all dw omg

im probably gonna ramble a little so i’ll put it under a read more

it was pretty simple actually vhdfkghkj i got essentially everything i used from pinterest (backgrounds, popteen elements etc) & i chose to render the outfit pics of jade but that is completely unnecessary!!! cas screenshots work fine too 

after i got the renders done i picked out backgrounds (hot words “y2k backgrounds” “aura” ykwim) that meshed well with the color scheme of the outfits. after thaaaatttt i removed the backgrounds from the renders, positioned them on the background, and just experimented until i found the sweet spot. something important is that i knew what i wanted it to look like in the end (which is very important)!! i was pretty much inspired by this one image and i tried to follow the layout to the best of my abilites (like the background for the casual fit pic? i made on my own by layers two separate photos to give it that older effect) 

then? honestly? i just pulled the descriptions out of my ass, put them in ariel font, sized like 48pt/40pt, made the color black, and aligned them with the sides. then i added the A / B / C letters. a lot of it was copy & pasting from the first image i did to make it easier on myself. 

lastly i edited jades photo’s to make the colors more vibrant (i used the camera raw filter thing), merged the layers, used ‘o gradient’ from this action dump a few times, sharpened, added noise, and used either an old paper texture or a plastic one. u can find those on pinterest or where i got mine. blend with soft light and mess w the opacity and then BOOM . ur done

im currently working on it more but if u want to see some of my resources and inspo for things i have a pinterest board here

#sorry for how wordy this got lolz i find it kinda hard to explain things like this #also i am very much a ps beginner skhgjkhsf #anonymous #tutorials

[i-can-even-burn-salad]

🍃 Leaf: What is a plant you find beautiful? 

🐝 Bee: What is a video game that you find comforting? 

Thank you for the ask <3 From this ask game.

🍃 Leaf: What is a plant you find beautiful?

“A”? One? That’s impossible. I love you trees, I love you ivy, I love you spider plant, I love you snake plant, I love you daisies, I love you hibiscus, I love you little strawberry plants, I love you blooming chives, I love you lilies, I love you weird flower I’ll never learn the name of, I love you dandelion, I love you mirabelle, I love all of you.

Except those that have thorns. Fuck you <3

🐝 Bee: What is a video game that you find comforting?

Comforting. That’s not the word I’d use for most of my games I love.

(Why did this piece of shit crash this time, oh no a mesh is missing, I can’t possibly continue playing without looking up at which level this Pokemon learns this move, I’m gonna spend the next 5 hours in char gen, because I need to be absolutely sure what I’ll pick, I need to play with wiki open, so I know which quest way to go, oh god another patch, all my mods will stop working, oh god another patch, all my builds are ruined, oh fuck I missed an achievement.)

I think one of the cutest games (though moderately stressful at some bosses, because I suck lol) is Fantasy Life. I wanted this game for years and when I bought my 3ds it was more or less for Pokemon, but also for this game.

[ID: Promo artwork for the 3ds game Fantasy Life. A knight on an armored horse, raising their sword, is standing on a cliff, overlooking a landscape of grassy hills and forests, full of people and creatures. They’re all drawn in a very cute comic style. Ships sail in the background on an ocean and a dragon is napping on top of a hill. In the middle is the logo of the game, with the title in big, bold letters in a light blue to light green gradient in front of a thin yellow crescent moon. An airship is fling over the title, and the dragon is under it, with it’s mouth open. A long stream of various characters seems to walk out of its mouth, towards the viewer. End ID.]

The world is super cute, I can harvest things, and stab things with my dagger and I have a lil kitty and... yeah it’s adorable ok. Running around with my lil witch hat and my black kitty and picking up flowers and mining ore and when you hit the vein just ~right~ with your pickaxe you get a bonus and then you return and play a silly little mini game to wave your dandelion fluff into fabric and sew some clothes with it.

I guess the progression can be a bit dull and/or stressful, depending on playstyle, and also a bit of a grind, but I occasionally boot it up just to run around a map and fill my pockets with bugs, flowers, apples, ore and wood.

[ID: Promo artwork for the PC game Pillars of Eternity. It’s in orange and purple hues, showing a group of adventurers standing on the edge of something, fighting a horde of zombie-like monsters, trying to climb up to them. Two of the adventurers are wielding swords, one uses his bare fists, one her bow and one is casting magic with his raised hand. The title of the game, Pillars of Eternity, is in the upper right corner of the artwork. It’s written in golden letters on a plate depicting several slightly green rock pillars. Underneath is the text complete edition. End ID.]

This probably fails the assignment spectacularly - everything about this game is heartbreaking AND I haven’t actually played it in YEARS. And I never finished it because I got lost in side quest completing before the last dungeon dhakhsdgaks. But I just like... love it so much? The artstyle is 110% my thing, I love how grim it is, and I really like the world. I sometimes just listen to the soundtrack, and I love the companions (not you Durance). It surely has its flaws, but I sometimes look at its little icon in my library and think “I could install this” and it’s making me happy. I have issues I know.

Welp. This was a bit longer than I had planned. Not sorry.

#salad-ask #I am normal about video games #And I didn't even mention my favorite one yet #salad-games #Anonymous

[heterocycles]

My impulse order arrived yesterday. I bought an Extra Barbie with the cloud top, FOR the cloud top. And I've been wanting Marisa since the first day I got into Rainbow High, so I popped her in the cart as well.

The Barbie's eye makeup is nice. I'll have to do a similar gradient on myself someday. Or a doll. Or both. The top didn't disappoint either. Other than that... Rainbow High has definitely spoiled me by now, the only other item I like is the green beanie and the rest are... mehhhhh.

I like her hair as well, especially after I plucked out the tinsel. I might put her onto a different body that doesn't feel so hollow and light... or I might not, I'm not a fan of Barbies tbh.

Marisa is just as gorgeous as she was the first day I saw her. I was fully prepared to pluck tinsel out of her hair but there's actually none, she just has really shiny strands like that. Her hair was also gelled to hell, literally rock solid before I washed it. Some of the gel also got on her bathrobe, never seen that happen before. Thank goodness it was easy to wash out.

I had an outfit in mind for her, but I realized it matches Meline Luxe far better, and I much rather prefer Marisa in Sunny's 2nd outfit. I removed the sequined mesh and... yeah, she's GORGEOUS. I'm not too fond of the shirt and I'll definitely be replacing it (possibly with the black shirt from the fashion closet), and the ends of her hair are absolutely FRIED. Other than that, I love her. She's so classy.

#doll stuff #fin.

[hamptonbitsch2]

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[barbourlindahl2]

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[albrechtsenalbrechtsen88]

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[pathologising]

Mantra Series // 10.20.21

#upload #trauma #recovery #actuallymentallyill #actuallyborderline #actuallyptsd #actuallyanxious #actuallydepressed #bpd #actuallypsychotic #traumacore #recover or die . #i love gradient meshes actually

[house-of-laminations]

Demon Form Thoughts™️

Earlier this week @sparkbeast20 put out a wonderful post ranking the different demon forms and invited us to share our own opinions and oh boy do I have opinions. I largely agree with a lot of what Spark said in their post, but I’ve decided to tack on my own addendums. So without further ado - I present: another monsterfucker discusses the demon boys.

Now I love these boys. I do, really. But... There aren't enough claws and fangs. Where are those giant teeth all the better to bite me with? Where are the claws/talons/spikes that could easily flay a man? Would they ruin the manicure too much?

The wings are all a bit too small too - comically so, if you try to imagine them flying. I know it's probably just by virtue of the art-style/avatar sizing so whenever I talk about the wings, please realize I'm imagining them at like. 3x the size.

Lucifer

Like most people who've also discussed this before me, I agree Lucifer's design really does nail it. The horns, the wings, the gem, even the outfit all scream "prideful fallen favored son". The fact that he still has feathered wings, obviously from his past as an angel, is also really great for giving some of that subtle character exposition.

Mammon

Mammon's is also one of my favourites. If Lucifer is a demon who reflects his past as an angel, then Mammon is a demon who has suffered his past as an angel. The white markings/scars from his celestial outfit just proudly on display. The wings transformed into dragon wings. These are scars that show a transformation, and I love it.

Leviathan

this is what I'm TALKING about. The horns/antlers. The tail. The scales. I do really enjoy that his shirt is a see-through/mesh shirt too. The scales aren't all one uniform color - you can see some fading with age, which makes them feel organic. 10/10. Kinda wish he also had a forked tongue to match.

Satan

We can all agree Satan's demon outfit is whack, with his lil ribcage bow that doesn't sit right. But. His spiky tail with that unnatural gradient? Yes. The feather boa - presumably what remains of Lucifer's third set of wings? YES. I do like to think that boa is part of him - no matter if his outfit changes, those feathers remain in some form.

Asmodeus

Asmo's demon form is actually the scorpion on his chest and he's being ratatouille'd constantly. It's why his stare is so blank.

Beelzebub

This is excellent character design and you can't change my mind. The fly wings for the avatar of gluttony? Superb you funky little man. Even the horns are reminiscent of an insect's mandibles. I think they could've pushed it a little further, like maybe fractal eyes, but then it would've been incongruous to the rest of the cast. I also want to wear his jacket because it looks comfy and I bet it smells nice :)

Belphegor

I think it's interesting Belphie doesn't have wings. I like to think maybe they were injured as part of the fall, or maybe are reflective of his guilt for Lilith. I do love his tail though. It's very Floofy. Overall though it's a bit meh, really.

Diavolo

You know what I love more than monster boys? Monster boys decked out in fine goods and jewelry. Monster boys accessorizing. It' about the gold! The furs! The belts and chains! Even on his horns and wings! I would climb Diavolo like a tree. That is all.

Barbatos

Barbatos suffers from the same bad sense of style as Satan. If you ignore his outfit, his Demon form is actually quite interesting. It's off in a way that the other's aren't - it could be the tail with the unnatural glowing veins. It could be the skeletal wings emerging from his head. It does a lot of heavy lifting. But the outfit. Barbatos, sweetie. Please let me rip off those frills. You can do anachronistic fashion, but this is not it.

#obey me #obey me swd #omswd #should i put this under a read more? probably #I wasn't actually super critical this time around bc I feel like I largely agree with spark