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#i mean i hate HER but not her character writing
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Hi! I love your Hazbin Hotel stuff and I wanted to make a request. If you haven’t done something like this, could you write the Hazbin characters, specifically Vox, Lucifer, Husk, and maybe Lute with an S/O (would prefer fem but G/N is fine) who has bad body dysmorphia? Like, they can never take compliments about their body, always thinking they’re overweight, not eating, etc. If this is too difficult/uncomfortable, totally understand! Would hate to trigger anything. Hope you have a great day/night!
If you like what I’m doing consider tipping me for priority requests & access to characters I don’t usually write for such as Charlie, Valentino, Carmilla, and more.
Husk
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Husk will never compliment you in public after figuring out that you hate to be complimented.
That does not mean that he’ll never compliment you.
He will because he truly thinks you’re beautiful.
He simply elects to do it in private so he will be able to explain to you in length why he disagrees.
He wants you to understand why he loves every single thing about you.
Maybe you don’t agree but he will let you know why he thinks it’s all so beautiful.
He doesn’t try to make you love it all like he does but he will at least try to make you accept that he loves it.
Lucifer
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Lucifer can’t understand why you don’t see your own beauty.
At least at first.
Then he realizes how close self loathing is close to depression and how they can often intertwine and how hypocritical it is to be so befuddled by your lack of understanding of his love of you & your body when he can’t understand how giving people free will is a good thing in any capacity and wow— he was too hard on you and himself.
Hello, something new to unpack with a therapist.
He definitely starts being more understanding after that revelation.
Not that he was ever cruel but he was a lot more insistent on how amazing you are not understanding that his insistence may not help but could make it worse.
It could make you think he was lying, covering up some hidden disdain with an over abundance of praise like he does with sinners who thank him for free will.
He’s not.
Make no mistake. He truly does love and adore you and every single part of you is amazing in his eyes but he understands.
He lets up on his pouring compliments and his combativeness over whether or not he means it.
He still compliments you but he no longer fights with you.
He just says what he thinks and then goes on, ignoring any expression of disbelief with a small, “A difference of opinion.”
Lute
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You cannot dislike her partner.
Not allowed. No one can dislike her amazing partner.
Will spare with you when you disregard her compliments.
She means what she says.
Why would she waste her breath with words that weren’t true when she doesn’t have to?
Everything she says is said because she means it.
You best learn that.
Vox
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No, no, no, no.
You don’t love your body? Unacceptable.
“Velvette! A photo shoot is in order right now!” “I’m busy!” “Well, clear you schedule!”
Velvette actually has a way of making you feel a bit more confident without seeming like she’s trying.
The photo shoot actually goes well even if you refuse to look at the pictures.
Of course, that doesn’t last long because Vox puts them up in his office, just too large and gigantic to ignore.
He has pictures of you everywhere because he loves looking at you.
Will kiss every part of you in front of a mirror while saying why he loves every part and forcing you to look at yourself otherwise he’ll stop. He records the entire thing to watch back later.
If you like what I’m doing consider commissioning me for canon/canon stories AND personalized canon/reader stories.
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divorcedfiddleford · 2 days
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You made a post saying “it has been zero days since our last alex hirsch hates ford so much bullshit” and i know it was mostly hyperbole, but you have some really good takes that I would love to be elaborated on in terms of how ford is written
it really wasn't hyperbolic. over the years he's just really shown a lot of hatred towards this one character.
content warning: discussion of abuse
i want to start with this clip from the commentary which i think of as a microcosm for how the writers and especially alex think about ford.
transcript:
rob renzetti: i mean he [mcgucket] should've basically knocked ford out, and... and destroyed the... you know, tied him up, and, destroyed... and... alex hirsch, speaking over him: yeah he should've beat ford with a wrench and taken this thing apart piece by piece! he's the one who understood how to built [sic] it, but...
... so that seems like a pretty violent course of action. shall we unpack that?
ford is a character who's pretty explicitly written as a victim of abuse, and who now has c-ptsd as a direct result of the abuse he experienced. alex hirsch believes that ford deserved everything bad that happened to him, that it's ford's own fault, and that he also deserved worse things to happen to him. this is why, given every narrative chance, alex hirsch has piled more suffering onto ford's plate. the biggest example of this i can think of is in the journal, when he wrote that fiddleford was actively erasing ford's memory (despite this being a massive timeline contradiction which i still refuse to accept). because god forbid ford even have one remotely healthy relationship with somebody. that would be too good for him. ford was manipulated and lied to by bill, but alex repeatedly compares him to icarus, a teenager whose demise was the result of his own ignorance. this comparison is still so fucking offensive to me. the sun did not lie to icarus, did not guarantee icarus all of the happiness and success and sense of belonging which he had been denied all his life, did not actively shut out the voices of those around him who would try to help him.
alex in general has a very strange relationship with abuse. he seems to get really upset when people read his characters as victims of abuse. the strongest instance of this is actually not with ford, it's with pacifica - especially in the nwmm episode commentary. the episode says "pacifica's parents have conditioned her to respond to a bell" and alex says people got "the wrong idea" about it. like. dude. what the fuck. you wrote abuse. even if you didn't mean to, that's what you wrote. you can't say people got "the wrong idea" just because you didn't think about the subtext of what you were writing. anyway, back to ford: i believe this extends to him as well. alex wanted to write a character who's a foil to stan and who was a selfish unlikable victim of his own arrogance. however that's not what he wrote. he somehow seemingly accidentally wrote a really compelling and relatable awesome autistic guy who had to fight for every good thing he he ever had in his life only for it to be taken from him every single time. but alex can't let go of seeing ford as just "the opposite of stan". when he talks about "how someone as smart as ford could fall for bill's tricks", he refuses to realize he wrote a situation in which a man was being psychologically manipulated and tortured.
it goes back further, too. people repeatedly theorized that filbrick was... not a very good father, to say the least. on top of the very explicit and canon fact that he threw one of his children out on the street (seriously, there is no defense for this), people pointed out that stan would flinch at filbrick, that ford seemed upset by things filbrick said but dared not talk back, that filbrick was mad at stan not for hurting his brother, but for "costing the family potential millions". but alex can't have people seeing ford as sympathetic. ford can't have it bad like stan did. ford had to have everything and he lost it all because he sucks so much. so he wrote the graphic novel story where ford is filbrick's favorite child and filbrick also is not even a bad parent you guys he's just stoic. ignore the whole thing in dreamscaperers where stan perpetuates the abuse that filbrick did to him. ignore the fact that ford was shouting at stan and then completely shut up as soon as filbrick entered the room and did not say another word for the rest of the night. ignore all that because i just made up this story where he cries at a present from stan. filbrick loved his boys for sure you guys!!!
i'm not even touching on how alex repeatedly villainizes traits commonly associated with mental illness and neurodivergence. ford's hypervigilance becomes arrogance. his passion for knowledge means he's a know-it-all. his difficulty socializing and making friends means he's a misanthrope. his lingering resentment for the way he was raised means he hates his brother and is the worst human being to ever have lived. i could go on, go even further into how the finale reaffirms this, but i feel weird talking about this too much.
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*sigh* Here we go.
DO NOT SENT ANY SORT OF HATE TO THIS PERSON, I DO NOT CONDONE ANY IF THIS BEHAVIOR!!!!
So um.... Since this person assumed about OP, I'm gonna do the same thing - if the gay man is R2 - no, I think they are talking about Brandon - gay man of color, than rewieving means nothing on the first draft because Brandon has an offensive type of humor, and the person who storyboarded it is R2, who has a SA and r* kink.
And judging by Vivziepop's behavior on Twitter, she does what she wants, whenever she wants and her unable to accept any sort of criticism, it is safe to assume, even if someone told her, 'Hey, this is too much' she wouldn't take them at their word anyway.
I'm going to repeat what everyone said multiple times so we are clear on this - No one cares, that Viv and R2 are into SA kink. No one cares, that Viv and R2 are into r* kink. We don't mind that they are exploring darker themes, our issue is HOW they are doing it.
Pausing mid-rant to get this out of the way. Those who felt seen and represented by ep4 and AD situation, you are valid and power to you. Those who felt NOT represented and triggered by ep4 and AD situation and how it was handled, you are valid and power to you. Both sides are valid and those who felt triggered DO NOT owe Vivienne Medrano any sort of apology.
Back to the rant, as I was saying, our issue is that we are supposed to take it seriously one episode and then make a joke out of it two episodes later.
As once great character said before bring butchered by awful writing: "Everything before the word 'but' is horsesh*t."
The sentence: 'I agree Sir Pentious joke was in bad taste.' Should have ended there and would've been fine. Now I can't tell if they are being genuine or not. (TLDR I personally don't hate kink (unless it is absolutely vile and harmful), yet I can't speak for everyone here - ignore the double negative)
And that person is assuming that OP of said post is not an SA victim, which, first of all: Why? Second: We can't share opinions or disagree with something if it hadn't happened to us? If that's the case, then writers, who didn't experience those things, can't write about them. Sound fair right?
(I didn't mention this at the beginning, there's this thing I find funny about this person is that they've been on SEVERAL critical posts with their replies deleted because many people were like 'TF you doin' here?')
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respectthepetty · 3 days
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GMMTV 2024 Part 2 - Hot Tops
I did this for the first part, so I'm following up with the second part. I still have no Midnight Museum 2 or gym bros BL (why?!!!!!), and I'm excluding Ossan's Love and ReVamp since we knew those were coming, but, honestly, this list could have just been one show, and if you know me, you already know what it is . . .
#1 - The Heart Killers
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I'm a JoongDunk fan first, and a human second. My troublesome tykes get to be gay and do crime, this might be a Jojo show, and they get to chill next to FirstKhao.
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This isn't a gym bros BL, but somehow, I still won! Who do I look at first? Khao and Joong playing criminal brothers? Dunk being a mechanic? First being a tattoo artist? Not only am I getting a YinWar heist BL this year, but now this?! The chemistry is going to be 100%, and for this gift from the BL gods, I'm watching TWO shows on my Pride Petty Watch because I. Have. Been. Blessed.
#2 - Us
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Sing was looking fine with his hair, and his body, and his presence, so for me to see him in all his beauty and still scream for him to get the fuck off my screen so I could focus on the ladies means THIS IS GONNA BE GOOD! I'm still holding petty grudges against Emi for the character she played in 609 Bedtime Story and Intern in My Heart, but the second she told her boyfriend's sister to come closer . . . *bites knuckles*
#3 - Heart that Skips a Beat
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I'm shocked. I am fully invested in watching this idol love story knowing damn well I hate singing and dancing in my shows. And yet, somehow, this three-minute trailer convinced me that this wasn't just an average One Direction fanfic. No. This is about to be gold-tier fanfic storytelling. These boys aren't living in the BL bubble, but in actual this-shit-is-about-to-have-consequences-for-everyone reality. Plus, it appears to be color-coded, so bring me my idols!
Honorable Mention - Hide & Sis
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Jan, drenched in blood?
Yes.
Everything Else
Talking shit about any of the others is pointless because I'm going to watch them all anyway, at least the queer ones that is, so I'm just gonna write that my beef with JittiRain, who got two shows this time around, and Krist is still as strong as ever even though Be My Favorite, which was with both of them, was a great show.
But there was a lot of pink in Sweet Tooth, Good Dentist
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And I like Perth x Chimon.
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So whatevs. I'll be here. Watching.
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karenandhenwillson · 3 days
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I've seen so much discourse about Bucktommy and especially Tommy and it is so wild. I just want to write down some of my thoughts over all of it because that tends to help me to stop thinking about it.
"Oh, how can anyone just abandon Buddie for Bucktommy?"
Has anyone really abandoned Buddie, though? Or are they just for the moment very excited about a new and so very carefully portrait queer story line? Just because some people talk more (or for the moment only) about Bucktommy, doesn't mean they don't like Buddie anymore. They just have something shiny and most importantly canon to fawn over for the moment.
Also, I'd like to give that question back: Why aren't you all excited for a carefully and softly portrait new queer storyline about a character a huge part of the fandom—including the actor himself—hoped for years would get a queer story line?
And it's a pretty unique queer story. Of course, we had Michael figuring out his sexualtiy and growing comfortable in it right at the beginning of the series. But there are some huge differences between Michael's story and Buck's story.
For one, we ended up in the middle of that story. Michael had already done a huge part of the work of getting to know himself. He was ready to live as a gay man. And second, nothing of what we saw until season 3 was from Michael's point of view. It was all from Athena's point of view. 
So it was a "coming-out late in life" story line, sure. But it was a queer storyline from a straight perspective. And in some instances, from a very hurt perspective about it all (which are, of course, very valid emotions for Athena, May, and Harry, but it still gave the queer side of the story line a certain taint). And they did that beautifully, too, no doubt. I especially liked that the family didn't break over it, that they grew with that experience, and that Michael and Athena became great friends over the years.
But now we also have a "coming-out late in life" story line from the queer perspective! 9-1-1 is pretty much the only series I'm following right now, so I have no idea if we had something similar recently. But from all the talk I've seen, it's pretty damn unique, especially for a male bi character. So, of course a lot of people are super excited about it. Because it's honest and good representation that the writers and the actors are handling with a lot of care.
"Oh, if it were a female love interest, you'd all hate her again!"
First of all, go back read that paragraph about many people being excited about getting a queer story line again! I think that's about 40% of the answer for everyone wondering about it.
And then, of course, Tommy has now already more depth and character and background than we ever saw about Ali or Natalia. And despite some people claiming he didn't have any kind of redemption arc, he truly had a lot more of a redemption arc than Taylor ever got even if only glimpses of it were ever shown on screen. (Maybe I'll get into my thoughts about that in another post.) Not gonna talk about Abby, because I think most of the dislike for her came long after that relationship was over after she ghosted Buck (and after Eddie had shown up).
One huge difference between every love interest of Buck or Eddie we have seen in the past to Tommy is also, that Tommy gets along really well with Eddie. We've already seen a friendship develop there. That never happened with any of the women either Eddie or Buck dated before. We saw that one dinner Buck and Taylor had with Eddie and Chris, but it was very clear it was the first time, and that was over half a year into Buck and Taylor dating, probably more like nine months.
If you wear slash googles around Buck and Eddie or not, their deep friendship is undeniable. It's very much canon that they both have a hand in raising Chris. Any love interest coming in has to deal with that, and has to somehow fit into that friendship. Tommy is the very first love interest in canon we have ever been shown to have that potential at all.
I'm personally part of the fandom that thinks that Buck and Eddie have great potential in a romantic way, BUT that they are first and foremost soulmates, no matter if platonic or romantic. And at least the Bucktommy fics I've read so far have all acknowledge the friendship of buck and Eddie and Chris' role in Buck's life. With Tommy being very accepting and supportive of it. (Though, I admit I’m very careful in my selection process.)
"Oh, Bucktommy is only a steppingstone for Buddie anyway! Don't get so invested in it!"
Who are you tell anyone what they should get invested in? I also think, with the excitement right now, even if Bucktommy break up, the ship itself will live on in fandom.
And also, didn't any of you learn out of the cheating story line they settled Hen and Karen with?
There is barely any content for Henren*. And I've been looking! Most stories they are tagged in don't really focus on their relationship. And those who do focus on their relationship get barely any attention. And you know why that is? Because a lot of people can't or don't want to deal with the cheating. (I deal with it by trying to ignore it or seeking out content where it's fixed!) Do you all really want to have a second queer story line that centers around cheating?
And even if none of you care for Henren (which... I know many don't *shrugs sadly*), have you all already forgotten the real pain over Buck kissing Lucy and then not fessing up to Taylor about it right away? (Once again, I deal by either ignoring it or seeking out content that fixes that bullshit.)
I'm honestly pretty disgusted by all the speculation about 7x06 that has anything to do with Buck and Eddie cheating on Tommy and Marisol during the bachelor party. And even more so about all the fics one can find about that, or that use Tommy as a device for Buck and Eddie realizing they are in love. (Honestly, even filtering out the other relationship tag while looking for stories in one relationship tag doesn't prevent one from stumbling over those stories right now, no matter if one is currently looking for Buck/Tommy or Buck/Eddie stories. It's so fucking annoying. I've turned to only reading old Buddie fics for the moment.)
Aside from the whole cheating of it all, why do any of you think the next episode will focus on anyone else but Maddie and Chim?
"Bucktommy is so racist! But really, no surprise in this fandom!"
What's no surprise is that "racist" is once more used as a buzzword in this fandom. To the point that BiPOC fans of Bucktommy are being told they are racist for the ship they like. (Nothing new about that in this fandom either.) Honestly, half the arguments about why the ship is oh so racist either make my head hurt while I try to follow the many, many, many mental loops people are making to get there, or they just make me laugh outright.
Do some of you really believe it when you say "Buck got together with a White man instead of his Latino best friend, so of course that's racist!"??? I'm just... Are you okay? Do you maybe need something warm to drink, a snack, and a nice place somewhere in the sun far away from the internet to just enjoy nature for a little while?
As I said, I'll probably make another post about Tommy's redemption arc over the whole "He is an unrepentant racist and misogynist". That redemption arc exists and has been baked in since season 2 (even if some of people clearly lack the media literacy to see it). Though, other people already put together great meta posts about this. But maybe if there are enough of it, some people will for once acutally read and start to think instead of continuing to spew their hate.
*PS: If anyone has good Henren contant, especially fanfiction, feel free to drop me a DM. I'm always looking!
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lililasagna · 16 hours
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some disjointed thoughts about Nemesis and Melinoë (and Hecate and mommy issues)
I’ve been having lots of thoughts about the dynamic between Nemesis and Melinoë, and by extension both of their dynamics with Hecate. Hades 2 technical test spoilers to follow, obviously
First let’s talk about Hecate and Melinoë. Hecate raised Melinoë! She cares about her! But their relationship is not healthy by any means. Hecate is the only parent Melinoë has ever known, but out of loyality to Persephone she refuses to be Melinoë’s mother, and very harshly pushes back on the idea when Melinoë even suggests that she views Hecate in a maternal way. (Notice the difference to how Nyx treats Zagreus, and says he will always be her child.) Hecate raised Melinoë in a very militaristic way, for the obvious reason that they are at war, but isn’t it kind of nuts how even when playing hide and seek with very small child Melinoë, she frames their playtime in the context of hunting and killing titans? Enter Melinoë’s desperate need for approval. Yeah, it’s cruel when Nemesis says that killing Chronos “isn’t personal enough” for Mel. Unfortunately, she is right. Throughout the techtest, Melinoë continuously questions herself and other characters on how to keep up the motivation to save a family she has never known. She struggles deeply with this. My impression is that at this point, she is fighting To Make Hecate Happy. She is constantly vying for (and getting!) her teacher’s approval. She doesn’t question Hecate almost ever, and that’s in fact Bad for Melinoë. Melinoë needs to kill Chronos for Herself, and she’s simply not there yet.
Now, I noticed two things that made my alarm bells ring in regards to Melinoë, Nemesis and Hecate. Nemesis very clearly cares about Melinoë, even her digs at Melinoë are poorly disguised concern for her. She’s worried about Melinoë being sent out on her own by Hecate, she thinks Melinoë is a pushover to Hecate (she’s right), and she lets Melinoë call her “Nem”, even when they are fighting, without a comment. Meanwhile Hecate Hates Nemesis. She cannot deal with Nemesis questioning her judgement and expects complete obedience from her because of a pact she made with Nyx, while at the same time wishing she hadn’t made the pact because she cannot stand Nemesis to the point of wanting to throw her out of the encampment completely. Now this sucks for Nemesis of course, but what concerns me More, is how Hecate speaks to Melinoë about Nemesis.
Hecate actively discourages Melinoë from even cordially talking to Nemesis, to the point of acting disgusted when Melinoë uses her keepsake. Odysseus asks Melinoë to “smooth things over” between Nemesis and Hecate, implying Melinoë has in the past had to go between them. Hecate doesn’t respect Nemesis as a person, because Nemesis doesn’t respect her as an authority (nemesis still obeys Hecate, just not in a way Hecate likes)
I’ll write up these thoughts in more detail at some point but for now I want to leave you with this thought that made me sad: Characters constantly tell Melinoë she looks just like her mother and express pity and concern for her. Have you seen Nemesis? Do you think anyone has told Her how she looks like her mother? Of course Nemesis needs to keep reiterating her stakes in this struggle, because Hecate sure isn’t acknowledging them.
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Watched the most recent episode of Dungeon Meshi. Episode 17 I believe. God. This fucking narrative.
I can't believe Chimera Falin just dropped in like that. I was expecting her to be all the way at the bottom by then, and having the entire series build up to her, but no, here she is now, and it's honestly heartbreaking seeing her like this... and just... god so many thoughts about it that I can feel my head overloading just trying to think of a way to even START writing it down...
One thing I can say for certain, I knew the entire thing with "making her part of the dungeon for a bit" would have massive ramifications, I mean just look at how Falin transformed in the first place, with that whole series of events. Also that part where she flashed into consciousness for but a moment... only for Kabru to unleash such a brutal attack... god Kabru... I am so deeply fascinated by his character but in his current state... I kind of fucking hate him lmao. He just seems like a prick who's willing to set a bunch of dominoes in place all for him to cause a chain reaction that will cause all others to fall and leave him standing (him and his crew, of course). I just hate how he puts up a front, a facade... but I can tell there is something genuine underneath that all... he really does respect Laios, because Laios does care... man this series... can't wait to see what they do with Kabru.
Also holy shit that fight with Shuro and Laios
Also holy shit the entirety of Chimera Falin (AGAIN)
Also holy shit all the characters interacting, intertwining, connecting, and repelling.
Also holy shit Marcille's deeply dejected, emotional "sorry" at the end... and the way she so desperately called out to Falin...
Also holy shit the implications of the "Red Dragon's Soul" and what it represents, with how I sort of view it as more machine than beast to an extent, due to how committed it is to following an order, a program, and how it was created to do just that.
GOD THIS FUCKING NARRATIVE CAN'T EVEN GET ALL MY THOUGHTS OUT IT'S DOING SO MUCH TO MY BRAIN AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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toriangeli · 1 day
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One of my favorite things about how Anne Rice writes historical fiction: she doesn't sugar-coat her characters.
As in, there was never going to be any way all these vampires going back 6000 years were going to align with modern sensibilities. They're not savory. They suck.
First off, any male of status from before the Great Depression probably did, in fact, look at an underage girl and think, "she LOOKS like she could grow up cute and interesting, but do I want to wait to ask her dad and risk someone else calling dibs in the meantime?"
Lestat: Killed majestic, beautiful animals that were only trying to feed themselves. To save the lives of people who were counting on him, yeah, but still.
Marius: Literally from ancient Rome, lots of ideals from that time, pederastic relationship with Armand, see above disclaimer about males from prior to the Great Depression.
Armand, Santino, most of the de Landens: I do feel like the Children of Darkness/Satan wouldn't have been founded in our time, as evidenced by Lestat so easily disbanding them with basic Enlightenment talking points, so I think it counts.
Louis: LITERALLY OWNED SLAVES. And not in a bullshit "but I treat them so nice and they'd just be owned by someone mean if not for me!" way, he legit believed this was what black people were for. Until he became a vampire and all humans looked equal(ly foodlike) to him.
Gabrielle: Let other people raise her kids while she became a library hermit.
Maharet and Mekare: Cannibals. Oh, sorry. Respectful cannibals.
Khayman: Nnnot even gonna be sarcastic about this one. He was as much a victim of it as Maharet and Mekare, hence them not blaming him in the slightest. But people today would be put on trial for following an order like that one, so I figure it belongs here.
Daniel: idk probably unprotected gay sex. It was the 70's.
Claudia: Gets a pass. She was five. All the bad shit she does is unrelated to her time.
Mael: Helped keep a vampire captive for years, then proceeded to kidnap someone and force them to become a vampire, all because "idk we're kooky druids and it's our religion."
Everard: Laughs at Benedict for being kidnapped and having his blood stolen. Victim-blaming at its finest.
Akasha and Enkil: I mean, we know what they did, but everyone hated them in their own time, too, so.
Eudoxia: Jesus Christ.
Davis: HAS NEVER DONE ANYTHING WRONG EVER IN HIS LIFE. /protects him forever #theonlyinnocentvampireprobably
And you know what? I'd take the worst of these over Bill Compton, Damon Salvatore, or Whassisface Cullen fighting for the Confederacy because "the greater good." Like bro. At least the dickheads above are being honest about it and we can judge those parts of them appropriately. You're trying to make us think you were doing something honorable by being vague. We know what you were really fighting for, and so do you.
Moral of the story: If you're gonna be evil, trying to be sneaky about it only makes it worse.
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licorice-lips · 2 days
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Okay, so I was thinking about Snape and although I'm avoiding like hell speaking online about Harry Potter, I think it needs to be said because it falls onto the rest of fantastical literature as well, especially those stories that have parallels to fascism/nazism/colonialism in their magical world.
I'd like to start by saying I don't like Snape for a variety of reasons, some of them because of Rowling, others because of the character himself, and others because of his fans, but today I'd like to talk about how Snape's Redemption Arc actually sucks and why, and also about how we're treating redemption arcs as a whole.
Okay, so let's begin by making a sort of timeline on Snape's life: he grew up in an abusive household, suffered bullying by the Marauders through school years, bullied other students as well, called his best friend a slur, "apologized", joined a fascist hate group that actively persecuted and hurt people for things they had no control of, acted on behalf of this group for years, turned against the hate group not out of morals but because their actions began to threaten the people he cared about (like they always said they would, how shocking), bullied his teenage students as a grown adult, acted as a spy against the hate group when it came back, died.
Right, so before I dive into all those things, what we also have to add is that Art isn't made in a vacuum. Just like science can never be done by a completely neutral party, our productions of art are completely based off of our views, especially when we're talking about writing. As a writer myself, I can see exactly how my experiences as a person in the context I was born and grew up in affect my writing and my production of art.
For example, it's very common that I find enemies calling themselves by their last names in American/European fiction but in Brasil, we don't normally call people by their last names unless it's very unique and as a nickname. So when I write enemies, they always call each other by their first names, simply because it doesn't feel right to me any other way. On a more serious example, most of the countries in my fantasy books have some history of colonization or dictatorship because it's a part of my history and I feel it's impacts to this day, so it's something that reflects my own thoughts and ideas in politics.
So when we talk about Snape as a character, we cannot escape the fact that Rowling created him. And as a European author, it's more than clear —and that's especially obvious to people who suffer under colonization to this day— that Rowling has a deeply ingrained colonizer mentality. The goblins in Gringots are a clear and problematic representation of Jewish people, the domestic elves LIKING being enslaved and not changing the status quo by the end of the books, and even Hermione being ridiculed for her militancy on it — these are all representative of how Rowling views the world.
Although there's more, all of those examples make it clear that, when she looks at fascist ideology as a whole, Rowling doesn't think the ideology itself is the problem: the ending is the depiction of them getting rid of the "bad apples" instead of making the "roots of the tree" healthy again is parallel to blaming bad individuals for a system that is corrupted and therefore corrupts. So basically, what the Harry Potter books tell us by the end is that it's okay for you to perpetuate a racist system, just don't do it so openly. The problem for her is not the system, but these people she considers "bad apples" which is basically right-wing ideology.
And my problem with Snape starts here: because Rowling sees purist views as an acceptable way of thinking as long as you don't kill people because of it (because for some reason that's a step too far — but when the system oppresses, beat down, and hates on marginalized people, that's okay) — in her mind and in her writing, Snape's ideological affiliation earlier on in his life is not that big of a problem, especially when he "changes sides".
Snape's active participation in a hate group is dangerously and irresponsibly downplayed both by Rowling and by Snape's apologists and fans when this is, in reality, one of the two greatest offenses his character has to compensate for in his "Redemption Arc". So when he hesitates at nine yo to say to Lily that being a Muggleborn doesn't make a difference (even when he knows it does in a practical sense of what's happening in the Wizarding World), when he despises Petuney for being a Muggle, when he says to Lily that what he, Mulciber and their "death eaters" friends did to Mary McDonald was "just a laugh (btw, I'm sure the Marauders also think what they did was "just a laugh" as well), all of this is not only extremely reprehensible, it's the kind of thing that makes a fascist, a fascist.
And it's not that I don't believe teenagers cannot change their minds and grow with more ease than adults, it's just that this alone would've been enough grounds to understand why Snape's redemption arc sucks. His beliefs from early on, even before he goes to Hogwarts, are extremely problematic and hateful, and they uphold the very corrupted system that is perpetuated against Muggle-borns in the Wizarding World.
Then we reach the point I wanted to make: it's very clear throughout the books that child and teenager Snape struggles with feelings of deep hatred against his parents (especially his father, who's a Muggle), inadequacy in social life even among his peers (wizards and witches) and isolation, all of which make a person undeniably vulnerable to extremist ideology.
And here's my first issue with Snape and his Redemption Arc: his trauma and feelings should not be an excuse for his bad choices and yet, they are used exactly as such. Yes, Snape was an impressionable teenager and yes, he was influenced by an ideology in his desperation to fit in and find solace in a community, but that doesn't matter.
None of it matters because, at the end of the day, his actions for this ideology are just as harmful, just as awful, just as cruel, as the actions of someone who joined the Death Eaters for thoroughly believing Muggleborns were scum. He harmed people just as much as Yaxley, Mulciber, or any other Death Eater who joined Voldemort for their hatred just for his support alone.
And more than that, even if Snape was in a vulnerable state and impressionable, he was still receiving other kinds of influences, influences that were contrary to the bigotry and cruelty of Voldemort — and he still chose to ignore those influences. There was still a level of choice to what he became as a young adult.
But even if there wasn't, Snape is —or at least he should be— responsible for his own choices regardless of influence. As they say in the Kingdom of Heaven film, when you're before God and he asks you why you did something, you won't be able to say that others told you to do so or that it wasn't convenient to do the right thing — it'll not be enough. And it's not enough because your actions matter more than your intentions. Your actions will be the thing that will determine what happens next, not your intentions. It'll be actions that will shape your path and influence or directly impact the path of others around you, not your intentions.
The older I get, the more I understand the power of action and how it says more than any intention or feeling ever will. At the end of it, Snape's actions are what matters, not his feelings or intentions. But as humans, we're so prone to empathize with others that we actually believe that, because someone feels guilty or regrets the things they did, that's enough to forgive them.
We forget that it's not.
Earning forgiveness must come with 5 major steps —
Accountability — do they acknowledge the way their actions hurt us? Do they acknowledge the way they hurt us? Do they acknowledge their role in our pain?
Apologies — do they apologize? Is their apology sincere? Do they hold themselves accountable in their apologies?
Acceptance — do they feel entitled to forgiveness? Do they accept the consequences of their actions? Do they accept the boundaries you impose on the path to forgiveness?
Amends — Did they take steps to mend what's broken? Do they make choices to prevent them from doing this again? Do they try to help without crossing your boundaries?
Alteration — Did they change the behavior that hurt you? Did they take steps to improve themselves?
Those steps are fundamental in a Redemption Arc because it'll exemplify to the (young) readers what is forgivable and how forgiveness is earned, not deserved. That's what grits me the most about Snape's "Redemption Arc":
There is no accountability, at least not for joining and upholding a hate group, and we kinda get accountability for what he did in his friendship with Lily, but in a fucked up way, let's see:
It was nighttime. Lily, who was wearing a dressing gown, stood with her arms folded in front of the portrait of the Fat Lady, at the entrance to Gryffindor Tower. “I only came out because Mary told me you were threatening to sleep here.” “I was. I would have done. I never meant to call you Mudblood, it just – ” “Slipped out?” There was no pity in Lily’s voice. “It’s too late. I’ve made excuses for you for years. None of my friends can understand why I even talk to you. You and your precious little Death Eater friends – you see, you don’t even deny it! You don’t even deny that’s what you’re all aiming to be! You can’t wait to join You-Know-Who, can you?” He opened his mouth, but closed it without speaking. “I can’t pretend anymore. You’ve chosen your way, I’ve chosen mine.” “No – listen, I didn’t mean – ” “ – to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?”
It's very important to me that we dissect this piece of dialog because it shows a lot about Snape and how every time he's tried to apologize, there's no accountability.
He didn't say he's sorry he said that slur (to LILY and only Lily, might I add, when at all would've been ideal but I'll have some leniency because of the situation) — he's said he's sorry, but not for what he has done, just for Lily. He didn't take responsibility for his words as he should — he says it 'slipped out' or that 'he didn't mean, again just to LIly.
He accepted no boundaries Lily tried to impose — sleeping outside Gryffindor? Really?
Most importantly of all, he took absolutely ZERO steps to alter his behavior so that he could never harm someone again like he harmed Lily. And that's very important, I cannot begin to explain how: when we regret doing something, the most fundamental step to take in change.
Change is fundamental to forgiveness but it shouldn't be conditioned by it. If we regret doing something harmful, the first thing to do is to change our behavior. Instead, Snape not only doesn't change his problematic behavior, he doubles down on it, joining the hate group Lily pointed out as one of the main problems in why their relationship couldn't continue, acting in the name of said group for years and only backing down on it when Lily is threatened.
And that reveals something about Snape's worldview: for him, since that day he called Lily a slur, the problem wasn't that he was a bigoted piece of shit (like Lily said it was), the problem, in his head, was that he hurt Lily. And that's not true. The problem is, one hundred percent, his bigoted behavior, and Lily says as much, more than one time. He just does not listen to it. He doesn't listen to her.
More than that, though, you can try to point out that he redeems himself by acting against Voldemort but I'm sorry: what Snape did is not enough. He was part — and believed in — a hate group, it's not enough that he changes sides not because of values, but because one person who is being threatened is dear to him (which was the whole prerogative anyway so I failed to see how he's even surprised by this). You can say that this is good or honorable or "love" but it's not cute to base your entire life around one person.
It's not honorable to prioritize one person over a whole world he was threatening before and not caring at all about them. Disregarding other human beings in favor of one is not as pretty as people think it is and Snape represents this very well: it makes you bitter, it makes you become abusive, cruel, a bully to everyone else. It's not pretty, it's not understandable. Be a fucking decent human being, it's actually not that hard.
But I digress again: my point is, that just because Snape regrets the things he has done for Voldemort (not even out of morals, which drives me mad) it doesn't mean he deserves forgiveness. He doesn't and he hasn't earned it, he didn't even try. Actually, he's so stuck in his regret, he's harmful because of it: guilt is a trap, babes. It sucks you in if you let it and makes you miserable as well as anyone around you. You'll be so remorseful and yet you'll hurt people because of it.
And it's the same thing I've been saying since the beginning: we need to stop associating feelings with deserving forgiveness because you don't deserve forgiveness, you earn it. Either you earn it from someone else, from yourself, or from both, but either way, it's earned, not deserved. If I were to excuse my harmful behavior every time just because I regretted doing something instead of earning their forgiveness by taking steps to apologize to the people I've hurt, I would be compared to my father all the time. And THAT would've been an insult.
Anyway, let's just stop feeling sorry for characters, especially fascists, just because they regret something. Please, let us hold our characters accountable for the shit they've done adequately and make our writers actually put in the work to make them earn the forgiveness they crave instead of just wallowing in their own misery, stuck forever in a vortex of hurting and being hurt that sucks people in. It's not a good example for us readers, it's not a good example of behavior, it's not what a good person who did shitty things should strive to be and we shouldn't think it is.
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lloydfrontera · 1 month
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i'm about to be a bitch about alloyd so like. skip ahead if you're not into that ig.
the thing thats grinds me the most about alloyd is that,, we've seen lloyd plan out living the rest of his life at someone's side. we've seen him actively wish to spend the rest of eternity with someone. we've seen him think what sounds suspiciously like marriage vows about someone.
i am not joking or exaggerating here are the quotes:
That’s why, you bastard. I’m going to take care of you until the very end. Once I, your wise and older friend, solve the restoration of destiny problem, you’re going to enjoy the rest of your life by my side in peace. [...] He smiled at Javier and thought to himself. You’re my only friend, Javier. I couldn’t have overcome all the obstacles in front of me without your help. So, my trustworthy and reliable comrade, stick with me until I become a lazy lord and you become my personal guard. I hope we will be able to grow old together… -ch 327
Lloyd felt reassured by Javier's presence as he gazed at him. He could not have gotten this far without the knight. Therefore, he did not want to lose Javier and hoped they would keep bickering with each other for eternity. -ch 361
He thought he'd always be with Javier for the rest of his life. Just like now, he thought they'd spend all their time together moving forward. And like they always did, they'd be by each other's side during hard times. Happy moments. Relaxed days. They'd share all these moments as they exchanged insults and corny jokes, growing old as a lazy lord of a fiefdom and his knight. Lloyd always thought so. The thought just came naturally, without much effort from him, much like breathing. Lloyd believed that Javier would always remain by his side as that was how it had been until now. -ch 222
and at no point in any of those occasions has he ever sounded remotely afraid, threatened or uncomfortable with the idea.
so how come he is all of that when it comes to the idea of marrying what is supposed to be his canon love interest? like???
This is bad. Really bad. Terrible feelings struck his gut. Lloyd's lifelong wish was to find a rather ordinary woman to fall in love with, before getting married and having kids with her to lead an unremarkable family life. This was the extent of the luxury he had always dreamed of, not the frantic romance with the mightiest queen in the entire continent. I can see and feel it. I can sense it. This isn't good. Lloyd could see himself in the queen's pockets, like a scaredy cat in the presence of a ferocious lioness. -ch 390
Lloyd became speechless, even though he desperately wanted to call it an absolute abuse of power, tyranny, and dictatorship. But I'm kind of excited and glad... except what kind of marriage proposal is this threatening...?! But Lloyd couldn't bring it out in words, as his queen had already taken him by his hand. It was rough, yet warm. He could feel every heartbeat that was clearly pounding faster than usual. Ugh. There goes my dream of ordinary living. Lloyd quickly wiped off the tear that was about to fall from his eyes at the thought of the frightening romance. -ch 393
does this sound like someone in love???? like?? genuinely?? is this really what the main character should feel about his love interest???
i'm not even saying that the way lloyd feels about javier is inherently romantic, him feeling perfectly comfortable and hopeful about spending the rest of their life together is perfectly explicable by their close friendship.
but why make your protagonist sound so terrified of the idea of marrying what is supposed to be the love of his life?? when you never did that when writing about his other close relationship??
it's just. it's frustrating. to me lmao
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fromtheseventhhell · 3 months
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Arya and Dany stans: *discuss the likelihood that they'll have a positive relationship given their parallels, foreshadowing, status as key characters, and being two of George's favorite characters*
Stansas: Is this Sansa shade?
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I think it's hilarious that Stansas got mad at me for (accurately) pointing out that they accuse Arya and Dany stans of being motivated by Sansa hate simply because...we get along and like both of them lol. The idea of them getting along is about their characters and has nothing to do with Sansa. Just because they pit Dany and Arya against each other for Sansa's sake doesn't mean we're motivated by the same thing. Are there some conversations that bring up Sansa + Arya's strained relationship? Absolutely, that isn't baseless in the books considering they're written as foils and George has already said they have issues they need to work out. The "Stark sisters 4ever" fantasy they have is just that, and it's funny we never see this same energy for Arya being turned into a prop for her sister 🤔. Sisterhood didn't stop Sansa from siding with Joffrey, telling Cersei that Arya was a traitor (even though she had no idea where Arya was), or calling Arya unsatisfactory when she thought that she was dead so why are we supposed to pretend it's an all-important factor when discussing Arya's potential relationships with other characters?
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cryptiduni · 10 months
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“white mourning.”
#‘‘A white mourning. A modern death. Divorce or something similar. All you can do is put more distance between you & him. make him smaller.’’#jean is a very easy character to hate if you know nothing about him. & you know what they say. easy target doesn’t make for a good practice#judit literally compares harry to intellectually disabled man yet you don’t see ppl hating her because she is outwardly nice.#she’s polite yes but she doesn’t care as much as jean cares for harry#he is not perfect. he is mean. but loyal. if he truly didn't care he wouldn't hab come back to martinaise & coulda just reported harry’s as#he put up with du bois’ bullshit for years and built a toxic (totally straight) relationship with him yet always comes back.#he says he will leave you in the village to die but please understand harry isn't exactly a great person. especially pre-bender hdb.#planned a make up joke & put on a wig for hdb even tho he wasn’t the who started the whole fiasco#you can hate him all you want for leaving harry before & during tribunal but how could he have foreseen all this bullshit would have happen#his second leaving is kinda bullshit writing but#jv is dealing with his own demons too. clinical depression. partner almost died. job is shit. case spiraling out control#i do not blame the DE staff either. sometimes shit just happens. not everything needs a grand explanation.#but it definitely coulda been handled better. but i understand. resources were sparse.#i relate to ​jv. as someone with temper issues & attention problems i have to remove myself from the scene or i'll say shit i'd regret late#my man is having the worst week of his life. leave him alone.#kim is great but have u heard of a man who thinks he's old when he is only 30 & luvs horses & his commie boyfriend that he's divorcin' soon#disco elysium#de fanart#jean vicquemare#disco elysium fanart#jean heron vicquemare#jean posting#illustration#de#artists on tumblr#my art#I WANTED TO DRAW THIS FOR MONTHSSS YOU COULDN'T IMAGINE. HE LITERALLY HAUNTED ME IN MY SLEEP!!!#i love him normal amount. very healthy. much feelings#my little maiu maiu
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yueasuka · 3 months
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Marinette is a bad leader
There I say it...
As a leader, Marinette sure has... some trait that make her not fitted for a leader position. Namely :
Avoidant Low empathy Control freak
I don't care whatever character in universe preach about her being a great leader, the show show otherwise to me. Here some opinion :
Being a leader means she MUST communicate about pretty much anything necessary for the battle, her intend and strategy and also make sure her teamate have high morale. There's no "Follow me and guess what my plan is" and there's no planning behind someone's back, especially if that someone is an active participant in the battle. Being a leader also means she MUST keep your teamate in check, means asked about their well being, listened to their problem and being attentive to their need. She can't just "If you have a problem then good luck with it because I too have a problem" which is an occuring behaviour from her (NY Special, Destruction). As a leader she must put her teamate need first and foremost before her own because THEY'RE HER RESPONSIBILITY. Her avoidant trait make her literally avoiding all of it because she doesn't like "emotional talk". She's the type who's like "let's sleep and hope for all the problem just magically disappear tomorrow". She do this with Queen Bee problem, her delaying telling Chloe that she couldn't have miraculous anymore make Chloe thinking that she's still Queen Bee (her entitlement doesn't help). She do this again in s4 to Chat Noir and continue to do so in s5. Avoidant is basically the worst trait she has as a leader.
Having low empathy is probably not a big problem for a leader except, it is for Marinette. Her having low empathy caused her to make a plan without discussing it beforehand to her teamate, consent and boundaries tend to be forgotten and it is a problem as it make her forget that her teamate isn't just a pion in a chess game, they're human who have feelings and emotions. Her having low empathy make her freely do anything without discussing it before hand or, thinking about people around her. The recent case is her make a rain of rubble to fell down to Emilie's coffin, other cases is her bringing down Eifell tower (the Mime), make akuma destroy Arc de Triomphe (Anansi), and basically any plan that require her to throw Chat Noir to the akuma (Stone Heart, Backwarder, etc).
Her being control freak doesn't really help her to manage her team, which is also part of her role as a leader. Her "Follow me and just play along" is her being bad at delegating the role and communicating her intend, but that also her controlling her teamate so they're forced to focus on her and have no time to improvise beyond what she need them to. Control freak leader doesn't trust their teamate, they seek to control instead of guiding and this is what demoralise her teamate as seen in s4. Marinette control freak nature not only demoralising Chat Noir but also stunted his growth and performance in battle which resulting in LadyNoir conflict, she doesn't listen but people must listen to her, Her being control freak also what lead her to her decision in Ephemeral and s5 final, it has little to nothing to do with her being thoughtful of Chat Noir/Adrien, it's her with her way of thinking that her way is the only one right without thinking about Adrien's feeling. To put it simply, it's her way to control the information. Upset teamate is uncontrollable teamate after all.
That being said, I'm not saying she won't be able to be a great leader. She could, but only if she grow out those trait I mentioned. Try to communicate better, delegating role instead of controlling everything and mosre importantly, remember that her teamate is a human (or person) instead of just a pion. But as for now, I'd say she's the worst leader in the Mahou Shojo genre I've ever watch.
And also... someone can care and love someone else while also hurt them simultaneously, it's not separated thing. Just because she doesn't do it maliciously doesn't mean her action doesn't hurt the other people involved.
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tuff-ponyboy · 1 month
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this might make some people Mad, but i don't think anything said in the book makes se hinton racist 😵‍💫 in fact (IMO) she clearly made a conscious choice to avoid discussing racism in the book bc she was an ignorant high schooler who didn't know any better and probs knew she would fuck it up even if she tried. i know many people say she is racist for certain comments two-bit and pony made, which yes! two-bit did use a slur! and pony did stereotype native americans! but like..i'm pretty sure that's just how people talked back then 😭 which doesn't excuse it, but if you think about it, people have only RECENTLY become mindful about that stuff!! like in 2020!! and you guys were all alive for that (if you are 3 years old dni). plus western films were basically Everything during the 60s too so...yeah just Please. this is why it's important to keep in mind that this book is almost 60 years old. things have changed. se hinton isn't racist for writing about a character who casually drops slurs bc that's literally how it Was
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ct-multifandom · 9 months
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
#anti intellectualism#media#movies#books#music#critical thinking#my friend who primarily listens to one very popular band once said that people who listen to obscure music are annoying and pretentious#which rubbed me the wrong way because 1 she knows that I listen to obscure music and 2 it’s such a cowardly consumerist take. anyone can#make music and hey a lot of the people who do make GOOD music. and this goes for all *obscure* media#this post was mostly inspired by people talking about Barbie and those anti pick me girls like the pick nobody girls who insist thinking is#for boys and having fun with an empty brain is for girls. Greta gerwig is an artist. I haven’t seen the movie yet but I know it has a deeper#message than haha cute pink! I’ve seen the summaries about the true meaning. the pinkness and popularity doesn’t negate the narritive.#though in the notes I saw a lot of tumblristas comunistas shitting on the film for being one big ad that people *fell for* which tbh is#tbh almost as anti-intellectual. don’t get me wrong they milked this film to sell hella shit but I don’t believe kids who play with dolls#are the target audience as these people claim. Barbie is a culturally iconic symbol almost archetypical of societal expectations for women#you say barbie people think unblinking perfect plastic pink girly. reminds me of the poem The Last Mojave Indian Barbie. yeah yeah you all#hate brands but this one carries undeniable significance and makes for a powerful literary device. it’s been used many times before#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong#that they end up oversimplifying everything just as much as the other person. god I saw people doing this to Nimona saying transphobes were#looking too deep into her character and they’re reactionary clowns for making that jump. like for once the transphobes are right. she is#trans. it’s a queer story. and irl the first people who notice queerness are the bigots who can tell you’re different. sick owns telling#them the story’s not that deep is harmful and it’s like they’re ignoring the real message on purpose. okay enough rambling hehe! thanks#barbie#nimona
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finnpeach · 6 months
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all I’m asking is for one of you bitches to write a best selling novel with enough cold/sneeze scenes for it to be horny and sexy to this community but wouldn’t make a vanilla suspicious. oh and i want it to be fantasy and a love triangle thank youuuuuuu
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