this is the third fuckin time today i've seen people throw the "queer people were killed during the holocaust too shut up" shit at jewish folks so i will say it ONE MORE FUCKING TIME because i am TIRED OF THIS: the reason queer and trans people were targeted by the nazis is because the nazis were antisemitic. the nazis believed that any and all societal "degeneration", including queer people, was caused by jewish people and judaism in general.
cw nazism, shoah, discussions of shoah, transphobia, discussions of mein kampf and hitler's worldview, discussion of nazi legal theory, etc below the cut
the entire fucking reason that queer and trans folks were targeted by the nazi regime is because they were seen as a direct representation of the impact of jewish people on aryan society. magnus hirschfeld, who founded the institute for sexual science, was a jewish man. that is not a fucking accident.
hitler believed that the world was solely ruled by the quote-unquote law of the jungle; that is, people had to suppress any tendency for mercy or compassion in themselves and take what they wanted to survive. carl schmitt, a nazi legal theorist, believed that "politics arose not from history or concepts but our sense of enmity; our racial enemies were chosen by nature, and our task was to struggle and kill and die." (quote from black earth by timothy snyder.) hitler believed that jewish people who "introduced the false distinction between politics and nature, between humanity and struggle. . . . [that] ideas of political reciprocity, practices in which humans recognize other humans as [human], came from jews." (id.)
to the nazis, recognizing trans people and queer people and queer identities was a distinctly jewish idea. which is not to say it's not impossible that nazis would have targeted queer people without the antisemitism component, but their rhetoric was always interwoven with antisemitism and antisemitic racial hygiene arguments. you cannot separate the murders of queer and trans people during the holocaust from antisemitism. that violence was born from it.
97 notes
·
View notes
Paraphilias are Queer because "Queer" doesn't mean "gay" - it means fucking queer. It means "Society at large doesn't like this thing and it deviates from the norm, often with negative reactions or repercussions".
Paraphilias aren't orientations any more than whether you like blonde women or brunette women is an orientation - it's an attraction, it's a preference, it's a "I like this one".
Saying "Paraphiles aren't Queer because <thing they're attracted to> aren't a gender!" is fucking stupid. Do you hear yourself?
Are trans people queer? Are aro/ace people queer? But being trans has nothing to do with sexuality! And aro/ace people don't even HAVE a gender they're attracted to (in their respective attraction types - loving aces and horny aros I see you)!
Being a Paraphile is Queer because it goes against what society deems "acceptable". This doesn't make a paraphilia an attraction - it just makes it Queer.
You can be the most fucking cishet motherfucker alive and still be Queer for being fucking GNC. Not bisexual, not ace or aro, not agender or non-binary, just not preforming your gender "correctly". In the same vein, you can be the most allocishet on the planet and if you've got a paraphilias, congrats! You're fucking Queer!
119 notes
·
View notes
Someone's Memory - Lies of P
Takes place during the opera house fight, apologies if I got some lore wrong but it was all done in the name of sadboys
No intended pairing but if you interpret or enjoy this as promeo/carmeo/any ship that’s cool and valid
Warnings: canon-typical violence with a sprinkle of weird robot gore for funsies
---
The glinting puppetstring of the legion shielded P’s eyes from the bright white burst which rippled through the wide open space of the opera house. A flash of heat singed the edges of his coat as his hand lowered and he peered through the billowing smoke. There, descended from his monstrous corpse of a throne stood Romeo, King of Puppets.
He was somehow more and less regal than Pinocchio had expected- tall and imposing but with a Lear-like posture, as if he’d aged considerably. This was most conflicting, as upon closer inspection he was sure Romeo was a man, but only barely. The half of his face which remained unmarred by char and decay looked hardly older than a boy. This revelation stirred in the puppet an unexpected and unpleasant tightness in his chest, but there was no use in indulging it. He’d do what was expected of him, as he always did. The King’s reign would end here.
The blade of Romeo’s scythe dragged languid across the floor as he advanced, leaving a faint scrawling along its glassy surface. He drew it slowly behind him and steadied his grip with both hands.
“I have to kill you.” His voice buzzed, strangely resonant and far away, as if something inside him had broken. “There’s no other way.”
At this P’s gaze narrowed. He’d sounded almost remorseful. What care did the king have if he lived or died? Was it merely his appearance? Perhaps he was only so moved as P had been at the thought of slaughtering something so convincingly human. Well, little good it would do him.
His steps echoed in time with Romeo’s and the two watched each other like circling hawks through keen eyes. P’s shoulder flinched back as the blade of the scythe cut through smoky air, staking its claim at the puppets feet. Quickly, he turned on his heels, sidling up behind the king and winding up to strike his exposed back. But as he swung, the blade caught on the outer shell of Romeo’s forearm as he whipped himself around. Suddenly his good eye alit with an expression P couldn’t discern.
“Tricky…” The king said under his breath, the word holding some elusive weight as it left his lips.
P’s blade slid across the armored limb with a ringing that cut through the air. Foolishly he made a cheap swing for the King’s head, but his opponent was swift and weaved his way out of range. There was no time for P to calculate his next move as Romeo charged for him, the staff of his scythe already flying. Reflexively, P met the weapon with the steel of his own, a resonant CLANG crying out around them. Through sheer force the puppet shoved Romeo’s blade away, forcing an opening just long enough to land a strike to the king’s torso. Romeo’s eyes twitched and flickered eerily between the blade piercing his chest and the face of the puppet that wielded it.
A wave of fear crashed over P as he jerked the hilt of his weapon uselessly. The serrated edge had caught stubbornly in the King’s mechanized skeleton and refused to budge. Romeo closed a glimmering hand around the weapon and thrashed his body wildly to the side, the inertia throwing P to the floor unarmed. As he scrambled to stand, his back brushed the wall of the arena, still hot to the touch. He was cornered. He watched with unblinking eyes as Romeo seized the hilt, which jutted out from the meat of his shoulder at a strange angle, and ripped it with unfeeling carelessness from his body. He gave it a curious glance before letting the weapon clatter unceremoniously to the floor.
P’s heart thrummed incessantly as the king met his gaze. Though the fresh wound sparked and smoked, there he stood hauntingly composed. Heat made the air about them grow thick, and auburn flames licked at the heels of the king as he stepped closer. His chin dipped solemnly as he raised the mighty scythe above his head.
“There’s no other way.” He echoed gravely, fingers curling about his weapon in reluctant duty. His shoulders rolled back and as the blade reached its crest he froze. P’s arm was outstretched, the puppetstring held high, shielding his face. He stared at the unmoving king, puzzled. But as his eyes followed the stark path of the puppetstring’s tether, he discovered the arrowhead buried in the dead center of Romeo’s chest. Before P could blink, the king was dragged before him.
The sudden closeness shocked him too much to flinch. He stared with a dumb, blank expression, his chest still rising and falling with a quickness at his narrowly-averted beheading. His nose was practically touching Romeo’s, and he squinted in response to the red flicker emanating from the king’s socket. It was then that something in Romeo’s face shifted, a strange softening of features, even those more grotesque, the exposed jawbone of his right half unclenching. His brow turned up and his good eye went foggy, as if suddenly overcome with emotion.
“...Carlo?”
The puppet string dislodged from Romeo’s chest with a horrible gnashing sound, ripping through layers of charred metal. With it was pulled a ruptured heart, still beating even half destroyed, in an arrhythmic dissonance. Bits of shrapnel clattered to the floor as the king’s head sunk low and lifeless into his chest. As his legs faltered, P reached out reflexively. He held the fallen puppet firmly and with as much grace as could be mustered, guided his body to rest against a pillar. The king wheezed and his head rolled lethargically against the pillar. The rest of his body went limp. P’s gaze flickered across the face of this puppet in sudden awe. So he’d known Carlo. How? And to what extent?
The king’s body shook with a shudder of a laugh. His speech was strained and yet held a sure and unexpected warmth, perhaps even longing. It was as if new depths previously unknown to even himself had been unlocked by this onslaught of memory. How ironic, the liveliness he knew only on his deathbed.
P’s throat felt tight. He was sure this was the first time they had met, but it was clear to him now that this puppet- or something inside this puppet- had known the boy from the painting, and well enough that even as he lay dying, still held affections for him. He longed to know more, to hear of all the times they’d spent together. Oh, how he would listen with rapt attention, how he would ask to be told again and again until the retellings were as clear to him as memory. Just as they should’ve been from the start.
“Carlo, My Carlo… I was sure I’d never see you again, not since-“ the king stopped himself, eyes suddenly twitching with something akin to fear. His gaze locked with Pinocchio’s and his brows knit hesitantly. “You do still know me, don’t you?” He asked.
He did not know the king, but as he looked upon the poor man, crestfallen, a half crushed heart protruding from his open wound, it seemed horribly cruel to admit this. He conjured up the image of Carlo’s portrait in his mind and made mimic the best he could, imagining the way those lips may have curled and the way those eyes may have crinkled with fondness for this once beloved friend. He nodded assuredly at the king. It was a deception yes, but a kind one.
“Of course I do.” He said, low and certain. He didn’t care much for words, truth be told. They filled his mouth in a way he found quite displeasing, and never seemed to fall quite the way he intended. But he was aware that Carlo had not shared this same distaste for conversation.
At this, all the raw and jagged edges of Romeo’s face seemed to soften, awash with relief. This was interrupted quickly with -P could only assume- a sharp pain in the king's chest, which made him wince as he curled in on himself. His eyes squeezed shut momentarily and when he opened them again, he stared up at the ceiling. It was a curious thing, P observed, that he seemed to be looking through the ceiling rather than at it; straight through to a deep and starlit sky.
“Please tell me… do you know what comes after death? Have you felt it?” Asked the king, his gaze still wandering and foggy. This seemed too grand, too important a thing to lie about, and the question startled P. He shook his head apologetically, but the king seemed not to mind, preoccupied with the invisible solaris above him. He let out a sigh that sounded just as sad as it did pretty.
“Whatever it is that comes next, I admit I am afraid to see it alone.” Romeo spoke, the timbre of his voice faltering.
At this P held an awful feeling in his chest, one of desolate hollowness, a kind of gnawing guilt taking root. He did not care for this at all. With a mind of caring servitude, P knelt before the king. Romeo’s gaze fell from the ceiling, meeting with that of his old friend.
“Then I’ll stay with you.” P said simply. The corners of Romeo’s mouth lifted in a melancholic smile and he extended his weary hand. P clasped it tight and bowed his head. Romeo’s lids fluttered.
“Thank you, Carlo.” He breathed. As his eyes gently closed, the inner machinations of the puppet droned to a halt.
With the king’s hand still in his, P pressed the cold palm to his own cheek and tried to will a memory into place. If there was any part of him that held recollection of Romeo, he wanted desperately to know it. But nothing came. And so in the absence of fact, Pinocchio dreamt something up. He painted a tender scene in his mind, one in which Carlo and Romeo were only boys still, untouched by the world. He imagined them looking up at the stars bedded by cool grass, the world around them quiet and warm.
As this invented memory faded, Pinocchio pressed a kiss into the palm of Romeo’s hand and folded it neatly against the fallen puppets heart. He wondered if king was a grand enough title to be remembered by, or if friend would be truer, nobler, far more fitting, simple as it was. He left the opera house heavier than he had found it.
58 notes
·
View notes