its the morning after watching oppenheimer and i can confirm i am a new man
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In Knives Out Blanc wanted to do the murder mystery investigation with Marta so bad, but she was certain she was guilty so she spent a good amount of the movie avoiding/hiding stuff from him
Meanwhile in Glass Onion Helen was fucking carrying the investigation, even while accidentally getting drunk, and even went to investigation lengths Blanc was hesitant to do
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More stardust au I GUESS...
im fine.
[pt 1? kind of?]
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The fact that Iroh never stops calling him Prince Zuko. Even when they’re begging on the street or camping in the wilderness, when Zuko is at his lowest, when he doesn’t even know where his destiny lies, when he feels like anything but royalty, Iroh never stops reminding him who he is. Never stops calling him Prince.
I’m going to go eat glass btw
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i already posted abt this somewhere else but i was infodumping abt voltron to my best friend last night and went to rewatch the "i cradled you in my arms" scene so i could remember it properly and i paused right after lance said he didnt remember anything and im fucking pissing myself this is a man that is truly defeated like he wanted lance coming out of the healing pod to be like every fanfic where they have a crazy romantic reconciliation post healing pod and it simply did not happen. if i were keith here id flee the country. the look of simultaneous pain and confusion and emptiness is impossible to articulate. going thru every stage of grief at once. how they managed to fit this much anguish in so few lines is beyond me. and all over a man who listens to weezer and uses axe
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I love Shinichi, I want the kids to still bully him into friendship when he gets his body back
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somehow i ended up on horrid henry twitter after years of forgetting it existed and i remembered how messed up his home life is. true british suburban horror
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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