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#it be like that i was bored so ye
inkskinned · 6 days
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please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!
do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!
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marisatomay · 2 years
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blah blah blah aging tumblr population etc etc if you are ever visiting a family that just had a baby, and you know that they have other small children, bring a little something for each of the other kids. it doesn’t have to be anything fancy but, even the most charitable, well-behaved child starts feeling left out and lonely after the nth visitor brings gifts and attention for their parents and new sibling and, either isn’t there for them at all or the only engage with them about their baby sibling, especially since their parents have probably been completely consumed with the new baby. make their day and they will remember that bit of kindness and attention from you forever.
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cuddlytogas · 3 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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aringofsalt · 2 days
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some highlights from buck's instagram ft. tommy, maddie, and the 118
911 social media series 🚨
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aroacewolfic · 5 months
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I hate it when people's first reaction to me saying I'm aroace is "oh but don't you wanna have a partner and kids in the future, won't you be sad without that" Like no bitch I'm gonna be happy living alone in the peace and quiet with my cats and dogs and 1000 books to keep me company and I'm gonna be just as happy and complete as every other person out there if not happier.
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orionfrommars · 8 months
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prince version again —kinda built off of the last drawing but cleaned it up a bit more 👻
[Please do not steal, trace, repost, or do anything with my work.]
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how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
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SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
#yessss this was mainly an excuse to draw jules with short hair and a tail. i do not apologize#i like to think that poppy has a bottomless bag that she's too scared to use herself#but everybody keeps things in there#julie keeps her hair-hiding-hat in there and some pants and a cape for that Julius Vibe#(yes i could have gone with julian. but julius makes me think of orange julius and. yum)#i've said in initial rambles that i think that julie has Mild plant magic#I TAKE THAT BACK SHE'S SO FUCKING POWERFUL#i think she could hold her own against wally here tbh!#she wouldn't win if home had the reins but yk! it would still be Close!#but why would she use boring magic when she can slash punch kick#she can definitely talk to all plants. like im carrying that over thats so cool#trees warning her of an ambush... trodden-on flowers pointing her in the direction of her quarry...#roots arching out of the ground to trip anyone about to beat her in a race#scribble salad#wh fantasy au#so in canon julie left The Cave#which. fuck is that supposed to be a reference to plato's cave? ok no now's not the time for speculation#so she left the cave to seek out a life of her own#so i imagine that she left the royal life for much the same reason! she didn't want to sit on a throne in a poofy dress and lead!#she wanted to Adventure! see the world! be unrestrained!#i imagine that her repeated sneaking out is how she met frank - then when she ran she went to him cause she knew he wanted to leave#and she went 'hey im ditching this joint wanna come' and Of Course the answer was yes!#adventuring duo that never regret it for a second!#also as im making refs im adding them to a Lineup. which i'll post when ive collected all the pokemon (neighbors). size refs!!!
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ride-a-dromedary · 4 months
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mossy-aro · 1 year
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why do allos insist on viewing relationships in the most boring ways imaginable
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findafight · 2 years
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I am a hardline Steve is a "boring queer" truther. Yes he's bi and genderqueer!! Does he change pronouns? Nope! It's easier to use he/him and he doesn't care. Does he wear anything other than high waisted mom jeans and sweatshirts? Absolutely not. Just because gender means next to nothing to him both for himself and in regards to attraction doesn't mean he's going out of his way to do anything about it. He knows he looks like Just Some Jock but he's comfy!! His ass looks good! What more is there to clothes than that!
He goes to bed at ten and wakes up at six-thirty for a run before work. His favourite show is M*A*S*H. The most outlandish thing he's done besides Monster Killing is name his rescue cat WoodChipper because it kept trying to eat his porch.
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bleue-flora · 1 month
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"He has friends, Tommy. I'm right here. I'm his friend... What are you gonna say about that? You think I'm not his friend?" — Punz —
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Thought it was only fair that I do c!Punz after doing c!Dream, so here he is, ready to fight anyone who messes with his friend. And yes, just like with c!Dream all of his Minecraft skin elements and colors are apart of the design in one way or another.
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vaggieslefteye · 15 days
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VOX, Media Overlord | 1x02 - Radio Killed The Video Star
"[He's] up in his tower waiting for a flat-faced prince to calm him down."
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misfithive · 3 months
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Just had a little giggle thinking about the fact Linda has absolutely no idea Simon and Wille have been talking and rekindling this whole time. Imagine she’s gonna find out with the rest of the world when watching Wilhelm’s speech after she was going on and on a couple days before about Marcus.
Linda: the Prince ?? Again?? What happened to marcus? I thought things were going so well??
Simon: ermmmm about that
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happy for the people enjoying punk Steve lately and genuinely not criticising them, only expressing a different thought in parallel (I hate how saying "genuinely not criticising" can make it sound even more passive-aggressive but I'm genuinely genuinely not criticising! I'm not suggesting other people are liking my favourite character wrong that would be so douchey)
I just always like the idea that Steve isn't, like, repressing a secret desire to be unconventional and join some kind of counterculture and one day start showing his true, wilder self in his fashion and grooming choices
that the way he looks is literally just what he's like
you could give him total freedom of choice and tell him to go hog wild and he'd still be chumping around in polos and light-wash jeans
they're comfortable and he likes how he looks
he likes sports and cars and his favourite Star Wars movie remains the one with the teddy bears
any "unconventional" stuff he does is very subtle and minor like he was indeed wearing a touch of strawberry lip gloss in the summer of 1985 because he needed a little cheer-me-up and he felt like the blue uniform washed him out, he's a warm autumn for god's sake he shouldn't be wearing blue
he would get, like, one ear pierced and wear a small plain gold stud and he'd feel very special about it
Eddie: gradually filling up his whole skin with increasingly elaborate tattoos
Steve: got a little heart with "E+S" in it on his inside forearm where it's not conspicuous but he can take a look at it and smile to himself any time he wants
he's not holding back this is just what he needs (and he thinks Eddie's tattoos and hair and jewellery and et cetera et cetera are badass and beautiful)
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kaistrashbin · 2 months
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some vampire Donna doodles from class yesterday
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✧ written for 'charm' ✧ word count: 548 ✧ rated: T ✧ cw: none ✧ tags: vampire eddie, also thirsty eddie ✧ @steddiemicrofic ( •̀ ω •́ )✧
Eddie stalks closer.
He's been starving for weeks. Every night, he comes back here and makes his way through the crowd of bodies, weaving through their rhythms as they dance to the loud, loud music booming out of the club speakers.
But there's been no one.
Not one single person he could feed on, not one body that caught his hunger's attention, just making it fester and claw its way through his flesh until he has to leave before he can make a scene.
Jeff offered to help him hunt but his own damned pride doesn't want anything between his hunger and his meal, even a helping hand.
But now he's found a lonesome little thing outside the club. It leans against a streetlight, dressed in black as if to blend in with the shadows, as if it knows what it means to be one with the night.
As though it isn't sweet, sweet prey.
The streetlight flickers, once, twice, and in between those moments he's right there, hand stretched out.
"You're -"
The man - it's a man - turns around to face Eddie and oh.
"- pretty." Eddie says dumbly.
The man's pinched expression turns blank, before he ducks his head with a shy smile, looking up through lovely lashes.
Eddie blinks as those hazel eyes gaze back at him sweetly, his brain scrambling to gain any sense of gravity that was lost the moment he met those eyes.
"Thanks," the man says with a grin, one of his (scarred, veiny, pretty) hands pinching the hem of his black skirt and swishing it back and forth. "I've never worn one before but I thought it suited me, y'know?"
With an audible gulp, he nods, hand dropping pathetically between them. "Y-yeah, it does. It suits you. You're pretty."
Giggling, the man hooks a finger around the pinkie of his pathetic hand and it sends crackles of warmth through his veins, crackles that burst into his ribcage and make his heart beat again.
"You - I - uh," Eddie stammers and the man laughs again, pulling Eddie closer gently by the single point of connection they have.
"Are you always this articulate?" he teases as the streetlight flickers again and Eddie sighs when he catches a glimpse of the man in the moonlight, radiant and sweet and -
"Hi," Eddie says dreamily, tilting his head, void of thought, unable to resist the charm, the thrall of this pretty, pretty man.
The man leans back against the post, crooking up a leg so his knee grazes the skin peeking through the rips of Eddie's trousers. Eddie stares at the thick thigh now in his immediate space, fingers itching to stroke along the flesh, but then a finger gently pushes his chin upwards until his eyes catch on hazel once more. The man smiles at him and says softly, "Hey."
Eddie swallows.
The streetlight flickers for a few seconds and as he’s basked in the silvery glow of moonlight, the man whispers, “Do you want me?”
Eddie nods.
The hand under his chin ghosts over his skin, curling up behind his head to grasp his hair, and he gasps. The man pulls him closer, he smells incredible, and laughs darkly as the streetlight finally goes out.
“Then take a bite.”
✧ this is dedicated to the lovely @xenon-demon because i wanted to write you something and you asked for a reverse on the monster thralling a human plot and i think we both won here ✧
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