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#it has been a long time coming
inconmess · 22 days
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So the whole fight, I am trying to type my way through it to process stuff, may have gotten some things wrong, may go back and edit some stuff but...
Spoilers so I am putting this under the cut cuz I am likely to go into detail and make it a long post. I don't know
It started with Laudna thinking about Orym having the blade strapped on his back. Not her thinking it is cursed.
Delilah escalates that thought of thinking into it possibly being a cursed sword, and hey, I won't discount the fact that Laudna may have taken it without Delilah's influence but Delilah egging on her definitely make it more certain for Laudna to take it.
And look at this, she could've just woken up Orym and talked about her concerns but I think deep inside, she knew that he wouldn't agree for her to absorb the blade either way. Hence the stealthy try to take it.
She takes her precautions, fails and she knows Orym is a soldier. She knows what he can do. Which is also the reason she cast Darkness while she tried to take it. So she also shouldn't be surprised if he attacks her in the Darkness because he can't see and had just been hurt.
Even if Delilah's push, I can understand the argument she made. They don't know if the blade is cursed or sentient. They don't know how the blade could affect him. The Blade has killed party members and Laudna is traumatised by it. Understandable why she doesn't want to see it or see anyone using it.
She could just ask Orym to put it away, talked it out with him. If it was just about him wielding it. Or carrying it in the party's line of sight. But this wasn't about that. This was about Laudna grabbing it's power to empower Delilah. And she knows what the party thinks about her. Her stealthy action makes sense, Orym's reaction makes sense.
But when the rest of them awoke and the darkness dropped, they see Orym attacking Laudna, seemingly for no reason. With Otohan's blade. And Laudna tries to play into it. She talks about how she sensed that the sword is cursed and was trying to save Orym from being corrupted and it would've made sense. If not for the fact that she could've just talked about it.
Look, Orym tells them why he took the sword, again, makes sense with his backstory. But like he did now, he would've agreed to put it down, get it checked if it were really cursed. He is not probably going to endanger himself if the others are concerned about it.
But he (and the others later on) repeatedly asks Laudna on why she needs it and she evades it. He points out how she hurt him to take it and she says it was accidental. It was. But she still doesn't give solid answers on why she needs it. Her reasoning changes quite a bit and not really makes sense.
And then she turns it on Orym. "I gave you a bruise accidentally but you gave me gashes." "It was on instinct." "Even I did it on instinct." No Laudna, Orym did it on instinct because you covered the place in Darkness. You cast the spell intentionally and hurt Orym, not on instinct. Accident, maybe. But definitely not on instinct. Lady, what do you expect a soldier who has been hurt and woke up in magical darkness to do apart from attack?
Ashton asking Laudna to apologise and willing to take her side was nice. And technically, everything could've been resolved with a talk. But she tries to escape, opens the windows and doors repeatedly as the talks are going on, as Orym does lay bare on why he needs the blade.
Which is another interesting talk. "Why do I need the help of some dark force" he asks, pointedly looking at her. And Laudna points out her gashes. I mean, ma'am, if you are going to fault Orym for taking another sword, which admittedly killed a lot of people, let me remind you that you were trying to take said sword to feed another dark force in you.
In the tension of the moment though, I find it funny Orym did mention about his deal but they don't get to unpack it at the moment because there is more serious shit going on here.
Anyway. I need both Orym and Laudna to stop feeling they don't have enough power to handle everything but at the same time they are partially right because most of the fights they have been in, they have either come close to losing someone or lost someone so I get it but still HAVE A TALK! I love how Laudna just resolves to act than talk but at the same time frustrated by it *sighs*
And then Fearne identifies it. Chetney Grim Psychometries it. And they find no sentience there. Cursed, maybe? But not sentient. And Laudna insists on swallowing it's power any way. I mean, like Imogen asked, it may be cursed then why do you want to take it? And the way she repeatedly asks "With the harness, right?"
I know I am going about the whole sequence of events back and forth but... As I said, I am trying to process through the fight, not pass judgement.
Chet saying it is Orym's sword and Laudna is not having it. Dorian coming in with him being done with objects having power over them is interesting because he just got out of a PVP, reminiscing about the crown and how silly it had been, talking about how it is about the person who wields it and not the item right after what went down with Opal...
And then Chet also brings up how much loss Orym has gone through with that particular sword and Laudna mentions not to talk about loss to her. Justifiably so tbh.
The thing here is, I agree, Laudna has lost a lot in her life. She lost her whole life in Whitestone, she was tortured, has died and lost her family and everything, started over with her killer in her head, guiding and giving her power, died again and now lost FCG.
But Orym, similarly, lost his life back in Zephrah. Maybe not his whole family but it was still his father and husband, lost his own life and then FCG. Laudna and Orym have lost people and their lives and have had to rebuild it in different ways. Period. Not comparable.
Before anyone says anything, I am not putting trauma in a scale or comparing here because everyone can react to trauma and have it hit them differently. But Orym has had the longest beef with Otohan out of any of them. Laudna can have her beef with Delilah for killing her but leans into her for power. So in a sense, Orym does have the edge here because while everyone does have a history with the blade, Orym has it for the longest.
But he still gives it to Laudna anyway when she insists for it. "Why do you care so much?" "Does anyone want to tell her why do I care so much?" Because Orym is also kinda fed up of repeating the same thing over and over again. He doesn't want revenge. He wants to protect. He is not giving up Seedling in exchange for the blade that killed his family but rather stick it up to Ludinus and rather end the history of the blade with him hopefully. And he repeats it over and over again and she is just stuck on sucking in the sword.
Until Chetney gives her the scream needle. And she runs off. And sucks the dagger in. Leaving a party split and woken in the middle of the night.
I saw some posts about how Laudna should face some consequences. And she should. This was kinda unprovoked in a sense. And maybe, Maybe Orym should've consulted the party because in terms of spoils, Ishta can be claimed as FCG's as he was the one who victored over Otohan but as I said, it could've been talked out and people didn't need to attack out of the start? There was a chance for the group as a whole to ask Orym about the decision to take the sword, talking about it. But they didn't.
Long things short, Orym has some valid points. Laudna has some valid points. Laudna went about things the wrong way if she wanted them to trust her. And the rest of the party let most things slide easily.
But Just such a juicy conflict. Now, I may I interpreted some things wrong, missed something here and there and I welcome any and all discussion in the rbs/comments. Thank you for reading through this thought process till the end.
Rasnak signing off :3
And for now, the stuff Laudna has sucked in to power Delilah:
The Crystal
Hunger of the Shadows Bor'Dor
Hunger of the Shadows the Willmaster
Scream Needle
And I think she does suck the power of something else but I forget
Just to end it.. FUCK YOU DELILAH!
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eltaninrmnv · 13 days
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leclerc 1-2!!!
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ejunkiet · 1 year
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NO THOUGHTS, ONLY MILO
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tomblyth95 · 7 months
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Out tonight!
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spectres-fulcrum · 5 months
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The saddest part of the whole CNN article is the people that need to hear it are deflecting. "Oh she wants to call attention to the rumors she wants people to know we think she's queer" "Oh it's definitely from Scott even though it says it's from her team" "We know the TRUTH" "She's homophobic"
No, she's sick and tired about lies being told about her. She's sick of being called a liar like she was in the summer of 2016. You guys called her father and her last two boyfriends abusive because they weren't the right gender/to fit your narratives. You guys ignore that she has said she was straight twice.
It's so easy for her to issue denials, so why hasn't she, you say. Well, she has now. And you call her homophobic.
She's allowed to defend herself and her relationships. She should've learned to defend herself a long time ago. We've seen with DeuxMoi. Eras Era Taylor is no longer letting the liars think they have a say in her narrative. She will come out swinging. Long may this Taylor reign.
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inavagrant-a · 2 years
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Who’s ready for Kuni this December?
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silens-oro · 1 year
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Aemond at every turn in Ch. 7:
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stevethehairington · 2 years
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today has been a GREAT day bc not only did the workday go by suuuper quick, but i was FINALLY able to finish 2/3 of the missing bits of my fic so it is now literally hanging on to unfinished status by a THREAD i am absolutely optimistic that i can have it up by wednesday at the latest.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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binnie · 4 months
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I feel so alone
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sodaspringz · 7 months
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went clothes shopping 2day and i actually had a good successful time i feel so fuzzy ^_^
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Abby reminds Michael of someone else in FNAF,,
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multongsisig · 2 months
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She asks that I tell you to remember her. You won't.
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originalartblog · 26 days
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Don't forget to eat to keep the demons at bay
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risestarkiss · 5 months
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Orange, Baby!
Rise Ramblings #316
When I think about Mikey, this scene always comes to mind.
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As soon as they step foot in the library to save Mayhem, Angelo instantly disqualifies himself…hilariously.
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On first watch, I found it interesting that he made this decision with no hesitation, especially given the stakes.
At the time I just resigned to him being a silly silly boy, but now I know better.
Yet, before we get ahead of ourselves, let’s explore who Mikey is.
Michelangelo Hamato is the youngest turtle in the family, and it shows.
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Consequently, he seems to possess a certain “youngest brother privilege" that his other brothers just can’t help but reinforce. This is the role that Mikey was born into. Therefore, he doesn’t have to push himself to be the smartest, or cleverest, or strongest turtle.
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Instead, he decides to be the artist of the family. He’s a creative! He expresses himself everywhere, from stickers on his own shell, to tagging the lair, as well as on paper. The world is his canvas!
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Michelangelo also expresses himself in virtually everything he does, so it’s easy to understand why he’s the most open, honest, caring, and emotionally expressive turtle of the bunch. To some it could be seen as a weakness, yet Mikey uses his emotional intelligence as a pillar of strength, of which he utilizes to uphold his brothers when they need support the most.
In the show, Michelangelo often takes on certain personas; Doctor Feelings and Doctor Delicate Touch. (For some reason, they are all doctors, but that’s beside the point.)
At first glance, the personas could be seen as silly bouts of make-believe. But I think that placing these roles upon himself for his brothers' sake is Michelangelo’s way of helping them cope with the world by offering them what they each individually lack.
For instance, Raph, Leo, and Donnie have trouble voicing their discomforts when someone does something they don’t like.
In other words, they have trouble putting their foot down.
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But here is Mikey to the rescue!
Dr. Delicate Touch has no such hang-ups.
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Similarly, when Donatello runs into trouble, as he is unable to recognize his own emotions, it’s up to Doctor Feelings to help his desperate client in need.
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Through taking on these roles, Mikey is able to support his brothers and fill the emotional gaps in his teammates, which, inevitably makes them all stronger.
How is Mikey able to do this and how does he have the strength to take on these roles?
You could think that it’s just in his character, meaning, it’s just how he is. I don’t think so, though. He’s a free thinker, and a creative, but there’s something about these roles that is specifically catered to the needs of his family.
Then I realized, the only reason that Mikey is able to help his brothers in this way is because they first helped him.
Let me explain.
All four of the boys grew up in the same household. Although Splinter tried his very best (there is no Splinter hate here), a single depressed parent doth not a stable child make. Raphael struggled with the burden of his responsibilities as an ad hoc leader (see Being Big Red), Leo struggled with expressing his natural talents as a middle child (see Being Baby Blue), all while Donnie struggled with carving out his place on the team and his feelings of uselessness (see Being Purple Part One and Part Two).
Well, what does Mikey struggle with?
In my humble opinion, nothing.
The struggles of his brothers all related to each turtle coming to terms with themselves and coming to terms with their place on the team.
Yet, due to the love and support of his brothers and father, Michelangelo never had to ask himself if he belonged, struggle with his role on the team, or make huge life-changing decisions that could affect everyone.
Michelangelo is free to just be Michelangelo.
And as a free spirit who is completely in tune with his own emotions, he is able to do things like this:
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and this,
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and this.
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Let’s get back to the scene in the library.
Angelo sees the high stakes of his friend’s pet disappearing forever if they fail but makes the decision to disqualify himself anyway. Why? Because he knows that no matter what he does, it will all be ok.
He has complete faith in his brothers and their ability to solve the problem at hand, so he might as well have some fun.
This not the first time he’s come to this conclusion.
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Through out this entire scene, Michelangelo plays in the background.
It’s scenes like this that makes me believe that Mikey’s faith in his family knows no bounds.
Altogether, his brothers and his father were everything he needed to become who he is. Reciprocally, he is free to be everything that they need him to be and more. Over…
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and over,
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and over again
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he trusts them completely.
And through this unwavering trust in his family, he is able to trust himself and his instincts. He knows that with everything they’ve poured into him, he can save them from, well, everything. Over…
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and over…
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and over again.
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Hence, due to all of this evidence, I believe that through the collective love of his family, Michelangelo became the best version of the Hamato spirit, and thus, the best Mystic Warrior of all time.
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All because, he’s Orange, baby!
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Previous | Being Big Red • Being Baby Blue • Being Purple ○ Part One • Being Purple ○ Part Two
Finale | Being Hamato Yoshi
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