I have a sudden, unsolicited opinion on the moment where Ochako admits that she fell in love with Izuku. Since it has been going around as one of those context-less, surface level articles on Google(I spotted it too)
So it's talking about the moment when Ochako is fighting Toga and she tells her that she fell in love with Izuku.
Does she use the exact wording? Yes.
Does that mean it's an end all declaration? Does it mean she is endgame with Izuku? I do not think so.
I don't think it's the final nail in the coffin to the argument for any other ship involving Izuku or Ochako. Here's why:
The admission is so anticlimactic.
We have known for a while that Ochako has complicated feelings about Izuku. We know that it has been a bit of a crush. And that has led to ANTICIPATION to see what becomes of those feelings.
But along the anticipation, we have also seen her going through some feelings of discomfort about the whole thing...unusual, for a supposed love interest of a Shonen manga!
So the audience has been waiting for a LONG time for something, anything, to happen between Ochako and Izuku that rewards that anticipation and that waffling on Ochakos part.
And for something like a supposed love confession, a line like "I fell in love with Izuku Midoriya", to heppen....
But NOT in a moment between Ochako and Izuku themselves, just also does not reward the anticipation that was built up.
She did not confirm and admit these feelings TO izuku. She admitted them to Himiko.
And that is the first time the audience hears her positively confirm that she had those feelings, blatantly.
But it TAKES AWAY from the actual relationship because Himiko received that confession...not Izuku.
We didn't get a charged confession between Ochako and Izuku. The relationship was STILL not mutually developed. It's still just a quality of Ochako, it says nothing about Izuku. The anticipation of Ochako having a crush, and changing, complicated feelings for Izuku and where that would eventually climax, where it would reach its peak for Ochako and Izuku both, instead is diverted. Kind of literally. Because it didn't happen at either chance they had to talk it out, to confess, she sent Izuku away when Himiko tried to trap him into a love discussion. She didnt bring it up before the war began even though they had such a calm moment to be able to do so. It didn't come out in the logical places. And now in the endgame, they have split up to fight different battles...Ochako has even exhausted everything she has right now to save Himiko and likely is out until we receive the wrap up.
So, the anticipation I mentioned, again, does not have a payout in the form of even a rushed battlefield confession because the two of them are fighting different battles.
Instead the audience is given the confirmation of "I fell in love with him" when he is not even present, when Ochako is not confessing to him or confronting him. It comes out with Toga, when she Is trying to reach out and level with her, it almost could read as a "I had a crush on the same boy" kind of statement. It comes out when saving Himiko is Ochakos main priority.
What I'm saying here is that Ochakos love confession for Izuku, which is usually a big deal in any story, is in the back seat to prioritize each of their other relationships and goals. Which is great that it is not forced upon us when there are bigger things happening, however it just does a disservice to the pairing itself when most of the feelings are expressed onesidedly, and an actual statement of love, if it's not even outdated because of changed feelings, means a lot less when it's not filling the gap between the two people in question. When the confession doesn't reach the other person.
(And I will go ahead and say that is kind of similar to how bkdk is right now as well, bc we have SO MUCH material on Katsukis side, about how he feels and how much he cares about Izuku, but not a lot on what Izuku feels or allows himself to feel about Katsuki. I will call that out as well.)
Like at this point, the best we could hope for, for Ochako and Izuku being a couple, is a very open note about it in the aftermath. Like maybe Ochako asks Izuku if he would like to get crepes with her. That's just enough given context clues to suggest to the audience that yes there are still some feelings there, she heard what he said about crepes and holding hands and took note of it, but also that Izuku himself is willing to explore those feelings as well. It would be Ochako finally choosing her feelings for Izuku, but without it being too sudden for Izuku to accept. This whole time we are not shown Izuku crushing on her at all it would be strange to have him suddenly initiate.
But anything more romantic and profound than that? Any dramatic reveal/confession of feelings, any chance for them to have a moment in the midst of war to have the "i love you" discussion? That has been bypassed time and time again. Horikoshi COULD HAVE WORKED IT IN, IF IT WERE A PRIORITY TO HAVE THEM ENDGAME. While no, romance doesn't have to be a priority in a Shonen, and Ochako has flipped the script on how she handles her feelings as a shonen love interest, Hori has demonstrated that threads and concepts of romance ARE part of his narrative.
And right now? Hot take, but the most romantic thread that Izuku, his main character, finds himself in, is whatever the hell is going on between him and Katsuki Bakugou.
You'd just think if the mc was going to be with a romantic partner, a girl, by the end of the story, something would have happened.
I feel like I'm going in circles past my point, but it boils down to Izuku not having any indication of interest in Ochako besides friendliness....the fact that the audience received confirmation of Ochako loving Izuku from her telling a 3rd party and NOT her subject, and the anticipation of that confession, built up for YEARS of this manga and animes run, of supposed feelings not really being paid off, if the two are meant to be the romantic end game. It also boils down to the fact that the anticipation of the confession had a CHANCE to occur with Izuku, the subject, multiple times. It boils down to again, ochako and Izukus relationship being romantic in anyway being little more than an after thought.
AND! it doesn't even guarantee that her feelings of love for him are still the same! We don't know for sure if she STILL loves Izuku!
So yeah. I hope this made sense, but it sure feels anticlimactic to have a love confession(supposedly) not even occur while the subject is present, where the audience can view it and celebrate that long awaited conclusion.
As always, these articles that pop up on Google leave a lot of context out, and are very face value. They saw Ochako say the L word and called it endgame. There is a reason I don't read them.
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being back on my hbo war bullshit rn (jk im never not on my hbo war bullshit) seems like a good time to mention the very cool jacob vouza, a native of guadalcanal. from 1916 onwards he was part of the island's constable force, aka the system of policemen and law enforcers run by the colonial government, which was a scattering of primarily british and australian military and bureaucratic personnel, such as coastwatcher martin clemens (who wrote a great book about his experiences spying on the japanese).
the pacific (the hbo show, i mean) has a good number of narrative faults, but one of its most egregious content faults imo is its complete lack of acknowledgement of the native solomon islanders who were not just instrumental to the american victory, but utterly indispensible. without their knowledge of the terrain, their protection, guidance, and supplying of the coastwatchers who provided pivotal intel on japanese troop/air/naval movement ("forty bombers heading yours"), and their constant rescuing of stranded american troops (particularly air and navy men, including 26yo jfk) and white civilians, it is genuinely questionable how much longer or worse the war might have ended up being.
jacob vouza (whom martin clemens described as incredibly loyal, cheerful, brave, a fierce individualist, and tremendously skilled in bushcraft) had retired from the constabulary pre-war, but rejoined a year later when the japanese landed on guadalcanal. he helped clemens escape into the jungle, then eventually helped him reach the american lines safely. afterwards, he oversaw a network of native scouts and participated in regular spying missions, gathering information on japanese troop movements. on one of these missions, he was apprehended by the japanese, who found a tiny american flag in his possession. they tied him up and interrogated him. he refused to give them any information on the americans, despite being tortured for hours with beatings, stabbings, hanging, and being forced to lie on a red ant hill with open wounds. eventually, having bayoneted him in the limbs, face, throat, and stomach, the japanese left him for dead. he chewed through his bindings and escaped into the jungle, where he made his way for three miles through an active battlefield to the american lines. upon reaching the marines, he refused medical treatment until he could personally deliver a message to clemens and the commander of the 2nd battalion 1st marines. despite being unable to stand and barely able to speak through the wound in his throat, he informed them that the japanese were massing for a huge, imminent assault on the critical american-held henderson airfield. he described the japanese numbers, positions, and weaponry. he also dictated a final message to his wife and children, which clemens wrote down with one hand, while holding vouza's hand with the other. his warning came only about ten minutes ahead of the japanese attack, but that was just enough time for the marines to assemble a successful defense in the correct place.
vouza was quickly rushed to field surgery and received a massive transfusion (tangentially, this was in the time of a segregated american military, in which it was illegal for black and white soldiers to provide one another blood transfusions; although vouza was not considered black per se by the american military, it's nonetheless a notable element of the cultural landscape at the time), which saved his life. later, he was awarded a number of medals from both the american and british governments, including the silver star. in 1979, clemens successfully campaigned to have him knighted. following vouza's death in 1984, clemens also organised the installation of a commemorative memorial in his hometown.
it's remarkable (derogatory) to me that the pacific (the show), despite its amazing dedication in general to accuracy and exhaustive detail, didn't say a peep about jacob vouza (or any native person whatsoever), despite spending most of episode 2 re-enacting this specific battle. his actions weren't just a footnote, but genuinely the crux of the american victory. he was a very incredible person, one of the many examples of contributions native solomon islanders made to the war effort, and we should remember him accordingly!
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