Not sure if this is an odd question - if someone were to draw characters like Machete as humans, is that a thing you'd find amusing/like to see, or do you consider that to defeat the purpose of how you made him?
I ask this as someone who loves your work but is notoriously bad at drawing anthros, but also just because I think the philosophy behind how and why people design characters is very cool.
Have a great day!
I've been asked this a couple of times within past few weeks and I haven't managed to come up with an answer until now.
The thing is, I don't really know what my characters would look like as humans myself, and an overwhelming part of me doesn't want to find out ´v`' I'm not sure if their designs would translate to human form very well at all.
I do appreciate the fact that you asked though! I understand it's agonizing when you want to draw something outside of your area of expertise, it's the same thing with me and making fan art of human characters. I'm sincerely very flattered that you liked my guys enough to consider drawing them. Unfortunately I don't think I'm fully comfortable with humanizations of my characters, at the time at least.
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Love your romy talking about how Rogue and Gambit aren’t officially together and Rogues anxiety’s etc
but I noticed you mention Gambitys self esteem issues and though I agree with you I’m curious what brought you to that conclusion. What makes it seem like Gambit has them cause I think the cartoons and comics or even fandom don’t go out of their way to point it out often
Gambit has been shown to have an incredibly low sense of self for himself for his past actions & how he struggles with it, ultimately believing that he's not good enough especially for Rogue since he sees her as a true good soul who always strikes for what's right. He knows his past isn't a smooth road & he's done things he regrets, some he may not as much as the others. All of that combined with what happened with Belladonna, with his upbringing as the son of the thieves guild leader, growing up on the street being labeled a white devil, makes him believe he's not worth redemption.
All of that said, he wants to believe he can be and is good. Rogue as of right now in the show isn't aware of everything Gambit has done or been through so seeing how she believes that Magneto should be given the chance at redemption with everything he's done, it bothers him and cuts him deep. The scene in episode 3 where he saw Rogue with Magneto showcases his insecurities that he isn't worthy enough for redemption, that Rogue won't give him the same compassion she's given to Magneto and ultimately he's exactly how he thinks of himself.
I'll add a few panels i think highlight his self deprecation below as examples for you! I really love the complexities Gambit has towards himself and how that represents him as a character because he's so much more than what many people choose to show him as.
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I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.
What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?
In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.
So! If you have thoughts and want to share them! *gestures to the post!*
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DREAM SWEET IN SEA MAJOR IS IN THE MCDONALD'S GRIMACE PLAYLIST ON SPOTIFY??!?!??! (So is Welcome to Tally Hall, Chonny Jash's cover of The Bidding, Touch-Tone Telephone AND BO EN'S MY TIME!!??!??)
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before isagi my taste was actually pretty much dominated by "insane redflags with ambition that could doom them as much as the narratives". though i will say i just like people "who knows what they want" & "work for it" the redflag & tragic backstory are very welcome add-ons tho ♡ but so, when i suddenly go this insane over a soccer nerd (after yuuji the greenflag too) my friends goes??? and here i just want to say that maybe my taste probably doesn't change much...
ISAGI IS GREEN ISAGI IS RED ISAGI IS A WHOLE PACKAGE
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pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
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