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#killing eve text posts
a-multifandom-mess12 · 6 months
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Any woman character ever: *murdering, torturing, and extorting people*
Me, yelling from the sidelines: YOU DO WHAT YOU GOTTA DO QUEEN
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carrythatwayt · 9 months
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She's my murder-princess and I love her.
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raisedbythetv89 · 5 months
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Ok hear me out
Enemies to Lovers:
Being forced into a temporary alliance where they fight on the same side to defeat a common foe but they’re not happy about it and go back to enemies after: they just kissed
One just made an attempt on the other’s life: they just fucked
They willingly join forces and fight together as a united front: they just made love
If they exchange weapons with each other while fighting together: they just got married
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markedbyindecision · 2 years
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Killing Eve + Reductress headlines (1/3)
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ersatzist · 1 year
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george karim is a dedicated and highly skilled investigative researcher whose only weakness is milfs
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dyke-in-crisis · 2 years
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if these are your comfort characters you have absolutely 0 positive father figures in your life
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emily-prentits · 2 years
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killing eve + internet textposts 2/?
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pussypopstiel · 4 months
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SEASON THREE KILLING EVE DONE
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A Fuffy obsession is the gateway drug to a Killing Eve obsession.
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quirrelli · 1 year
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So, I finished Killing Eve S4 and I'm...
...just gonna pretend I do not see it. S3 wasn't amazing but its ending still works way better as the ending of the show than the actual ending, so I think I'll just be having that, thank you.
No, but seriously, how did they manage to have this much lesbian activity for four seasons and still end up with bury your gays lite?? Did literally no one in that writer's room have even a cursory look at tvtropes.com or talk to like one gay person??? Make no mistake, I was fully expecting one or both of them to die, especially since I was aware – without knowing any details – of the finale's negative reception. There are always going to be people who hate an ending and by extension the whole show simply because it killed off their favorite character, irrespective of context or execution. I am not one of those people, so I want to be crystal clear here when I say there were ways to make a tragic ending work for Killing Eve, a few fairly obvious ones even, and so I thought surely there was no way they would fall into that specific trap again.
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The most generous interpretation of this (non-)ending I can come up with is to apply Hanlon's razor, in which case it might be be seen as a symptom of the general loss of focus the series suffered beginning with S3 and exponentially more so in S4. By which I mean they let the emotional core (the V/E dynamic) diverge wildly from the plot (finding the 12).
Never lose sight of the emotional core. I find you can get away with almost anything; technical faults, dodgy performances, plot holes (especially plot holes), even a meh ending, as long as the emotional core stays exactly where its name says it should stay.
Helene is an easy means of illustration for this point. Helene in S4 is basically less chaotic Villanelle, both in her function to the plot (murderous fancy bitch whomst is important as the key to a bigger bad) and in her relationship with Eve (gay, aggressive, lethally hot), which makes me wonder why they didn't just let Villanelle play that part??? It's driving me mad bc it's the most obvious thing and would have fixed so many problems in an instant.
By which I don't mean get rid of Helene btw, just make better use of her, as an actual member and face of the 12 or a double agent or sth. Give V the quest to hunt down the 12, it's already perfectly aligned with her motivations and capabilities at the end of S3! I mean she wants to impress Eve by showing her she's trying to be better and to start a new life, right? Cool, ok, therefore, in Villanelle's moderately disturbed mind it makes perfect sense to do this by violently hunting down a bunch of bad ppl ~ for Eve ~ . (The fact that she's also high key horny for murder is just a bonus, don't worry about it, baby.) If not that, then do sth else entirely with her, do the church thing (properly this time, not squeezed into two episodes and then entirely forgotten) but don't give hunting down the 12 to Helene, a character that already feels vaguely like a replacement for Villanelle while she's off doing character growth or whatever.
If they had done the thing that makes sense, it would have also meant that for once V and E's goals would have aligned, (though they might not have realized it immediately, you know, for spice,) which would have given us an opportunity to delve into a new dynamic: Partners in crime. Not S2 V tenuously working for E bc horny but actual challenging "we want the same thing except oh no, all this history and unresolved tension" cooperation. Obviously it would have gone horribly wrong in some fashion (I'm thinking Carolyn shenanigans), but at least it would have gone wrong for a reason that actually involved them bc the plot would have actually been their plot again. Incidentally, if you're going to have them hook up, this would be a great time for that, so it doesn't feel quite so backhanded if/when one/both die at the end.
The only reason I can imagine for not going down this route is that it would be too obvious, to which I can only say: [Insert tired comparison to Game of Thrones here.]
Seriously, hunting down the 12 is a natural conclusion to the story. It makes sense, was built to from the beginning and should have been a slam dunk in terms of plotting. Thus I am flummoxed as to how the writers managed to drop the ball so spectacularly that it hit every single one of their teammates square in the tits.
Well, I say that, the show does maintain a few of its strengths, first and foremost the cast of course, consequently some of the dialogue (Carolyn and V's interactions are delightful) and I do like the idea of both Gunn and Pam and also V getting shot by an arrow. Just wish the cupid/angel motif hadn't been so muddled and included Gunn more (who shouldn't have been called Gunn. It's a bad joke.)
Speaking of, many have rightly decried the lackluster supporting cast but as I see it, that is largely a holdover from S3, which killed off/wrote out basically everyone but the core four and failed to introduce any new characters that stayed past the season finale (besides Helene) bc it was too busy not moving the plot forward. You gotta have side characters in your show, so they made some new ones for S4 and gathered together whatever scraps they could (Hugo prettyboy and Martin the therapist). Idk if there was a good way to solve this problem exactly, but they could have certainly woven the new lot into the story better. Especially Pam. Pam could have been so much more. Oh and fuck the way they wrapped up Irina's story too. Complete waste.
With bad plotting comes shitty pacing. Again, that already started in S3. However, I will say in defense of S3 that it being a bit slower and introspective is very much the sort of thing that could have felt kinda ok, even needed in retrospect, if S4 had Risky Businessed into the room champagne in one hand, gun in the other, ready to party. Instead it made S3 look worse by turning it into a prelude to an even more plodding experience, now with bad editing!
For real, there's some really poorly constructed scenes; shots that feel disjointed, unfocused, repetitive. No idea what that's about, could it be the lingering effects of Covid-restrictions? Or maybe they just needed a better editor. Regardless, while not super dire it is absolutely noticeable and contributes to the general lack of cohesion, not to mention the tonal dissonance.
What am I saying, that's an excellent thing to mention. An ideal candidate to put the show and this too long note on my phone out of its misery in fact.
Killing Eve is supposed to be fun, you guys, remember that? S1 was at all times like two smash cuts away from becoming a full on comedy and it was amazing for that. It was the show's most unique feature, what took it from very good to transcendent as far as I'm concerned. Walking that line is hard, no doubt about it, and I get that different show runners have different visions and of course you can take on a more serious tone between seasons but then you actually need to make everything else match that shift. Integrate the absurdity into your writing or discard it, the way I've discarded the idea of ever writing a proper conclusion for anything. If you really want a dramatic, played entirely straight spy thriller conclusion with conspiracies upon conspiracies and doomed passions, that's fine. I mean, it’s not really bc you're losing what made Killing Eve great et cetera and so forth but my point is that you can't have your imaginary drag king Jesus and eat him too.
tl;dr: S4 is bad. There are several reasons for this.
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thenarrativefoil · 11 months
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villianelle breaks on the "this isnt a game anymore" moment after eve goes into the forest to ground herself/ let herself relax a bit. and eve realizes villanelle wouldn't go against her wishes when she turns the ghost's face up. and the next scene is villianelle threatening niko. and v promptly uses a real emotion "ow that hurts" to throw Niko off so she can tell him Eve is in love with her. and then she. tells him Eve laid down in her bed and stabbed her. so he can be truthfully shocked and hurt by this. this show is so fun it's like watching emotional ping pong.
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a-multifandom-mess12 · 5 months
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Yes, she’s evil, but have you considered that she’s my wife and I love her?
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carrythatwayt · 9 months
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They're perfect for each other (threat).
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Yellowjackets looks pretty cool, can’t wait to get into it in 2-5 years after I’ve finished all the other shows currently on my watch list.
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sailabovethis · 2 years
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Someone: “Dude check out this dark show I’ve been watching, there’s this serial killer dude…”
Me: (barely listening) “Mmhmm…”
Someone: “He’s super gay-“
Me: (immediate attention) “Go on…”
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martyfromgiant · 2 years
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it’s odd to me, that i still find being queer difficult and isolating these days. you’d think with how accepting and open minded people are these days, everything would be sunshine and rainbows. but it isn’t. it’s still hard. i still feel alone despite being surrounded by a fair amount of other queer people. maybe it’s because i have no one in my life that strongly relates to me. the population of lesbians my age in my suburban town is somewhat small. very very small. no one else seems to want to talk about these issues, talk about the new queer media and everything about it.
my life in my queerness is not close to the worst it could be by any means. i have accepting family and friends and i’m in an area that is more or less accepting. sure i come across a few assholes but who doesn’t? but no one my age wants to spend hours and hours talking about aloto and killing eve and other groundbreaking queer media. the losses i feel when my beloved characters die, i face alone. i can scroll through tik tok and twitter and tumblr but it’s not the same as talking to someone about everything. someone my age who has the same interests i do. sure i don’t experience homophobia, but not having fellow queer people and lesbians who want to dive into these worlds is so difficult. tumblr has become my only real connection to people like me who could talk about these little gay shows for hours and hours. a place where i can share my feelings and be passionate without a fear of judgement from the people around me. it’s nice to know other people get obsessed like i do.
it doesn’t change the fact, however, that i have no tangible connection to my lesbian identity where other people feel the same as i do (don’t get me started on how much of a pain ass it has made dating).
the problems and oppression we face is by no means gone. that lonely world out there and a life without acceptance is still there, creeping up on us every so often, knocking us back down a peg and “putting us in our place” so to speak. but in this much more common accepting and open world, there is still a little pocket, a corner, if you will, of that same loneliness. that feeling deep down that people don’t truly understand you, that you will be judged for exploring and expressing your interests. yes i’m surrounded by queer people and allies, but am i surrounded by people interested in fighting this fight, people who will embrace me, people who will share these new exciting pieces of media with me? no, i can’t necessarily say i am. fighting the assholes around you is only half the battle. fighting the inner loneliness and the voice telling you you’re not enough or crazy for your interests, is a very present and very demanding other half of the fight.
so i resort to pouring my heart and soul out on this platforms in my silly little blog posts feeling my heart explode with each like, comment, and reblog i get, showing someone out there feels the way i do. there’s truly nothing like it and makes my obsession and passion feel a little more validated and my connection to the queer community a little stronger.
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