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#leland hayward
fayegonnaslay · 19 days
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Slim Hayward (Slim Keith) and Richard Avedon at Bill and Babe Paley's Round Hill estate in Jamaica, 1950s.
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behindthescreamz · 3 months
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behind the scenes of the finale of “twin peaks” (1991)
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birchblood · 6 months
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Laura, Maddy, Donna, and Leland /Jean Baudrillard, Symbolic Exchange and Death
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moviesycho · 1 year
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TWIN PEAKS: SEASON TWO (1990-1991) "Laura's Secret Diary"
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heartswrath · 2 years
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laura & leland palmer / father, the front bottoms
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sesiondemadrugada · 14 days
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The President's Lady (Henry Levin, 1953).
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marsycat · 5 months
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twin peaks 2x09 ……
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cooperlaura · 1 year
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Twin Peaks should have had more characters with mother issues.
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weclassybouquetfun · 4 months
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In 2021 the limited series on the career of designer Halston (Roy Halston Frowick, portrayed by Ewan McGregor) waltzed down Netflix's catwalk. Now we have at least three series chronicling the lives and careers of designers.
Currently on Disney+ in Europe is the exquisite CRISTÓBAL BALENCIAGA centering on, guess who? Spanish designer Cristobal Balenciaga, starring Alberto San Juan (Reyes De La Noche) as Balenciaga.
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It's an interesting story about this enigmatic fashion genius that shows his steadfastness in his devotion to fashion to the sacrifice, some may say, of ethics due to the fact that while other fashion houses were shut down during Germany's occupation of some parts of France, he readily made clothes for the significant others of German soldiers.
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The series also shines a light on Balenciaga's relationship with his creative partner and love-of-his-life Wladzio d'Attainville (played by Thomas Coumans).
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Among the designers who appear or are name-checked in CRISTÓBAL BALENCIAGA is Christian Dior and Coco Chanel. These two fashion legends will appear in AppleTV+'s upcoming mini-series THE NEW LOOK with Ben Mendelsohn as Dior and Juliette Binoche as Coco Chanel and takes place during Germany's occupation of France.
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THE NEW LOOK will feature covers of classics by Florence + and The Machine, Lana del Rey, The 1975, Perfume Genius and more.
Sometimes this year (at least I hope this year) will be KAISER KARL (apparently the title may be changed) starring Daniel Brühl as Kunty Karl Lagerfeld
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centering on him as a 38-year old trying to break into the Parisian world of high fashion where he finds himself in competition with he finds himself in competition with French fashion giants like Yves Saint Laurent.
The only Yves Saint Laurent depiction worth a damn. RIP beautiful Gaspard Ulliel 
What is fashion if there's no one to wear it? For example, the high society ladies that will be depicted in the upcoming installment of FX's FEUD: CAPOTE VS. THE SWANS.
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Hopefully this series will do justice to the mythos behind writer Truman Capote's nuclear fall out with the so-called Swans - a moniker Capote gave the socialites whose company he kept and whose secrets he didn't.
Playing Capote is Tom Hollander
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Naomi Watts as Babe Paley, wife of CBS founder William S. Paley (which the annual PaleyFest is named after), Diane Lane as Slim Keith, ex-wife of famed director Howard Hawks, producer Leland Hayward amongst others; Calista Flockhart as Lee Radziwill, sister of Jacqueline Kennedy Onassis, Demi Moore Ann Woodward who got her place in society by being the wife of a banking heir,
Demi, that looks like a flamingo, not a swan.
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Chloe Sevigny as Andy Warhol and Salvador Dali muse C.Z. Guest, Molly Ringwald as JoAnne Carson, ex-wife of late-night talk show host Johnny Carson and the only Swan who remained friends with Capote after his ouster from their social circle.
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TBT Elle magazine getting animated with fashion.
Goofy as Kunty Karl Lagerfeld.
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birchblood · 1 year
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Donna / Maddy / Laura
David B. Morris, Hellebore #1, The Sacrifice Issue ; Simone de Beauvoir, Diary of a Philosophy Student: Volume 1, 1926-1927; September 14th, 1926
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"The sad truth is that musicals are the only public art form reviewed mostly by ignoramuses. Books are reviewed by writers, the visual arts by disappointed, if knowledgeable, painters and art students, concert music by composers and would-be composers. Plays, at least in this country, are reviewed by people who don't know de Montherlant from de Ghelderode and couldn't care less, whose knowledge is comprised of what they read in Variety and gossip columns, and who know nothing, of course, about music. Musicals continue to be the only art form, popular or otherwise, that is publicly criticized by illiterates."
Stephen Sondheim has stated that his original ambition was to become a mathematician and that he became a composer largely by chance. A big influence was the fact that famed lyricist Oscar Hammerstein (of Rodgers & Hammerstein) was a neighbor of his when Sondheim was a boy. When he wrote a musical for a school production, he showed it to Hammerstein who told him it was the worst musical he had ever read. However, Hammerstein also told him that nonetheless it showed a lot of latent talent and proceeded to tell him everything that was wrong with it and how to fix it, for which Sondheim was always grateful.
"Oscar Hammerstein had urged me to write from my own sensibility, but at that time I had no sensibility, no take on the world. My voice snuck up on me. I started to develop an attitude in 'Saturday Night,' a laconic lyrical style in 'Gypsy' and a structurally experimental musical one in 'Anyone Can Whistle.' They all came together in full-throated fruition in 'Company.' 'Oh,' I thought at the end of the opening number, 'that's who I am.' From then on I could afford to try anything, because I knew I had a home base that was mine alone and that would inform everything I would write, good and bad."
"Just before he died, he gave me a picture of himself and I asked him to inscribe it, which is sort of odd because he was a surrogate father to me, it's like asking your father to inscribe a picture. And he thought for a minute, and he was clearly a little embarrassed. And then he got a smile on his face, like the cat had just eaten the cream. And he wrote something. And when he left the room, I looked at it. And it said 'For Stevey, my friend and teacher.' That's a measure of Oscar. He wrote a lyric, as a matter of fact, in 'The King and I' -'By your pupils, you are taught.' He was a remarkable fellow."
A musical based on the memoirs of Gypsy Rose Lee was a project of producer David Merrick and actress Ethel Merman. Merrick had read a chapter of Lee's memoirs in Harper's Magazine and approached Lee to obtain the rights. Jerome Robbins was interested, and wanted Leland Hayward as co-producer; Merman also wanted Hayward to produce her next show. Merrick and Hayward approached Arthur Laurents to write the book. As he relates, Laurents initially was not interested until he saw that the story was one of parents living their children's lives. Composers Irving Berlin and Cole Porter declined the project. Finally, Robbins asked Sondheim, who agreed to do it (Sondheim had worked with Robbins and Laurents on the musical "West Side Story"). However, Merman did not want an "unknown" composer, and wanted Jule Styne to write the music. Although Sondheim initially refused to write only the lyrics, he was persuaded by Hammerstein to accept the job.
"Gypsy" opened on Broadway in May of 1959, and is frequently considered one of the crowning achievements of the mid-twentieth century's conventional musical theatre art form, often called the book musical. "Gypsy" has been referred to as the greatest American musical by numerous critics and writers, among them Ben Brantley ("what may be the greatest of all American musicals...") and Frank Rich. The role of Mama Rose was played by Rosalind Russell in the 1962 film version; the closest Merman got to recreating her stage success on the big screen was in the hospital scene in "Airplane!" (1980) (she starts belting out "Everything's Coming Up Roses" and has to be sedated).
Sondheim on the song 'Everything's Coming Up Roses' from "Gypsy": "The difficulty was to find a way to say 'Things are going to be better than ever' without being flatly colloquial on the one hand or fancifully imagistic on the other. I was proud of the solution, and especially so when I picked up the New York Times one morning in 1968 and read the first sentence in the leading editorial: 'Everything is not coming up roses in Vietnam.' I had passed a phrase into the English language." (IMDb/Wikipedia)
Happy Birthday, Stephen Sondheim!
Cinema Shorthand Society
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moviesycho · 2 years
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TWIN PEAKS: SEASON ONE (1990) Episode 3 — “Zen, or the Skill to Catch a Killer”
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chicinsilk · 9 months
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US Vogue August 15, 1959
A striped jacket worn here by Brooke Hayward, daughter of Margaret Sullavan and Leland Hayward. Cardigan made by Ben Kahn from a Scaasi design. Golden jewelry and rhinestones at Altman. Hairstyle by Enzo da Perugia.
Une veste zébrée portée ici par Brooke Hayward, la fille de Margaret Sullavan et Leland Hayward. Cardigan fabriqué par Ben Kahn à partir d'un design Scaasi. Bijoux dorés et strass chez Altman. Coiffure par Enzo da Perugia.
Photo Horst P. Horst vogue archive
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thetwinpeaksblog · 1 year
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Leland and Laura Palmer approaching an intersection in David Lynch's "Twin Peaks: Fire Walk With Me." The scene mostly takes place at the intersection of Meadowbrook Way SE and SE Park Street in Snoqualmie, Washington.  To the left of the Palmers is Mt. Si High School as seen in the pilot episode. The apartment building on the bottom left would later appear as the interior of Gersten Hayward's apartment in "Twin Peaks" season 3 on Showtime. The bottom location image was taken on September 14, 2019.
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itgirlspectacle · 1 year
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“Slim” Keith
In the past several decades, the “it” girls we have seen have largely been socialites that come from wealthy families and make themselves stand out by challenging the social norms. Slim Keith, in a similar vein to Mrs. Simpson, had a “preference for manly companions” which made her a constant object of conversation amongst socialites (Globe & Mail). She was also a fashion icon, being featured many times in Harper’s Bazaar for her unique “scrubbed clean, healthy, shiny, and golden” appearance (Menkes). Born in Salinas, California, she is often referred to as being one of the first “California girls,” and “never had any interest in a career,” instead depending on the likes of Howard Hawks, Ernest Hemingway, and Leland Hayward to introduce her to west-coast society and make a name for herself. In this way, she achieved her fame by using her flirtatious and charming personality and magnificent looks to climb social rank - very Babyface chic. 
However, the real lasting power of Slim Keith’s name starts with the controversial short story published in Esquire by Truman Capote, titled “La Côte Basque”. The story was “composed almost entirely of gossip between two pairs of New York society insiders” and it was no secret that one of the pairs of socialites from the story were thinly-veiled characters based on Slim Keith and her best friend, Babe Paley. Slim Keith, portrayed in the story as Lady Ina, shunned Capote for the rest of his life and was appalled that she was once best friends with him, only to find that it had all been a ruse in order to publish a ground-breaking exposé. In analyzing Slim Keith as an “it” girl, she certainly did make a mark for herself with her impeccable style, but it is intriguing that what really launched her name into eternal notoriety was an initially reputation-ruining exposé. Keith garnered sympathy from fellow socialites, crude intrigue from lower class citizens, and her image represented in a best-selling story; but, what matters at the end of the day is that everyone had her name in their mouth.
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k-apme-h-salzc-a · 2 months
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“’Beautiful’ is the most misused word in the English language, next to ‘glamorous.’ Very hard to define. Goddamned elusive. In my book, to be beautiful a woman has to be more than beautiful—you know what I mean? She has to have this quality of glamour, which is also impossible to describe. A certain look in her eyes, a style—an awareness of her effect on people—the way she holds herself, moves, a sense of her own mystery. A blend of all those things.”
Leland Hayward, "Haywire"
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