#life doesn't make narrative sense

[musicalrecs]

Favorite historical musicals?

It's tough to write a musical that's both historically accurate and tells a story (ideally using both song and dance) that people will pay money to sit through.

So, what's your favorite? Personally, I'm a big fan of the obvious choices (Hamilton, Les Miserables), because I'm basic like that and willing to gloss over historical accuracy in favor of a good story, character arc, and/or catchy score. But I know you guys know a lot more interesting musicals beyond those two! So, what's your own fave?

Related: Josh Groban explaining that life doesn't make narrative sense.

#musicals #rec request #life doesn't make narrative sense #Youtube

[moistvonlipwig]

it's still so baffling to me that the cxg writers claimed valencia didn't need a coming out arc because she was comfortable and confident in herself and her sexuality when one of her most defining iconic songs was all about how much she hates women

#valencia: *has a ton of unexamined internalized misogyny and homophobia* #the cxg writers apparently: she seems well adjusted to me :) #life doesn't make narrative sense #ghosts are obsessed with me #crazy ex girlfriend

[wwxsflutesolo]

"Chuuya. Come to your senses. Our fate will not end in a place like this. Because you and I are destined to—"

@/kedreeva// ernest hemingway - the old man and the sea// death cab for cutie - summer years// unknown// unknown// lidia yuknavitch - the chronology of water: a memoir// richard siken - saying your names// taylor swift - gorgeous// unknown// victor hugo - les miserables// jeanette winterson - lighthousekeeping// sylvia Plath - lady lazarus// margaret atwood - power politics// tory adkisson - Anecdote of the Pig//richard siken - planet of love, wishbone// ethel cain - hard times// margaret atwood - variations on the word love

#web weaving #quotes #skk #i'll be so honest this was so much work for someone who doesn't think dazai is dead but i also cannot resist angst this good #bungou stray dogs #dazai and the idea of destiny #hot take dazai is actually so full of love & hope & he just hides it & thats why its so easy for life to get to him #dazai osamu #chuuya nakahara #dazai x chuuya #richard siken #poems and quotes #also he was totally going to say die together i just know it hes infuriating #they're soulmates your honor #bsd 109 #my first one of these ever #theres just something about dazai and chuuya being doomed by the narrative #this man thinks about his fate & how he wants to die but he's trying to live my god #all of these make sense in my head #the parallel of their meeting with this chapter also ???? hello? #bsd spoilers

[jacobsbadwig]

I saw your tags on the other post and pls rant about Jessica Stanley being the main character. Kthankbye ✌🏻

I was trying to find a post on my blog that imagined Jessica as the Main character Twilight.

But frankly it all boils down to Smeyer using Bella as a self insert. Now a lot of people hate that criticism, but it’s not a criticism rather than a statement of fact. Her crime isn’t basing a character on herself (or a young version of herself) it’s refusing to kill her darlings. Bella’s book description is the same description of Stephenie Meyer. (See @panlight or @fuckmeyer for more information)

As for Jessica, it’s hard to figure out what Bellas (and Stephenies) beef with Jessica as a character. I would argue because we don’t get an inkling of how Bella’s friend group was in Arizona (or if she had many friends) that Jessica is another character foil how girls shouldn’t (I will link that post here) act. Of course this is a subconscious point that the narrative makes.

Jessica is this determined high schooler who likes boys (as far as we know) who is focused on her grades but is a bit of a gossip. At least from Bella’s prespective. Also, Bella is an unreliable narrator although the narrative and the author don’t treat her as such.

I think Jessica Stanley makes more sense as the main character mostly because she has more to lose than Bella, a character who doesn’t want to make connections and is only in town because of her self sacrificing mindset. (I will not go into Bella’s mother mostly because my interpretation is that she (her mother) only got worse because the narrative needed her to and then it didn’t really matter because she got to keep her family around anyway). (Also mini rant- It’s strange that a girl who was born in that town and spent summers there until she was 13 Doesn’t know any other teenagers before moving back there especially being the Chief’s daughter. I would assume she would know everyone since she wouldn’t have been left home alone. Whatever Steph)

Jessica has a family. She’s grown up in the town. She has worked so hard for her grades. It would be interesting to see all of that come crashing down because of her involvement with vampires.

@humans4vampires just made a post pointing out the adrenaline caused by Edward’s presence and its masking via Bella’s attraction to Edward. Who’s to say that couldn’t happen to Jessica in their initial meeting.

The narrative would be the Cullens moving to Forks. Jessica gets rejected by Edward. Yes, she’s heartbroken by it, but that’s the new boys problem she’s on a mission to get all A’s. Her tight knit friend group keeps her distracted. Then one day, she’s walking around in the woods taking a break from her studies or just for some quiet time and comes across Edward hunting and covered in blood.

Edward, of course, hearing her thoughts, panics. They just moved to Forks. He can’t just let her get away, but she’s well known in the town. It’s small. He can’t kill her. So (like a dingus), he runs off.

Jessica having seen something so frightening rushes home to calm down, and she plays sick for the next week.

Anyway, I just think Jessica has more to lose, and it will be real push and pull of narrative as she is not only protecting this secret from the rest of her friends. She has to get through high school without dying until she realizes that she won’t be able to live her dreams because she will be a vampire or be killed.

#twilight renaissance #twilight saga #twilight #jessica stanley #pretty much tl:dr: the narrative tension and the threat of being a vampire and sacrifice and even the Romeo and Juliet aspects #make more sense with there's tension and both parties have to lose something #Jessica has to fight to give up her old life and what she knows and loves #Edward will have to read beyond people's surface thoughts to actually make connections #Bella on the other hand doesn't sacrifice anything physically emotionally or mentally #I guess you can argue her agency and development but that's because of weird lore not something she is actively willing to give or keep #everything is a reward for bella #Jessica would have to actually make connections with Cullens and excuse her new erratic behavior to protect the cullens secret #I could even see Edward threatening her at first and afterward growing close to where she does want to protect him despite being in danger #Also Jessica ruining her perfect attendance record is so heartbreaking for her

[the-valiant-valkyrie]

i see a lot of interpretations of zor being this otherworldly, anomalous presence- larger than life, practically non-human. and i, too, like perceiving zor through this veil of anonymity. i think making them too tangible or perceivable really detracts from what's been established about their character.

but, i personally really, really like the thought of zor being human. mortal. but terrifying to the point where you'd be forgiven for forgetting it.

i think one of the things that i adored about ieytd before the third game dropped (and honestly made me a little disappointed when it was changed later on) was the fact that the agency never had a face. it just... was what it was. it had facets- granted, the EOD was always the only one of any relevance. but, really, think about what we know about the agency between all three games. compare that to how much we know about zoraxis.

there's something really appealing to me about zor being who they are... they're probably the most wealthiest person on earth. they had a monopoly that quite literally gripped the world in their first- as their emblem would suggest. they hire some of the most lethal minds in the world- chemists, inventors, engineers.

and yet... despite it all, they're just one person. to me, their anonymity is a shield against the fact they are a person. they hide behind the lethality and prowess of their elite operatives- not to mention we've seen how clever they can be when it came to manipulating prism. they're by no means useless.

but what would they be without their anonymity? what would they be without the weapons they didn't design, the lairs they didn't build, the employees they use as human shields? the second zor is gone, zoraxis crumbles. they are the support pillar of their entire corporation.

... but what's the agency's equivalent? even post morales being a character, can we be certain that he's the glue holding the entire organization together?

think about zoraxis' most lethal schemes. seizing control of the world's atomic weaponry. striking targets anywhere on earth's surface with a giant laser. exploding the brain of every telekinetic agent on the planet. are they really seeking to cause as much damage as possible- to the agency specifically, collateral, or otherwise?

or do they not know where to strike. zor's tactic- for as high the stakes have been escalating- has always carried a similar motif. cleave and strike indiscriminately until the threat is neutralized.

but it never works. zor is lashing at a hydra- sprouting new heads where the old ones have been lopped off. they don't seem aware of how to destroy the agency other than exterminating each and every one of them off the face of the earth, in whatever way is most convenient at the moment.

i just think there's something to be said about zoraxis- and by extension, zor- always being seen as this oppressive, near-otherworldly force, constantly applying pressure on phoenix... when for all we know, zoraxis could be perceiving the agency in the exact same light.

zor, ultimately, has one beating heart. the agency has thousands. and all of them are dispensable.

#ieytd #headcanons #i GUESS #dr zor #i'll tag them. i guess this post is abt them sure why not #this blog is anti morales. if there are no morales haters i am no longer on this earth #i hate him for reasons unrelated to this post but it's still important that i say so #i just think there's something so narratively enticing #about. phoenix being fed the thought that zor is this. almost eldritch presence. despicable. a monster. a plague. #something that needs to be killed to ensure the safety of the world- and (perhaps more importantly) the agency #growing to see zor as an almost demon like entity. subhuman. scourge. #before finally actually encountering them. meeting them face to face... and seeing themself in their eyes. #zor is still a menace. they're still a murderer. they're still evil. but they're human. #and it's with a dawning chilling realization that the agent realizes that they've made a connection with zor- #-that they've *never* felt from the agency. cold. disconnected. a beacon of self identified purity they've been taking at face value #i guess what i'm saying is just because zoraxis is obviously bad that doesn't make the agency good. #sometimes eldritch horror can be the organization you risk your life indefinitely for #does this make ANY sense is anyone reading this. hello. where am i. what is this place. #long post

[sunlit-haruka]

Okay so after reading a bunch of theories on Deep Cover and rewatching the MV about 30 times, my only coherrant thought is that I want Kotoko Yuzuriha to be fucking okay

#haru chats about milgram #She really do be thinking that there is no going back huh #that killing that serial killer cursed the rest of her life and that she can only be this huh #I was excited for her in Trial 3 but now I'm just afraid #I know that none of these guys are going to get a happy ending. At best they'll get a bittersweet one #But there is zero happy ending in sight for Kotoko because she literally refuses to let herself have one #And that makes me so??? damn sad??? #Honestly the only hope I have now is that she doesn't die but I honestly can't even feel safe believing that #In fact from a narrative perspective I think she is the character that would make the most sense to die at the end of all of this #And that scares me !!! Jesus Christ !! #milgram project #milgram #kotoko yuzuriha #yuzuriha kotoko #milgram kotoko

[prettyboykatsuki]

i have many many many critiques about wylls story, most of them being about the fact it's just so lackluster in game when compared to other companions which is a shame. because wyll to me is and has the potential to be an even more emotionally compelling companion. and he was early access!! he was so gritty in ea please bring him back larian i beg of thee. the way he was rewritten has stripped him of so much nuance and depth. wyll to me is such a wonderful character to me because of what he represents, which is heroism so down to his core he never gives up on it even when he ought to

his goodwill and nobility are ceaseless. at the center of his story is betrayal trauma, his agency over himself vanished into thin air. mizora turns him into a monster and there is no turning back. he has become the thing he's despised, the things he's hunted for his entire life. and we know so little about that canonically because of the way his story is set up but its hinted time and time again that he struggles with his reality deeply and even that cannot make him turn away from the city he loves so much.

if larian would go back to clean up and fix his story (which im truly praying to god they do) i want them to touch on what wyll must be going through as he continues to try to ground himself and deal with his newfound reality. i want them to touch on the abandonment he experiences because of his father and the inevitable burden his title as blade and hero has on him. because these things obviously compel him, they're hinted at all the time but they were completely stripped of him in final release and its fucking disheartening... larian please im begging you. thats the love of my life. please.

but for now i will do it with fanfiction and gather enough wyll fans to make a fuss about it . peace and love

#aristotle.txt #wyll ravengard #bg3 #i love wyll so desperately. which makes sense as a deku lover certainly. #but i love him even more because his story is narratively interesting #here is a classically heroic noble making a devils pact to save his city #who is only rewarded for doing this by being banished from the city hes sworn to protect. by his father no less. #he spends seven years away from home and makes a name for himself as a fucking folk hero #he never returns. he doesn't explain himself. he decides that the least he can do is give his life to the sword coast #and then wyll meets karlach. a devil hes supposed to kill except shes not #and because wyll is wyll and because what matters to him most are his beliefs he is easily convinced to not kill karlach. he doesnt want to #kill karlach. so he doesn't. and he pays the price for it. his entire existence is uprooted and he is turned permanently into a partial #devil #hes become his own prey. he spends the game clearly sorrowful in the mourning process. and the game just refuses to touch on this set up #as a WRITER it boggles my mind why wyll does not get that attention from larian because the concept of a hero balancing the weight of his #own pain and sorrow against his beliefs is moving. being able to open up that path with tav narratively that allows wyll to be #selfish and heartbroken. to not be blade or sword. just wyll. what a beautifully interesting storyline would that have made #i have delusion in my heart. i hope they fix it. i want them to fix it so badly because i fucking adore wyll in every way. #and i want the game to represent who he is as much as i feel for him. he is an origin companion and deserves it. #bg3 spoilers

[firstroseofspring]

i didn't want to leave a wall of text on that muse post by @marxistgnome but i love it so much and this is going to be so rushed but i could go on and on and on about b'elanna and storytelling and narratives. this got really long and so under the cut it goes

it all really ties into that post i once saw about this consistency with b'elanna episodes where they reveal more about her as a person through her interior life- her thoughts and dreams and visions... what she does when she's alone. and muse really gives us this close up look at the way she sees things and what she cares about through kelis - the stories she tells him and the way she interacts with him- because he gives this good intimate portait of the world as b'elanna sees it- as she's described it to him (almost makes you wonder what she was considering there- whether she thought she should tell someone their stories because they're stuck in another quadrant and might not make it home, or if she thought she wasn't going to get off that planet and might not make it back to voyager)

and of course he's crafting a play so there's room for his own creativity but b'elanna tells him their story really well and she cares about it and you can tell. she cares a lot.

we get another really good look at this in barge of the dead like famously- and it's so consistent in that episode too because she's on the barge and she recognizes kortar from the stories her mom told her as a child and he directly acknowledges that. he says she believes in grethor and in him and she believes because her mother told her the story after she nearly drowned in the sea of gatan. remember prophecy? she's recounting the whole heroic battle with the borg to the klingon generation ship that think baby miral is their savior and the whole scene is framed like (at least it felt this way to me) that for all she says about not being familiar with klingon culture in any respect, the way she interacts with storytelling especially reveals the depth of her understanding of it- shes telling the story and she's telling it really well according to klingon custom and the first thing the visiting klingons do after she tells it is compliment that ability. and its sooo much.

when her and harry are going back and forth at the end of muse and she just goes harry have you ever inspired somebody? when he asks why she even cares so much about the ending of kelis' play. there's just like this klingon belief about living a life that's worthy of being shared with others- like when in day of honor the hologram is evaluating whether she's spent her year honorably and asks her what she's done with her life that's worth celebrating and she can't answer and he tells her that she's giving him excuses. and the direct parallel that could be drawn about how she feels about that with the janeway vision in barge of the dead where she's being condemned and the whole reason is that she's done nothing worthy of glory- 'nothing worthy of song and story.' my goodness

even when she convinces janeway to let her go back to the barge- janeway says it's not real, that she won't let her risk her life for something that she only thinks she experienced- but b'elanna tells her it doesn't even matter if she thinks it was real- that it was real to her and she cares about what her mother thinks of her and she doesn't want her to die thinking badly of her.

we see this with worf, of course the angle we're given is honor and truth and duty- but how you're remembered and talked about is important, even from generation to generation- disgrace in his family is disgrace for him. when they accuse his father of being a traitor at khitomer, it's important to him that his father be remembered as he was - truthfully, honorably, as someone to remember well (even the titles and names they give themselves being little retellings of their lives and the members of their family- on memory alpha worf isn't just worf, he's worf, son of mogh, of the human family rozhenko, mate to k'ehleyr, father to alexander, husband of jadzia, bane of the house of duras, slayer of gowron etc etc.)

((sidenote but b'elanna never in her life introduces herself as b'elanna daughter of miral always as b'elanna torres but on the barge of the dead kortar calls her miral's daughter immediately. and if she's partially from this culture where naming and titles are so important in that respect and b'elanna thinks her mother is. not what she wants to be known by not what she wants to be identified as it's soo relevant to what she calls herself. roxann dawson said that b'elanna wanted to be 'human and perfect' like her father and so she's not ' b'elanna daughter of miral' anymore because she doesn't want miral to be a part of her story, how she's remembered. so it's belanna torres.))

anyway this same- dedication to truth we get from worf and his father's memory we see even with b'elanna in 'remember' where she gets those telepathic dreams/visions from the alien woman about what really happened with that group of people they oppressed. the crew discover that the dreams are starting to affect her health- and so they offer to suppress them, take them away and b'elanna just refuses. because how else will she know what happens to them? who's going to tell their story? and she shares that story once she has it with anybody who will listen because its worth telling.

i'm going a little crazy but klingons and writing and literature and song and stories and living memory its all so. it's ridiculously important culturally. and how that translates back to b'elanna is so fascinating

#this could even extend to her time in the maquis but thats so much and i dont have a good enough grasp of the maquis to tell it #as well as i'd like to. #i could even talk about. what she says- whats revealed about her through her dialogue vs whats said about her. <-a narrative #and those posts going around lately about how softhearted she is despite whats said about her #klingons and story.... everything important getting a retelling and recorded and passed down and set to music and told in theatres #even if its exaggerated its important that its being told. worf loves klingon opera b'elanna never sings a song once in seven seasons #b'elanna 'sometimes i'm little more than hearsay a story told back to me that doesn't make any sense' torres #trek #sidenote also being disgraced / the discommendation stuff from tng #where they turn their backs to the dishonored person and shun them and refuse to talk to them ... with the whole living memory... its like #you're dead and it's not acknowledged and your life dies with you- nobody to tell your story unless as a warning

[fluentisonus]

I can't stop thinking about the way that all those descriptions of eponine & javert using the exact same phrases gives this last scene where he sees her body & says "it strikes me that I know that girl" the quality of someone looking at their own corpse

#in that the descriptions are casting them as being from similar material so it's like a whole different version of him w a whole other life #that he's recognizing but not aware of the extent to which he's Recognizing #but also something something recognizing a corpse when you're about to be one #<- is this an insane take?? sorry if so #thoughts #les mis #also smth smth his unwillingness to sympathize with people & thus see the ways people can be cast so similarly but be in such different #situations & such different people preventing him ever fully recognizing something like that & so it's left to the narrative to point out #the irony of the fact that his conscious recognition was from arresting her (iirc?) while the broader recognition he doesn't see is All Thi #if that makes sense akhdfkjasf #idk I'm still chewing it over

[nerdynikki94]

Honestly? Did I want more from DTAMHD? Yes, I did. I wanted something signifying actual progression for Dennis' character (even just a crumb of genuine growth) , and I sincerely don't think we got that. However... we did get a fascinating insight into the process of his mind. Dennis' level of self-denial is so ironic and profound. He can't acknowledge the inevitability that he's middle-aged.

(I swear this episode honestly has given me an alt hc, that the show is based in his mind; because logistically, a man of his lifestyle and malnourishment could not commit the feats he is constantly sailing through. TGGB & DTAMHD... back-to-back? What happened to his hand? Did he even sprain it? Or is he just the most dramatic brat in the gang - clearly the latter.)

It is important to note that he didn’t fix the actual problem. He momentarily masked the symptoms, but ignore long-term help with blood pressure medicine is not going to fix the issue, nor is it going to protect him from fucking keeling over in a stressful situation (when he's not in a contained and quiet Doctor's exam room) and his blood pressure spikes.

I'm honestly a little jaded at this point (16 Fucking Seasons of crumbs, y'all), but if one were to continue 'trusting the structure' this episode conveyed a lot.

The B Plot: The pressure cooker. The metaphor parallels the building pressure Dennis quick-tempered bouts of rage. So, to toss out a little 'cat-in-the-wall' conjecture here: The pressure cooker is Dennis, but we all saw him eat that bloody diamond in the end and we all heard Mac's speech about coal turning into diamonds under massive pressure. Dennis' experience is a theory of pressure, he daydreams it all in the span of a minute or so. He's roleplaying with hypothetical obstacles. There's no risk. Maybe Dennis, isn't the pressure cooker, but the coal.

If I were to try and take anything hopeful out of this episode, it would be the way the narrative is showing us that this episode acknowledged that Dennis isn't ready yet. It's not his turn to break. It's going to take real, substantial pressure to get that diamond.

It was a hell of a misdirect (and honestly a little bit of a slap in the face), but if these characters live in the real world, where people are bound by the laws of mortality, then Dennis should have his time.

Genuinely, who fucking knows?

I'm not hating on the episode. We all know this is the trashy dick joke sitcom. I just thought that if Mac & Charlie could have moments of genuine heartbreak, culminating in deep catharsis, that maybe Dennis could have that too.... but no.

Can't wait to see the sunny dudebros miss the point & proclaim Dennis Reynolds - SA victim, traumatized individual with an emotionally tumultuous personality disorder - the new Andrew Tate.

I'm sorry, but yeah. I'm a little miffed. It was all a dream, and everything goes Dennis' way. Y'all I'm fucking tired. This was a great episode for Glenn, but a fucking frustrating episode for Dennis. I may have wanted a little macden, but all I cared about was seeing Dennis face the limitations of his mortality, to see that he's failing his body and his brain. He didn't have to actually take the medicine (I wouldn't expect him to), but Goddammit, everything seems to work out in his delusional favor. So, of course he's going to continue being delusional, and probably only change for the worse.

I'll say it: I wanted a broken Dennis, and we did not get that. He didn't even crack, the unbearble and apparently now canonical Golden God. That episode's title was intended to tease sunnyblr.

Excuse the plethora of tags. I just kept getting more irritated.

#what i take from the episode is further insight to the lengths of Dennis' repression which adds to my fic #iasip s16 #i will say this: i can't dislike this episode solely because of how phenomenal glennjamin's performance was. #I'd say I'm retracting the title of macden 'truther'. I'm still a stan. but this ep made me realize dennis is too coddled by the narrative #with TGGB he's constantly winning. even the game he doesn't stay to watch the end of. his body performing near miracles. wtf #the real reason I'm seriously bothered is the sunny dudebros. they already idolize dennis #this ep has only made it worse because the obvious point of Dennis' actual delusions will go right over their heads. #anybody with a grounded sense of reality can tell you that dennis did not solve a problem #he dreamt up a scenario in some kind of toxic meditation session. he's getting older. and his denial is metastasizing #Dennis' denial isn't sustainable. I'm kind of cutting off my investment in that regard. he's a fucking mess & he's currently being idolized #dennis reynolds #definitely not my favorite episode. not bc of lack of macden. a little bc Den needs limitations. mainly bc 'it was all a dream' is cheap #ranting.excuse me for wanting 1 of my fave characts actually have his poor health.self-destructive coping mechanism/trauma acknowledged #can't believe i was actually afraid i wouldn't be able to write because too much might happen in DTAMHD...! 🤣 #it should've all happened. but instead ended w/him getting charges pressed when he tried to break into ceo's home #ngl. this one hurt. I'm ready for Mac to give up on Dennis. i just wish this fucking show would let him. #excuse me while i go bawl like a baby watching MFHP. because I'm heartbroken that Dennis' BPD makes him push Mac away. #let's just say that realization has been bogging me down in my personal life the last couple of days. & this bummed me out. #Robert McElhenney. I'm outside the studio screaming at you to just let Mac move on & actually meet someone! #I'm not saying he deserves a relationship. but fuck... after 40 yrs of repression can he at least have a fling & fall out of love w/Den? #Dennis won't ever let him meet someone. & he'll never treat Mac like he actually cares about him.bc his own vulnerability terrifies him.😭

[marcusagrippa]

becoming more invested in one random side character who is fucking dead by the time my main plot starts than the actual protagonist is just a rite of passage for my writing process at this point

#big oc ramblingin the tags warning u h. #save me melisadd...... isa............ #a horrible ugly name for a horrible ugly guy #however. every lover is a soldier. etc etc. #yes he gets killed because of his own ambition but he also gets killed because of his devotion to his city. and by extension his paradoxica #devotion to rhys (who has become the city itself in a weird parasitic sort of way). he hates what rhys stands for and he hates his idealism #and his tyranny andsuch but they have such a fucked up (literally) cannibalistic relationship going back to faustus and the ivy war #that neither of them can function without the other. rhys' fate is sealed the moment he kills isa because theres no-one left to balance him #out and challenge his plans. and he spirals from this genius up-and-coming ruthless commander willing to do anything to keep his home safe #into a lazy power-hungry beast relying on the prestige of his ancestors and the fear of the people to keep him fed. and he misses isa #as much as he hates to admit it #and he misses argent and he misses what they all had and as he gets older he starts losing the ability to distinguish between the past and #the present. hence the public display of argent's innards and isa's rotting corpse being dug up and given a seat at the table at the feast. #but back to isa. isa doesn't want to fight rhys - he believes there's good in him up until the last second of his life. #his execution is the death of any hope of redemption rhys might have had. #noneof that makes sense but anyway you get what im trying to say right #<- what a late republic hyperfix does to a mf #they are based loosely on the first triumvirate and should all eat each other !! #i can make my own narrative ghosts god dammit #dyrposts #r. a. bicinius #m. f. voscium #i made these guys like. two days ago??? but i cant stop thinking about them #if anyone is interested. i will say more things about dr #writing #augh #rhys isnt technically a main character either feel like i should clarify that he. dies in the first chapter #story focuses on eos furi and gabier !!! yippee !!! #jase writes #FUTURE ME EDIT: THIS IS ALL WILDLY OUTDATED :DDDDD OH WELL

[moistvonlipwig]

asking for josh chan for the bingo

my mans needed more SONGS.....

#vinnie is sooo talented they did not give him enough songs!!! #life doesn't make narrative sense #cassphos #i spent my whole life in flip flops

[mikesbasementbeets]

fellas is it misogynistic to be gay?

#duh the party (four 12yo boys in the 80s who have never been friends with a girl in their life) are going to buy into casual misogyny #like duh. yeah. but what's the point of making the two queer boys Repeatedly exclude/not understand girls as a whole? #if it means something about will........ why would it then be different/meaningless for mike #this is a tv show it's a narrative theres a reason behind the narrative choices outside of 'well it's realistic!' #'it's not queer coding lucas does it too' ok tell me you don't understand nuance without telling me #'gay men often hide their misogyny behind being gay' i mean yeah true you're ri- 'oh but they're not Actually gay though' ........ #'he's bi because he likes el but also no he doesn't but he's still bi because he likes girls but also no he doesn't. i'm right.' #(also mike is bi but never liked el romantically truthers PLEASE fucking explain your twisted logic to me. make it make sense) #anyway. seeing some rancid takes lately this is why i stick to my dash. the mutuals Get It

[earl-grey-love]

I think what I find compelling about my mystery man ship is that he and my s/i are fundamentally opposing forces in the narrative. While they aren't enemies or rivals, they're technically allies, their motives are in conflict with each other. So they lowkey have beef while being stout supporters of each other.

Though narratively, he will always succeed against my s/i, like her success will only ever be temporary, but she's okay with that because all that matters is the here and now... but she's still going to be annoying about it. Because it's funny. If she can impede his ultimate success just a little bit, then she considers it a win on her end. So all of this is an excuse for them to have witty banters and petty rivalries from the get-go.

The romance comes in by no design of their own. It's sort of an inevitable part of their role in each other's lives that leads them into one another's embrace until the grand finale comes... and then perhaps beyond, if he should so choose.

#I think if I squint I could say their roles are that she is life and he is death but not quite so literally #its not as clean cut as that but it works #basically my s/i is always going to lose but she doesn't care and the fact she tries anyway is exactly why he wants her #plus there is the underlying element that she could actually win against him if she truly wished to #but she doesn't because the decision to change the narrative isn't hers to make its the protagonists #and she knows the protagonist would never choose her as the resolution #she's just there to have fun while it lasts #idk if this made any sense but I wanted to ramble anyway 💕 #sunny speaks #ship: mystery man

[july-19th-club]

aw man my little guys are fighting im sad

#really only one of them is fighting. the other one is resigning himself already to be hated forever . #like it's not that grover can't read a room it's just that he NEEDS to talk his way out of failure. bc this isn't the first time for him #he needs to feel like this is a thing you can talk through #but also there is no talking through the worst night of your life like. six hours later . sorry #it makes sense and it works and it adds something extra . to both of their issues #AND it makes percy more vulnerable to luke's worse ideas . since he doesn't have another friend to go back to since hes mad at him #like . narratively i love this . #pjo

[thingismyson]

Hey so uh. Puppeteer. Huh.

#... I will say that I imagine a very specific death for the first option. #I'll be straight up most of the people I know (myself included) believe that man ended his own life. And it makes sense narratively #The mix of the guilt and shame and how despite that he doesn't want to take accountability for his actions creates a very VERY strong case- #that he's probably not around anymore. But nothing has ever been confirmed! #But that also means. Idk if you headcanon he died from another method then by all means vote for that too #tw suicide mention #fnac #five nights at candy's #I MESSED UP AND MADE IT 24 HOURS SO VOTE FASTTT