Aziraphale: The Sword that Guards the Tree of Life
Looking where the furniture isn't
This post is dedicated to @meatballlady's excellent insistence that if we want to try to predict where season 3 will go, we need to look at where the furniture isn't. That is, what must have been there but wasn't shown?
For this one, my source material is going to be Genesis. That is, in no small part, because it does in fact fuck severely that Neil Gaiman and Terry Pratchett took the angel with the flaming sword and the serpent of Eden and made them kiss (@joycrispy, @ouidamforeman). It's also because Genesis, quite simply, exists, and it seems safe to assume that most everyone in Gaiman and Pratchett's intended audience has been exposed to at least its first few chapters dozens of times.
What does Genesis tell us about Aziraphale's purpose?
3:22 Then the Lord God said, “Behold, the man has become like one of Us, knowing good and evil; and now, he might reach out with his hand, and take fruit also from the tree of life, and eat, and live forever”—
23 therefore the Lord God sent him out of the Garden of Eden, to cultivate the ground from which he was taken.
24 So He drove the man out; and at the east of the Garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.
@joycrispy's analysis above highlights Aziraphale's role as given in the last verse: as the angel chosen to wield the flaming sword, he was sent down after Adam and Eve were expelled to prevent them from returning. Instead, he chose to protect them by giving that sword away. His desire to protect humanity is indeed beautiful (@give-soup-please, @snek-eyes).
But wait, what came right before that? "And take fruit also from the tree of life...?"
2:9 Out of the ground the Lord God caused every tree to grow that is pleasing to the sight and good for food; the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.
That's right: What we see in the show is that Adam and Eve were sent out of Eden so that they'd have to deal with the rain and the animals and have to work for their food, but that was never the primary motivation. God planted two special trees, and after Eve and Adam ate from one of them, God was terrified at the prospect of them turning around and eating from the other. And thus, the Garden of Eden was made off-limits and set to be permanently guarded by an angel with a flaming sword.
So, the flaming sword.
Twice now, Aziraphale's sword has helped humanity survive complete and total destruction (@nottobehornyonthemain). The first time, he handed the sword to the first two humans, which protected not just them but the entirety of the human race via Adam and very pregnant Eve.
The second time, he let it be wielded by The Them, who used it to best the Four Horsepeople of the Apocalypse and save the billions of humans already alive as well as unborn generations.
Perhaps the flaming sword was only intended as a plot point in the first season. However, if its purpose were completed, it could have easily been destroyed. As a narrative piece, it could have broken dramatically at the end of the face-off against the Four Horsepeople. Or, Watsonianly, God could have chosen to break it Herself; after all, it was already used against its intended purpose twice, so why let it keep existing?
Instead, it's carefully taken away to... where? Heaven?
The place Aziraphale is now going?
Or at least a place where he could likely find a record showing where it's being stored?
Whether you call it "rule of threes" or "Chekhov's gun," I think it likely that Aziraphale will be getting his sword back in season 3. He probably doesn't want it (@createserenity, @ineffableigh, @doctorscienceknowsfandom), but he'll need it.
The question, then, is what would Aziraphale do with the flaming sword he was given to prevent humans from reaching the tree of life?
If we're looking at where the furniture isn't, the biggest stretch of an interpretation would be to say that the missing furniture is the tree of life. If anyone knows where Eden is, it would be Aziraphale, Guardian of the Eastern Gate. We know that both Heaven and Hell want to end humanity. The opening credits have humanity walking to their judgment after their deaths; what better way to prevent that than by preventing those deaths?
The most intense version of this theory says that the audience should be familiar with the story of the Garden of Eden and know damn well that there are two special trees there and that Aziraphale was put in place to guard the second one — the one humanity hasn't eaten from yet, the one that grants immortal life. That's where, if I were truly trying to swing for the hills by aiming at where the furniture isn't, I would ideally like to end this post. If that were the case, season 3 could even open with Aziraphale walking towards the Garden of Eden, sword in hand, but this time approaching it from the outside with the intention of tearing the wall down.
But, let's be honest, making individual people immortal doesn't feel like it would fit with the themes of Good Omens, nor with Neil Gaiman or Terry Pratchett's world views.
So, let's take the tree of life symbolically: Instead of the tree of life granting individual humans immortality, it could instead represent giving humanity immortality. In that case, the thing that's where the furniture isn't is Aziraphale's sword. You know, the sword that's already saved the human race from extinction twice now, with both times being because Aziraphale gave it away.
I suspect that the sword will wind up in Aziraphale's hands again in season 3. I also quite suspect that it won't be staying there. In the end, I expect it will once again be up to humanity to reach out their hand to take the apple from that second tree.
71 notes
·
View notes
Hi Kenny, how's 2024 treating you?
I feel a little bit like i'm running down an incredibly steep hill but I'm managing somehow 💖
I got to briefly join my sisters hens/bucks party weekend getaway for a few hours near the start of the year, it was an amazing experience and to have gotten to join in on the fun with family and friends and celebrate my sister and her fiance's marriage-to-be was an experience I never thought could happen! ♪(^∇^*) I mean sure I spent most of it hidden away, in the lil cabin my parents were renting a bit further away from all the party people, resting between moments of interaction but it was AWESOME!
and then I lost my 'no major episode' streak (almost 5 months!! A frickEN MiRAcle!!) a week later and have spent most of the time recovering 9w9" ahh all that recovery torn away and damage redone ;w; But i have been quietly working on commissions in the shadows with those who have popped up in my Instant messages- yah boi got bills to pay and a DSP don't quite cut it, so I got some nice art to post when i can get out of my own head for a minute to do so wOOOO ╰(*°▽°*)╯ my clients are my hero's honestly, it's one of the reasons why I pour so much love into my work
Sorry if that was a bit more of answer than yah wanted Anon <3 I feel a lil bit like all the people responding to Elmo's "how's everyone doing" but I tried to keep things lighthearted 💖
23 notes
·
View notes
right now i'm obsessed with the idea of hot, super-nerd bakugou 🥺
like !! you knew him in junior high when he had little wire framed glasses and braces 🥺 and was kind of scrawny and a huge know-it-all 🥺 and he was probably very serious about like d&d and didn't allow you to play because it would "take too long to explain" and he did all your paired projects by himself because he didn't want you "screwing them up" !! a brat !! but then high-school comes around and you both separate and don't see each other again. not for a long time.
you go to college not too far from home, but the distance calls for a new apartment and a roommate that you get along with more than you expected to. she's the one with the car and occasionally you have to borrow it, or she'll drive you in to work and pick you up after your shift, when it's too dark out to walk.
every tuesday and thursday she has calc 2, and every tuesday and thursday, she spends most of the ride to work talking about the cute, quiet guy that sits alone at the back of the room. never pairs up with anyone or talks more than he has to. wears big, black headphones so everyone knows he's not interested. top of the class; someone somehow figures out he's been acing every exam, throwing the class average out of whack.
you're called in to work early one day and therefore have to borrow the car earlier than usual. you sit on the bench in the hallway, waiting quietly outside the room for your friend, and the minute the door opens, you're on your feet, peeking past student after student so you can grab the keys and run. you don't even notice him at first, the wall of man he is now; dressed in a black long-sleeve with a beanie on his head, almost hiding his hair but not quite. no glasses, no braces, and there are little hoops in his earlobes and he's grown into his shoulders really, really well.
the reason you look up is because he doesn't hide that he's staring at you, this guy out of the corner of your eye, and you don't even put two-and-two together when you see his face — at least not right away. he comes to a stop directly in front of you and you're just left staring at each other in the middle of a herd of other students, and he simply pulls one headphone off one ear and says,
"hey."
and — that's it. you kind of gape at him because he's much different than the version of him you knew and not half as sweaty or unapproachable and he remembered you. as soon as he saw you. stopped specifically, even though he doesn't talk to most people, apparently.
"uh, hey bakugou." you have to blink several times and clear your throat and your face warms under his unwavering stare.
whatever else he plans to say dies out when your roommate appears, too eager to be involved in your non-conversation, and he simply readjusts his headphones and walks off, only looking back once before he exits the building.
"what the fuck!" a swift smack is delivered to your arm as if you've done something wrong. "that's him, that's the guy!"
and you can't help but to remember him in class, the red rubber bands he wore in his teeth, arguing with a smaller, freckled boy about halo 3. slouching in his seat, leaning back too far until you had to flick him in the ear so his head wasn't all up in your space. sticking your tongue out at him, when you got your test scores back and they were lower than his. wary of how red his little face would get, when he offered to help you study after class.
"yeah," you say, snorting in disbelief. "that's the guy."
402 notes
·
View notes