#like I follow people and stuff but... in a very passive background way?

[ruthlesslistener]

Tbh I'm really not sure if you are a hot-head or just don't always understand that not everyone is arguing with you when they present ideas that don't align with your headcanons. I also hate how you and your followers use the whole "No reading compression" in response to that sometimes. Like dude, some people are just sharing their own perspectives? On what maye have happened in Canon? Maybe its you and your cronies that dont have proper reading compression because damm, not everyone is out to fight you over stuff. Explanations are not arguments.

I really wish you were kinder to them because you sound like a passive aggressive bully at times alongside your followers and friends. (And since you love to think this way, no it's not in relation to the Ghost and vessel discussion since that's the easiest way you can hide behind. I just hate the way you acted and responded to some of your asks when it was clear that some were just trying to explain stuff. And how your followers are... comforting you? Even though its you who is in the wrong?)

? Anon I don't think that I outright argue with people unless it's clear that they're being outright aggressive, though that could be because yes, I am a legitimate hothead (though I do my best to keep my temper in check). And I am blunt as fuck. And I am also very very bad at reading tone, including my own. And also a way that I like to respond to ideas that are different from my own is by explaining how I see things or what I enjoy from it, because that makes it easiest to compare and contrast them. I genuinely don't mind people having different interpretations from me, but a lot of the times they just don't mesh with me for personal reasons, so I explain how my pov differs so that both of us are on equal footing. I'm not arguing or debating, I'm trying to clarify

I also thought I was pretty clear that some of my takes are extremely opinionated and were not necessarily valid because of it. If not, I apologize. But I am very opinionated, and yes that does influence my views on things, and no that doesn't mean I am always right. But also fandom is a hobby for a reason, and if I don't get enjoyment out of something, I will say it. That doesn't mean its bad, it's just that I don't really care for it and dont want to engage with it because it doesn't bring me any joy. I mean, I fucking hate caramel and will say it with vigor but that doesn't mean that I think that caramel is actually bad or awful or that people who like it are wrong for enjoying it. I just happen to really fucking hate it and say it loudly so that nobody gives me caramel when I wanted chocolate. That's pretty much how I view 99% of fandom takes different than my own- if I see it in the tags when browsing, I just scroll past it, but if someone brings it into my inbox then I'm going to explain why I don't like it so that they know it's a preference and don't do it again. I really don't mean to be hostile here

Most of the 'no reading comprehension' thing that I got pissy at that I can think of was when people would say something to me in response to what I said that completely missed the point of what I said entirely, in which case I got irritated at the misinterpretations because it was clear that what they had gotten from my discussion was not what I was actually saying. They could be valid in some cases, but that doesn't really matter when they're arguing something that was never a point in the conversation to begin with. I also tend to go to people I know for secondhand interpretations of things because- and this is very important- I am autistic as fuck and come from a background where a lot of what I would say would be taken with offense so that a fight could be started. So I tend to approach topics that I can't get a read on by debating them, to try to mitigate the damage before it happens. I don't take offense to them at all, I actually did enjoy the explanations that people had, but I countered with my own feelings on the matter because I wanted people to know my own pov in turn and how I thought of things differently than them. I'm very sorry if that seemed argumentative or passive-aggressive, because I genuinely did not mean it that way. I actually really enjoy debating different takes! That's what my favorite thing to do with friends is! But sometimes other takes just don't mesh with me and I want to explain why that is so that people don't think I'm bashing them. Sorry if that came off as arguing because it really wasn't on my end

(I'm also not sure what you mean by 'hide behind the adult Ghost discussion'- that's the first discourse I've had in my inbox in a very, very long time, so that's why I tend to default to it being the problem. I'm not hiding behind it I just assume that a lot of the asks I get arguing about vessel age originate from that discussion bc that was the last point of contention. Unless there's some other thing going on that I'm not aware of...?)

Anyways I'm sorry that I come off that way but keep in mind that I am also very autistic and a.) might come off as rude or argumentative when I'm actually just talking normally and b.) like to counter people's explanations with my own bc I actually do genuinely enjoy comparing and contrasting headcanons. I genuinely don't try to come off as passive-aggressive (unless its on purpose, in which case I will make it very obvious), I am just very opinionated and very, very blunt. I'll try to add more tone-context descriptors to my replies in the future to counter this, but please do know that I'm genuinely not judging anyone for having different headcanons than I am, I just know what I like and what I don't and am very straightforward about it. This is a hobby for me, so if there's something I don't like or don't have fun talking about, I'll say it directly

#anon #reply #the only things i can think of with 'no reading comprehension' were other posts sparked by the ghost discourse #where people missed my point entirely or completely misread my tone and i got very irritated because of it #also yeah i will admit that i am a hothead but i really am being sincere when i say that im not trying to argue with people most of the tim #im just saying what i think about it

[transskywardsword]

an update about 'pretending to be you', 'spider/fly' and other stories in the AU:

Hello friends! After getting a few passive-aggressive (and one quite aggressive) comments regarding this, that, and whatever, i sat back and really thought about this fic. i haven't talked much about my upload schedule, but my plan when i write a chapter is to give myself two weeks to write a 7-10k chapter, revise, and post, all while sticking to my very rigorous and rigid outline. as i got more invested in this story, that outline was shifted over, and over, and over, until i was missing my 'rules' for myself over and over. it made me quite upset with myself, and feeling like i was writing too much about what made *me* happy and not enough of what would make *yall* happy, which i saw as more important. frankly, these last few chapters with ere have been the most fun ive had with this fic in months. and with some people not liking the direction i was taking pretending to be you, i got upset with myself for going 'off script' and not following the fic outline and the word requirements for chapters. i felt like, despite the fact that i was *finally* having fun again, i was letting yall down. and that aint a healthy way to approach writing, ya know? ive always written for other's approval. i rarely write for myself. i wont go into a sob story background, but i struggle with self-esteem a lot and fanfiction was a way to help with that. but ive become so focused on making yall happy that ive neglected writing what makes *me* happy, ya know? it's currently 2.34am. despite the fact that im a college student taking night classes and a teacher, ive been up past midnight every night for days working on this fic while fixating on negative comments, and if i can just do *something* make those commenters happy. Basically, this fic is eating me alive. So, i will be going on hiatus. i know this sucks, especially because we're so close to the end, but i need a break. ive been working on this au for *months* and refusing to let myself do anything else. hell, I've wanted to read that delicious dungeon manga for ages and havent let myself bc i didnt want to have 'distractions' from writing this fic. i rewrote an old fic of mine last week (which yall should read!!!) and it reminded me of when i used to write and not get any interaction. i was sad no one was reading my stuff, but i was actually writing for *me* back then, ya know? anyways, this fic is NOT and will never be abandoned. i *will* finish it! I just dont know when. sorry to everyone, and i hope rude commenters know that this isnt because of you, it's for my own sake. still, being rude to people just trying to have fun is, forgive my french, a dick move. do better, please.

much love <3

- Emil

[onlylaboum]

To be honest, I usually don't reblog your posts BECAUSE of the passive-aggressive tone you often use. It's just kpop. I like Laboum but it won't end my life if they're not world famous. I just want to enjoy music and stages and all their content happily, not create a second job for myself as their unseen manager. It's okay if that's how you stan and have fun but it's not for me.

I'm worried you'll answer this really angrily but I saw your recent post and wanted to let you know how some people might be feeling. I'll still be following for updates and gifsets and stuff! 💜

people were (also barely) liking instead of sharing my posts also before i expressed my frustration w this stuff so idt that's the issue.

on twitter i'm much more active nowadays bc at least there there's a few more active latte, but still very few compared to even other nugu groups that have similar numbers in streams.

i never said i liked spending so much time on LABOUM. i am aware i have an internet addiction and have been hyperfixating on the group to avoid stressing out about worse things in my daily life.

not just me but also other latte i talk to on twitter and tiktok are really fucking burned out from how much we try to do. i don't think being a stan should be a day job. i sure would love if people shared shit we post though instead of keep scrolling or give a like once a month, which does virtually nothing. we wouldn't have to stress out so much if people actually engaged with things we did. we try to encourage ppl to use apps to win youtube ads for Laboum (which worked but slowly, it's how we made Kiss Kiss finally reach 1 million views), we ask people to give feedback, to maybe watch a video or play a streaming playlist, or partake in a game, or to buy an album or share an MV with friends.

the way that a lot of people don't do that sht, the way that in MONTHS no new people have followed their twitter or youtube, the way that barely anyone talks about them online, does in fact signify that people don't care about Laboum. not everyone needs to be an active social media user or anything ofc, but this degree of lack of attention? unless when it's about a disbandment prediction, joking about the girls' horrible experiences at their expense, or fake interest in the group only on certain conditions, shit doesn't get attention.

the girls had viral tiktok videos a bunch of times, but the majority of the people watching have no fucking clue who they are or that they aren't just actors, and it's just me and 1 other Latte trying to respond to tired comments calling the members by names of characters they played, or "ZN" which is Jinyea's old stage name. if ONLY there were a few more Latte who would leave a comment or two for once as well, the few of us wouldn't have to deal with trying to inform the general public abt Laboum.

people not sharing shit abt LABOUM is one of the main reasons why so may ppl now think they disbanded, and why you see a bunch of kpop fans who claim they're a fan of LABOUM but have been out of the loop w them for 3-6 years. it doesn't help that their domestic fanbase consists of mainly loser incels who don't dare to fucking talk about the group unless when being petty about Yulhee or creepy about their bodies.

and i know tumblr kpop fans LOVE only looking at stupid fucking gifs and not clicking on the videos they're from, acting as if streaming is a fucking punishment from hell instead of just playing a fucking song or playlist you like in the background, and acting as if it's a shocker when groups aren't doing well when so fucking few people who pretend to be a fan actually listen to music or read or watch anything new or buy music. considering your purple heart use, you should KNOW how supporting musicians works. as much as i hate the competitiveness and commodity in the music industry, likes alone never helped artists.

so yeah i'm passive-aggressive bc im trying to fucking encourage people to do something more than say they like Laboum but never dare to mention their name nor recommend a song nor share anything about them. i wouldnt be so fucking frustrated if i saw some more hype aside from from clickbait content and gg stans who just namedrop them for edgy crappy jokes.

Laboum don't need to be world famous and i don't think they will be per se, but they are really unknown. unless people do something more than just quietly listen to them once every blue moon and don't engage in anything Latte are asking or encouraging people to do, they will remain as extremely unknown as right now and disband when their contracts end in summer 2023.

other Latte are feeling the same frustrations as i do and feel exhausted. anyone who knows Laboum's story and the international, knows how small it is and how frustrated we are. this shouldn't be a surprise if you've talked to any Latte. i am familiar with how reserved fans are in this fandom. when trying to set up projects before for their anniversaries, it ended with me and only 1 other Latte in a skype call, no communication from the rest, and them not daring to partake any projects or plans anymore. that felt really disappointing.

so no, i don't find fun in being so stressed and active in trying to promote LABOUM to such an extent bc me and a few others are trying to do work for multiple ppl and for free at that. but all we ask is basic stuff like 'please also share posts' or 'hey check out and share this new song cover'. it's already ridicilous i have to ask ppl to share posts bc they refuse to, whether i ask or not.

if that's too much work, are people really interested in the group???? the thing is also that if other people, at least a few more, do a little more than nothing, it would actually make more people discover the group on their own socials, become fans, and partake in fandom. we wouldn't be so burned out if there were more than like 5-20 accounts trying to do so much bc no one else will. e.g. we emailed the company to demand translators and it hired one, but then barely anyone watched LABOUM's newer youtube videos and so that was kind of abandoned too. no views or attention = a sign that people aren't interested = no new content. that's how it works.

#i can be as passive aggressive as i want when i see LABOUM being shit-talked for over 5 years #and mismanaged poorly and waste time on this garbage website to make posts that no one bothers showing to their followers #like if this doesnt reach new fans then what am i doing it for? #2 or 3 people who sort of like their songs and some gifs but no content and are too embarrassed to share laboum stuff? #you can continue to not share posts as you want just like people didnt BEFORE i ever complained abt it #you can also unfollow idk #i need sleep and im annoyed w how many fcking words it took me to write this. its prob very repetitive #im not good at making gifs and it's a hassle so thanks i guess but i dont want to be a gif maker #asks #anon

[bluesadansey]

@songbirdrunner

you’re totally right that’s a very clear example of Daisy bad behavior. She’s being a bad friend to Simone/careless with Simone’s time, that episode shows her taking her privilege for granted after all it’s not like Simone could leave her last job when her producer was taking advantage of her and then had to do so much work to rebuild professionally but Daisy had a much easier time of getting this opportunity and on the cover of Rolling Stone, the reasons Daisy has a desire to distance herself from the six at that point (the way Billy treated her before she left, some general mental health related things she deals with through the series) are valid but the way she goes about that impulse come from her privilege and how that effects her mindset so Simone is right to be angry about that and call her out for it. Nicky manipulates her into the train of thought there and I’m obviously sympathetic to everything she’s going through mentally/emotionally (and physically because even though it’s not obvious till ep8 I do think his enabling her addiction started pretty early and just progressed to a more obviously harmful place there) but that still doesn’t excuse what she says to Simone (the “are you in love with me?” girl ://) . And it does show how self-involved she is. And I’m so glad Daisy and Simone’s relationship had real fall out that felt earned especially since in the book while I loved some of the moments and lines about their friendship Simone felt very much like background support (again I love that book and I generally have enjoyed what I’ve read of TJR but she has definite flaws as an author and from what I can tell is not good with writing WoC…) I’m of two minds about the exact scene because a part of me would have liked to do without that type of line being there at all but then again in the book Nicky does whatever he can to try and isolate Daisy from her supports especially Simone so I can also see why the choice was made, ultimately I wish they’d gone about it a little differently but I prefer Simone having more agency in the story and dynamic and Daisy being called out for the flaws and having to adjust/apologize/grow. And I think it’s VERY telling that to these people Daisy’s worst crimes aren’t selfishness/privileged entitlement that hurts Simone but instead the ethics of how active/passive she was re: Daisybilly and how overt the infidelity plot in the infidelity show based off the infidelity book was and how that leads to them having a list of rules she needs to follow in her mistreating for it to be respectable mistressing or something lmfao. Usually the way they talk about it is sexist (especially since a lot of the same crowd went nuts for show! Eddie and Eddiecamila… I don’t see him being called a homerwrecking whore or anything lmao.) even when that isn’t necessarily there I just think it’s a very tiring way to engage with this story/character. (and like sometimes the line will come up but… it is always so clear to me that it isn’t really what they’re mad about compared to how Heated the love triangle stuff makes them). Anyway I know that cheating in all forms is morally wrong btw and I’m fine with it being in this story ya’ll stay safe.

#djats #daisy jones #s speaks #replies #songbirdrunner #this is very typical of fandom… even when there are valid reasons to take issue with a female chars actions the ones that fandom latches #onto are about things like being too much of a slut/whore/home wrecker/whatever #or alternately (not really the case here) about hurting men’s feelings too much. regardless of if the way they treat their female friends i #actually more worthy of criticism #also I’ve said this before but I’m just not particularly compelled by the idea of reading djats as a morality play set in a 70’s rock scene

[howlhawk]

how's questions 1-10 for your oc ask thang? Answering for the character that's currently occupying your mind the most

1. Are they happy with their body?

VERY much so. He is VERY aware that other people think he’s hot, agrees with them, and overall is extremely confident in himself and the way he looks. He doesn’t like himself for a number of other reasons, but this is mostly regarding his actions and personality, and his appearance has nothing to do with it. His main theme is choice and one of the reasons he likes the way he looks so much is because he chose it – in some way or another, he had a hand in every aspect of his appearance, from how he styles his hair and goatee to the tattoos and how he dresses.

2. Do they have any secret piercings or tattoos?

None of them are secret, but clothes usually cover most of them. He has four-ish very large, very visible tattoos (he’d have more if I didn’t have to Draw Them all the time). His ears are also pierced, just in the normal lobe spot, but sometimes I draw him with more; I think he probably had others that have closed over time because he forgets to put anything in them. Interestingly I've been consistently drawing in the studs a lot more lately? Probably because I changed the way I draw the structure of ears and now there's actually space for them. Also decided recently that he gets snakebites in the future, so sometimes those are there.

3. Do they collect anything?

Mmm, not really? He has a habit of picking up and buying random small items either on impulse or on accident (not paying attention to what's in his hand), so he has random stuff floating around sometimes, but he's not trying to collect them and usually ends up getting rid of them pretty quickly. Aside from that he does have a lot of band t-shirts.

4. What is their favorite music genre?

Punk and ska!

5. What music genre, if any, do they hate the most?

Country. He hates the ‘beer and hot chicks’ type pop country and finds older stuff slow and boring.

6. What is their phone background/lock screen?

Used to be a band logo though may on occasion be a random picture of somewhere in Silver City. Alistaire sometimes takes his phone and changes the lock screen to a picture of them together, usually something unflattering for Charlie; at first he changes it back every time but once they’re friends he gives up, and eventually sets pictures of them together as his background voluntarily.

7. What is their shoe size?

LMAO

8. Do they have a favorite fabric or texture?

Not that I can think of tbh

9. Do they have a favorite professional sport?

He’s sort of passively into soccer, as in he enjoys it but doesn’t actively play or follow it. It’s big in Silver City because of the major league team there (Rocosa Defenders) and he, like a lot of other kids, grew up playing soccer because of this. He played on his high school team for a year or two before dropping it because he couldn’t keep up the grades required to be on the team.

10. How do they decorate their living space?

Just go check out r/malelivingspaces for an idea. KIDDING I think it's fairly normal? Probably pretty sparse as far as decorations go, but he's got some band posters scattered around haphazardly, plus pride flags. His room is definitely messy. As with his clothes, dark or neutral colors for everything. Also, HORRIBLE lighting. He can see in the dark so it'll take him months and months to get around to changing a dead bulb, if he ever does do it.

#stanley answers asks #geoledgy #charlie grimms #HEHEHE THANKS FOR SENDING THESE #i will not lie ive been going thru this ask meme and answering them ahead of time for the past week or so #so i actually had answers for most of these already #HI SORRY FEEL FREE TO IGNORE THE NEXT TAGS it's just additional rambling that didn't fit in the actual answers #1. i have to remember. that he is not me. he is my opposite guy. related to tags on that baseball post #im ace and he is Very Much Not AND hes confident and thinks hes hot. he is literally a curse. unfortunately im obsessed with him. #3. it's mostly stuff like stickers cheap earrings random knickknacks #some of them he gives away to alistaire who LOVES random weird shit #6. surli said ali changes his bg every couple days which makes it even funnier that charlie would have a picture of both of them as his #he doesn't use his phone that much so he just doesn't think to change it very often #alistaire does most of the work in making people think they're dating but charlie is not helping

[icewindandboringhorror]

 a snow boy!!

#he kept meowing to be let outside and then just as a joke (supervising him closely of course) I let him out.. he immediately realized how #how cold it was and wanted to go back in ... A Confused boye.... #also literally every month I'm like 'okay! I'll be more active on social media!!!' *posts one thing then forgets for 3 more weeks* #I can't even deal with instragram especially sicne they don't show your notifications anymore once they get too old #I know I've missed so many comments and stuff just because they get pushed out of the notifications for being too old #and I'm never aware of them considering I check it MAYBE once every 6-8 months #which I guess is better than twitter - which I don't think I've checked in a year #but I also never post there so there's nothing on my end to check. I could check for things other people are posting but like.. who cares hg #I think that's another reason I'm bad at social media since I'm very one sided about it lol #like I follow people and stuff but... in a very passive background way? #like 'oh dont you want to check twitter daily to see what your favorite creators are up to?? :o' .....no lmao #if I like them enough then I'll go manually google them at some point and check up on them eventually when I feel like it #knowing what they ate for breakfast can be fun I guess but unnecessary #which like nothing against people who are into that stuff - it's just my brain doesn't work that way lol #ANYWAY... really I'm trying to work out my own personal schedule #due to functioning issues it's hard for me to even wake up and go to bed and eat and etc. at the same time every day #so that's my sole focus right now honestly since I'm so easily thrown off schedules by minor changes (it is hard to function in an #ever changing unpredictable world with a brain that operates best exclusively under complete routine consistency hghg) #*literally just gets sick one single day* my brain: well guess we're going to bed at 4am for the next two weeks! #*misses the pre-designated time window for eating lunch* Well! guess we wont eat! also we're going to bed at 5am! #ANYWAY... as I hope to.. after years and years of trying.. perhaps... get some semblance of a consistent schedule #maybe once I have the foundations down I can actually schedule things to do them more routinely #like 'wednesday is the day I must post things online to pretend I am a normal human person' gjhgj #which is admittedly kind of embarassing to think that I've been trying for 2 years to do basic things consistently like .. wake up and go to #sleep around the same time and eat three meals a day but.. It's The Severe Mentow Iwness Luv #I am still chugging along however.... primary projects right now are.. my game.. videos.. music.. TRYING TO DO ANOTHER #COSTUME AT some point.. maybe some art and sculptures.. Like I'm always DOING things. I just may not be doing WHAT i want WHEN i want #ex: today I was supposed to write my game. instead - edited videos for 4hrs and walked in snow for 2hrs.. productive? technically yes.. but #is it what I needed to do? no! .. this is why all of my projects end up being like 4 months worth of work but dragged out over 5 years lmao

[borkthemork]

The Wu Whereabouts Theory

Now that people are getting hyped for the month countdown toward Amphibia Season Three’s release, I am going to be talking about a theory my friend and I talked about over the past few months, and it’s time to buckle up because we’re going to be tackling this theory from a production, character design, and semantics perspective.

And why these specific factors? Because the theory revolves around these three characters.

And why I believe all of them are related in some way.

Now, you might ask yourself: Bork, how in the hell are these characters related? The old woman character doesn’t seem to have any semblance of features relating to Marcy. What about the dad, are you going to explain the dad? Are you pulling my leg?

And to that, we’re going to have to start small. I’ll first explain why the character on the right seems to be an important character to the story, how all these characters can be connected through deliberate design/semblance, and then I am going to hit it out of the park with the probability from a logical perspective with what the intro and past Marcy interactions seem to give us on why everyone is where they’re currently at.

Especially where Marcy’s father is currently located.

This theory is very, and I mean, very long, so hang on to your seats as we dive into my thoughts about where Season Three might lead us.

And credit goes to @CynDavilaChase on Twitter because she made me realize the probability of this theory in the first place.

And with that, let us begin!

Section One - Who’s This Woman?

With animated introductions, I think one of the big things I noticed with Amphibia Season Three’s intro is that it’s heavily serialized. Compared to Amphibia’s introduction with Seasons One and Two, there are a lot of animated scenes found in the sequence where the story is already being told in a narrative.

You get shots of Anne being introduced to her house, you get new important characters introduced in a lot, there appears to be insight into future events such as Anne getting a moped while being chased by government agents or the massive monkey robot chasing her through the alleyways.

A lot of the intro is prioritized over its serialized format, and that means the characters seen and animated in the foreground have to be important characters or else the studio is basically wasting time focusing on a background character that will never be seen again.

Of course, you get some sliding shots like with the construction workers or the beach scene with the beach-goers but that’s only for a second and they’re not truly the forefront.

But during the shots between 0:29 and 0:49, the sequences we see include a lot of what appears to be important scenes with important characters that will play some role in the story itself.

There are no parts in the sequence where background characters are put in the foreground. Each bit of the animation needs to count, it needs to tell a story of what’s to come and what the audience can anticipate to see.

Now that begs the question:

Why is a supposed random background character in the foreground?

We got some reason as to why the engineer lady looks important since she was in a shot full of important or supporting characters, but why her??

Sure, one could argue this shot could just be indicative of Andrias’s invasion, but there are numerous other ways to show that there’s an invasion without putting too much animation effort on one background character, especially from a composition perspective.

Pardon the messiness, I had to do this quick, but look at how all three ladies are lined up.

The far left grandma, when following from her head to the the front lady’s creates a line that not only creates a sense of direction for our eyes to follow but follows the more significant and foreground character of all three. Look at how the dragonflies occupy most of the top of the frame while the two older women stay in the marketplace’s form, and how this leaves the younger woman to be abruptly placed in the open — creating a visual that this character in particular is more important than the rest in the shot.

Check the way the characters move their eyes when the scene happens too: the background characters quickly look to the right, then the woman out in the open then directs her eyesight to the skyline, where all the dragonflies are flitting by.

Now, I’m not a storyboard artist or composer, I could be wrong on how the crew created this scene all together, but regardless it is still so odd to put emphasis on a background character in the front and then just leave it at that.

She has to be important in some way, and this is where I want to talk about character design.

Section Two - All Related or Am I Just Racist?

When it comes to character design we need to talk about how the character designers make sure to give Anne some form of semblance to her parents, and in this case, she looks a lot like her mother.

They got the bushy hair, the same skin tone, eyebrows, etc. And with her dad you could even see that Anne got her fluffy bangs from him specifically. Only one shared genetic trait, however.

This is deliberate, we know that for sure, and that is why I need to make this very clear as we transition to the similarities found in Marcy and the theorized characters, and why I believe they’re related in design. Mainly because the concept of race and appearance could be quite a debacle and I wanted to make sure that all of you know I am not assuming things out of naivety, and if I am, feel free to get my ass.

Other than that, let’s look at them again.

And here I shall compile the appearance stuff that each character seems to have.

With these three characters they seem to connect to one another with one genetic trait, but if one looks closely, there comes the question of the older lady (who I will just call Marcy’s mom at this point) and why she’s vastly different to Marcy when it comes to skin tone, hair color, and hell — if we look between Marcy and the engineer — why these two characters have vastly different hairstyles compared to the woman.

Even though I could give speculation and some doubt to the engineer and Marcy’s mom being related, and on first glance I couldn’t do the same with Marcy and her mom either, but then I did some digging and realized something. I can connect Marcy and her potential mom in one way — hair design.

Marcy and her mom both share the same poofy hair, it’s just that one is more short and the other is allowed to grow out in a nice little nest.

Don’t believe me?

They got the same floofy bangs with that specific hair line.

And when Marcy was little, Marcy appeared to need a hair tie because her hair was growing out, and it looked like this.

If we consider that what Marcy’s hair tie is holding up might be her bangs — bangs that might cover her eyesight from how floofy it is — then if you removed the hair tie then she and the woman would have a very similar looking design hair-wise.

Even with these hair similarities, however, there is still inquiry as to why Marcy is vastly different compared to her mother when it comes to skin and hair color, and here is where I go into some speculation to piece all of it together:

Marcy actually carries the appearance of her dad more than her mom.

Her dad has olive skin and black, straight hair, while her mother harbors tan skin and floofy, brown hair.

It’s this one piece of speculation that basically slides everything into place, but regardless it’s still speculation and one that I cannot confirm or even argue much about due to the nature of genetics and the limited info we have. But with this piece set in place, we could start to create the argument that maybe, just maybe, these characters are related.

But if they are, why do we only see Marcy’s mom and her supposed sister and not her dad?

Why do we get no indication of Marcy having a sister until Season Three?

How do we put all of this together?

Section Three - Distance and Finance

I rewatched True Colors numerous times when it came to understanding and interpreting what I could with the limited Marcy-centric flashback we had. I even went through episodes such as Maddie and Marcy, New Wartwood, and a lot of other episodes just to fit everything into place. And I think I have a good indication as to why this family is the way that it is.

First off, we’re going to be talking about Marcy’s dad and his new job out of state.

California is a very expensive state. And as someone who lives in California, the housing crisis and the ability to even stay in a house/dorm without sweating over the idea of being bankrupt is a very real thing.

So it is a curious thing that one of the reasons that the Wus had to leave came out to moving out-of-state due to a new job offer, one that infers a lot more money and probably a more stable living environment.

You could even hear the dad saying “Marcy, you have to understand!” when Marcy runs out, meaning that there’s probably a good reason as to why the parents believe that the move is essential, and I am banking on the idea of money for a number of reasons.

One, living in Los Angeles is expensive as hell.

Two, the coping mechanisms Marcy has makes sense if finance is the main comeuppance.

Three, the background art.

And four, why this girl has straight A’s and a PSAT book.

We already covered number one, but let’s take a look at what I mean about coping mechanisms.

Marcy Wu’s many flaws come from what looks to be the fear of being alone, and the fear of being seen as unvaluable and worthless; that if Marcy doesn’t prove herself lovable and essential to the people around her then she gets anxious and will do anything in her powers to make the people around her like her or stay with her.

She will omit information, move along objectives through passive and indirect persuasion, allow people to assert their will over her because they said so and, most importantly, does all of this because she fears the consequences when she gets outed or rocks the boat. Because rocking the boat means people will get mad at her, and she appears to try to avoid that situation of vulnerability like the plague until it all culminated into True Colors.

She is terrified of getting hurt. She is terrified, specifically, of consequences — punishment through stress, frustration, the people she loves looking at her differently because of the mistakes she’s made, etc.

Why do I say this? It’s because if we look into Marcy Wu with her pre-Amphibia self, a lot of these fears could be placed into that middle school scenario very well. Marcy Wu plays videogames and loves fiction because it is a form of escapism or happiness away from stress; she has this intense curiosity to basically anything of interest and uses that to thrive with getting straight A’s and an overall very solid record, but there’s still a probability that high expectations or making the people around her love her comes through said status of being the smart one (after all, she prides on her intellect, and sees it as essential to basically surviving the day to day).

Look at Marcy’s flashback in True Colors. She’s a middle schooler but is studying for the PSAT, which is mainly held in High School, and I’m no expert but I don’t think you read that stuff for fun or at least study it that early.

And I find it interesting that that’s the first shot we get of Marcy before we dive into her parents’ argument — education, studying, the expectation of high scores.

And then when you remember that Marcy is the least athletic of the girls, the thrift shop’s street she retreats to away from her parents is not that faraway from her neighborhood.

And this street, is messy as all hell. And with the revised background art for this area, nothing about the place changes but instead gets emphasized through more shots of how rundown it all looks!

The fact there’s a bail bonds building behind Mar-mar also doesn’t reassure me in the slightest.

So here’s where we are: Studying, getting good grades, a serious financial situation, lives near a rundown section of the city, high expectations, and the evaluation of one’s worth through intellect and academia.

What we are witnessing is a nuanced family situation. If we go by the assumption that the three girls’ lives are not only vastly different in personality but upbringing, then on an income scale, Anne would be middle income, Sasha would be high income, and Marcy is low income.

Her family’s struggling to be stable in a city that they can’t afford to live in, there’s a very high emphasis on good grades and education in the household, and the situation is so bad that her dad would take the proposal of a higher-paying job out of state than finding a similar job out in the city.

However, in this household’s struggle to have a better life, the parents had to focus on their children getting better living than them, and this means Marcy had to live in an environment where the biggest source of reward and praise is through intellect, academics, the approval of the parents.

And I could probably assume that this focus on finance also lead to very rough patches where Marcy was unable to be encouraged over stuff she loves like C&C or videogames, since the level of attention is low compared to the amount of happiness and pride her parents get when she gets an A+.

Especially when we consider that in the dialogue we hear from Mr. and Mrs. Wu, her dad is more assertive while her mom appears to care but doesn’t seem to go against her husband’s tone, so a lot of the probable issues might’ve come from Marcy wanting her dad’s approval and her mother never standing up for her when he became frustrated.

That would make a lot of context with Andrias even worse in retrospect, because that means the moment a male adult figure decided to care about her and give attention to what she loved, then Marcy fell for it hook, line, and sinker.

And could you blame her?

Now, let’s finally get a glimpse on one other character I’ve been neglecting in this essay.

This gal! Because if Marcy and her are somehow related, then we need to question why she was never mentioned or why she wasn’t involved in the conversation between Marcy and her parents.

I’ve done a massive theory post about this already, but the biggest probability comes in the design itself, since if Marcy’s sister went through trade school to be a mechanic/engineer then there’s a high probability she’s in her mid-Twenties. And if we consider that Marcy is 13, then Marcy would’ve been born when her sister was 12 or 13, and ultimately leave the household when she turned 18.

This means Marcy would’ve gone on with less contact from her sister for 6 years, and that’s a lot for a developing child.

It’s not improbable for Marcy to have lost contact with her big sister, or at least had lesser time to meet up with her due to work, college, or her own adult life now that she’s out of the house.

After all, in Maddie and Marcy, I find it very interesting that out of the advice Marcy could’ve given to Maddie about siblings, Marcy tells her that even though Maddie is the older sibling and is allowed to have her own life she suggests that maybe she should make some time for her sisters occasionally. Almost as if this was a ditto moment for her, that she understands but also had a good example of a sister who made time whenever she had the chance.

On more speculation terms, it would be cute to think that the reason Marcy has so much fire and spirit toward her fiction and love for games is because of her sister. After all, Marcy harbors the same interest toward engineering and robotics, it wouldn’t be a stretch in the imagination that perhaps her sister encouraged her to keep on going with what she felt passionate for regardless of their parents’ lack of response, to basically be unapologetic of what she loves, and this mantra kept her going for a lot of her life even when her sis went for trade school.

But let’s go on a side note here. I find it quite interesting that the character design of Marcy’s sis is also very telling, because not only does it tell a supposed story about who she was in the aftermath of graduation, but we could find a way to also put the theme of income and finance into her story as well.

Let’s be real these two are partners in all the way — from mechanics to engineers to straight up girlfriends, these two basically have their own business going on and I find it interesting that none of them just go with robotics or mechanics as a full-time thing, it’s mainly two jobs rolled up into one.

Why is that? There is some speculation that maybe they’re specialists and work in a very science-related area, but it seems highly likely that their main jobs are being car mechanics by day and robotic expert nerds by night. After all, the city can be hecked with money so I wouldn’t be surprised if they did two jobs at once to keep the lights on. I could also see them doing freelancing to repair or experiment with engineering projects since they take more money than actually makes in most cases.

Overall, money plays a big part with the family, and culminates to what I like to call a Massive Shitfest TM when they get alerted over the girls’ disappearances.

Section Four - Massive Shitfest Boogaloo and Where They Are Now~

In the aftermath of their teleport to Amphibia, I wouldn’t be surprised if the Wus had a big argument over Marcy and what should be done in the aftermath. Really, the family still needs to take that job because of finance, people are blaming each other over who pushed her to the brink, and then you have Marcy’s sister — who was probably out of the loop but probably knows how it was in the household — getting added into the mess of what just happened and adding her grief into the mix.

It is a blunder, terrifying and could break apart a family if I’m being honest. but what comes through is this:

People have now become stubborn in the Wu household, and no one is going to back down.

And what I mean is that Mrs. Wu, devastated by what happened ever since the argument in True Colors, will stay in Los Angeles out of grief and a supposed hope that Marcy would return. While Mr. Wu, determined to keep the finance going and keeping everyone stable and safe, abides by Mrs. Wu and decides to go out of state regardless, bringing back a flow of money to keep the Wu household stable through the aftermath.

It would make sense as to why Marcy’s mom is present in the intro but not any suspecting candidates for the dad.

Or how we see that there’s two older ladies with her in the intro. They might actually be close relatives who moved into the household out of the obligation to comfort Mrs. Wu but to also keep her company throughout this dark time in her life.

After all, when one loses a child, a lot of prior relations start to unravel as the status quo changes, and we are definitely going to see Anne confront the Wus and Waybrights when it comes to upbringing and home life.

But really, it is all up in the air. With Season Three around the corner, I am excited to see what the story has in store for us when it comes to the deep-diving into Marcy’s home life. She might’ve had a nuanced family life. She might’ve had abusive parents, perhaps no sister at all but a lot of relatives who grieved for her.

But with this theory out to the public, thank you all for reading along with this massive beast of a post, and I hope we get to see Marcy out of the aloe vera sauce very soon!

#amphibia #marcy wu #amphibia analysis #amphibia season three #amphibia theory #bork speaks #THIS IS SO FUCKING LONG

[actualbird]

hi zak just wanted to ask: what are some of your takes on Random Stuff the NXX Boys do™️? like,,, what are your hot-takes? have a nice day :D

hi there!! thank you SO MUCH FOR THIS ASK, it was so fun to think about and write and it was the perfect way to decompress from work. again, sorry this got long KJBSDKFJ, 1k words once more...

vyn richter

often forgets that his glasses are on his face when the situation would kinda be better if his glasses arent on his face; when hes having a hot drink (glasses fog up), when he decides to take a nap (glasses smush against his face). one time he was very tired and accidentally showered with them still on

he talks to his plants. it isnt because he believes in that thing where like, if you talk to plants, especially giving those plants encouragement, theyll grow better. it's more of like he just started doing it naturally because when hes doing gardening stuff hes very relaxed and idly chats to his plants about his day or whats on his mind. oh to be a plant vyn richter calmly speaks too...

he hates slow walkers with a passion, which is an unfortunate pet peeve when youre a professor on a campus. some students just walk as if theyre gonna live forever, theres no rush. he gets so annoyed by slow walkers blocking his way that he has an app on his phone thats a fake bike bell, just gotta tap it to make the sound of a bike bell. he taps it whenever slow walkers are having a frigging procession in front of him and he wants them outta his way and without fail, they move, not wanting to get run over by a bicycle. eventually though, students realize that 75% of the time, it's not going to be a bicycle. it's going to be dr. richter. and honestly, hes much scarier than getting run over by a bicycle.

-

artem wing

he edits and contributes to wikipedia pages, the absolute DORK. not just wikipedia pages, if theres a movie or book hes interested in, he might go on the wikia for it or wherever the general information hub is for that media and he contributes there too. artem finds a very soothing joy in just going through information and adding it to pages, IT'S FUN, STOP LAUGHING, CELESTINE!!!

many times in college, he would be found in the actual physical books section of the library arranging the books. he...does not work at the university library. he does not need to be doing this. he does it because he LIKES IT and none of the library volunteers like, stop him kjdfbkdjsf. why would they?? hes helping out and also having artem wing, handsome oblivious heartthrob, there in the library is PEAK EYECANDY. when neil finds out about this habit he is so confused at why his apprentice is Like This yet also kinda resigned about artem's nerditude

he likes learning new recipes but he gets so frustrated at recipe blogs that have a KILOMETRIC INTRODUCTION completely unrelated to the recipe. hes like "please, please, just show me the recipe" while scrolling down for the actual steps of the dish. and YET im completely sure that if artem decided to write down a recipe, he would do the exact same thing tho. just an unnecessarily long intro about the background of how he got to this recipe, the HISTORY of the recipe. later when mc goes through his little notebook where he writes his recipes shes like "oh my god, this is some kind of novel. that just so happens to have food in it."

-

marius von hagen

i hc that marius has like, an official twitter. hes a young guy and hes Like That, he absolutely has a twitter. he like, barely tweets though. on the rare moments when he does, it is so cryptic in a meme-y kinda way. "lol some of u", "the audacity...", "tfw." people who follow him are constantly like WHAT ON EARTH IS THIS REFERRING TO, and nobody will ever fucking know. what he mostly does on twitter is like tweets; jokes and funny shit, sometimes passive aggressively he likes shitty tabloid/rumor tweets of himself just so that op knows hes Watching

he pours the milk in the bowl first before the cereal. marius started doing this because he genuinely just liked it better this way, this way the cereal doesnt get soggy as fast and he likes the crunch. but the moment he learned that this habit ENRAGES PEOPLE, he loves this habit of his even more. he gets to fulfill his own cereal preferences AND be a little shit at other people?? huge win for marius. the Joy he got that one time he prepared a bowl of cereal at nxx hq (marius gets a cereal dispenser for the pantry, trust me on this, he does) in front of vyn and vyn just kinda...eye twitch as if marius personally insulted him. cereal tastes so much better when people are annoyed at him, marius thinks.

this is something he does not do on purpose, but when hes painting and hes drinking coffee, very often the paint water cup is close by the coffee mug. what im saying here is that marius, focused on his art, very often gets those two things wrong, HAHA. marius has put his paintbrush in his coffee. and marius has drunk paint water.

-

luke pearce

he has like these little joys of compulsion. like if theres a crunchy leaf where hes walking he needs to step on it. if there is a ceiling or sign he thinks he can reach he needs to jump up and give it a slap. if he sees a worm on the concrete sidewalk he needs to pick it up and place it in the soil. if hes in a clothing store he likes to Feel The Fabrics. minuscule things like this make him make happy, he really likes things that grant tiny satisfactions

i mentioned this in a past hc but im very passionate about it so i will say it again: luke pearce has questionable food habits. whenever hes grocery shopping he will Always gravitate to the discounted snacks that are discounted because theyre going to expire soon. whenever mc comes over he hides these snacks into a shame cupboard bc if she sees it shes going to scold him "luke, it's not as if you cant afford snacks that arent going to go bad in three days!!" and hes like "BUT STILL, IT'S A GOOD BARGAIN."

he tinkers with gadgets so much even when they dont need to be tinkered with, sometimes tinkering with mundane belongings of other people without their knowledge. like marius will be using a pen and then he twists it just right and suddenly it shoots out a FUCKIN TRANQ DART and he's immediately like "LUKE, WHAT THE HELL, WHEN DID THIS HAPPEN." and luke is just like "oh, sorry. forgot to tell you. it also has a taser function!! :D" and marius is like "i use this pen for work, in WHAT situation will i need to tase somebody at Pax." and luke is like "You Never Know."

#tears of themis #vyn richter #artem wing #marius von hagen #luke pearce

[villainsandvictimsalliance]

What things do you think people get wrong about Spinner's character in fics/fandom in general? Anything you've seen or felt was done right? Anything about him you'd like to see appreciated more?

Thanks! Love your posts about the LoV. ♥️

🥺🥺 I'm glad you like them, really.

AND OMG YES, SPINNER APPRECIATION POST. THAT WAS THE EXCUSE I WAS LOOKING FOR TO RANT ABOUT HIS CHARACTERIZATION. LET ME USE THE LIST FORMAT.

My opinion on Spinner's characterization:

I have several friends that used to hate Spinner or ignore him because they were fans of the anime but hadn't read the manga. They soon changed their opinion after my explanations about the matter.

I think the worst take I've seen so far is exactly that. He's not irrelevant or useless to the plot. It pains me when people portray him as such.

Also many people write Spinner like very passive? Like if he was easy to please and he would only follow others? That doesn't make sense at all. He found his way to the League just like the others. He stopped Magne from hurting Izuku on the Summer Camp attack, he confronted Tomura on the beginning of My Villain Academia and pressed him for answers, he participated in creating the name of the Paranormal Front and on recent arcs, he clearly told AFO to his face he never thought about following him, but Tomura.

So no, Spinner is not passive or a background character.

Horikoshi even emphasizes on this by allowing him to narrate part of the MVA arc. I can argue that Horikoshi wanted the audience to sympathize with Spinner, because he's the closest to being between the heroes and the villains, a real anti-hero. The author wanted us to see Spinner point of view and that shouldn't be dismissed.

I also think people downplay his relationship with Toga. We've seen him worrying about Toga since the MVA arc and later into the War arc. He is closer to being an older brother to Toga than Dabi is, we must accept that.

Spinner is very sentimental, but not a coward. Knowing his quirk is not enough to fight a bunch of people isn't fearing a fight. In fact, I really love how the League understand their limits and never push them too far. There's no shame in any of it.

Spinner is not a traitor. He's a really loyal man and his also not a blind fanatic. Once again, when compared to Dabi, Dabi keeps being a little obsessed with Stain and while Spinner still stands him, Spinner grew past Stain's legacy, he become something more.

Spinner is also a leader. On the late chapters, we have seen Spinner having followers. Please let's never forget he's main reason to be on the League is to fight racist people. He wants to change the system in order to give power to the minorities. Whether the League is a good place to do that or not, it doesn't change Spinner's goals.

He was worried about hurting children and civilians. Just like most members of the League, he wants to live, so he sees no point in ending the world. He wants to make a better society, not killing everyone.

On the other hand, I love when people portray him as someone who's well versed in politics and social movements. Yes, it's canon that he knows his things.

I love when people portray him as a very good friend and a general good person. Within the League, Spinner was the one who connected the most with Tomura, who was supposed to be the demon lord. Instead, Spinner saw past it, he saw the kid being worth following and protecting. That's why he didn't like what happened on the War arc. He knows it's wrong.

I love that the fandom agree about Spinner loving music. Yes, he was probably bullied when a kid, so I pretty enjoy when people create scenarios when he defends little kids or other people with animalistic quirks from bullies and racist people.

I think we can appreciate more his background and his presence within the League.

For example, Toga is partially rejected because her quirk reminds a wild animal, something brutal and barbarian. She could talk with Spinner about this, decided she can trust him and tell him about her crushes and stories.

Spinner had also work before, so he could complain with Twice about bosses and noisy clients and such.

He also enjoys a good cosplay, so why don't make him enjoy talking about clothes and costumes with Mr. Compress?

He could also relate to having specific skin conditions, just like Tomura. They share video games, that's right, but there's so much more than this. Tomura is pretty smart and I bet he'd enjoy talking about philosophy and academic stuff with Spinner. They'd obsess over Wikipedia articles at 3am.

Also Dabi could learn a lot about Spinner. Dabi needs to grow as a person, and Spinner can provide him with both a rival and a friend. They have similar taste, they both are really loyal and full of anger, but they deal different with it.

And if there's something I like how is portrayed in the fandom, it's Spinner friendship with Magne. I love those two.

I think many people with more basic beauty standards reject Spinner a lot. I personally think that's why the producers of the anime has decided he's not important for the plot and cut him from most part of the arcs. This is so wrong.

I mean, I want more people talking about how amazing is Spinner skin and his hair.

I want people talking about how adorable cute are the blue dots on his clothes, about how he's a strong guy ready to punch people without being an asshole, without being a bad friends or a bad person to kids and civilians.

AND HE'S OVER THERE FIGHTING POWERFUL QUIRKS WITH HIS SWORD. HE HASN'T BEEN BADLY INJURED YET. HE'S OVER THERE BEING THE BEST SUPPORTIVE MAN ON THE LEAGUE.

Also he's pure comedy and highly relatable. He's humor is pretty close to our online humor and I think that's amazing.

WE NEED MORE SPINNER META. ALL THE SPINNER META. GIVE ME SPINNER CONTENT.

So yeah, anon. I think Spinner is criminally underrated but I also think there's a loving side of the fandom that takes good care of him.

To all the Spinner fans reading this: keep the good work and tag me in it so I can see it and hype about it. 😌

#Shan's asks #bnha #mha #my hero academia #boku no hero academia #league of villains #lov #Spinner #iguchi shuichi #Shan's mha opinions #Shan's bnha opinions #Shan's lov opinions #Shan's mha headcanons #Mha headcanons #Shan's bnha headcanons #Bnha headcanons #Shan's lov headcanons #Lov headcanons #Spinner headcanons

[iliumheightnights]

Him [2] | Tony Stark x Male Reader

Fandom: Marvel Pairing: Tony Stark x Male Reader Summary: How exactly did (M/N) become Tony’s husband? The avengers find out.

Fist Part

…

A long time ago,

Tony walked down the hall of the student dorms. All around him he heard gawks and whispers, students and parents alike looking at him in shock. His own parents weren’t there with him since they were away on business. Arriving at his room he used his key to unlock the door, he was greeted to a rather large room...and another person.

In the room, another boy was already setting his stuff up on one side. Tony wasn’t sure what was going on, he thought he was getting a room by himself. He coughed to get the boy’s attention. The boy set down his things and smiled as he saw Tony. He moved over to him and raised his hand. “Hi. I’m (M/N). You must be my roommate.” Tony didn’t move to take his hand, only looking at him questionably. Why wasn’t he freaking out like anyone else would? “Sorry, I just thought I was getting my own room. So this is confusing for me.”

(M/N) dropped his hand but didn’t let his smile falter. “Well you’ve got yourself a roommate now. Don’t worry I’m not too bad.” (M/N) turned back to his own things but Tony wasn’t done yet. “Sorry. I just like my own space...want my own space. What do I have to pay you to find another room?” That got (M/N)’s attention again. “I’m sorry. WHO exactly do you think you are? I’m not going anywhere. If you want your own room, YOU can leave.” (M/N) fired back, now instead of a genuine smile there was a fake grin.

Tony hadn’t expected such a passive-aggressive response, especially from someone being offered money to get a different room. “I’m sorry, but I’M not leaving,” Tony said, dropping his bags. (M/N) smiled before sitting on his bed. “Well, then I suggest you get used to the idea of having a roommate. (M/N) pulled up a book and began reading it, Tony could tell he wasn’t actually reading it though. With a sigh, Tony spoke again. “I’m sorry. Look I don’t know if you know who I am, but I’m Tony Stark and I can get you whatever you want if you just leave.” (M/N) smirked and looked at him.

“No.”

“W-what?”

“No. I like this room, I was here first, I unpacked all my shit. I’m staying. So I suggest if you want to be alone YOU go somewhere else.” With that (M/n) lifted up his phone and began scrolling through it.

“Unbelievable. I will literally give you anything you want just go somewhere else.” Tony said once more. M/n took a quick glance at Tony. “Hhmm? Sorry didn’t hear you.” Tony rolled his eyes and threw his bags on the floor before jumping onto his bed. “You’re going to be a pain in my ass aren’t you?”

“Whatever could you mean Anthony?”

Tony heard M/n chuckled and let out a groan before pulling out his own phone.

…

Months passed and M/n and Tony had become rather good friends. While Tony was his playboy self, M/n made sure to let him know he wouldn’t put up with it. M/n also got to know Tony’s friend Rhodey and quickly became friends with him as well. Both boys were very similar, especially when it came to keeping Tony out of trouble.

Tonight seemed like one of those nights.

M/n was sitting at his desk working on a book report when his phone went off. Answering it he heard loud music and talking in the background. He could tell it was some kind of party. “M/n! I need your help.” Rhodey.

“Why? Are you at a party?”

“Not important. It’s Tony, I need your help with him. He got a little drunk-”

M/n snorted. “What’s new. How large is the little tonight?”

He could practically hear Rhodey roll his eyes through the phone. “Not funny M/n.”

“Fine, sorry. What’s wrong with him?”

“He’s drunk and I mean DRUNK drunk. I’m trying to keep him grounded and out of trouble but he’s just...he’s just Tony!”

M/n sighed and stood up after saving his work. “I’m on my way. Make sure he doesn’t get into any tro- into any MORE trouble.”

“I’ll try my best.” M/n could hear some crashing in the background of the call. “Please hurry.”

It didn’t take long for M/n to get to the party. All he had to do was follow the sound of Loud music and shouting students. Entering the house, he pushed through the crowd of people. Some people shouted at him to watch where he was going but he didn’t care, he just wanted to get back to the dorm.

Upon finally pushing through the crowd he found Rhodey. The boy smiled and let out a sigh of relief upon seeing his friend finally arrived. “Thank god. I’ve been trying to keep him out of trouble and clean but…” Both turned to see Tony taking another drink before grabbing another out of a guy’s hand. The guy looked pissed but Tony didn’t seem to care. “That’s my drink dick!” The guy grabbed Tony, glaring at him.

M/n sighed and gave Rhodey a look. “Gotta go save his ass again.” Rhodey nodded as M/n walked over to Tony and the guy. He tapped the guy’s shoulder. “Hey!” When the guy turned his head he was greeted with M/n’s fist, knocking him out.

“M/n! That was so hot! Here lemme- OW!” M/n pinched Tony’s ear, dragging him out of the house and away from the party. “OW! Let me go!” M/n did as Tony asked before wrapping his arm around Tony’s shoulder, still leading him back toward their dorm. However instead of Tony still struggle against him, he was surprised to feel Tony give up and follow his lead.

Once both of them returned to their dorm, M/n helped get Tony back to bed. He didn’t say anything to the other boy before turning back to his desk and returning back to his Essay. “I’m sorry-” He heard Tony say rather quietly from his bed. “Do we have to make this a habit Tony? Because I’d rather not fail my classes because I have to bail you out.” M/n said with a sigh.

“You don’t need to you know? I can handle it.” 

Tony almost didn’t hear it because M/n had said it so quietly. “No. But I will for you.” With a smile, Tony closed his eyes and fell asleep.

…

M/n opened the door to the dorm and let out a sigh. “UGH! Today sucked!”

Throwing his backpack onto his bed, he went to sit down but stopped as he took in the dorm. It was...clean. The dorm was actually, spotlessly, clean. It was normally never clean, at least not from Tony’s side. Speaking of Tony, there was a note. Picking up the note M/n gave it a read.

“Put on something nice and meet me on the roof.” M/n just stared at the note for a bit more. “What?” 

Doing as the note had instructed, he had put on something ‘nice’ as the note said and went up to the roof to meet Tony. “Tony? You up here? I swear if you try to kill me I’m going to get you first.”

He stopped speaking as he took in the sight in front of him. There Tony was in a nice dress shirt next to a table for two which was...very finely decorated with fancy lights around them. “M/n table for two now ready.” Tony said pulling out a chair.

“What is this?”

“What’s what?” Tony said with a smirk.

M/n sat down in the chair, Tony pushing him in. “This.” M/n motioned at the table. “All of this. What are you up to?”

Tony sat across from him at the table. “Well…You see-” It was then that M/n saw just how nervous Tony actually looked. It was strange he never acted like this. “You’re acting strange. Are you okay?”

Tony chuckled at that and smiled at M/n. “Do you always have to read me so well?”

“It’s one of my many talents,” M/n said with a smile before leaning in closer and taking Tony’s hand. “Seriously though Tony, are you okay?”

“Yeah, it’s just...nerves.”

“Nerves? What could you be so-”

“Would you be my boyfriend M/n?” Tony blurted out, squeezing his eyes shut.

M/n was shocked at the confession and question, to say the least. Just when Tony was about to let go out of embarrassment he felt M/n’s hand squeeze back and heard him giggle. “And here I was thinking you were going to talk me into doing your end-of-term essay.” Tony opened his eyes and saw M/n smiling at him, a genuine smile. “Yes, Tony. I’d love to be your boyfriend.”

“Wait- really!?”

“Oh well, I can always say no if you wanted that answer?”

“No! I-I mean. I’m glad you said yes.”

“Me too.”

…

“So you two met in college?”

M/n and Tony nodded as they finished up the story of how they met to the avengers. “Yup. It all started when he tried to kick me out.”

“Hey! I OFFERED to pay you to leave. You just declined.”

“And aren’t you glad I did now?”

Tony blushed but everyone could see the little smile growing on his face.

“So how come we haven’t heard about you before?” Clint asked.

“Well I prefer my privacy, plus I’m rather busy running the different charities and organizations I’ve started.”

That seemed to gain their attention.

“What kind of charities do you run?” Steve asked.

Tony just watched as his husband talked with his team. He smiled realizing just how proud he was of his husband and couldn’t believe how lucky he was.

…

A/N: PHEW! Oh man, that took FOREVER for me to write. I literally started this in November. If that doesn’t show how out of writing I’ve been idk what does haha. But hopefully, this will help me get past that block!

#marvel #avengers #tony stark #tony stark x male reader #tony stark x male!reader #tony stark x reader #x male reader

[jimines]

Whats actually happened between you and taemaknae? I read about it on the tea blog and still confused

This is an insanely long story so I'm going to put it below the cut so for anyone interested in this absolute shit show, continue on.

Essentially, I posted these headers about a month ago:

It was a set of like 8 colours and it was the first time I had ever posted any headers or anything. The issue nic had with these, was the ripped paper bottom. Because apparently you can trademark that. I had asked a (now ex) “friend” of mine if she knew where I could find the ripped paper effect because I had seen the effect on the header of her network blog and I had been trying to find a similar thing for months and google images never gave me anything good. She ended up referring me to google images anyways and after like an hour of dedicated searching, I found this ripped paper effect and used it. This ex “friend” went on to tell another friend of mine that I had "asked where nicole gets her resources for her headers" and then screenshotted my dm as "proof", which still confuses me because I never mentioned nicole there lmao. I've seen the screenshot.

Tell me where I said nicole. It was literally just a question born from seeing the header they had on their network lmao. I feel it’s important to mention I didn’t know this person ran said network at that time, which is why i said “these people”.

This other friend then came to me and just said my headers "may be seen as similar to nic's” and said she noticed it on her own and never mentioned my other “friend” approaching her. I was confused because other than that ripped paper effect that I know many people on tumblr use, I saw no similarities. Nic's headers are usually more complex and more than just a coloured background with a little effect in it. I just wanted to make some simple headers for fun because I was bored. But, regardless, I messaged nic about it to make sure she didn't feel the same way. I told her a friend of mine was worried nic might think my headers are similar to her's and I assured her that if she found them similar I would take them down, no questions asked. Nic told me she was surprised this friend brought it up and told me that it was entirely up to me if I found the headers similar. She never once told me she felt they were the same, never mentioned anything about them, she insisted it was up to me to do as I pleased. So, since I genuinely found no similarities, I left them up.

About a week went by and things between nic and I were fine, or so I thought, based off the fact that she was interacting with my posts, sending me cute asks and replying to a lot of my comments and stuff being kind and whatnot. Then, I decided to post a small list of my creations and the series I had running at the time. 

After that, all of a sudden I got an influx of rude hate anons:

To anyone I mentioned the anons to, they agreed with me, you cannot trademark circular icons. This anon also accused me saying “just the fact that you had an anxiety attack about it proves you copied them” Like no sweetie, it’s called three strangers walked into my house and I got anxious.

Despite me not seeing the issue, I messaged nic, assuming she wouldn't care about the icons (it wasn't like I was taking her exact work and copying and pasting them as my own) and that made her very upset. When she responded to me, she was incredibly heated and gave off the vibe she was waiting for me to message her about it. 

She said things like "this has actually been bothering me for a while", "i expected you to be able to read between the lines and delete the headers", "i don't know who that anon was but clearly they recognize my style". For starters, she never told me that she was annoyed with me, she was being very kind to me publicly. And I have no idea how I was meant to “read between the lines” of what she said especially considering how kind she was to me the following days. I also never accused her of knowing this anon, she just insisted it wasn't her and she didn't know them right off the bat. She also insinuated that I copied my gifs from others as well, which ticked me off because I made my 100+ layer psd myself thank you very much. But I kept my cool, and I told her I had no idea she felt the way she did, and I told her I would delete the headers (which i did as the conversation was going on), and that I would stop posting my icons and bringing attention to them because no one ever paid it any mind before that point. And I asked her “please tell me straight up the next time you have an issue with me because I am generally pretty dumb with social cues”, I have my adhd to thank for that. And instead of replying, she just blocked me. And conveniently, the hate anons stopped dead right after we blocked each other and I haven't received any since.

Also, these are the kinds of icons I posted:

Looks pretty generic and idk, universal, right?

Then, as I've recently found out today, she was in an "anti-loverjimin" groupchat with at least 2 other bloggers. 

Which explains why this all went and fell into place. I know who the two other bloggers are because of what happened two days later but I won't name them just yet, but these two people had been "friends" with me for several months. So, a day or two after nic blocked me, all of a sudden some good friends of mine were blocking me and not talking to me when I asked what was going on. I found out soon after it was because nicole and those two now ex “friends” of mine had taken old dms I sent them and were showing them to people. And I will go into detail about them but I won't name the people they are about for privacy reasons.

Before I move on, to clarify some lies nic has been spreading about me, I never once shit talked nicole to my friends. One of these ex friends also said I was trying to get people on my side. I would have reacted to this all very very differently if that were the case. I would be dragging everyone through the fucking dirt but I don't get off on drama or micromanaging what my mutuals do. My issues are with these people, if you're still friends with them that's your decision i could not care less. So, back to it, the only thing I said about nic was that she and I had a stupid small fight over icons and that she was spreading lies about me, based off of what nic said to jordan.

That exact message, or slight variations of it, was sent to anyone I interacted with because I didn't know if nic was going to stop at jordan or try and get to everyone I fucking knew lmao. Some of the people I messaged this to told ME nic had done this kind of thing before, that she has sent hate anons, launched hate campaigns, cancelled people, etc. Over stupid shit like icons lmao.

Here are some responses I received after I mentioned nicole:

And nic or one of her friends also took it upon themselves to send anons to that tea blog to blow shit up and named everyone and made it an even bigger mess when they saw no one was actively trying to fight me after the dms got out. 

I also love that in this following ask, they named my two “friends” that were behind the whole dm drama and backstabbed me, as well as two other people I never badmouthed, that story was twisted. But we’ll get into those details shortly.

And she also told people I clout chased big blogs and only cared about notes. At one point, yes, I did care a lot about my statistics. However, never once did I think clout chasing was worth my fucking time or energy, Nic is the biggest clout chaser on this damn site and there are receipts of that, ask jordan lmao. And I couldn’t give two shits about my statistics anymore lmao, much less anxiety that way. Do I still crave validation sometimes? Sure. But it's not a driving force of my tumblr experience like it used to be.

But, moving on to the dms, the first one was sent when I first came back to tumblr full-time and didn't understand why people self reblogged things, I found the pretence of self reblogging annoying and greedy and I complained about it and it was a comment fuelled by two bloggers that i would see sr a lot on my dash. But I never thought THEY were annoying, as these people are saying I did, it was self reblogging I found annoying and as you can see I have come to understand why people sr and I do it myself too. I didn't even know these two bloggers at this time either. That dm was cropped to hide the fact that this "friend" agreed with me and hid the date as well so it seemed recent, and was sent to one of the bloggers I mentioned as an example, someone I had since become good friends with. 

I didn’t befriend one of the people I mentioned there until mid to late June. That friendship is now over thanks to this drama and all the lies. The second friend of mine they went after was never spoken about in dms, they went and turned her against me through lies and manipulation so that friendship has ended too. And while those two were doing that, nic went off to try and turn jordan against me.

There was a particular user on here that I did say some nasty things about but we weren't friends, as many people have been made to believe. I was particularly mad at this person in those dms and was hurtful, I admit, and I have since apologized and owned up to all of it to these people. I did call them fake and/or two-faced. 

And what in the gassing me up bullshit was their response though lmao. I also sent this following dm before I even talked about the issue with this person. They urged me to continue and to name drop the person, and I stupidly thought they were trustworthy.

My reasoning for what I said wasn't unwarranted though, I don't make a habit of going around shit-talking people, unless they do something to me first. I vent when I am upset and this person had sent me a passive aggressive ask and then denied sending it when I asked and I thought that was just very fake, especially since she was so kind to me in dms before the ask came in. But all of these dms were cropped too to hide timestamps and responses, and in most cases, like those screenshots prove, these "friends" either gassed me up or egged me on to continue ranting or to name the people i was mad at and they had agreed with me on several, several occasions. Turns out they were trying to get dirt on me to use in their cancel campaign. But the point is, nic has made me out to be this horrible person that befriends "big blogs" (an overrated statement) and then shit talks them behind their back without remorse. Yet it was one person I said rude things about and I, again, owned up to it all and apologized to them the first day. I would've done it sooner had I a) remembered feeling the way I did all those months ago or remembered the dms themselves or b) felt that way still after meeting them. But neither is the case.

I find it really amusing though that these people wanted things to be kept quiet and didn’t want anyone they spoke to to talk to me about it because I was going to “out them on my blog” and “make a big scene”, then they three went and made it a big fucking scene and ruined my friendships. I’m familiar with this pattern of manipulation as it has happened to me in real life before and it’s the most childish bullshit to witness.

Before this callout day for nic, I had never once been directly rude to or about her, same goes for those ex “friends” that betrayed my trust and friendship. The fact that they plotted against me in a group chat while still actively talking to me and being all buddy buddy is just disgusting. Both of them were talking to me that day at the same time they were sharing the dms and shit-talking me to my friends. But yeah, that's my side, the untwisted side, of the whole story. I tried to be mature and talk to nic and when I didn't do what she wanted me to do, she blocked me and launched the hate campaign with dms and the power of photoshop. I’ve been hesitant to make any of this public because it was meant to be a silent ordeal but I’ve grown tired of her constantly publicizing everything without consequence while I remain silent like I promised.

#anon #replied💌 #tw:negativity #drama #long post #read at your own risk aha #its a shit show #idc if you rb it #pinning temporarily for the next day(sih) #ish* #edited with screenshots and whatnot that i forgot i had on my phone lmao

[cienie-isengardu]

Not only do I not regret asking you to "RELEASE THE RAMBLES!", I'm sending you requests for more. Below is a list of questions that I asked @bihansthot , and enjoyed their answers, but because you are so thorough, and answer in such depth, I'm re-asking them to you.

Brace yourself, it's a list. I didnt have time to sort thru them, I just copied and pasted, so if any are questions you already answered before, please feel free to include the links.

"LET US BEGIN!"

---------------------------------------------

In the spirit of potential future writing,  I'm trying to find a building that  would make a good substitution for Lin Kuei temple.

I've tried looking up ancient Chinese military barracks/forts, and have found some stuff,  but is all exterior.  Anyone know of any locations (or several I can cobble together) that would make good inspiration fodder?

---------------------------------------------

So, uhm, religion? What's the Lin Kuei's take on that one? I know they are aware of Gods, they team up with/ encounter Raiden all the time,  and have literally worked for/against Shinook, so I know they recognize higher powers... but I  guess the question is,  do they care?

Do they have a religion,  or spiritual practice that resembles religion? Or do they have a more practical approach "gods exist,  but we just consider them very strong people"?

Which segues into... do they recognize and participate in holidays, or things like birthdays? Or are all their celebrations work related (I.E. successful missions or levels of combat mastery)?

---------------------------------------------

Food.  What foods do they normally eat? What foods do they like?  What foods don't they like? What foods do they absolutely love so much they'll stop what they're doing to get it?

---------------------------------------------

If you had to match the Lin Kuei with a dynasty,  what one would it be? (I know the 2021 movie has the opening in the Ming dynasty, so the Lin Kuei is at least that old,  but given that movie Bi Han hasn't aged in 400 years, and was taken is a child,  its probably much older) (and also know the game probably cherry picked random Chinese things it liked).

What do you think the Lin Kuei's view on artistic culture (probably not the right word) is? I know they are heavily militaristic,  but in the game,  Kuai Liang offers Hanzo tea and he properly prepares it the Japanese way, that says they have something of an education other than just related to fighting?

Lastly,  in the movie,  everything Bi Han does is "for the Lin Kuei", but the Lin Kuei is on Earth (assumedly),  and he is working for a guy who wants to enslave Earth, so what do you think the deal is?

---------------------------------------------

Question about the Cryomancers. I know the game lore says that they are supposed to be rare, but I also know that the Lin Kuei have had at least 5 (grandpa, papa, older, and younger Sub Zero,  and Frost). 4 of which are part of 3 generations that inherited it even with mixed blood (I'm assuming Mama Sub Zero wasn't Cryomancer since they left her alone).

That's a lot of generations in a row for a rare trait... So do you think the Cryomancers as a group have figured out they're being hunted and have chosen to live in hiding?

---------------------------------------------

Lin Kuei society question? I like writing so I also like world building and I think about these things.

Is Lin Kuei society ever covered? I know there is a Grandmaster, a handful master assassins (Sub Zero's, Sektor, Cyrax, etc) and the  movies always have a bunch canon fodder lesser assassins.

And they live in the very isolated Lin Kuei Palace/Temple in Arktika (or wherever it used to be)

But is Lin Kuei (we'll call it "village") ever covered?   Do they have willing servants, kidnapped slaves, or a mix of both? Are there women (non fighter women,  I know there's Frost) or do they employ strictly male help? If there are women, what's their role, and are there children born there? What about Elderly? What about resources,  is everything (from food, clothes, weapons, and the raw materials to create them) grown or manufactured on sight by skilled laborers or do they import/interact with the outside world? How vicious or civil is this society, could you be killed for looking at Sektor wrong or do they value your services to a degree? What's the degree? This is obviously a combat culture,  but is everyone expected to know martial arts of some variety, is it optional, or do they prohibit it among the servants/slaves? How strict are they on things like clothing, food, alcohol,  drugs, "luxuries", or pleasures? Money? If they interact with the world do they recognize and use $$ currency, commodity currency, or a mixture? Internally are the Lin Kuei payed or just provided for? What about illness or injury,  if you're not a master and it a serious injury/illness are you taken care of or do they just give you a quick death?

Etc. That's all the questions I can think of,  but please feel free to answer questions I didn't ask,  if you think of anything else.

Thank you for this wonderful list to talk about! I’m gonna split the answer into smaller parts, for better focusing on each aspect but also so I don’t feel bad for keeping you waiting for ages, lol. For now let’s focus on asks about the religion!

So good questions! I do think they have some spiritual practice(s) because in martial arts the state of a mind is as important as the physical body and religion is one of many ways to shape someone’s mindset from a young age. I do, however, think that Lin Kuei does not worship the gods. They are aware that the gods exist (with Raiden as the thorn in the side) and may even respect their supernatural powers and battle skills but it never has stopped Lin Kuei from desecrating holy places, murdering people and stealing stuff for the best price. So, it seems to me that whatever religion the members of the clan follow, by nature it is rooted in nontheism.

Of course, there is also a chance that Lin Kuei worships some forgotten deity or deities (as a remnant of their ancient connections with Outworld / realms conquered and destroyed by Shao Kahn?) or may even practice ancestor worship which seems like a good way to uphold a widely understood tradition that plays an important role in the discussed community.

The closest thing to religious practice was seen in Mortal Kombat X, when Sub-Zero and his warriors seemed to pray together before statue of god / deity / ancestor / legendary warrior / personalized thing they value the most (sadly, my knowledge about Asian religious practices or faiths is very limited so I don’t have idea if the statue is supposed to represent any real god/religious symbol).

At the same time, it could be just a bluff since Grandmaster was aware of Cage’s team infiltrating the Lin Kuei territory and used this moment to lure them into a trap. Additionally, Mortal Kombat X comics presented once Kuai Liang sitting before the same statue albeit in a completely different (devoid of reverence?) position.

Of course, if we take into account Mortal Kombat Armageddon, the game states that Lin Kuei Temple placed in Arctika was actually once the Temple of Delia (the great sorceress & wife of god Argus) that at some point get abandoned and re-used by Sub-Zero’s clan.

(In the background, we can see a statue of Delia that Lin Kuei does not worship but did not remove for whatever reason. Mixing both old and new games, we can only wonder if MKX!statue is also the remnant of someone else's faith/religion?)

Beside that, Kuai Liang was pretty vocal about Lin Kuei not worshipping the Elder Gods, what was seen in MK11’s intro dialogue with Cetrion

Sub-Zero: The Lin Kuei do not worship the Elder Gods.

Cetrion: We seek gratitude, not worship.

Sub-Zero: I see no distinction.

and personally did not have any reason to pray to the goddess:

Sub-Zero: Why should I pray to you?

Cetrion: Why does a bird flap its wings?

Sub-Zero: I asked a simple question.

In all fairness, in MK11 Kuai Liang seems the most passive-aggressive toward the Elder God while Frost is focused on her ambitions and Noob!Bi-Han just wants to be left alone when bothered by Cetrion. Similar thing happens toward Raiden. Despite gratitude for saving him, Kuai Liang does not spare the god criticism (can’t serve both Elder Gods and Earthrealm, isn’t fit for his role of protector) and in MKX outright says he does not fear divine beings:

Raiden: Sub-Zero...

Sub-Zero: I fear no gods, Raiden.

Raiden': That's why you shall lose.

Surprisingly, Kuai Liang’s interaction with MK11!Fujin sounds less accusing than with Raiden and Cetrion and it is connected closely to their ties with Bi-Han. And maybe Kuai Liang did seek in the past Fujin and other elements to make a peace with them, like he planned to do so in Mortal Kombat 4 Limited comics?

"I came here to make peace with the gods of the elements that you fought [...]"

Anyway, the accusingly behaviour toward Raiden and Cetrion could be just Kuai Liang’s personal dislike for gods and serious authority issues, which makes sense considering how much he suffered because of their meddling and conflicts.

But honestly?

The available examples of Lin Kuei attitude toward gods, demigods and supernatural beings suggest how little the warriors - especially cryomancers - care for them.

Like, we have Bi-Han in Mythologies, who asked Quan Chi about details of mission:

Sub-Zero: If it's so precious, why don't you get it yourself?

Quan Chi: I cannot enter the temple until the four elements within its walls have been defeated. And I am not on the best of terms with the gods of your realm... especially your god of thunder.

Sub-Zero: Tell me about these elements.

Quan Chi outright said he and earthrealm gods weren’t friends and Bi-Han, reading between the lines, could get the idea that he may end on bad terms with Thunder God. Yet he was interested only in elements (lesser gods than protector of realm?) guarding the temple.

Then Bi-Han beat down four demigods and met a displeased Raiden after Quan Chi got the Shinnok Amulet. His reaction? No fear, like meeting an angry god was a normal occurrence.

Rayden: Do you realize what you've done??

Sub-Zero: I was just earning my living.

Rayden: Your clan's ignorance and greed will cost this entire realm. You must now set things straight.

Sub-Zero: Quan Chi could simply be a lunatic sorcerer. I've never heard of an elder god named Shinnok or of a place called the Netherrealm.

Rayden: Well, you'd better start believing in both, because you're going to the Netherrealm and you're going to bring the amulet back. We must act quickly. I have no dominion in the Netherrealm... You are reality's only hope.

Sub-Zero: I'll do it, Thunder God... but only because I have no choice.

And once he came back from Netherrealm, where he was fixing what he messed up in the first place on Raiden’s order, his abrasive attitude did not change much:

Sub-Zero: Here... the amulet.

Rayden: Impressive, Sub-Zero. Perhaps you will reconcile your reckless past after all.

Sub-Zero: That's it? Not even a thank you?

Of course, to some degree Raiden’s words did have an impact on Bi-Han but even the god’s warning about his soul tainted with evil did not stop him from coming back to Lin Kuei. Bi-Han’s attitude and/or approach to gods seems to change somehow once he was reborn as Noob, but that is a different matter for different times.

Anyway, Mythologies!Bi-Han and MK11!Noob act less aggressive toward gods than Kuai Liang. But then we have Sub-Zero from from the MK novel by Jeff Rovin, who not only is not afraid of gods but outright insult them:

“Wait! Be warned, Shang Tsung. He is cursed!”

“Cursed? By whom?”

Ruthay wailed, “By the immortal Yu.”

Shang Tsung felt cold spiders crawl up his spine. “The demigod Yu?”

“Yes… he who is said to dwell in the underground caverns of Horse Ear Mountain… which is sacred to the goddess Kuan Lin. He who protects the canals… and the tunnels… and looks after all who use them, human and animal.”

“What did our brash friend do to Yu?”

“He… killed a man,” said Ruthay.

“What man?”

“A toll-taker… one who had given up a life of crime… one who had been a partner of the man… you… seek.”

“And how did that crime come to the attention of the spirit of Yu?” Shang Tsung asked.

“The man was killed… slowly disemboweled with a sword… while accomplices forced his wife and his son to look on! After his murder… the man’s remains… were dumped into a canal!”

Shang Tsung raised an eyebrow. “Is that all? I was expecting something truly terrible!”

“It was!” Ruthay shrieked. “When he disposed of the body… in that way … he profaned one of the sacred waterways… of Yu!”

Shang Tsung smiled now. “Then he is definitely the man I want,” he said. “Anyone who is impudent enough to insult a demigod won’t be afraid to attack a member of the White Lotus Society, or the gods who watch after them. I will send Hamachi, Ruthay. When he nears his goal, see through his eyes and guide him!”

Book!Sub-Zero was impudent enough to insult a demigod which is why he was one of Shang Tsung’s favorites. And to be clear - book!Sub-Zero did not regret insulting the demigod at all. Even more! He found humor in it!:

He dwelt in a cave two hundred feet up the face of a cliff by the sea. The mouth of his home was barely wide enough to accommodate a slender adult, and was accessible only by climbing the sheer wall of rock, a feat that was impossible for most adults and daunting even to the few arachnids and marsupials that tried it.

Maybe some of them were even sent by Yu, he thought with a smirk, little assassins who would chastise me for having spilled blood in his precious canal.

The less abrasive attitude toward gods was shown by Cyrax, who talked a bit with Raiden over Bi-Han’s remains. He wasn’t outright antagonistic but wasn’t overall respectful either. He talked with Thunder God like he would talk with any other human being that wasn’t actually Scorpion. Frankly, from the named Lin Kuei only MK9!Smoke actually addressed Raiden in respectful manner, with proper bow and the name of lord

albeit did he do so because he respects the divine beings or just out of gratitude for saving him, hard to tell for sure.

So yeah, it seems like no matter what kind of timeline or age or medium of the story, Lin Kuei does not fear gods nor pray to them. And the clan has a long history of dealing with Raiden, so the Lin Kuei had first-hand experiences with supernatural beings. Somehow, cryomancers are the most impudent warriors when it comes to dealing with or criticizing the gods.

Interestingly, as much as Lin Kuei warriors don’t care for gods, most of the known to us named characters believe to have - and to care - for their own souls. Sektor and MK11!Frost embraced the Cyber Lin Kuei idea but Kuai Liang, Cyrax and Smoke were opposed to C.I. project out for concern for their souls among other things. Even Bi-Han, to some degree became concerned about his soul after trip to Netherrealm.

Believing in souls is usually a sign of belief in the afterlife, albeit after all of them went through (the change into cyborgs, death and change into Revenants) this is less a matter of faith (religion) and more first-hand experiences. And let's not forget that regularly dealing over the centuries with Shang Tsung who steals people's souls on a daily basis makes it really hard to not believe spirits are real.

Also, an interesting matter of Lin Kuei practices that could have a religious/spiritual ground and/or be an example of ancestor worship is the clan’s funeral rites. I don’t think we actually saw any Lin Kuei to bury their own (especially after warrior’s failure?) and for sure MK9!Cyrax and Sektor did not bother to take care of Bi-Han’s remains. However the sources provide examples of Lin Kuei keeping corpses, most likely of their own leaders or warriors.

And so, we could see human remains:

put in two coffins on each side of statue

hidden / kept in a block of ice(?) in chamber of Fallen Lin Kuei in which Frost’s frozen body was also laid, but on the altar

Cyrax’s cyber body was kept and guarded by Sub-Zero (and this is like the only thing that Kuai Liang and Cyber Sektor so far agreed on)

and even Cyber Sektor’s remains, even if just for pragmatic reasons, are kept in what seems to be respectful manner:

It could be just Kuai Liang’s good nature to honor fallen of his clan (I’m still not sure if Lin Kuei Palace is the new place for Sub-Zero’s clan or the ancient hideout) but even in MK Conquest TV series, after Grandmaster was killed by then-currently-Sub-Zero, there was the farewell ceremony with clothes on display (cause there was not much left of body after freezing and shattering) while new leader gave the speech promising to punish the guilty.

Which makes me think that Lin Kuei did honor their fallen warriors (especially those exceptional, deserving). Such custom and apparently common belief in soul could also support the ancestor worship - both as some ancient, mythical ancestor(s) connecting warriors into one clan (family) and tradition to follow in the footsteps of forefathers (Bi-Han taking place of his father [old timeline] or grandfather [current timeline] or Kuai Liang taking Bi-Han’s place as Sub-Zero).

My general conclusion about Lin Kuei is that its members believe in souls, have respect and use of spiritual matters (meditation?) and maybe ancestor worship. Whatever the religious / spiritual practices they have over the centuries, it is not something they will share, as the Lin Kuei by nature are secretive people who keep personal things mostly for themselves. The people that joined the clan (Cyrax and Smoke) maybe kept their old, eventual religious beliefs but overall, Lin Kuei warriors did not fear, care for nor pray to gods. They may respect god (Raiden, Fujin) as a person but not because of their divine nature. And even that would not stop them from criticizing said god. Which is pretty much how Kuai Liang and Raiden’s relationship looks like. Grandmaster is grateful to Thunder God for saving him but he won’t blindly follow his authority.

(Kuai Liang has serious authority issues, hasn't he?)

As for holidays, I can’t really see Lin Kuei to follow any specific religious (theistic) special day cause they don’t care much for gods in the first place. Unless they worked undercover and needed to act as normal human beings, religious holidays would mean nothing to them. The warriors may however celebrate their mission success, combat mastery or promotion between themselves or in secret, I think. Like, Lin Kuei did forbid friendship because it was considered warrior’s flaw yet we know some members either were blood-related (Kuai Liang, Bi-Han, previous Sub-Zero - father or grandfather, depending on which timeline is correct) or considered each other a family (Kuai Liang and Tomas Vrbada) and most named characters worked in duos so they have both opportunity and knowledge about each other to celebrate important matters. If they managed to remember anything from previous life, that is. Because from ancient to at least Great Kung Lao’s times most(?) adepts were kidnapped from biological families at a really young age (something around 6 years old). And Mythologies: Sub-Zero takes that even further:

Its warriors are chosen at birth to be raised apart from the workings of day to day civilization and are stripped of their former lives. Only the clan knows their existence. Each of them posses certain skills and abilities that set them apart from normal men. These abilities are passed on from generation to generation and honed throughout the experiences of life.

So, celebrating birthdays doesn’t sound like happening much, unless those with family around could allow themselves such luxury. The clan may however celebrate the day of becoming a fully trained and sworn warrior? Or the fallen warriors? Who knows.

Also, something worth thinking about: in Mortal Kombat Conquest TV series, when the Grandmaster presented newly appointed Sub-Zero to the rest of the clan, he “celebrated” the cryomancer's first official performance as the execution of two men who failed their mission. So, yeah, celebration of something special in (old) Lin Kuei does not necessarily mean anything nice.

(The next part of answer most likely will be focused either on food or architecture / origin of Lin Kuei. Let's hope I will get it written sooner than later)

<><> EDIT <><>

RELIGION <> ORIGINS / ARCHITECTURE <> FOOD <> FOR THE LIN KUEI <> ART <> CRYOMANCERS <> LIN KUEI SOCIETY <> MONEY & MATERIAL GOODS

#mortal kombat #my replies #sub zero #bi han #kuai liang #lin kuei #cyrax #long text #smoke #tomas vrbada #cetrion #raiden #lin kuei does not care for gods but may respect spiritual matters #mortal kombat mythologies #mortal kombat 11 #mortal kombat x #mortal kombat 9 #mortal kombat armageddon #thanks godness for all those people who share their walkthrough plays so i can get the needed details #cryomancers have a serious authority issues don't ya think? #there may be more with older sources but frankly i don #i don't* play much games and focus on the few plus comics and books lol #is smoke... like the only one lin kuei that showed raiden the proper respect? LOL

[thestupidhelmet]

What are the pros and cons of each season, excluding season 8 which we all know never happened?

This is a subjective opinion, of course, and it won't be a comprehensive list. That would take me too long. 😅

Season 1

Pros:

The American '70s milieu being part and parcel of the show's stories and characterization rather than being background element.

Eric and Donna's playful relationship and its development into romance.

Red being less of a hardass, his love for Eric being obvious despite Red's general toughness toward him, and Red's higher tolerance -- and even enjoyment -- of Eric's friends and Jackie.

The development of Jackie and Donna's friendship.

Hyde's complete characterization overhaul in "Prom Night' (1x19)

Kelso showing loyalty to Eric in "Grandma's Dead" (1x23) and other moments where he actually seems to be a friend to Eric and Hyde rather than solely a selfish, self-interested dillhole.

Kelso being a math and tech prodigy.

Jackie not being a stereotype "dumb cheerleader" but someone who cared about her studies, did homework on Saturday nights, and got As on her essays.

Laurie, in the first two-thirds of season 1, being depicted as smart academically, savvy socially, and not interested in Kelso at all. She was an overall more complex character until the writers used her as the show's main antagonist.

Fez being characterized as naive and trying to fit in with his American friends; he didn't know how far to push a joke and often pushed it too far in an attempt to acclimate to a new culture. Because of this, he said some disturbing things, but he came by them innocently. It wasn't due to being a boundary-invading perv (as he later became).

Fez's insight and friendship with Hyde.

Red and Kitty being in love and continuing to have the hots for each other -- and only each other. Goes against the cliched TV longtime-marriage that's lost its passion.

Cons:

Hyde's characterization before "Prom Night" (1x19) / His very problematic and disturbing pursuit of Donna romantically / sexually.

The major character shift in Laurie as a mischief maker and sower of chaos, screwing up other people's relationships for her own amusement and pleasure.

The episode order being shuffled by Fox and the premature time jump to 1977, which confused the true story arc of season 1.

"A New Hope" (1x20) being the original season 1 finale, leaving Eric and Donna's relationship uncertain. A huge conflict occurs between them in this episode, intended to the cliffhanger for the audience to ponder over the summer -- are Eric and Donna breaking up? -- which is promptly forgotten as if it never happened in the episodes that followed.

The mixed messages of "Eric's Buddy" (1x11). It's a combo of "Gay is okay!" and "Gay panic for laughs!"

Season 2

Pros:

The storytelling, in general, is very on point. It puts character (and character development) first and lets plot and humor arise naturally from it.

The character development (e.g., Red being out of work and Kitty supporting him emotionally and family financially, Hyde becoming compassionate toward and protective of Jackie, Eric and Donna working through their relationship issues and growing from them, etc.)

This is my favorite season of the series, and the two above points, I believe, cover all the pros (again, if were to make a comprehensive list, it would be way too long)

Cons:

Kelso's characterization shift. He goes from being a semi-louse who has (some) loyalty to other people to a full-on, selfish, self-entitled dillhole.

Laurie essentially raping Kelso.

Fez's Nice Guy syndrome toward Jackie

The American '70s milieu fading into the background

Red losing a good portion of his softness; becoming a less balanced character

Season 3

Pros:

More good storytelling and character / character-relationship development. Even if that development isn't always pleasant, it's organic.

Cons:

Jackie's invasion of Hyde's boundaries played for laughs (even though Donna does call her on it, which is a pro).

The show not acknowledging (through Jackie, Hyde, and other characters) the huge arc between Jackie and Hyde during season 2 and the first third of season 3 -- with the exception of "Ice Shack" (3x10), as if it never happened.

Kelso invading Donna's boundaries in "Roller Disco" (3x05)

Season 4

Pros:

The good storytelling and character / character-relationship development continues -- but not for the whole season.

Fez's characterization and relationship with Rhonda.

The unintentional but never-the-less present moments of bonding and closeness between Jackie and Hyde.

Bob and Joanne's relationship

Cons:

The destruction of Fez's character at the end of the season.

Kelso's growth of the end of S3 and first half of S4 being erased and replaced by an even worse version of Kelso.

One of the main reasons Donna and Eric breakup at the end of S3 is so she can experience independence; but she jumps deeply into a monogamous relationship (on her end) with Casey Kelso halfway into the season.

Jackie and Hyde's S2-S3 relationship dynamic getting no acknowledgment; their relationship getting no direct, obvious development at all.

Season 5

Pros:

Eric and Donna reconcile romantically.

Jackie and Hyde's romantic relationship begins.

Many good episodes (but not all).

Kitty getting a story arc focused on her.

Laurie's character development.

Cons:

Eric and Donna not dealing with what broke them up. Eric saying, "Forget about all that stuff," is the writers' way of saying that to the audience so they could move onto the engagement storyline. It's not good storytelling. At least one episode (if not more) were needed for Eric and Donna to deal with their issues from season 3.

Jackie and Hyde's romantic relationship being disconnected completely from their S2-S3 relationship.

A somewhat pathological passive-aggressiveness being added to Hyde's character

Hyde's character being manipulated to serve plot and create the cliffhanger at the end of season 5. The writers were aware this is what they were doing and acknowledged it through an exchange Hyde has with Roy before Hyde chooses not to confront Jackie and learn -- which is what he actually would have done -- and, instead, "retaliates" for the perceived injury Jackie gave him, which also serves as his passive-aggressive way to break up with her.

Hyde putting his fear of losing Jackie above Jackie's pain and feelings of betrayal once he admits his transgression with the nurse.

Hyde acting like Jackie pitting him and Kelso against each other for one night in a competition for her affection is equal to the injury he causes her by sleeping with someone else (out of insecure assumptions, a lack of trust, and an unwillingness to give Jackie the benefit of the doubt).

Fez's behavior growing more and more disturbing (e.g., hiding under Donna's bed to masturbate while Donna and Jackie sleep).

The beginning of the end of Red's true and consistent characterization, toward Kitty specifically. The start of him becoming a cliched, put-upon sitcom husband, whose wife is a cause of misery more often than joy.

Season 6

Pros:

Some very well-written, well-characterized episodes (particularly for Jackie/Hyde and Brooke/Kelso).

Kelso's character growth and story arc with Brooke.

Cons:

Kitty becoming a certified alcoholic.

Red continuing his downward spiral into a cliched, put-upon sitcom husband.

Hyde's transgression against Jackie in season 5 never being mentioned. Hyde acts like the injured party in the first few episodes of season 6, and the show writes his and Jackie's issues as if they're both equally to blame when Hyde is the one who bears one-hundred percent of the responsibility for their breakup.

No true development between Donna and Eric. Their storylines are rehashed from earlier seasons.

Eric and Donna unnecessarily setting a wedding date instead of remaining engaged, only for neither of them actually feeling ready to get married by the end of the season.

The show's first filler episode "Young Man Blues" (6x09), which does nothing to further the overall plot of season 6 or develop the characters.

The total mishandling of Pam Burkhart's storyline. This includes Hyde acting completely contrary to how seasons 1-5 Hyde would have (i.e. being pissed at Pam on Jackie's behalf, wanting to support her rather than feeling it's a burden, feeling protective of her, etc.) It also includes Jackie and Donna's potential for friendship development due to their shared parental situation being wasted.

Fez's continuing to devovle into a punchline, a punchline-giver, and someone who commits inappropriate behavior toward his female friends.

Laurie's recast causing the writers to scrap the originally intended storyline for her as an individual (i.e. continued character growth) and for her and Fez's relationship.

Season 7

Pros:

A few funny episodes.

A few decently-characterized episodes.

The introduction of W.B. and Angie.

Cons:

Red changing from someone utterly devoted to Kitty, feeling romantic and sexual passion only for her, to someone who not only finds other women attractive but seeks out their attention -- and generally (though not always) acts like being married to Kitty is a hardship instead of a blessing.

Wasting the potential of W.B. and Angie's characters. Focusing on Angie's relationship with Kelso rather than with Hyde. Not exploring Hyde and W.B.'s relationship deeply.

Jackie and Hyde's unnecessary breakups. They're caused by a rehashed conflict that was resolved in "Do You Think Its Alright (6x18)" and were likely meant to lead up to a "dramatic" series finale outcome where Hyde finally fully commits to Jackie by proposing to her.

Separating Eric from Hyde, Kelso, and Fez is many storylines and keeping most of his storylines between him, Donna, and his parents.

Fez remaining stagnant as a character.

Most of Kelso's growth being -- yet again -- erased.

Brooke and Betsy's absence.

Another post of mine you might find interesting is: What I Think Is Each Character’s Best Season of the Series (Exclusding Season 8), Character-Wise and Why.

#That 70s Show #That '70s Show #Jackie x Hyde #Red x Kitty #Eric x Donna #Ask #Anon #My Meta #My Essay

[theprophetsaid]

I’M SCARED - ANALYSIS

While Another World will live rent-free in my head forever, I’m Scared makes me want to scream. I don’t know if that’s good or bad, but I know that I had to do an analysis of this one as well. 

Disclaimer: I’m not telling you what to think. I’m writing my analysis based on how the song is presented. You are free to make up your own mind about it. 

Part I: This is personal 

Since I can’t find an interview where Brian talks about I’m Scared, I’ll discuss how he sees himself as a songwriter and how that influences the song. In an interview about his album Back To The Light, Brian says:

"(...) I can only function if a song means something to me regarding human relationships. I like to write about things that are personal, rather than about politics and other wider issues.” 

He labels himself as a personal writer who, above all else, writes about human relationships. That is important in the context of I’m Scared, as it allows me to assume that the voice in the song belongs to himself, not a made up character. 

Brian worked on this album during a period of massive emotional turmoil for him, while he was struggling with his mental health and thought his life was in ruins. That, as you will see, also relates to this specific song. 

Edit / addition:

Since writing this analysis I’ve come across an interview where Brian (very briefly) talks about the song: GW: "I'm Scared" is an interesting one.

MAY: Yeah, that goes back a long way. I kept doing different versions of that, as I kept finding out that I was scared of more and more things. And I figured that most of us are. We just keep it inside. I think it's good to let all that stuff out sometimes. Do a bit of screaming. — Guitar World Magazine, January 1993.

Here, Brian says that the song took a long time to write, but he also “confirms” that it’s about his own fears. In other words, this song is about himself.

Furthermore, Brian has revealed (on his live stream last week) that ‘I’m Scared’ is the first song he wrote for the album. Do what you will with that information.

With all of this in mind, I’ll break down the lyrics and the story that they tell.

—

Part II: The Story

You take me to the party You put me on the stand You're pumping up my heart To the beating of the band You toss it in the air And you don't care where it lands You take it, you break it You're hurting me There’s a clear dynamic set up here. There’s a ‘me’ (Brian, presumably) and a ‘you’ (someone else), but this dynamic is framed in a certain way right off the bat because the person he’s with is doing everything, and doing them to Brian (’You take me to the party’; ‘You put me on the stand). 

The phrase, ‘Pumping up my heart’ seems to be a metaphor for attraction and the heart-racing sensation that it often causes. Then after ‘pumping up [Brian’s] heart’, this person carelessly plays with it and breaks it, hurting him. This person that he’s with is in control while Brian is presented as passive and, frankly, rather powerless in comparison. 

Because I wasn't prepared I couldn't go where you dared You got my whole soul bared I never knew that you cared (No it just ain't fair) I’m scared (x13)

This chorus more or less explains the imbalance in control by implying that it relates to bravery. Brian doesn’t consider himself as daring as the other person, which would make him less able/likely to take control in the dynamic.

Also, ‘you got my whole soul bared’ is interesting because it implies that this person understands Brian on an intimate level in spite of him not opening up; Brian didn’t intentionally bare his soul to them but they can somehow see it regardless.

You take me out to dinner And you swallow me whole You're nothing but a sinner With a dark black soul I figured I could handle you But I'm just a toy You're getting bolder and bolder You're just a bad bad boy

This verse is the game-changer. It describes that Brian went out to dinner with whoever this person is. The difference in bravery/control between them is consistent, but the metaphors that describe the dynamic here are not emotional as they are in the first verse. They are sexual. ‘You swallow me whole’, ‘sinner’, and ‘toy’ have those clear connotations, which heavily implies that there is a sexual aspect to this dynamic. 

(Moreover, being swallowed whole alludes to a... very specific sexual act and I frankly don’t know what to do with that information, but I’ll leave it here: It’s a blowjob, folks.)

Now, let’s address the elephant in the room, shall we? It’s that last line. It changes everything about this song.

Brian is singing about a man. 

The ‘you’ is explicitly gendered as male. That is non-debatable. Moreover, gendering the ‘you’ in this verse, specifically, is a bold move because it includes so much sexual language. Brian describing himself as this man’s toy, singing about being ‘swallowed whole’ and being unable to handle him... It alludes to a sexual relationship, and I didn’t read into that. That’s just how it’s presented.

What you staring at You're such a scaredy cat When I know that I just can't fight it So what you staring at You're such a scaredy cat Because I'm only scared that maybe I might like it

Edit / Section changed due to new interpretation:

This bridge is interesting mostly because of the way Brian sings it. The bolded lines are sung in a tone that’s different from that of the unbolded ones. It creates the feeling of two people speaking to each other. This makes even more sense when you look at the lines themselves. “What you staring at, you’re such a scaredy-cat” seems like a taunt, whereas “When I know I just can’t fight it” and “Because I’m only scared that maybe I might like it” are framed like responses to this taunt. This paints a picture of the man taunting Brian for staring/being scared, and Brian “responding” to this with the bolded lines.

Now, as far as the meaning behind the bolded lines goes, the ‘it’ is unspecific. However, when you view them in the context of the previous verse, which has a very sexual tone, I think it’s safe to assume what it is that he can’t fight. What he’s scared of liking. It’s about attraction, and it’s about sex. 

After this fear of ‘maybe liking it’ has been sung, the song breaks off into a section in which Brian sings about everything that frightens him. When you listen to the recording, the fears are thrown at you in a rapid pace and it’s difficult to hear them as they pan from ear to ear, but here are some of them:

I'm scared to change, I'm scared to stay the same I'm so scared I want to die I'm scared of dying I'm scared of my thoughts I'm scared of being found out

The bolded fear ‘I’m scared of being found out’ is the last thing you hear when you listen to the song because Brian screams it; it’s louder than anything else. But overall this whole section is a major red flag for his mental health deteriorating; it presents fear as a constant whirl in his mind. Each fear seems to produce yet another fear until it becomes a spiral of sorts. 

(Interestingly, the spiral seems to grow out of his fear of ‘maybe liking it’.)

Following this section, the lyrics jump back to the story of Brian and the other man:

You take me to the limit You take me to the brink You left me with the blues When you found me in the pink You know just what you're saying But your metaphors stink I gotta lick it,or stick it Or this is the end

Edit / section changed due to new interpretation:

As we return to the verse structure, we also return to the dynamic, with the lines “You take me to the limit, you take me to the brink.” These illustrate that the man has taken Brian to “his limit”, probably emotionally, and “to the brink,” which, again… if you look at it in relation to the language and connotations of the previous verse… it can be seen as a, um, sexual brink, if you know what I mean.  

“You left me with the blues when you found me in the pink”. As @iwilltrytobereasonable pointed out in the comments, in the pink is an old metaphor for being in your optimal state of health and wellbeing. The blues is a self-explanatory contrast to that. To me, this line is Brian saying, “You met me at a time where I was doing well but, because of what you did to me, I’m now depressed. So fuck you.”

Now, “I gotta lick it or stick it, or this is the end” is still mysterious to me, but as someone pointed out in the comments, it might be a form of ultimatum. Because this dynamic is written as sexual, I’m gonna assume that the ultimatum is, too.  Since Brian “couldn’t go” where the other man dared, does this refer back to that? Was he given the option to either “lick it” or “stick it”, but couldn’t go there so it just ended? To me, that makes the most sense.

The Hidden Lyric:

Before I move onto the melody, there’s one last thing that I want to talk about, which is a hidden lyric toward the end of the track. By “hidden” I mean that it wasn’t included on the lyric sheet, but you can hear it, muffled in the background. As Brian sings, “I’m scared, I’m scared” repeatedly, there’s a single time where you can hear him quickly yell “Maybe I’m wrong!” afterward.

So the hidden lyric is:

I’m scared (Maybe I’m wrong!)

And… this line kills me because, keeping everything in mind about the narrative of this song and the emotions that it discusses… What might Brian be wrong about?? And why does that scare him so badly?? I think it’s pretty self-explanatory but it seems to be an acknowledgement that he might be wrong… about himself.

With all of That out of the way, I want to end by discussing the melody of the song quickly. 

—

Section III: The Melody

If you read the lyrics to this song before listening to it, chances are that you’re gonna be thrown off as soon as you press ‘play’ because the melody and overall tempo of the song does not match the content of the lyrics at all. It’s a fast-paced, guitar-heavy beat that makes your head spin. The singing is aggressive and full of confidence, which immediately diminishes the heavy words that are coming out of Brian’s mouth. 

Because the beat is so overwhelming, Brian can sing ‘I’m scared’ about 50 times (or more, I haven’t actually counted) in the song and it won’t really land because the rhythm is too distracting. The rhythm tells you something else, it says, ‘bang your head and forget about it’ 

I definitely find it alarming that he sings about such intense fear in a nonchalant way, in a way that almost forces the listener to look past it. Why would Brian choose to do this? I dare suggest that it is to present this song as the ultimate case of irony. It’s as if he’s saying, ‘I’m pouring my heart out to you and you don’t even notice because I’m singing like everything’s fine. I’m pretending that everything is fine.” 

—

Final Thoughts:

So, why does this song make me want to scream?

Well, I think that should be obvious by now. I know this analysis could make some people uncomfortable but, frankly, I don’t care. I don’t think it’s appropriate to ignore the obvious implications of the song’s narrative simply because we don’t want to question what we think we know about Brian’s sexuality. The fact of the matter is that I’m Scared is about a man, and not only that, it is intentionally sexual in tone. That, I think, is non-debatable. What it means, well... As I said, you are free to ponder that on your own. 

#let's be honest i could write a thesis on this song #not tagging this post because i don't think i should put it in the tags #but please feel free to reblog and like and comment if you want :) #or better yet: send me a message so i can ramble about it more #my analysis // #edited: 8/12/2021

[decepti-thots]

following on from that last post i was thinking about how i don’t know if it’s just me not having seen it but it’s kind of wild to me we don’t talk about rewind’s role/actions in elegant chaos more, specifically like, him SHOOTING MEGATRON, at least not when talking about rewind vs general plot stuff??

i think i can guess why- it’s pretty rare for rewind to be talked about outside stuff that involves him and chromedome (which, tbh, fair) and this is i think really the only major character beat that really doesn’t come back to chromedome at all. plus, it’s something that has really big plot implications that don’t really directly have much to do with rewind himself so when talking about it from that perspective rewind is obviously gonna fade into the background.

but! it’s also literally the moment on my, ooooh, maybe fourth? third or fourth? mtmte re-read that made me realise i was really interested in rewind as a character because it tells us a huge amount about him, his perspective, and where he stands in relation to the other characters. and it’s both like, this wildly unexpected thing and yet also makes perfect sense that he would do it. (god elegant chaos is SO GOOD. remain in light is my fave arc but elegant chaos is the best one.)

things this honestly really brief scene tells us about rewind as a character:

* rewind feels frustrated about being passive and, as part of his status as a noncombatant (which we’ve seen him argue about with chromedome a lot, and which he doesn’t seem super happy about, even though it’s suggested it’s the only reason he survived the war) feels like he can’t help or protect anyone, and this has been made way worse for rewind2 due to the DJD

* rewind is the only one who we see measure the scope of the casualties of the war in a way which includes organic /other species’ lives as on a level playing field with cybertronian ones. while we see other characters talk about genocide committed against organic planets as being bad in the general sense, here where rewind points out why he did what he did is, I think, the only time we see someone not see that as a General Bad Point but explicitly as being on par with like, the cybertronian loss of life. he doesn’t do it on principle bc Megatron Bad nor does he do it because he thinks Megatron is still worse than the functionists, he does it because even though he knows better than literally every other character at this point that the functionists were in fact worse, they were worse for cybertronians, and the vast, vast majority of the people the war killed were just random other civilians on other planets. given rewind’s backstory and pre-war role in society that seems, uh, Pointed.

* which brings me onto the next thing which doesn’t ever actually come up in the comic and tbh I am sort of sad doesn’t bc it’s really interesting which is like. man, rewind shooting megatron because even after he finds out that the corrupt and oppressive state that literally treated him as an object would have explicitly been worse for the planet than the absolute shitshow that megatron trying to do something about it as a downtrodden worker turned out to be, rewind goes “nope” and fucking tries to kill him and stop it ever happening.

there’s a lot to potentially look at in terms of that! rewind joined the autobots in the first place, and we never see any indication he seriously considered doing otherwise; megatron had it extremely bad as a miner, but the way chromedome talks about rewind’s past, it seems to me rewind would have had it absolutely worse; rewind, as a much smaller mech who very specifically has an alt mode that is now rare because all the other datasticks who went to war basically got fucking bodied, potentially not having access or status in the kind of violent regime megatron rapidly started building to overthrow said oppressive and violent regime, with the possibility that even the earliest and best-intentioned version of the decepticons perhaps rejecting functionism based on alt mode but still having no place for anyone unable to contribute through their strength, creating a kind of new and unintentional hierarchy of power that the absolute most vulnerable might still have been at least extremely skeptical of.

* also just to reiterate, rewind has the most reason out of anyone to know, without question, the functionists are worse, to the point where if the flashbacks are all his “new memories”, he literally witnessed his own death at their hands. (and having it be rewind- and minimus and dominus, two characters we later find out were hiding their alts the entire time, too- be the focal points for that? very good. felt slightly surprising as a choice the first time round but VERY good.)

anyway. elegant chaos rules and rewind rules and i love him and he is EXTREMELY valid. QED.

#idw #long post #meta #rewind #maccadam

[fatehbaz]

Sorry. This might be annoying and excessively long. Among people interested in psychogeography, ecology, folklore, bioregionalism, urban geography (and Empire, hegemony, anti-imperialism, to a lesser extent, I guess?) there is a quote that gets circulated from time to time. I’ve seen the quote in academic articles, sure, but also on the W0rdpress blogs of, like, birders, hikers, gardeners, “bioregional animists,” and “woods aesthetic” fans. But why do both academic authors and popular/mainstream writers and bloggers and such consistently remove the end of this sentence from Michel de Certeau’s memorable statement: “There is no place that is not haunted by many different spirits hidden there in silence, spirits one can “invoke” or not. Haunted places  are the only ones people can live in – and this inverts the schema of the panopticon.”

Gonna revel in the wonders of the garden, the forest, the landscape, the other-than-human lifeforms, and yet not willing to explicitly address the vulnerability, the cascading extinction, the tightening noose of imperial hegemony and carceral systems threatening it all, landscapes, lives, entire worlds? What de Certeau is referring to here is the way that imperial/dominant power structures (European modernity, Empire) try to subdue, erase, destroy smaller, alternate, and/or non-Western cosmologies, to make it seem like Empire is the only possible world that can be constructed. And so landscapes become sanitized, especially in cities, and de Certeau says that such sanitized places are “uninhabitable” because they are so cold, because Empire tries to standardize experience, rather than allowing localized connections tor regional landscape. But the alternative worldviews, the histories, have not been fully erased, and exist in the cracks and crevices of modernity, and so there are “ghosts” of alternative worlds which live on. And it is the remnants of other worlds, or the glimpses of other creatures (animals/plants/etc.) or other surviving worldviews (graffiti in the subway, which rejects order and control), or the hopes of possible better future worlds, crevices where the “failures” of modernity can be glimpsed, which make a place habitable. “Haunted geographies.”

Here’s a sentence fragment from a different author, writing about de Certeau:

“exotification and suppression, under a cloak of celebration”

This kinda thing.

This fragment comes from a criticism of early-20th-century Euro-American academia’s so-called “folklore studies” but I think it also describes much 21st-century academic interest in “ecological knowledge” and non-Western cultures. I have a feeling that this behavior is similar to what contemporary upper class careerist-academics in academic anthropology departments and those “studying the utility of traditional ecological knowledge” are doing when they superficially throw around words like “decolonial” or “Haraway’s Chthuluscene” in their article abstract for Cool Points without actually having given much through to the way they and their sponsoring institution, in their thirst for prestige or good optics or whatever, are in fact continuing to perpetuate dispossession and appropriation of Indigenous/non-Western knowledge. And on some level, it is deliberate and calculated, though not always a conscious act on the individual author/researcher’s part. Intentional power consolidation masked as passive chauvinism masked as benevolent paternalistic concern for “primitive peoples” masked as genuine respect. What’s happening is a recuperation, the subsuming of alternative cosmologies and ways of being. Hypothetical Nat/Geo article, variations of which you’ve probably seen before: “How can we utilize Indigenous knowledge? Can traditional knowledge help us battle climate change?” Empire, those in power, hegemonic institutions colonizing knowledge, thought, cosmology.

Plenty has been written, especially in recent years, of a “plurality/pluriverse of worlds in contrast to one imperial worldview/cosmology” and also the paternalistic attitudes of Euro-American anthropologists, but the mid-century work of Michel de Certeau, in my opinion, anticipated a lot of this disk horse. Here’s the fuller quote:

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“In recent years, especially since 1960, scholarship in the service of popular culture has been of Marxist inspiration, or at least ‘populist’ in spirit,” de Certeau, Dominique Julia and Jacque Revel wrote in a 1980 essay, “but does the scientific operation it undertakes obey different laws than it did in the past? On the contrary, it seems to be dominated by the mechanisms of age-old excommunications…to conceal what it claims to show” (de Certeau 1986, 121). This opening statement encapsulates much of de Certeau’s thinking about the history of folklore studies. Tracing its development in successive stages from the late eighteenth century to the “heyday of folklore” in France’s Third Republic (1870-1940), the authors argue that the eighteenth century aristocratic vogue for “the popular” concealed a powerful movement toward the domination of the peasantry. This movement involved both exotification and suppression, under a cloak of celebration.“ The idealization of the “popular,” as they put it, “is made all the easier if it takes the form of a monologue. The people may not speak, but they can sing...The intent [of folklorists] is both to collect…and to reduce (de Certeau 1986, 122).[...] The governing ideologies driving the emergence of this obsession with the folk were not static, however, and therefore, in order to understand the development of the politics of culture in folklore studies, scholars must examine, at each point, its “subjacent postulates” (de Certeau 1986, 123). For instance, following the domination imbricated with the origins of folklore studies in the 18th century, by the mid-nineteenth century, the authors describe folklore as taking on a paternalist role vis-a-vis its subject. The collection of folklore by this time, embodied especially in the works of Charles Nisard (1808-1890), is not just a chronicle of its elimination by the elite, but a protective function executed by the elite on behalf of the incompetent peasant. In this view, de Certeau and his colleagues observe, “the people are children whose original purity it is befitting to preserve by guarding them against evil readings” (de Certeau 1986, 124, original emphasis). [...] This, then, is the basic outline of de Certeau’s historical critique of both the conceptualization of folklore and the discipline of folklore studies, as well as the core of his critique of cultural studies in the late 20th century. Interestingly, however, it is also the core of his larger understanding of the workings of modernity.

From: Anthony Bak Buccitelli. “Hybrid Tactics and Locative Legends: Re-reading de Certeau for the Future of Folkloristics.” Cultural Analysis, Volume 15.1. 2016.

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So there is a popular quote from Michel de Certeau (French interdisciplinary scholar, 1925-1986), which seems to have been yet more popular since, like:

(1) 2010-ish with elevation of Mark Fisher’s work; “object-oriented ontology”; “dark ecology”; apparent academic elevation of ontological turn in anthropology; and the white-washed Euro-American academic language of traditional ecological knowledge, “decolonization,” etc.,

And also since (2) 2014/2015 in “popular” media, with apparent mainstream-ing or “revival” of folk horror, alongside elevation of eco-horror, Anthropocene disk horse, etc.

(In my anecdotal experience, at least, reading about geography, folklore, psychogeography, etc. in online spaces from M.S.N chatroom days onwards.)

I’m of course very wary of de Certeau’s interest in and celebration of Freud (come on, bro) and also the implications of de Certeau’s Jesuit background and early interest in missionary stuff (gross). But de Certeau did write some thoughtful and nicely-phrased stuff (in my opinion) about the importance of subverting imperialist/hegemonic cosmologies; how Euro-American academic institutionalized knowledge reinforces power; imperative for combating hegemony/carceral thinking by connecting with landscape; the “memory” of places; the “hidden” histories of landscapes, etc. And he wrote this decades before academics started stealing from Indigenous people of Latin America and getting into pluriverse stuff.

Anyway, one quote in particular seems most popular. but almost every single instance where i’ve ever seen this quote shared, it always cuts out the last few words of the statement. The quote is from what might be his most widely-read work, the “Walking in the City” chapter of his 1984 book The Practice of Everyday Life. (it’s a pretty brief chapter which is available for free online; might take 30 minutes to read, if you’re interested.) The quote as translated by Steven Rendall: “There is no place that is not haunted by many different spirits hidden there in silence, spirits one can “invoke” or not. Haunted places  are the only ones people can live in – and this inverts the schema of the panopticon.”

The “inversion of the panopticon” portion is almost always left out of the quote. even in academic writing or in the writing/blogs/whatever of people who otherwise seem like they would be down with anti-imperialism or something.

So, it comes across to me as if contemporary (2005-2020) academics and activists interested in, like, folklore or local horticulture or psychogeography will like ... take the “cute” fragments of these excerpts, but don’t want to “stir the pot” by presenting these writings in their fuller context, a fuller context which calls-out knowledge appropriation and explicitly trash-talks Empire.

And de Certeau’s not just writing about folklore or geography. He’s writing about taking action, about practicing alternative ways to relate to landscape in direct contrast to imperial cosmologies, academic/institutionalized/gatekept knowledge, and carceral thinking. (He’s famous for this; he emphasized “tactics” and “action.”)

So this guy is, of course, human, and had disagreeable and/or outright problematique associations. You can argue with his writing extensively. his publications are a mix of great, cool, iffy, “meh” and “bad take bruh.” But de Certeau was ahead of the curve in anticipating the way ambitious US academics would see “the decolonial turn” happening in academic anthropology in the 1990s/2000s and then weaponize it in a way that preserved their power dynamic and institutional power while still paying lip-service to “decolonization.”

But besides dunking on the imperialist foundations of Western institutionalized knowledge systems and the cunning employment of geographic re-worlding and re-naming in creating propaganda and imperial cosmology, and besides being ahead of the curve in anticipating re-enchantment trends and folk horror ... One thing I like about de Certeau’s writing is the emphasis on action, practice, and doing things to counter dominant/powerful cosmology’s attempt to destroy folk/non-Western worldview. Encouraging something like:

Take action. Books are cool, but books are not a substitute for action. Girl, you wanna study landscape, place-based identity, folklore, and how to escape the panopticon? Gotta put the theory texts down occasionally. Please go walk around in the forest; if you’re in the major city, don’t despair, just look at the moss growing in crevices betwixt the cobblestones. Imagine the ghosts, the histories, the stories, who died, what was lost, what’s come before. Power is trying to subsume all, but Empire gets anxious and flails because they know that there are gaps in their cosmology, cracks and breakages where other worlds seep through or can be glimpsed, retrieved, renewed. They know their cosmology can’t account for the diversity of life, the plurality of experience. There is not one world, but many. Find the crevices, the cracks, in the dominant power structures, and break them further. You can help to escape the tightening noose, the planetary-scale plantation, by using your imagination, cooking a meal, taking a walk.

#whatever #sorry for all this