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#love me some dnd
chikkenhawke · 4 months
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enraptured by the shape of this beast 🐣
get stickers etc -> here
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heybiji · 1 year
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Human Wizard, Lacuna.
ever make a standby DnD character and immediately go feral over them
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its-your-mind · 4 months
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Tbh I??? Really love these Bell’s Hells Company Retreat Activities???? Bc like. It’s not like any of them have been overly cagey this whole time, or actively hiding big secrets from each other. (someone at some point mentioned how BUCKwild it would have been to watch the M9 try to play What The Fuck Is Up With That within the first ten episodes of c2, with all the shit all of them were hiding and how much their early relationships were based on a mutual understanding that no one would expect each other to bring up the past unless it became a danger - the only one who ever poked that particular bear was Beau with Caleb at the start when she traded access to the Archive for the reason why Caleb gets fucked up by fire, and that private conversation shaped their relationship for the rest of the campaign BUT I digress.)
Nothing anyone confessed during the Honesty exercise was… a surprise. The only one who hadn’t shared the entirety of his past (that he remembered) was Chetney, and his was never the past that felt like a threat - that revelation was more along the lines of FCG’s type of “tell me about your family trauma so I can fix you” line of questioning.
The truths the Hells offered up to each other… they were significant (Fearne, I was disappointed in you for being afraid of your power), and scary (deep down, both Delilah and I kind of want the shard), and hard to say out loud (even on the nights I bunk up with one of you, I feel so lonely), but critically, so little of it was surprising. No one was sharing anything earth-shattering about their pasts or previously unknown plans for future betrayal.
And during the Communication exercise - none of them - Chetney, Imogen, Ashton, or Orym - doubted that their directors were leading them the wrong way. They listened, and paid attention to instructions, and didn’t try their own path because they felt like they knew better.
And then during Trust! The part that should have been the hardest!! All of them were obviously distrustful of each other, shooting around stressed looks, sending familiars to dive-bomb to check for flesh, but like… none of them actually turned on each other. None of them ganged up, or broke off, or stood in opposition - they were wary of each other, and they got the task done.
So… it didn’t really lead to any huge shifts in the dynamic. But that was never really what they needed! The Hells have trusted each other since the beginning, and even when they’re actively having to fight each other, it’s always with a desperation born from a place of concern. They really do care for and love each other. I don’t think any of them, if they sat down to think about it, truly believed that one of them was going to betray the others.
But they haven’t had time to sit and think about it. They have been actively fighting the literal end of the world since like… ep 45 (first irl Ludinus sighting/convo). The apocalypse happened. Has been happening. For thirty episodes now. They spent a good chunk of that time apart from each other, and then the rest of it desperately reaching out to anyone with more power than themselves to beg for their help.
So yeah! It’s not a big surprise that they’re all bottling up a lot of their own shit right now! There aren’t that many personal issues that feel like they deserve more attention than the literal end of the world.
It was inevitable something was going to give. And since Ashton’s shit was up next for dissection because they had a past that brushed up against the Primordials? Of course they were the one whose internal lockdown broke first. And of course when it did, it physically shattered Ashton, too, right along those same fault lines where Milo put them back together the first time. It’s so good that they had friends who were there, past and present, to make sure none of the pieces got lost. To put them back together.
We watched Laudna break down right after, specifically because she was back home, in this place where Delilah had first tortured and killed her, where she had lived as a wraith haunting a castle. Delilah had been slowly picking the lock on the cage the Hells had forced her into, and Ashton’s “betrayal” was the last tumbler Delilah needed to snap into place to break the lock in Laudna’s mind. And her mind shattered, fragmented in the same way it had been after she was first brought back as Delilah’s vessel. How beautiful that it was Laudna’s love of children and her desire to make Ashton a gift (meant to be part insult, “because you’re a child,” and declaration of her care for him, “I like children.”)
And Fearne… Fearne almost broke down after them. Slamming the hammer down next to Ashton’s head over and over and over, screaming at him, wandering away through the city, sleeping alone in the woods… She saw the cliff’s edge coming. That’s why she asked them if they could stop at her Nana’s first.
Because she needed it. And the rest of the Hells say, “Why? Do you think Nana Morri can help us in this?” And Fearne says, “Well, I don’t know, but…” And Imogen says, “Do you need it for you?” And Fearne says, in a small and shattered voice, “…yes.”
And that’s the end of the discussion.
They go home, to a place where they are safe and have time, for the first time since Ruidus was locked in place.
And so they have time to be Honest - and they are. Fearne likes to watch them all and play with their hair while they sleep. Orym has thought through how he would neutralize them if he absolutely had to. Ashton thinks it would be better for him to be dead than for Fearne to be hurt. Imogen is scared to face her mom. Laudna dreams of leaving this behind. FCG is jealous of the people around him with a heart, because they have possibilities he doesn’t. Chetney hasn’t settled down once in 400 years because he’s scared he’s cursed to drive away any family he has.
Behind all of this - I want to know everything about you. I need to make sure you don’t hurt each other. I would sacrifice myself to keep you from pain. I don’t want to choose between my blood and this family we’ve built. I want you all to be safe. I want you to pursue happiness. I don’t want to lose you.
And then, Communication - follow along this path. Listen to my voice. Keep calm, keep quiet. Stay the course. I will keep you safe. Keep walking, keep walking, and… you’re there, honey.
And finally, Trust. Two of them are going to be replaced by fae beings bent on preventing them from completing their mission, and they have to complete this task without letting the infiltrators stop them. Okay. Let’s all stick together. Keep eyes on each other. Wait for the doppelgängers to give themselves away somehow. Do you remember these small, banal details about our mutual history? There’s a possibility that action you took was malicious, but I know you well enough to know that might have been a mistake you made on your own. Here, I’ll walk into traps to show that I’m not going to stop you. I’ll get out of your way and take out the threats. I’ll be eyes in the sky and send my familiar to poke you to test if you feel like you should. But nothing you’re doing makes me see you as a real threat - just the possibility of one. I trust you. I trust in you. I trust myself to know enough about you to identify if you’re doing something differently than normal.
And the result of those exercises? No new information, but maybe some things that we all had lost track of amongst the chaos. I am not shocked by your Honesty. I know deep down that I can rely on your Communication. I do Trust you. I know you. I care for you. I know you care for me, too. Even when I have doubts, even when you fuck up, even when things break bad and you make the wrong call…
We are a team for a reason, and no matter what we said in the beginning, it is not just out of necessity or convenience. Are we a bunch of fucked up, broken people? Absolutely. Are we going to continue to fuck up? Probably. Does that change how we feel about each other? No. Never. As long as you’ll have me, I’ll be here, fighting alongside you. Helping you up when you stumble. Offering a shoulder when you need to cry. Standing over you to protect you if you fall. Laughing with you in good times, kicking ass for you in bad. This is our family, damn it. It is strange, and broken, but it is ours, and it is good.
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vdearest · 8 months
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here, have a Dungeons and Dragons inspired whump prompt generator:
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if you don't have dice available, here is an online roller!
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can-of-slorgs · 14 days
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The other researchers are also here! (magical edition!)
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a-schrodingers-fox · 10 months
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“Xenk, please. Please wake up”
“I can’t do this without you”
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pcktknife · 6 months
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every new thing i learn about dnd im like damn this shit crazy as hell
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puppetmaster13u · 7 months
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Prompt 46
To help with their civilian identities, most of the Justice League refers to each other as their DnD party. The thing is though, several of them start learning how to play, mostly those who aren’t too sure what it is at first and then it spread. Now they actually are playing a DnD game. At the Watchtower, with the Bat ending up as the Dungeon Master. How he has ended up as such, he isn’t too sure, but he’s pretty good at doing different voices. Helped along by bringing the kids sometimes and them insisting on voicing some kobolds or goblins. 
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valakiir · 1 month
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So i was looking at the official moorbounder art and it's starting to bug me. It's a really cool design, don't get me wrong, i do like it, but the length / positioning of the tusks just seemed off to me for some reason. I think i finally figured out why!
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(Official art above)
((The biologist in me is speaking now, prepare for me to dive into the practicalities of dnd monsters))
The moorbounder's tusks arc up and back, appearing to grow from the lower jaw. They seem to spiral a little like ram horns imo. Looking at them, trying to infer what their purpose is, there are a couple options. The curve of the tusk means it doesnt work well as a cutting or holding feature -- the tips are pointed too far back and around bc of the spiral shape. Assuming they are like ram horns, they could be used similarly in territorial fights. They could also be used, in a similar vein, to bludgeon opponents with the side of their heads. Again the curve of the tusk means it wont pierce anything in front of it. It would be difficult to pierce /anything/ with them.
My second thought was that they were used for defence. Looking at where that curve places the tusk in relation to the rest of the head, it could easily function as protection for the eyes (this could also be why their pupils are such a unique shape -- to avoid having a massive blind spot on the sides of their heads). Moorbounder eyes, looking at them now, are not actually placed forward on the head, the norm of ground predators (birds of prey have their own reasons behind their anatomy). This means they are likely not the top of the food chain -- even that they have a different creature predating frequently on them that they need to watch for. The small ears imply they do not rely heavily on hearing (they have little to help funnel noise into the ear canal), so im going to make the assumption they rely primarily on scent to hunt -- but this is getting off topic. The lack of large ears may also have developed due to their agressive nature -- less skin to get caught or torn in a fight. The tusks might be a large enough curve to protect the ears, even. It is difficult to tell exactly from the art. Another point toward the tusks acting as a guard for the sides of the head.
Another option is that they are used to attract mates. Natural selection just encouraging larger tusks until we have what is shown in the art.
This is not what bothers me. The problem I have is how far the tusks extend /forward/. From what I can tell, the forward curve of the tusks reach about the tip of the nose. This is another hint that they might be used in a forward bludgeoning motion, however there is a problem with this. How are they supposed to bite? The tusks would press against anything the moorbounder is reaching for and hold it away. There are long whiskers extending from the nose, I'm assuming, with great confidence, to feel past those tusks.
My theory is that the curve of those tusks, while /natural/, is not actually observed in wild moorbounders. My guess is while those tusks grow continuously throughout the moorbounder's life, they are worn down through use. Captive moorbounders would likely not have to grind down on bone or protective plating -- their food is provided for them. Nor would there be any need to, say, mark territory by scratching the tusks against trees or other landmarks. If this is the case, wild moorbounders would have much shorter tusks, tusks that would actually be useful in biting, cutting, and holding. Moorbounders are agressive enough, filing their tusks down would be very difficult -- down right dangerous -- and because they are used primarily as mounts, not pit-fighters, the chore is easier neglected.
Another option, of course, is that the full curve of the tusks is a mark of age, and only seen in captivity because moorbounders don't live that long in the wild. This would be because it gets more and more difficult to catch prey as the tusks grow. The oldest moorbounders would essentially die of starvation. This means they live /much/ longer in captivity.
Yet another possibility is that the tusks are not teeth or horn -- they are like antlers. If those large tusks are grown and shed in a mating season when they are most aggressive, it would make sense that they would want to protect the head. It means moorbounders would not be able to eat during that period of time, but this is not unheard of in nature.
If the tusks grow from the upper jaw, this whole arguement is rendered largely irrelevant btw, and i will hide in my corner in embarrassment if that was actually addressed. They would still be inconvenient, but not prohibitive.
Overall, i am of the opinion wild moorbounder tusks are much shorter due to use, and irresponsible ownership is the reason we see the large curving tusks in the official art.
I appreciate you coming to my TED talk.
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steamclouds · 2 days
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Big shoutout to @titan-wolfdog for sending me this and saying I should redraw them with Voradras and Noodle. Your brain.
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surpriserose · 2 months
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......i dont like how much people keep pointing to the lore from the extra dungeon meshi stuff (?) that more experienced adventurers are fatter as like...proof dungeon meshi is better with body diversity than it is because like idk!! Maybe it would be great if it was actually used to make falin or marcille or laios or kabru or anyone fat but its not!!!!
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fidgetspringer-art · 9 days
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✧ The Ardal stars ✧
#artists on tumblr#art#illustration#digital art#digital drawing#dnd#dungeons and dragons#homebrew#original art#my art#my ocs#Setting: Heim#I drew these a couple of years ago now i think#but since i'm drawing stuff for this setting again i'm reuploading with updated information cause the last one is outdated#I will say right off the bat however#If you compare my designs to already existing IPs i will block you on sight#the last time i posted these they got compared to a piece of media i really dislike#and that comment alone made me fall out of love with this setting for almost two years#so please. do not. it's rude and unnecessary#These are the artefacts my setting and its story is largely centered around#Tethry is credited with creating them (Even though he didn't)#They were gifted by Tethry to each of the largest cities in the world to serve as power generators supplying arcane power to the whole city#immediately pushing the four sister cities into prosperity and progress. leaving literally everyone else in the dust#which caused some understandable tension between countries that already had a bit of a strained relationship to begin with#There is SO MUCH to these little trinkets and their link to Tethry and how finding them essentially fucked up his whole entire life#You'd think becoming the world's most renowned arcanist would be the best thing that ever happened to an aspiring caster#but to some poor dude just trying to study arcane language. stumbling across the magical equivalent of the demon core#was very much not on his wishlist#especially not dealing with the consequences of trying to make sure no one actually realises how nasty they have the potential to be#which. someone inevitably does
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royalsea-art · 1 year
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[OC]
We can't choose the way we remember those that are no longer with us.
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metalmaul · 7 months
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Theo Solomon's first moves in D&D (as Wyll Ravengard of Baldur's Gate 3.)
[from highrollersdnd on Twitch's new one-shot campaign with the cast of Baldur's Gate 3]
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gasstationclown · 1 month
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i havent watched the session before hiatus finale yet so no spoilers but have digital drawings of funny pictures in my phone but ouaw (likely more to come)
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og pictures under cut
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