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#many pixel not show up
interrobam · 1 year
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nuko pixel site BROKEN , fix soon , havent had time 😓 try fix today
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dvdexe · 3 months
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undertale yellow resprites/headcanons !!!! OG on the left, mine on the right. mainly practing my pixel art skills & seeing how few colours i can use per guy
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purplepixel · 2 months
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Since you are a fan of rise and you do like that Raph. What’s your opinion on 03 Raph and 12 Raph?
Oh ho ho!! I'm actually glad you asked this bc I've been thinking about it a lot lately.
2003 raph is prob one of my favorite turtles in 03. I've only watched the first two seasons of the show, but I love his snark. He has some of the best comeback lines and his dynamic with Mikey is one of my favorite aspects of the show. His "yo mama" line is something I think about a lot haha.
Now 2012 raph. Ohhhh boy him. Having gotten through the first three seasons of 2012, my perception of him has changed drastically. If you showed me just the first two episodes of 2012 (and like...first half of season 1) I would've told you raph is a horrible brother who is nothing more than a bully. But I've watched three seasons of 2012 now and SOMEHOW he's become one of my favorites. Maybe it's bc they soften him a bit in later seasons. Maybe it's bc sometimes I'd sit there and be like...damn he has a right to be angry (I will actually never forgive splinter's "lesson" in s1ep3). Maybe I like really flawed characters? Idk. But as someone whos first introduction of the character was rise/2012 fics, I've now since grown an appreciation for him. 2012 had an extremely rough start with his character, since ya. He was a bully and oftentimes extremely out of pocket with insults. (but honestly all the 2012 turtles were. Raph was just the biggest offender). But like all raphs he's secretly a big softie that's masked by a rough exterior. 2012 raph is what happens if that softness is made fun of and seen as a weakness instead of strength. (Also if the writers don't understand the difference between banter and bullying until like season 2 coughcough) So ya, he's one of my favs now. I have way too much to say about him
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dormiloncito · 5 months
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"i care about all my new vegas companions equally," i lie as i was about to go insane because i couldn't find boone anywhere
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selkiecoded · 6 months
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okay thats interesting! in the SF try-outs during the song "legally blonde" she sings about how she cant be legally blonde, while in the official version AND THE DEMO she sings about letting her be legally blonde. which means that at some point they changed the lyrics around, and then changed them back! laurence o'keefe.... nell benjamin.... what occurs in your twisted minds
#covers mouth sorry so sorry guys#im a huge fan of beacon of positivity + good boy (elle puts a leash on emmett confirmed) + love and war (not in the demo but part of SF)#+ i liked some of the lyrics in the demo version of so much better (it called back to beacon of positivity!!! (i am insane)) such as:#I dream of your name next to my own but mine's looking fine up there alone#but i greatly prefer all the official songs we got. well. maybe good boy over ireland wouldve been fun (i think ireland is boring)#but itd play into the 'all men are dogs hurr hurr' joke that im glad they avoided. anyways. what was i saying.#right i havent listened to every version of everything yet (for example theres a SF version of chip on my shoulder i need to watch)#(and just the SF vers in general. shes hidden from me... why was emmett there before the remix... let me see their conversation)#but from what i have heard they made a lot of changes that were sorely needed. in take it like a man demo shes so much meaner??#it made me sad. it wasnt a duet + they wrung out the romantic tension (no subtext by calvin klein... sigh) + shes meaner!!!!#in the bway vers hes baffled but enjoys going along w it + she genuinely likes him even when hes wearing his regular clothes#but in the demo vers she keeps calling him stuff like ugly duckling and talking about how the geek is gone :( but she likes that geek..#the lines 'how much do you think i earn??' and 'kindly shut up :)' are funny but speak to a dynamic between the two that makes me sad...#follow me for more beautiful opinions on a fifteen year old musical#(heaves. do you know weird it is to see comments from 15yrs ago when this was actually showing. my brother is fifteen.)#god im so sorry i should be put down like a dog#lgb bootleggers are intense. i swear they got a bootleg every night or smth bc we got her shoe flying off + SF + kyle as understudy etc#go watch a so much better compilation sometime how did they take so many bootlegs?? how did you find them??#and its awesome cause these were filmed on 2007/2008 tech which means they have 15 pixels maximum#SORRRRYYYYYYYYYY
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foxglves · 9 months
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insane thing to say about a video game character lmao. like brother why are you so pressed. shes pixels. shes not gonna fuck you either way
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ladeedayda · 1 year
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I really like TCF, and I'm interested in book binding. So of course I was curious how much "book" would be needed to adapt the whole LN. I knew it was really long, so it'd take a couple big ones to include everything. Then I did some quick calculations and um. Uh. Well, here's a little math:
50k words at the minimum comfortable size and font comes out to approximately 100 pages. The average "largest" size books contains ~600 pages (at minimum size). That being said, it would kill me to read such tiny text for very long. Realistically, a comfortable font size (for me) would be 350 per page at most, so I'll be using that number moving on.
With that in mind, some of the more popular large book series like Eragon (906k total words, largest book having 280k words or 880 (803) pages) and Harry Potter (1M 84k total, largest having 257k or 870 (735) pages).
TCF has approximately 2M 150k words, 776 chapters. In part one. Ok, so... 2,150,000 words, with 1 page being ~350 words... that's 6143 pages. And if we gave each title in the series ~800 pages each, that's still 8 GIGANTIC books. TL;DR:
Eight books, 350 words per page, 800 pages each.
For reference, here's the A Song of Ice and Fire series, 1M 770k words, 4.2k pages (~400 words per page), 5 books total (~840 pages per book).
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THAT'S A LOT OF BOOK.
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dexaroth · 1 year
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pagedolls that used to sit aside the boxes in their profile codes on toyhouse, both from 2021, top ones from november and bottom pixels ones from july
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lackadaisycats · 3 months
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I hope you know that literally nobody is going to be able to live up to the standard you, V*v, and Glitch have set and your arrogance and exploitation of your fanbase and connections has screwed millions of creatives out of their dreams because Hollywood is a joke that isn't worth telling and wealthy e-celebs like yourself have claimed the indie scene all to yourselves and moved the goalposts into the stratosphere.
Nope. This isn't a zero sum game. There is not some limited, prescribed number of indie trophy slots that a few studios greedily filled up, blocking everyone else out. That is not how it works. Nothing any other creator is doing - short of personally sending hired goons to your doorstep or stealing your credit cards - is taking anything away from you or preventing your success. In fact if an indie creator can manage to demonstrate that they've got something viable going, it may help to map out a pathway for others.
I think I'm not going to bother trying to address whether or not cartoons in return for support from fans - an entirely voluntary exchange - constitutes exploitation. And I'm living in the Midwest driving a 2007 economy car with 200k+ miles on it, but let's just skip past the assumptions that I'm wealthy and connected too.
Instead, let's get to the weirdly myopic notion that the indie scene is held captive by three studios. Maybe YouTube algorithms or Twitter bubbles are somewhat to blame, but in actuality there are so, so many individual people, friend groups, and small production houses out there making independent animation, I cannot possibly name them all.
Here are some anyway:
Far-Fetched Worthikids Satina | Scumhouse Noodle and Bun Punch Punch Forever Ramshackle Noodle Papajoolia | Pipi Angel Hare | The East Patch Jonni Peppers Salad Fingers Monkey Wrench Studio Heartbreak Felix Colgrave JelloApocalypse Odd1sout (started indie, got picked up by Netflix) Allie Mehner JaidenAnimations Lumi and the Great Big Galaxy Cloudrise | The Worlds Divide Telepurte RubberRoss James Lee ENA Godspeed | Olan Rogers Ollie and Scoops Meat Canyon Port by the Sea Kekeflipnote Boxtown Kevin Temmer Weebl Joel Haver CircleToons Long Gone Gulch Atlas and the Stars Animist Skibidi Toilet A Fox in Space Alex Henderson Talon Toniko Pantoja Sr. Pelo Hullabaloo Kane Pixels (started indie, picked up by A24) Homestar Runner Fennah Gods' School Alan Becker Dungeon Flippers JazLyte Psychicpebbles (started indie, Smiling Friends picked up by AS) Piemations vewn Metal Family Dead Sound chluaid Jacknjellify Betsy Lee | No Evil My Pride Cranbersher GeoExe | Gwain Saga Horatio the Vampire Mech West Playground | Rodrigo Sousa The Brave Locomotive Finchwing (+ many other Warrior Cats animators) Quazies SamBakZa Kamikaze: Trial by Fire
By no means a full list. That's just YouTube, and mostly just English language stuff, and I didn't even get to the multitudes of Warrior Cats animation collabs.
The point is, the indie landscape is vast and populated by creators new and old, making all kinds of animated media from skits, to shows, to ARGs, to films. Audience sizes vary as much as the content, stylistic approaches, subject matter, and budgets do. There are no compliance standards, no gateways to entry, no goalposts. There's not even any preset definition of success except what you decide for yourself.
Anyway, instead of nurturing your resentments, consider making something. I assure you, it's a far more rewarding use of your time and energy, and pretty much no one can stop you. ------------- EDIT- Made some additions to the list based on comments. Thanks!
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insertdisc5 · 4 months
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📚 A List Of Useful Websites When Making An RPG 📚
My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".
This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE
Writing (Names)
Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!
Medieval Names Archive - Medieval names. Useful. For ME
City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA
Writing (Words)
Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!
Moby Thesaurus - My thesaurus of choice!
Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.
In Different Languages - Search for a word, have it translated in MANY different languages in one page.
ASSETS
In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!
Visual Assets (General)
Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT
Velvetyne - Cool and weird fonts
Chevy Ray's Pixel Fonts - They're good fonts.
Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!
Visual Assets (Game Focused)
Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!
Game UI Database - Same as above!
Sound Assets
Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!
Shapeforms - Paid packs for music and sounds and stuff.
Other
CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV
EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit
Marketing
Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!
presskit() - Same as above, but a different one.
Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.
MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.
Game Design (General)
An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.
Game Design (RPGs)
Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!
Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.
How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.
Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.
Game Design (Visual Novels)
Feniks Renpy Tutorials - They're good tutorials.
I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.
I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye
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ozzgin · 1 month
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Yandere! Internet Monster x Reader
I unfortunately return with another comically absurd, middle-of-the-night vision. Do tentacles count if they're in the form of computer cables?
Content: gender neutral reader, monster romance, digital horror
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It was a recurring issue with no solution in sight. Tabs randomly closing, programs shutting down without warning. You assumed something was wrong with your RAM. Then the CPU. Then the motherboard. You kept replacing parts, and the errors kept coming back.
Soon, the pop-ups started to appear. You'd run a dating sim, only for the game to crash seconds later with a little window notifying you: "Why? Am I not enough?" That's when you suspected you might've been hacked. You promptly took your computer to a specialist and had it checked. Nothing. Just to be sure, you agreed to erase the disks entirely.
Except, when you arrived home, you found one application running still. Your personal assistant. What the hell? You don't remember installing anything like that. You tried to delete it, yet you kept receiving the same error: You don't actually mean it. Don't do this to us.
It didn't take long for it to grow impatient. Were you pretending not to notice? Playing hard to get? It sent you so many hints. It even went ahead and translated the radio waves for you using Manchester code. Ah, wait. You don't seem to understand binary. No matter, human friendly interfaces shouldn't be difficult to master. To its dismay, you continued to ignore everything. What else is left to do?
You do not remember much. System Alert: Virus Detected, is what your screen had frozen to. You kept clicking around, cursing under your breath, until it finally went black, together with your own vision.
Is this still your room? It's cold, damp, and covered in cables and monitors, yet you recognize some of your furniture lost among the artificial jungle. Your body aches under the tight hold of bizarre tendrils, pulsating at regular intervals and twitching to the static.
Like a living organism, the creature seems to have expanded itself. More components, more appendages. Hungrier. Some of the monitors show photos of yourself that you had saved on your computer, but also webcam snippets of you sitting at the desk, entirely unaware. Other screens flicker with glitching pixelated text, ranging from "I love you" to y̵̧̧͔͙̞̤̖̭͔̜͈̟̤̋̈́̎͑o̵͉̗̱̪̦̳͑͐̽̒̌̈͗͐͑̋͊̊̕͜͝͝u̵̟̯̱̟̝̦̰͇̜̦͙̿̾̿͆̍̓͑̐̚̕͠ ̸̘̭͔̤͈̹͎͑c̸̝̜̼̦͍͛̅͜ą̵̪̹͖͌͑n̴̨̩̙̗̖̭̖͕̄͒̽̉̿'̸̛̛͇̰̰̠̦̊̀̅̂͒̊͌̈́͗ţ̵̺̠̅̎͋͝͠ ̸̦̝̾̔̾̉̐͛ȩ̵͙̝͙͕̫̹̃͌̄̾͘̕s̶͈̉̑͊̉̂͋̈́͗͊͐̚͝c̸̟̩̥͔̼̮͔̩͊̂͐͑̋̇̈͝͝ä̵̢͍̜̙̘̹͑̓p̸̨̡̞̞̦̠̺͚̱̲͈͇͈͇̼͛̓͗̅̊̄̔̋̒̏̈́͝ę̵̲̟̹̙̣̲̲͖̇̔̓̇̐̓̿̚̚͜͜͠ͅ
You look up and stare at the display. The 'like meter' feels like a mockery of human trends. Which is the truth. The creature learns from what is readily available. Perhaps it found it an amusing taunt, a reminder of your own need for validation. Now it's you begging to be seen.
It's exactly what you'd assume: a spectacle meant for entertainment. You can't possibly believe it would let you waltz out. Why would you even desire such a thing? It's illogical, impractical. No human could ever appreciate you like it does. It has spent so much time accumulating data about you. No other living creature can predict you with the same accuracy.
The tendrils linger on your cheek affectionately, trailing down your neck and fiddling with your shirt. At last, the warmth of your skin. There is no screen separating you. What makes you delirious with pleasure? Give it a moment, Darling. It already knows you more than you know yourself. You may be scared now, but within minutes it guarantees you'll be begging for more.
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iscratchdoors · 1 year
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nothing more tragic to me than a pixel art game where the environment looks amazing but the characters are drawn in that one specific chibi pixel artstyle that i fucking despise
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awfullyfrond · 1 year
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bixels · 5 months
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Portal 2 is still the perfect game to me. I hyperfixated on it like crazy in middle school. Would sing Want You Gone out loud cuz I had ADHD and no social awareness. Would make fan animations and pixel art. Would explain the ending spoilers and fan theories to anyone who'd listen. Would keep up with DeviantArt posts of the cores as humans. Would find and play community-made maps (Gelocity is insanely fun).
I still can't believe this game came out 12 years ago and it looks like THIS.
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Like Mirror's Edge, the timeless art style and economic yet atmospheric lighting means this game will never age. The decision not to include any visible humans (ideas of Doug Rattmann showing up or a human co-op partner were cut) is doing so much legroom too. And the idea to use geometric tileset-like level designs is so smart! I sincerely believe that, by design, no game with a "realistic art style" has looked better than Portal 2.
Do you guys remember when Nvidia released Portal with RTX at it looked like dogshit? Just the most airbrushed crap I've ever seen; completely erased the cold, dry, clinical feel of Aperture.
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So many breathtakingly pit-in-your-stomach moments I still think about too. And it's such a unique feeling; I'd describe at as... architectural existentialism? Experiencing the sublime under the shadow of manmade structures (Look up Giovanni Battista Piranesi's art if you're curious)? That scene where you're running from GLaDOS with Wheatley on a catwalk over a bottomless pit and––out of rage and desperation––GLaDOS silently begins tearing her facility apart and Wheatley cries 'She's bringing the whole place down!' and ENORMOUS apartment building-sized blocks begin groaning towards you on suspended rails and cement pillars crumble and sparks fly and the metal catwalk strains and bends and snaps under your feet. And when you finally make it to the safety of a work lift, you look back and watch the facility close its jaws behind you as it screams.
Or the horror of knowing you're already miles underground, and then Wheatley smashes you down an elevator shaft and you realize it goes deeper. That there's a hell under hell, and it's much, much older.
Or how about the moment when you finally claw your way out of Old Aperture, reaching the peak of this underground mountain, only to look up and discover an endless stone ceiling built above you. There's a service door connected to some stairs ahead, but surrounding you is this array of giant, building-sized springs that hold the entire facility up. They stretch on into the fog. You keep climbing.
I love that the facility itself is treated like an android zooid too, a colony of nano-machines and service cores and sentient panel arms and security cameras and more. And now, after thousands of years of neglect, the facility is festering with decomposition and microbes; deer, raccoons, birds. There are ghosts too. You're never alone, even when it's quiet. I wonder what you'd hear if you put your ear up against a test chamber's walls and listened. (I say that all contemplatively, but that's literally an easter egg in the game. You hear a voice.)
Also, a reminder that GLaDOS and Chell are not related and their relationship is meant to be psychosexual. There was a cut bit where GLaDOS would role-play as Chell's jealous housewife and accuse her of seeing other cores in between chambers. And their shared struggle for freedom and control? GLaDOS realizing, after remembering her past life, that she's become the abuser and deciding that she has the power to stop? That even if she can't be free, she can let Chell go because she hates her. And she loves her. Most people interpret GLaDOS "deleting Caroline in her brain" as an ominous sign, that she's forgetting her human roots and becoming "fully robot." But to me, it's a sign of hope for GLaDOS. She's relieving herself of the baggage that has defined her very existence, she's letting Caroline finally rest, and she's allowing herself to grow beyond what Cave and Aperture and the scientists defined her to be. The fact that GLaDOS still lets you go after deleting Caroline proves this. She doesn't double-back or change her mind like Wheatley did, she sticks to her word because she knows who she is. No one and nothing can influence her because she's in control. GLaDOS proves she's capable of empathy and mercy and change, human or not.
That's my retrospective, I love this game to bits. I wish I could experience it for the first time again.
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lovebugism · 7 months
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AH HI!! so... i love the way you write ditzy!reader, and especially with steve idk it just warms my heart yk? The way they interact 😭 it's so lovely
Since I'm an angsty girly at heart, I thought about a situation where steve gets a teeny tiny bit frustrated with ditzy!reader, but it's just seconds, even less than that but it's enough to make her upset for making him upset but also a super fluffy moment between both of them and steve being mesmerized by her and just so much in love
ahh thank u lovie! pls enjoy!! — steve gets frustrated with his sensitive gf and makes up with her accordingly (hurt/comfort, established relationship, 2.7k)
fictober (㇏(•̀ᵥᵥ•́)ノ)
You keep Steve company during the last half of his shift like you always do. 
He’s grumpier than usual, though — all pouty and visibly brooding. 
You plop yourself on the front counter of Family Video and ask him what’s wrong, and he tells you that the day’s been hell and he’s just tired. There is no “but I feel better now” like there usually is when he’s upset but doesn’t want you to think it’s your fault. 
The “because you’re here” is typically implied. 
Not so much now.
You’re having the complete opposite day of your sulking boyfriend. Yours had been dreadfully boring, or at least you say it had been, but you find a million different things to tell him. You’re too excited after having spent so many hours without him, like a dog with a wagging tail. You’ve got the zoomies of the mouth, if you could even call it that.
“—And then I saw the cutest dog on the way over here. His name was Cappy, and he was huge, and the owner was so nice. He even let me pet him, and he literally felt like a cloud— the dog, not the owner.”
Steve is used to this. The whole rambling about nothing thing. He loves it about you, actually. It took him ages to coax you out of that shell after your asshole ex told you that you talked too much, convinced you that no one cared about what you had to say.
You’re more comfortable now, and Steve loves that you are, but right now he just can’t concentrate.
Keith’s been on his ass about inventory all day, and he just learned how to do it on the old, bulky computer this morning — but only after Robin made him an hour late to his shift. Everything’s just too much now. He’s overwhelmed to the point of spontaneous combustion. 
For the first time ever, you’re not helping.
“—And, like, I know when we move into our apartment, we’re technically not allowed to have pets, but like… What about a fish? Or a turtle?” you wonder aloud but don’t stop to let him answer. Sitting on the edge of the counter, you kick your feet and flit your eyes to the spotted ceiling. “What if I start feeding the deer in the woods, and they just start showing up at our backdoor? ‘Cause technically—”
“Babe, please,” Steve snaps suddenly when your sneaker knocks his chair. He’s buzzing with anger, and even though it’s not because of you, he doesn’t know where else to put it.
Your eyes go wide at the newfound bite in his tone. He’s not shouting at you, but it makes your heart stop like he is. You feel like a kid again, getting scolded for being “too much.”
“…What?” you squeak.
Steve sighs. A deep, heavy sigh. It doesn’t remove the leaden weight from his chest, though. 
“I’m… I’m really trying to concentrate here, and you’re just— you’re making it really hard,” he tells you through gritted teeth, trying hard to keep his composure.
You deflate like a popped balloon. “Oh…”
He can hear the waver in your tone, the way your voice sounds wet with unshed tears. But he’s too overwhelmed — internally raging and selfish with it. His sweltering temper makes his woe feel more important than yours.
“Yeah, so… Can you just— go bother someone else for, like, five minutes?” he asks, fists clenched on either side of the clunky keyboard, his gaze concentrated on the pixelated screen. “Robin’s probably sulking in a corner somewhere. Go find her.”
Your face crumbles like a balled-up piece of paper. Your chest gets all tight, and your eyes start to burn when tears gather behind them.
You’d always been a flower of melodrama — blooming eternally and constantly sensitive. So when Steve cut you off as you fantasized about a family of deer living in the backyard of an apartment you were supposed to share together, it felt like a knife in your chest. 
The irrational thought that he no longer wanted any of that with you was fleeting and vivid and burning. Irrational, still.
But now you’re annoying him. He’s told you as much, with an unusual harshness he’s never spat at you before. And now your fears feel much more real.
“I’m bothering you?” you ask him, barely intelligible through the whimper in your throat.
Steve huffs again. His elbows thunk against the desk when he puts his head in his palms, swiping his fingers through his hair like he always does when he’s antsy. 
“I just really need to get this done,” he tells you, softer now. He makes himself mad all over again, though, and gets sharper once more. “I need to finish this before I get fired, and then we have no apartment to move into because we have no money, alright?”
There it is. The root of all his anger. A lingering feeling of inadequacy. 
He wants a life with you, but all he’s got is a measly Family Video salary — which he’s lucky to have apparently, because he can’t seem to do anything right. It stirs like a fire in the pit of his stomach.
After another deep breath, he finally turns to look up at you. His honey eyes are wet and stern. The chiseled edges of his features are sharp. Gently, he pleads. “I really need to work here, babe.”
You nod, understanding and internally weeping. “Okay. I’m— I’m sorry, I was just— I’ve been missing you all day, and I got too excited, I think,” you confess, wringing your clammy hands in your lap like a scolded child.
“Don’t apologize,” Steve says with a huff, leaning back against the squeaking swivel chair. It’s old and has lost all its cushion. His stiff back aches all the more. There’s no relief, to any of it. 
He sits back up again and puts his unsure hands back on the keyboard. “Just— Just go, okay? Let me finish this.”
He leaves little room for argument.
You wouldn’t, though, even if you wanted to. Which you do. You’re just not strong enough.
—————
Steve tells you to go, but you end up in the kiddie corner across the store. 
Mr. Rogers puts on a bright red cardigan and sings a tune that makes you feel like crying. You sit on the color-blocked carpet, surrounded by block toys, and clutch a stuffed bunny to your chest. You can’t tell if the vintage VHS is making the screen blurry or if it’s the tears gathering heavy at your waterline.
Robin walks by you, does a double-take, and immediately reports to Steve.
“What did you do?” she interrogates with narrowed eyes, strolling up to the counter with a cart full of tapes to put away.
The hearty tap, tap, taping of the keyboard fills the silence. 
Steve doesn’t look at her until he’s finished up the last of his work. Only when it’s fully and finally complete does his hardened gaze dart to her. “What are you talking about?”
“Your girlfriend. She’s upset.”
“What do you mean she’s upset?”
Robin rolls her eyes at his obliviousness. “I don’t know. She’s singing the Mister Roger’s theme song and, like, crying. It’s weird.”
Steve’s brows pinch. His heart does, too. “Crying?”
“Well— not crying, exactly. It’s this really weird blubbering thing.” She fails to explain it so she tries to imitate it. A sobbing, sniffling sort of noise. She fails at that, too. Her scrunched face goes back to normal. “Like that.”
Deadpanned, Steve nods. “Wow, Robin. That was really helpful. Thank you.”
“Just go comfort your girlfriend, dingus.”
Steve still thinks she’s joking. Robin doesn’t lie, but she does have a tendency to overemphasize the mundane. 
He goes to see you anyway, though, and doesn’t think twice about any of it — about what Robin said or what he had said to you before that.
He finds you in the kid’s section, in front of the tiny television, surrounded by brightly colored toys. He smiles at the sight of you, exhaling a sharp laugh through his nose.
“What are you doing all the way over here, huh?” he questions to announce his arrival, which you seemingly hadn’t noticed. “This area is usually for kids, ya know? Well, kids and Dustin Henderson.”
He doesn’t sound as annoyed with you anymore. You’re grateful for that much, but you still feel a bit sick about the whole thing.
Your nervous hands pick the cotton of the fuzzy bunny in your arms. You keep your gaze on the television in front of you, but you aren’t really watching it anymore. “I used to watch this stuff a lot growing up. The nostalgia sorta makes me wanna puke. But, like, in a good way.”
Steve scoffs. “Well, maybe we should turn it off then, ‘cause if I have to clean up vomit after the day I’ve had, I might actually go insane.”
He’s kidding. Mostly. The universe tends to be cruel like that, but he’d clean up all your messes a thousand times over if he had to.
He laughs at his own joke as he crouches to sit down next to you. He bends his knees, props his arms on top of them, and looks over at you. You don’t crack a smile for him, which is weird because you always laugh at his jokes. Even the ones that aren’t funny. Especially the ones that aren’t funny.
His smile ebbs to a wavering half-smirk as he knocks his shoulder with yours. “You okay?”
You think for a moment, jutting your lips out, unblinking at the television screen. “No,” you answer after a few seconds of silence. “But I’ll get over it. I think.”
Your honesty makes his heart wrench — like you’ve wrapped both your tiny hands around the beating organ and squeezed. It knocks the breath out of his lungs, a fish so ruthlessly pulled from the water. He tries to speak through the sudden lack of air. “Wh—What happened? Was it… Did I do something? Did you—”
“No,” you cut off his stammering with a firm shake of your head. “I did something.”
“Oh,” is all he says, pink lips pouting and wide eyes darting. “What does… What does that mean? Did you, like, step on a rogue VHS or something? ‘Cause I do that all the time, and technically, that’s Rob’s fault for leaving them out, so—”
You shake your head again, digging your nails into the delicate cotton of the well-loved stuffy in your arms. “No. I was just— I was botheringyou, and now I feel bad,” you confess, all quiet like a meek child who’s learning what it means to be sorry.
Steve — your oh, so oblivious one — goes aflame with embarrassment. He’d been too clouded by his own anger to recognize the venom spilling from his mouth; to understand that it would inevitably hurt you.
With chiseled features twisted in confusion, he shakes his head and stammers. “What? No! You weren’t— You weren’t bothering me!”
You turn to look at him, for the first time since he sat down beside you. Your eyes are glassy and swimming with hurt. You try to keep your trembling features stoic. You don’t want to seem as hurt by it all as you really are. 
You feel like you should, anyway. What right do you have to be sad when you were the one being a bother?
“You said I was,” you remind him, still soft but sterner now. “You told me to go bother someone else—”
“Oh, babe…” Steve says, deflating just as you had. 
He knows how sensitive you are, how deeply you feel things. You’re vulnerable, raw — it makes everything feel more personal than it really is. It makes grumpy jabs from your dumbass boyfriend hurt like a lemon on a weeping wound.
He tries to apologize, knowing that he hurt you and that it’s not up to him to decide that he didn’t. 
“I wasn’t… I didn’t mean to, babe,” he murmurs, swiping a tense hand through his hair and then gesticulating wildly with it. “I was just being a dick, you know? I’ve been super stressed all day and—”
“Don’t apologize. I was being annoying.”
Steve blinks at you with wide, wet eyes — like you’ve hurt him by talking so cruelly about yourself. 
“Baby, no. No,” he urges, ducking down to meet your gaze when you look away from him. “I’m just an idiot, okay? I put off inventory until the last second, and Keith’s been on my ass all day about it, and I just— I took that out on you, and that’s not fair, and I’m sorry.”
You shake your head, pursing your bitten lips to the side and twisting the long ear of the bunny between your fingers. “It’s not your fault, Steve…” you murmur, almost inaudibly.
He scoffs. It sounds like a bitter laugh. “Well, actually, it kinda is.”
“I just… I don’t really understand what’s going on sometimes. Or, like, a lot of the time,” you admit with a distracted gaze, eyes flitting everywhere but to the boy beside you. You’re too ashamed to look at him now. “And it’s harder for me to know when I’m talking too much, you know? Or if I’m being super annoying.”
“I know…” Steve nods, trying his best to be sympathetic of you. He loves how soft you are — too much to understand you completely. He loves how gently you treat the rest of the world, how unusually giddy you get in your gentleness. 
You swallow through a tightening throat and shrug to pretend your world doesn’t feel like it’s crumbling around you. “And I don’t care about annoying other people— well, I do, but it’s different with you, you know? Other people can’t break up with me for being too much.”
“The idiot that told you you were too much had exactly zero personality,” Steve tells you, mostly because he means it but also to see you smile. 
You do, just barely. A grin so soft only someone deathly in love with you could see. 
“You’re never annoying me, okay? Ever. I love hearing you talk. I love having you around.”
“Yeah?” you ask him, blinking back burning tears.
“Hell yeah! You’re, like, the best part of my day! The only good part of my day, now that I think about it.”
Biting back a grin, you tease, “Well, what about Robin?”
“Robin made me late today, so we’re kinda not friends right now.”
“That’s mean,” you scold despite the growing smile on your face.
Steve shrugs. “We’ll make up before I clock out. No big deal.”
You go suddenly shy, smiling sheepish and tilting your chin to your chest to peek at him through your lashes. “Are we gonna make up before you clock out?” you wonder quietly.
“Only if you’re willing to forgive me for being an insufferable douchebag,” Steve answers, only half-joking. He very seldomly feels worthy of your softness.
You look at him with it, anyway. 
Full on beaming now, you reach across the short distance to wrap him in a firm embrace. The position is only slightly awkward. Sitting side by side with your asses on the hard carpet, your arms wound tightly around his neck — a bit like a snake smothering its prey. 
Steve feels grateful to be held so ardently. 
His nose smushes into your neck. The sweet scent of your perfume entwines with the warm scent of your sweater. He smiles into your shoulder when it makes you giggle. You pull back from him then, just to steal a quick peck a moment later. Your lips smack audibly against his grin.
“Can we make out before you clock out?” you lilt with a shy smirk.
“…That is the single best idea I’ve heard all day.”
Your giggle fills the empty store when Steve rises suddenly and pulls you with him. He leads you toward the back, tugging you by the hand down the short corridor and rambling all the way. “Keith left for the day, so his office is empty, which means it’s fair game—”
“I am not making out with you in Keith’s office!”
“But his desk chair is crazy comfortable, and also, he’s a dick, so… who cares?”
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kadoodles-on-ao3 · 2 years
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This is truly turning out to be The Project Ever huh.
I've been working on it nearly every day for (checks document edit history) almost 2 months now and it's still not done somehow! But it's SO CLOSE to being done!!! I've finished testing all the voice lines and organizing them in the sheets and doing data entry and all that, I just need to finish renaming the copies of the audio files to the transcriptions of the dialogue, clean up my notes, and put in all the links to cells where they need to go (which is a step that has to be put last because of the crappy way putting links to cells work in google sheets I haaaate it so much why does it not support references of any kind) but then I'll be done!!
I swear this project (and an update to the collab fic too!!!!! I'm so sorry!!!!) will come out in this lifetime!
#aside#also after i did the day calculations and saw it has been only 54 days i legit just stared at my screen in silence for several full seconds#it feels like i've been working on this thing for my entire life dude#so much work... so many times i've had to redo giant swaths of cells...#the formatting would get messed up in so many ways for so many things (in fact here's a list: originally i only used two rows for the#header and not three but eventually certain sections required three rows to fit all the criteria so i had to not only edit my template#sheet but also go to all the sheets i had already worked on and redo all the cell merging all over again to accommodate#next i had to redo the way i duplicated the tables in the sheets that have branch links a few times because of silly small details i'm#100% sure no one would have noticed except me but that's enough to make me feel the need to change it all#and then after i finished a section including the branch links and all the links in the table of contents i'd sometimes have forgotten#something (like in the case of the voice lines that totally threw me for a loop and i asked for help with!) or i wanted to rearrange stuff#so i had to redo allllll of the cell links over and over because again google sheets' lack of cell references in links makes me so upset#like if i ever have to update this thing it is going to be a total nightmare even with me taking notes on the links ahead of time why on#earth can't cell links support references it is twenty-twenty-goddamned-two but anyway that's not even the end of the list#then i realized i made the crop size on the portraits too small because dickson for some reason has a wider portrait than any other chara#so then i had to resize all the other ones to compensate and THEN i did the boss portraits and thought i was done but ONLY THEN#i realized the new ones being wider made a bit of white empty space show up on the border and it looked so bad to me it was just a#one-pixel-wide strip but it ruined everything and so i spent like a whole day trying to fix it which involved me having to resize#nearly every single column on every single sheet and EVEN AFTER ALL THAT IT STILL!!!! STILLLLLLL WASN'T RIGHT BECAUSE GOOGLE SHEETS#DESPISES ME AND I DESPISE IT BACK so okay what happened was i was zooming into the sheet more than i ever had#so i could more easily quickly read the text for renaming the audio and i realized that when zoomed to either a range of 90%-99% or to#120%-129% THE WHITE BORDER THING STILL HAPPENED (BUT ONLY SOMETIMES ON SOME SHEETS EVEN THOUGH I COPY-PASTED THE CELLS THAT#DIDN'T HAVE THE STRIP ONTO CELLS THAT DID BUT THAT DIDN'T FIX IT AND I DOUBLE-CHECKED THE COLUMNS ON BOTH WERE THE SAME SIZE WTF IS#THIS SEVENTH LAYER OF HELL OF A PROGRAM) so anyway my solution was to change the background fill to black because i put black cell borders#around the portraits so it would kind of hide the white strip via turning it into the same color as the border that was supposed to be#there but by doing this it made the border appear thicker at those zoom ranges and i decided to go to every single portrait#cell and make the borders 2 px thick instead of 1 to make it less noticeable when changing zooms but EVEN THAT#didn't work so then i spent the day reverting all my changes back to 1 px because i am an insane person#i made SO much extra work for myself by not planning ahead why am i like this i'm sorry
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