hii sorry if you’ve already answered something like this in the past but how do you shade? ur art is always rendered so nicely and the colors are chosen so well!!
HELLOO THANK YOU! SO let’s start from the basics
when something is white or black you can change that to something else, here’s an example (for black you can just pick any colour and make it darker)
2. if you have space (in the background? idk how you call it) you can put a showy colour
3. colour picking - i tone it down / take the saturation
i dont add lighting unless there's something like glass
separation line cuz its gonna get a bit long
1.
you get your base colours ( i revived my oc for this ) (now after the basics u know where the white, black and [in this case] yellow came from)
2. i hope you know how to use layers
specific art style thing, i dont know what that is
3. if you arent the type of person to stick all the layers of your base colours then CHANGE IT!! for this tutorial
so what you are going to do is create a gray layer, all gray, fill it, the layer has to be on top of the base colour layer
u click that button, it has to look like this
4. you create another layer (above the gray one) (it has to be on the same layer mode with the second button so what you do doesnt go out from the base colors)
then you put your shading, I use red
+ i like to remark around the lineart bc yes
5.
trust me
[extra unnecessary info = a good mix is red + blue, and purple or brown are good on their own (in multiply)]
6.
you experiment with the layers, adding or deleting until you like it (i usually dont like if the shading ends up too not-colourful or too heavy) (the modes for these layers are multiply and SUBEXPONER) (I DONT KNOW THE TRANSLATION BUT ITS THIS ONE)
7. once you get what you want you merge the shading layers one per one to the base colour layer, so its all gone, you have all in one layer
8. BORDERS
you make outlines around the shading, in a colour that is more ?saturated? / showy <- you can use these same lines you are doing to just remark what you want (like the speechbubble, bad example but u get it)
in the black color i used (here its darker blue) i didnt use a lighter saturated colour like everywhere else, i used a darker blue
9. SECOND ROUND OF BORDERS
whats the difference between these and the ones from before? in this step your starter color is the base color (in the other you picked from the shading) , you dont go too far to make it outstanding
all of this it makes it more solid
10. AND LAST you colour the lineart (in the same layer mode you used before where what u do doesnt go out of the layer)
very saturated here and i randomly added orange bc reusing colors is cool (since the filling behind the hair was yellow it ended up like this)
edit: i dont like to change much from the outlines, more the inside because i like it when it looks like a sticker
thank u for reading
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Dpxdc idea 176
Danny never expected to see Tim drake aka Red Robin ever again. Especially not when he just escaped the Giw covered in wounds and a Y he’d never like to see again.
Tim never thought he’d see Danny again, according to Danny only one of him could ever exist. The same one they were both certain was from a different dimension. They had searched up the justice league and Bruce Wayne from Danny’s bedroom. A dimension Danny couldn’t leave without risk of the GIW causing a war in the realm.
He had only ever met Danny after one of his opponents managed to shove him through a natural portal. He of course managed to modify his weapons to work in the infinite realms. Mortal safe food not to easy to find. It was mere chance he had run into phantom. From there he ended up waiting in Danny’s supposed different dimension until frostbite was free to let them use the infinite map to get him back home.
He really needed to look into the GIW of that was the case. First he had to deal with getting Danny medical attention.
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body modification is cool and hot as fuck pass it on
this includes:
-hrt
-diy hrt
-tattoos
-stick and poke/diy tattoos
-cyborg parts (such as in-body disability aids, mechanical heart, or just enhancement parts)
-piercings both professional and diy
-tongue splits
-scarification
-skin dye
-cosmetic surgery
-accidental scarring that you like to have
-birth control implants
-teeth mods
-eye mods
-literally any body mod you can think of. i love you and your unique and beautiful body and how much work and passion it takes to evolve like that. i love scientific advancement in changing ourselves. i love disabled modders. i love neurodiverse modders. i love queer modders. i love body mods as a symbol of rebellion. i love body mods that are just for fun or aesthetics. i love body mods for function. i love body modification. its awesome as fuck. you are valid and you deserve complete ownership of your body and to do with it whatever you wish. thank you for being you.
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Fill for G1 - Black Cloaked Envoy on my Guardian Bingo Card!
The base pattern is taken from this daxiushan (大袖衫) pattern. To make this daxiushan (Heipaoshi's Version), I shortened the sleeves a bit, added extra length to the body, added a hood, and added the weird gauzy bits on the back. I also added some cording on the shoulders and the sides of the hood, following the design from the show as closely as I could. You'll also notice a couple decorative bands of black ribbon on the chest and at the waist, as well as a square of skightly different black fabric on the back — these are also embellishments added to follow the model in the drama.
Fabric: raw silk noil, cotton lining in the hood, a silk habotai square, silk gauze, silk ribbons, cotton cording. Entirely handsewn using waxed black linen thread.
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not sure how to phrase this but something i have been ruminating on recently is that xue yang is strangely fragile. obviously he is also incredibly resilient. he survived, and continues to survive, impossible things. he has a million barriers between himself and the world, but none of this actually matters when it comes to what he feels. everything is personal to him. everything pierces straight through all that armor and goes right to his battered heart, the heart that no one else believes he has. that even he is not fully cognizant of. the world strikes and strikes and strikes and so he strikes and strikes and strikes back, even (especially) when the wound is something other people would not think worthy of retribution.
xue yang would never realize this- would be outraged at the concept of it- but the way everything, everything is something to rally a defense against is in itself a form of fragility. he does not know how to let go of things, or let them pass him by. passivity is death. so he is ruthlessly cruel and violent. he projects himself as a lunatic untouchable by anything you might possibly do to him, and on some level he even believes this. but in actuality he is one raw emotional wound. he never learned to separate himself from his emotions, much less process them. the volatility is not so much insanity as it is the constant lashing out of an animal in a trap, and the trap is the world, and the trap is himself, and he is never going to get out. and like so much else, this pain is just part of the background radiation of his life. it hardly registers. to be able to register the hurt, you would have to be able to register a time in which you were not hurt.
i feel like it is a fragility that could blossom into such tenderness, given exactly the right set of circumstances. how at the very first touch of softness in his life he fell into a domesticity from which he never recovered. how much was there, still, to be salvaged from the cruelty. on some level i am always thinking about the little apple bunnies. about the meal for daozhang and the straw in a-qing's bed.
it was too little, too late. it shattered like glass when the world intruded back in. but the tenderness was there. no one, least of all xue yang, knows what might have happened had it been unearthed in him any sooner.
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i made some straps for my crutch!
i originally got an open cuff crutch because i was worried about my arm being too big, i wear a lot of bulky sweaters as well so i was worried it wouldnt fit over that as well. i very quickly found out how inconvenient it is to try to use that arm with it. i drilled a hole in both sides of the cuff a small binder ring inside, that way i can change out the straps! the two ive made so far are a crocheted one and a beaded one, of course both green :-) [smiley face emoticon with nose]
[id: four photos of danny’s right arm in their open cuff forearm crutch that has been modified to have a strap across the open part of the cuff. they are pale, wearing a gray shirt, and have two tattoos on their arm of joey jordison’s mask and the danger days spider. in the first two photos they are only visible from the shoulder to wrist. the first photo shows a thin brown corded strap with green stone beads on it, the second photo shows a green crocheted strap in a scalloped pattern. the third photo shows their arm outstretched to demonstrate the crocheted strap holding up the crutch. the fourth photo is a close up of the crutch showing the drilled hole where the binder ring is inside, it is attached to the crocheted strap. /end id]
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i am actually genuinely so mad about how larian is going about things, on a professional level. i work as a software dev - when i put something out that is meant to be public ready, i make as sure are possible that there are no bugs. if there are any, i fix that asap, before adding anything on top of it bc 1) it disturbs user experience and 2) adding smth on top of a bugged foundation means at best u reproduce the bug, at worst U MAKE IT WORSE and then u have to untangle that
youd think this logic would go double for smth as complex as a video game but apparently its more important to [checks notes] make lae'zel nicer????
like im aware theyre... allegedly, considering what i hear of the state of the game post patch 6.0... fixing bugs. but by modifying/adding other things at the same time theyre actually creating or worsening more bugs than theyre fixing. and its. fucking stupid. and it makes me mad because its such basic logic that they're completely ignoring
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The Martian (2015) really is a shockingly faithful adaptation of the source material, as big-budget Hollywood movies go.
Like, Andy Weir's screenwriter credit isn't a courtesy credit. They didn't just follow the story beats -- an insanely high percentage of the dialogue is word-for-word from the book.
Which is to say: Lord & Miller, if you actually make the Project Hail Mary movIe, you have literally no excuse if you fuck it up. Ridley Scott managed to do it right, for god's sake.
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