Asking for a bit of company <3
Happy 4/27!!!! Just in time after my exams! It's so wonderful seeing this fandom still up and going. I never even thought that i'd have the guts to post about these sillies when the first game came out!
I hoped that i would be able to do a full-fledged art piece with proper colors and shading and all for this day, but i got rather busy this past week ^^;
I hope you all enjoy the rest of the Stanley Day ^^ take care <3
Oh, and see you guys at the sad-ist premiere too ;)
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I feel like everyone has been lying to me about Shen Qingqiu being oblivious! Reading this I really feel like he absolutely knows how he feels about Binghe! He's the one who called himself s grieving widow! Not anyone else!
Many times from his pov he mentions feeling some sort of way. And then quickly follows this up with 'teacherly feelings' or 'so filial' but then there's the '(or something)'. Man knows what he's feeling and is trying to brainwash himself out of it!
This man is very twisted up about his own sexuality. But I really don't think being ignorant of it is the the problem?
Perhaps he is deeply ashamed. Or just so completely certain it wouldn't be reciprocated. Probably just so ingrained that this is not socially acceptable so avoid avoid avoid!
Sqq has *experience* in brainwashing himself. Perhaps this behavior started well before he became Shen Qingqiu.
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You have to understand. I don't "ship" Harry with the smoker on the balcony, I think whatever they have going on canonically is way funnier and touching than anything anyone could come up with.
There is so much within the dynamic itself. It’s a middle aged man and a younger man who are nothing alike and everything like each other. It’s the smoker being the person that kickstarts Harry’s sexuality journey anew, seeing Harry’s fascination with him and being amused by it because (aside from Harry being probably the first man in a while who’s managed to leave him dumbfounded in a positive way) the smoker *knows* what’s happening in Harry’s mind and as he puts it, it’s beautiful.
Don't get me wrong, the mutual attraction is there. The smoker flirts with Harry every other two lines (girl why the fuck are you flirting with a cop you're insane. I'm obsessed with you) yet makes fun of him in the same breath while Harry is absolutely clueless the whole time because he's too busy staring at his abs. Couldn't come up with anything funnier if I tried.
I love this high drama check, this is exaclty what it feels like to speak to clueless boomers who have no idea what they're talking about. Still, once Harry admits that he might be part of the "underground" as he puts it, the smoker is immediately excited and encourages him to think about it. It's very sweet.
(I know everyone has probably seen this dialogue 100 times by now but I love the phrasing here. literally twink_boutta_pounce.jpeg)
And as a side note I really like this emphaty check in response to Harry's little breakdown after the failed suggestion check the first time you meet him. The smoker like damn he just like me fr.
I don't think more smoker interactions were needed at all or that they would ever talk again post-game but it's interesting to think about what other converations they could have, even just so we could learn a bit more about him. They both have an interest in art. They're both stuck in a place they can't leave if they wanted to and yet find beauty in it, they both have regrets about past relationships. They both find talking with the other a charming experience in a way or another. If I want to be indulgent, they both could benefit from learning about what being gay means for a younger/older generation, especially since they both have such different life experiences with their identities.
It's all fanfic talk, and obviously no cops at pride and so on but their interactions did make me think about community and recognition through the other. A flirt for the sake of a flirt, a “maybe in another lifetime” but this lifetime is good too because they did meet and leave an impression on each other before parting ways. That's *beautiful* too.
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I think people sleep on this moment in the Odyssey...
If I'm wrong, not getting full context, or see something that isn't there, feel free to give evidence to explain why.
Here he crept under a pair of bushes, one an olive, the other a wild olive, which grew from the same stem with their branches so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.
(Book 5, Rieu)
I think this is about Penelope and him.
Obviously, their marriage bed is made from an Olive tree. If it's just about Athena then why are there two mentioned? Why did Homer mention two when he could've just said he took refuge under one? Or a completely different type of tree? Why mention them being intertwined?
One an olive: Penelope, who has been with society and "safe" in Ithaca ("Safe" because of the suitors)
One wild: Odysseus, who has dealt with literal monsters and immortals and has just escaped from Calypso. Literally naked and filthy, a "wild man".
"which grew from the same stem with their branches": Them both being together at first, before being separated.
"so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.": Despite being separated, they are still "intertwined". Whether you want to think of it as them being likeminded or simply connected, even though they are apart, nothing could get in between them. 🥺
I don't know what else Homer could be referring to other than them.
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How every one of their conversations look from an outside perspective:
To most people, Stanley communicates through ASL or less meaningful gestures. To Narrator, Stanley communicates, mostly unwillingly, through thought
This is one of the things I’ve tried to keep consistent through my comics, the fact that Stanley never really signs with or at The Narrator. He can understand it fine but they’ve been communicating through thought ever since the parable so they don’t see a reason to start signing now
Neither of them understand how or why this ability was carried over to the real world. But to be fair they don’t understand why they themselves were carried over to the real world so maybe it’s best not to think too hard about it
This is just a silly mini comic from a while ago that I decided to re-draw
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After the Leave Together Ending
The Princess and the Protagonist have left. However, the Long Quiet and the Shifting Mound remain. Of course they do, only a small part of them broke free and left the Cabin together. The Protagonist didn’t kill the Shifting Mound and they left the Hero and the Contrarian behind when they departed.
The Hero was right, the other voices didn’t take long to turn up. The Princesses came too. Some we know from the game and others are new.
At the heart of the Cabin sit the Long Quiet and the Shifting Mound. Look at them one way and you’ll see two separate beings, side by side. Look at them another way and you’ll see them overlap and melded together. No matter how you look, you’ll see that they love each other.
Sometimes, a bit of the Long Quiet or the Shifting Mound will brake away and become their own person. This does not diminish the Long Quiet or the Shifting Mound in any way. If you take something from infinity, you still have infinity left. Some of those people choose to re-enter the whole, other stay separate.
The Smitten and the Damsel are never far from each other but they do have other friends. The Smitten writes epic poems of courtly love, all dedicated to his beloved. The Damsel sings and paints beautiful pictures. If you ask her, she will paint you and show you what you look like (there are no mirrors in the Cabin).
The Stubborn and the Adversary fight and fight and fight. They’ll stop to chat with the others if anyone wants to talk though. It’s a weird relationship. It would be horribly unhealthy for anyone else but it works for them.
The Nightmare gets a bit of a wide berth from most the others but she is loved too. Sometimes, she rejoins the Shifting Mound other times, she hangs out with one of the newer Voices. He’s called the Phobophilia (lover of fear) and he loves her dark creativity.
The Cold is learning to feel again, the Paranoid is learning to trust and the Hunted is learning how to feel safe.
The Cabin is no longer a prison; it is a heart, a home and a world. It grows and changes to fit the needs of those who live within it. They can leave if they want to but most choose to stay.
If they do leave, it’s almost always a Princess and a Voice together. The only expectation was the Contrarian. The Contrarian left alone; they were also the only one who came back.
The Hero and the Thorn are thinking about leaving together. They’ve been in the Cabin a long time. Hero and Thorn are friends with everyone. They’ve helped make this Cabin a home for them all. However, any of them can do that if they want.
It might be time for a new adventure, outside of themselves and where they aren’t in control of their whole world. Hero and Thorn haven’t decided yet.
There is Cabin in the Woods. The Cabin is a heart and the Woods are a body. They are the Shifting Mound and the Long Quiet. They are one being, they are two beings and they are many beings all at the same time.
This is a love story.
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